<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div>Hi everyone, we have a new issue up online for your reading listening pleasure.</div><div><br></div>Furthernoise issue April 2010<br><a href="http://www.furthernoise.org/index.php?iss=85">http://www.furthernoise.org/index.php?iss=85</a><br><br>"Get into Line" (feature)<br>Over the last decade the 12k label has become renowned for questing releases in electronica-microsound while offshoot Line has pursued its more experimental strand of its remit. This feature surveys recent additions to a vibrant international roster from lovesliescrushing (US), Robert Curgenven (AU), alva noto (DE), Tu M' (IT), and Pjusk (NO).<br><a href="http://www.furthernoise.org/page.php?ID=326">http://www.furthernoise.org/page.php?ID=326</a><br>feature by Alan Lockett<br><br>"Touch Tones" (feature)<br>Since 1982 Touch has created sonic and visual productions combining innovation with a meticulousness lending it enduring quality. Its look and feel, led by the photography of Jon Wozencroft, whose simple but effective images became linked to respective releases, has earned it esteem for visual sensibility as much as experimental music culture.<br><a href="http://www.furthernoise.org/page.php?ID=328">http://www.furthernoise.org/page.php?ID=328</a><br>feature by Alan Lockett<br><br>"<br>& After the Chill Room" (review)<br>Compilations like The Black Album are a well-established paradigm for the label to take stock of the journey thus far, as well as point toward new paths through the musical forest. They take inspiration from international and established artists, solid momentum from the label's existing musicians, and energy from the new and seldom recorded.<br><a href="http://www.furthernoise.org/page.php?ID=325">http://www.furthernoise.org/page.php?ID=325</a><br>review by Caleb Deupree<br><br>"Blue - Part Timer" (review)<br>Part Timer, (aka John McCaffrey) fuses experimental pop folk with processed signals, found sound, strings, piano and rhythmic off kilter glitch. His album Blue also features collaborations with vocalist Nicola Hodgkinson and Fourplay String Quartet, who will be known to most Sydney-siders as the illustrious radio presenter and cellist Peter Hollo.<br><a href="http://www.furthernoise.org/page.php?ID=330">http://www.furthernoise.org/page.php?ID=330</a><br>review by Roger Mills<br><br>"Static Forms - Pierre Gerard / Shinkei" (review)<br>Prolific minimal-lowercase, sound art label, Dragon’s Eye Recordings is documenting its own kind of “quiet music” genre with the release of Static Forms, a 2-track cdr consisting of pieces by Pierre Gerard and David Sani aka Shinkei. The outcomes of their explorations of “negative sound space” are of subtly differing but complementary character.<br><a href="http://www.furthernoise.org/page.php?ID=329">http://www.furthernoise.org/page.php?ID=329</a><br>review by Derek Morton<br><br>"Symbiosis" (review)<br>A nefarious collusion between two traffickers at the darker fringes of Mancunian music, Demdike Stare is Miles Whittaker - half of Pendle Coven, and vinyl fiend, Sean Canty. Symbiosis deals in everything from Nordic Doom to Persian funk, Turkish, Indian, African elements and film soundtracks, whipped up with dub, techno and noise.<br><a href="http://www.furthernoise.org/page.php?ID=331">http://www.furthernoise.org/page.php?ID=331</a><br>review by Alan Lockett<br><br>"Union Told By A Shaman" (review)<br>Kyron is the longest running musical project of California composer Juan Carlos Mendizabal. His most recent release, Union, is a suite of interconnected electronic rituals, little windows opening to rhythmic fragments, culminating in an extended tribal dance beat replete with swampy woodland sounds and distant chanting.<br><a href="http://www.furthernoise.org/page.php?ID=327">http://www.furthernoise.org/page.php?ID=327</a><br>review by Caleb Deupree<br><div apple-content-edited="true"> <span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0; "><div style="word-wrap: break-word; -webkit-nbsp-mode: space; 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"><div>--</div><div>Roger Mills</div><div><a href="http://www.eartrumpet.org">http://www.eartrumpet.org</a></div><div><a href="http://www.furthernoise.org">http://www.furthernoise.org</a></div><div><br></div><div><a href="http://ethernetorchestra.netpraxis.net">http://ethernetorchestra.netpraxis.net</a></div><div><br></div><div>M: 0403 414495</div><div><br class="webkit-block-placeholder"></div><div><br></div></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"></div></span><br class="Apple-interchange-newline"> </div><br></body></html>