<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica; min-height: 14.0px">Yes Hello, </p>
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<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">It is indeed entirely possible that you have felt dispirited by a uniform continuum. In your fine ears even, rhythms have dissolved in a flurry of unrelated quanta. It is altogether plausible that you require a <b>rhythm topologist</b>. </p>
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<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">The nature of my analysis is a friendly one: to resuscitate rhythmic diversities, and indeed to heighten their nice clusters. I have emplaned in many a sonorous vessel, and am eager to pursue the enlargement of my corpus. </p>
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<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">***</p>
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<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">The process will not do you a ruffle: ship, <i>ship, </i>simply ship that stubborn sound to my own port. Alternately, locate this audio source in the world so that I may see to its roots. </p>
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<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Your file is promptly returned with robust results: I extrapolate salient pulse, timing information, tone pips & grains. The file is duly gridded—no longer daunted by sonic disorientation, by that specter of imprecision. </p>
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<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">You will like this Topology that nourishes and flexes the echoic memory. Let the "experts" dither— they cannot canal the admirable powers of Rhythm Topology. </p>
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<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Sliding $5-20 per file </p>
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<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Aff'ly, </p>
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<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Whims Robillard </p>
<p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica">Rhythm Topologist </p>