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<font face="Helvetica, Arial, sans-serif"><i><b>framework</b></i>
-
phonography / field recording; contextual and decontextualized sound
activity<br>
presented by patrick mcginley</font><br>
<br>
<font face="Helvetica, Arial, sans-serif"><i><b>framework</b></i>
broadcasts:<br>
</font>
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- sunday, 10pm</font><font face="Helvetica, Arial, sans-serif">,
london, </font><font face="Helvetica, Arial, sans-serif">uk</font><font
face="Helvetica, Arial, sans-serif"> on <b>resonance 104.4fm</b>
(<a moz-do-not-send="true" href="http://www.resonancefm.com"
target="_blank">http://www.resonancefm.com</a>)<br>
</font><font face="Helvetica, Arial, sans-serif">
- tuesday, 2pm</font><font face="Helvetica, Arial, sans-serif">,
london, </font><font face="Helvetica, Arial, sans-serif">uk</font><font
face="Helvetica, Arial, sans-serif"> on <b>resonance 104.4fm</b>
(<a moz-do-not-send="true" href="http://www.resonancefm.com"
target="_blank">http://www.resonancefm.com</a>)</font><br>
<font face="Helvetica, Arial, sans-serif"> - wednesday, 12am,
thessaloniki, gr on <b>cooradio</b>
(<a moz-do-not-send="true" href="http://www.cooradio.com"
target="_blank">http://www.cooradio.com</a>)<br>
</font><font face="Helvetica, Arial, sans-serif"> - wednes</font><font
face="Helvetica, Arial, sans-serif">day, 3am,</font><font
face="Helvetica, Arial, sans-serif"> lisbon, pt </font><font
face="Helvetica, Arial, sans-serif">on <b>radio
zero</b> (<a moz-do-not-send="true" href="http://www.radiozero.pt"
target="_blank">http://www.radiozero.pt</a>)</font><br>
<font face="Helvetica, Arial, sans-serif"> - </font><font
face="Helvetica, Arial, sans-serif">thursday, 7pm,</font><font
face="Helvetica, Arial, sans-serif"> lisbon, pt </font><font
face="Helvetica, Arial, sans-serif">on <b>radio
zero</b> (<a moz-do-not-send="true" href="http://www.radiozero.pt"
target="_blank">http://www.radiozero.pt</a>)<br>
- friday, 1am, </font><font face="Helvetica, Arial, sans-serif">brussels,
be
</font><font face="Helvetica, Arial, sans-serif">on <b>radio campus
92.1fm</b>
(<a moz-do-not-send="true" href="http://www.radiocampusbruxelles.org"
target="_blank">http://www.radiocampusbruxelles.org</a>)<br>
- saturday, 5pm, south devon, uk on</font><font
face="Helvetica, Arial, sans-serif"> <b>soundartradio 102.5fm</b>
</font><font face="Helvetica, Arial, sans-serif">(<a
moz-do-not-send="true" href="http://www.soundartradio.org.uk"
target="_blank">http://www.soundartradio.org.uk</a>)</font><font
face="Helvetica, Arial, sans-serif"><br>
<br>
</font><font face="Helvetica, Arial, sans-serif">~ time zone
converter: <a moz-do-not-send="true"
href="http://thesaturnv.com/converter.html" target="_blank">http://thesaturnv.com/converter.html</a>
~<br>
<br>
<br>
<b>for general info,
playlists, podcasts, or to stream the latest
edition at any time: <span class="moz-txt-link-freetext"><a
moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://www.frameworkradio.net">http://www.frameworkradio.net</a>
</span></b><br>
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face="Helvetica, Arial, sans-serif"><b>framework is supported by <i>soundtransit</i>:
<a moz-do-not-send="true" href="http://www.soundtransit.nl"
target="_blank">http://www.soundtransit.nl</a> </b></font><font
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<b><i>FRAMEWORK</i> NEEDS YOUR SUPPORT!</b> <br>
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y</font><font face="Helvetica, Arial, sans-serif">our subscriptions
&
donations help make the production of <i><b>framework</b></i>
possible. visit out website to find out how to become a regular donor,
or make a one-time donation here: <a moz-do-not-send="true"
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25% of all donations go to <b>resonancefm</b>, without whom <i><b>framework</b></i>
would not exist. (if you would like to donate directly to <b>resonancefm</b>
please visit their support page here:
<a moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://www.resonancefm.com/support">http://www.resonancefm.com/support</a>.)</font><font
face="Helvetica, Arial, sans-serif"><br>
<b><br>
</b></font><font face="Helvetica, Arial, sans-serif"><b>PLUS, IN
CELEBRATION OF FRAMEWORK'S 250TH EDITION, DONATE €25 OR MORE
AND RECEIVE ONE OF THE <i>FRAMEWORK250</i> 2CD COMPILATIONS, OR </b></font><font
face="Helvetica, Arial, sans-serif"><b>€40 OR MORE AND RECEIVE BOTH</b></font><font
face="Helvetica, Arial, sans-serif"><b>!<br>
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<b>#267: 2010.01.17<br>
<br>
</b>this edition has been produced in montreal, canada by regular
contributor france jobin, as part of her series my favorite things.
for more information visit her website at <a moz-do-not-send="true"
class="moz-txt-link-freetext" href="http://www.i8u.com">http://www.i8u.com</a>.
france
says:<br>
<br>
<br>
</font>
<blockquote><font face="Helvetica, Arial, sans-serif">Framework - i8u -
my favorite things (Installment #3)<br>
<br>
Bonjour, I am france jobin, better know as i8u. Welcome to "these
are a few of my favorite things", the first segment of 2010.<br>
<br>
As mentioned in earlier installments, my interpretation of field
recording based works, is very broad however, the thread I like to
follow is to find artists who have mastered their unique identity
through the music of sound. <br>
<br>
For the next two editions of "my favorite things", i will focus on a
particular label based in Vienna. The label is nvo, non visual objects
and it was founded in 2005 by Heribert Friedl and Raphael Moser. In
2007, nvo released : Extract, Portraits of Soundartists, a book and 2
cd's.<br>
The next hour will be devoted to the 1st cd's issued as well as
excerpts from the book.<br>
<br>
from the introduction:<br>
<br>
<i>"Since we started the label Nonvisualobjects two years ago, many
collaborations with artists worldwide have arisen, a large, growing
network has evolved and an extensive body of work has been formed that
we would like to explore and try to sum up. The book developed from the
idea of presenting an extract of artists involved in the current
experimental electro-acoustic music scene, often following a rather
reduced approach in their work. We would like to present artists that
work in different areas in this field of electro-acoustic music, to
cover a large spectrum even in this quite specific area.<br>
<br>
With essays, interviews, photos, drawings and other materials presented
in this book, we try to look at the motivation and intention behind the
sound production from different perspectives, to possibly allow for a
new/extended approach to this form of music. Many of the artists
involved in this project do not exclusively work with sound, but also
in other artistic disciplines. In this book we would like to present
these other sides of their work to allow crossreferences/crosslinks to
open up new aspects of the music. <br>
<br>
The chapters consist of collage-like contributions. Images and text
should not necessarily be regarded as complete units, but are open to
various possibilites of interpretation.<br>
<br>
It was not our intention to present a discourse in theories of art and
music. It was also not our wish to present a curated work on a specific
topic. Instead we wanted to show very personal portraits created by the
artists themselves, which describe their way of working, the
methodology of their sound production and which also portray the
artist’s physical and not only their intellectual environment – where
one lives, things of everyday life, things of interest and inspiration.<br>
<br>
In the fast moving times of the digital era, it was also our wish to,
at least partly, hold on to an analogue medium. Should the inevitable
decay of digitally stored media ever lead to the disappearance of much
of contemporary art and culture, the possibility to refer to this book
would still remain."</i><br>
<br>
Heribert Friedl, Raphael Moser (<a moz-do-not-send="true"
class="moz-txt-link-freetext" href="http://wwwnonvisualobjects.com">http://wwwnonvisualobjects.com</a>)<br>
<br>
</font></blockquote>
<font face="Helvetica, Arial, sans-serif"><br>
again, we are always looking for material for the show, whether raw
field recordings, field recording based composition, or introduction
submissions. we are also now accepting proposals for full editions of
our guest curated series. send proposals or material, released or not,
on any format, to the address below. if you have any questions, please
don't hesitate to get in touch!<br>
<br>
<br>
framework<br>
tartu mnt 41<br>
63710 ahja<br>
polvamaa<br>
estonia<br>
<br>
<a moz-do-not-send="true" class="moz-txt-link-abbreviated"
href="mailto:info@frameworkradio.net">info@frameworkradio.net</a><br>
<br>
<br>
</font>
<hr size="2" width="100%"><font face="Helvetica, Arial, sans-serif"><br>
<b>(track / artist / website)</b><br>
<br>
1. Fingers pointing at the moon / Keith Berry /
<a moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://www.twoinchesofftheground.com">http://www.twoinchesofftheground.com</a><br>
2. A field for recordings 2 / Richard Chartier /
<a moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://www.3particles.com">http://www.3particles.com</a><br>
3. Live in Osaka / Taylor Deupree / <a moz-do-not-send="true"
class="moz-txt-link-freetext" href="http://www.12k.com">http://www.12k.com</a><br>
4. nbvto / Heribert Friedl / <a moz-do-not-send="true"
class="moz-txt-link-freetext" href="http://www.nonvisualobjects.com">http://www.nonvisualobjects.com</a><br>
5. Précis / Richard Garet / <a moz-do-not-send="true"
class="moz-txt-link-freetext" href="http://www.richardgaret.com">http://www.richardgaret.com</a><br>
6. Microclimates for Paliku / Andy Graydon /
<a moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://www.andygraydon.net">http://www.andygraydon.net</a><br>
7. Listen to what you see / Bernhard Günter /
<a moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://www.trenteoiseaux.de">http://www.trenteoiseaux.de</a><br>
8. Radio / John Hudak / <a moz-do-not-send="true"
class="moz-txt-link-freetext" href="http://www.johnhudak.net">http://www.johnhudak.net</a><br>
9. In Absentia / Dean King / <a moz-do-not-send="true"
class="moz-txt-link-freetext" href="http://www.etoami.com">http://www.etoami.com</a><br>
10. Provisional / Dale Lloyd / <a moz-do-not-send="true"
class="moz-txt-link-freetext" href="http://www.and-oar.org">http://www.and-oar.org</a></font><font
face="Helvetica, Arial, sans-serif"><br>
<br>
</font>
<hr size="2" width="100%"><font face="Helvetica, Arial, sans-serif"><br>
</font><font face="Helvetica, Arial, sans-serif">framework intro
submissions:<br>
<br>
1) take yourself and an audio recorder to a location of your choice<br>
2) record for <i>AT LEAST</i> one minute before you -<br>
3) read aloud the following text:<br>
<br>
<b>welcome to framework.<br>
<br>
framework is a show consecrated to field recording, and its use in
composition. field recording, phonography, the art of sound hunting;
open your ears and listen!</b>
<br>
<br>
<b><i><big><font size="-1"><big>[3b)
please also feel free to translate this text into your native
tongue!] </big></font></big></i></b><br>
</font><font face="Helvetica, Arial, sans-serif"><br>
4) continue your recording for <i>AT LEAST</i> two minutes after
you have
finished speaking<br>
<span style="font-family: Arial; font-size: 10pt; color: black;">
5) post the recording to us on any format, or send us an mp3</span><br>
</font><font face="Helvetica, Arial, sans-serif"><br>
thanks!<br>
<br>
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