<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div apple-content-edited="true"> <span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; 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font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><span class="Apple-style-span" style="font-size: medium; ">Hi everyone, once again a new issue packed with reviews and new sounds for your listening / reading pleasure.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Furthernoise issue October 2010</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/index.php?iss=88">http://www.furthernoise.org/index.php?iss=88</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Nunatak &#8729; Teimo &#8729; Permafrost" (feature)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Thomas Köner apparently always saw his first three albums Nunatak, Teimo, and Permafrost as a triptych. Type has now obliged, repackaging these seminal works, situating them as central to the development of dark ambient drone. Two decades on, they remain peerless works situated between sound art and a particular form of reduced music.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=355">http://www.furthernoise.org/page.php?ID=355</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">feature by Alan Lockett</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Bay/Oslo Mirror Trio and SEKSTETT on Conrad Sound" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">SEKSTETT and Bay/Oslo Mirror Trio, are two new releases from Norwegian label Conrad Sound</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=363">http://www.furthernoise.org/page.php?ID=363</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Derek Morton</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Emerald - Elve" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Matt Hillier (aka Ishq) releases as Elve on his sub label Virtualworld. Aptly named, the imprint's creations seem to inhabit an intelligently designed universe of their own. That of Emerald is differently oriented from debut Infinite Garden: if the latter was futurist Albion pastoral, Emerald has more of the air of a virtual tropical rain forest.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=358">http://www.furthernoise.org/page.php?ID=358</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Alan Lockett</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Myriad Trails - Garden Hall" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Garden Hall's Myriad Trails hosts minimal ambient drones and textured tones of a type typically tagged ‘experimental’ - basically a mix of harmonic drone and post-rock (sans rock) laced with field recordings. Reductionism aside, the whole is wrought with a sleight of hand to keep ambiance-chasers engaged.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=361">http://www.furthernoise.org/page.php?ID=361</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Alan Lockett</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"noise&capitalism.pdf>>/dev/dsp - NOISH~" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Recording under the moniker NOISH~, Oscar Martin has released an album for the Free Software Series, a label that spotlights experimental music, produced using free software. For this experiment NOISH~ has described his process as a “transcodification of the book noise&capitalism</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=362">http://www.furthernoise.org/page.php?ID=362</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Derek Morton</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Obsil Distances" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Obsil's sound world is a refreshing direct approach to an electronic song. Straddling a field to encompass the contemporary glitch of 12k and the post-classical romanticism of Type and Miasmah, Distances is a creative and charming collection of piano-based electronica.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=354">http://www.furthernoise.org/page.php?ID=354</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Caleb Deupree</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Richard Lainhart - Cranes Fly West" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Richard Lainhart's Cranes Fly West incorporates a grand piano and field recordings with his various electronics to showcase another aspect of his musical creativity. The peaceful and serene drones from his earlier work are still present, and the new elements create uncanny ripples in the placid surface textures.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=357">http://www.furthernoise.org/page.php?ID=357</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Caleb Deupree</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Rojo" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">As head of Locus of Assemblage, David Wells curated a beguiling mini-cdr series featuring Paul Bradley and other likeminds. His own drone, Rojo, is similarly turned out, delicately layering a stately guitar sequence with subtle timbre tweaks. Serene but not soporific, its internal tides make for a pleasing headswim in its recursions.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=360">http://www.furthernoise.org/page.php?ID=360</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Alan Lockett</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Roger Mills</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Editor, Furthernoise</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span></div></div></span></div></span></div></span></div></span></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"> </div><br></body></html>