<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div apple-content-edited="true"><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; 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font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div><span class="Apple-style-span" style="font-size: medium; ">Hi all for those interested...</span></div><div><span class="Apple-style-span" style="font-size: medium; "><br></span></div><div><span class="Apple-style-span" style="font-size: medium; ">Please find a host of new features and reviews, and a restocked audio player for your reading and listening pleasure.</span><span class="Apple-style-span" style="font-size: medium; "> </span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">We are also pleased to announce our new net label release, Active Crossover II, which is free to download with printed cover from the site. See editors review for details on this great collaborative performance and installation project.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Furthernoise issue August 2010</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/index.php?iss=87">http://www.furthernoise.org/index.php?iss=87</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"4 Releases from Mimeomeme" (feature)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">The Seattle Phonographers Union comprises five live performances recorded in Seattle from 2004-2008. It is interesting to note that these are not compiled in chronological order, though listening to the album repeatedly, I could not determine if sequencing really made that much difference, as each track creates its own unique sonic trajectory and flow.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=349">http://www.furthernoise.org/page.php?ID=349</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">feature by Derek Morton</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Active Crossover II, Various Artists" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Founded by Bristol (UK) based sound artist Simon Whetham, Active Crossover started in 2008 from a residency in Tallinn, Estonia, as guests of the Non Grata Collective. Presenting workshops in field recording and composition, it culminated in Whetham working with John Grzinich, providing a live sound track to a performance by renowned Estonian artist Peeter Allik.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=350">http://www.furthernoise.org/page.php?ID=350</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Roger Mills</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Amarok - Francisco López" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">On Amarok Francisco López deploys processed field recordings to create a windswept soundscape tailored to the Glacial Movements aesthetic. This isolationist dreamweaver conducts an arctic expedition with trademark atonal drones and snarling blasts evoking the eponymous giant wolf of Inuit mythology, representing a shivering parable for our times. Perhaps.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=344">http://www.furthernoise.org/page.php?ID=344</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Alan Lockett</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Collaborative Soundtracking - Erdem Helvacio&#287;lu and Per Boysen" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Through a long-distance collaboration, multi-instrumentalists Erdem Helvacio&#287;lu and Per Boysen deliver the soundtrack preceding the film Sub City 2064 (currently somewhere between ideation and synopsis), whose use of recollected vocabularies from different avenues of pop music, from stadium rock to simmering ambient pads and lounge dub-jazz.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=346">http://www.furthernoise.org/page.php?ID=346</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Caleb Deupree</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Halation - Capricornus" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Questing Infraction Records bring bright newcomer Capricornus to the ambient drone sleepover, hosting in Halation a slow-release narcotic of minimal means and maximal Morphean mien. Long languorous swathes of guitar outfolding towards the infinite in a successful foray into the zone between Deep Listening immersion and harmonised drone.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=345">http://www.furthernoise.org/page.php?ID=345</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Alan Lockett</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Jack Curtis Dubowsky Ensemble II" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Comprising bass, a vintage analog synth, trombone with effects, and drums, the Jack Curtis Dubrowsky Ensemble plays a futuristic lounge jazz, replete with nocturnal overtones, swampy, humid and mysterious.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=348">http://www.furthernoise.org/page.php?ID=348</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Caleb Deupree</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Lava - Markus Mehr" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Released on Perth's Hidden Shoal Recordings Lava is an album, as the title suggests, of textural and timbral contrasts with disjunct leaps of dynamics and tonality. Written and recorded in his home studio in southern Germany, his palette of sounds come from all manner of sound emitting objects, electric shavers, ventilators, electric toothbrushes and field recordings,</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=353">http://www.furthernoise.org/page.php?ID=353</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Roger Mills</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">"Marsen Jules - Yara (Remastered)" (review)</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Marsen Jules' classical-ambient-minimalism hybrid releases Yara, a release from 2004 on digital netlabel, Autoplate, well meriting remastered and beautifully repackaged form courtesy of Oktaf, complete with two bonus tracks. Source sounds drawn from classical trio, Yara, while flaunting cut'n'paste provenance and DSP mediation, retain something of the essence of their grace and delicacy.</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><a href="http://www.furthernoise.org/page.php?ID=347">http://www.furthernoise.org/page.php?ID=347</a></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">review by Alan Lockett</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Roger Mills</span><span class="Apple-style-span" style="font-size: medium; "><br></span><span class="Apple-style-span" style="font-size: medium; ">Editor, Furthernoise</span></div></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"> </div><br></body></html>