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<div>SoundBlog / September 04th, 2010 [#387]</div><div><font class="Apple-style-span" color="#76923C"><b>THE STRANGE CASE OF THE QUITE HONORABLE JUSTIN BIEBER'S</b></font></div><div><font class="Apple-style-span" color="#76923C"><b>TEMPORAL STRETCHING (WITH PITCH CORRECTION)</b></font></div><div>[ SB Tweet Digest #7, August 2010 ]</div><div><br></div><div>"How an Internet-meme suddenly doubled the SB's traffic / Where we get to know Nick Pittsinger and his Bieb Stretch / About audio time-stretching becoming part of the musical mainstream / A playful yet serious Cupertino pitch / Some clear-cut promises for the Future of Music Consumption / And on just how extensive a such prospect is..."</div><div>[ permalink: http://www.harsmedia.com/SoundBlog/Archief/00746.php ]</div><div><br></div><div>&: Slight reprise of <font class="Apple-style-span" color="#C0504D">"Finale - The Final Soundtrack"</font> in Hard/Hoofd Magazine</div><div>http://www.hardhoofd.com/2010/09/02/finale-een-hommage-aan-de-vuvuzela/</div><div><br></div><div>&: 11+12 sept.: <font class="Apple-style-span" color="#C0504D">"Het Leven is een Gekleurde Draad" (Life is a color wire)</font></div><div>Public visual + sound installation. Markt, Maastricht (the Netherlands)</div><div>http://introinsitu.nl/een-gekleurde-draad-zo-is-het-leven/</div><div><br></div><div>EA yo urr ssssss ...</div><div>__ Harold Schellinx </div>                                            </body>
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