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<font face="Helvetica, Arial, sans-serif"><i><b>framework</b></i>
-
phonography / field recording; contextual and decontextualized sound
activity<br>
presented by patrick mcginley</font><br>
<br>
<font face="Helvetica, Arial, sans-serif"><i><b>framework</b></i>
broadcasts:<br>
</font>
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- sunday, 10pm</font><font face="Helvetica, Arial, sans-serif">,
london, </font><font face="Helvetica, Arial, sans-serif">uk</font><font
face="Helvetica, Arial, sans-serif"> on <b>resonance 104.4fm</b>
(<a moz-do-not-send="true" href="http://www.resonancefm.com"
target="_blank">http://www.resonancefm.com</a>)<br>
</font><font face="Helvetica, Arial, sans-serif">
- tuesday, 2pm</font><font face="Helvetica, Arial, sans-serif">,
london, </font><font face="Helvetica, Arial, sans-serif">uk</font><font
face="Helvetica, Arial, sans-serif"> on <b>resonance 104.4fm</b>
(<a moz-do-not-send="true" href="http://www.resonancefm.com"
target="_blank">http://www.resonancefm.com</a>)</font><br>
<font face="Helvetica, Arial, sans-serif"> - wednesday, 12am,
thessaloniki, gr on <b>cooradio</b>
(<a moz-do-not-send="true" href="http://www.cooradio.com"
target="_blank">http://www.cooradio.com</a>)<br>
</font><font face="Helvetica, Arial, sans-serif"> - wednes</font><font
face="Helvetica, Arial, sans-serif">day, 3am,</font><font
face="Helvetica, Arial, sans-serif"> lisbon, pt </font><font
face="Helvetica, Arial, sans-serif">on <b>radio
zero</b> (<a moz-do-not-send="true" href="http://www.radiozero.pt"
target="_blank">http://www.radiozero.pt</a>)</font><br>
<font face="Helvetica, Arial, sans-serif"> - </font><font
face="Helvetica, Arial, sans-serif">thursday, 7pm,</font><font
face="Helvetica, Arial, sans-serif"> lisbon, pt </font><font
face="Helvetica, Arial, sans-serif">on <b>radio
zero</b> (<a moz-do-not-send="true" href="http://www.radiozero.pt"
target="_blank">http://www.radiozero.pt</a>)<br>
- friday, 1am, </font><font face="Helvetica, Arial, sans-serif">brussels,
be
</font><font face="Helvetica, Arial, sans-serif">on <b>radio campus
92.1fm</b>
(<a moz-do-not-send="true" href="http://www.radiocampusbruxelles.org"
target="_blank">http://www.radiocampusbruxelles.org</a>)<br>
- saturday, 5pm, south devon, uk on</font><font
face="Helvetica, Arial, sans-serif"> <b>soundartradio 102.5fm</b>
</font><font face="Helvetica, Arial, sans-serif">(<a
moz-do-not-send="true" href="http://www.soundartradio.org.uk"
target="_blank">http://www.soundartradio.org.uk</a>)</font><font
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<br>
</font><font face="Helvetica, Arial, sans-serif">~ time zone
converter: <a moz-do-not-send="true"
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~<br>
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<b>for general info,
playlists, podcasts, or to stream the latest
edition at any time: <span class="moz-txt-link-freetext"><a
moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://www.frameworkradio.net">http://www.frameworkradio.net</a>
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face="Helvetica, Arial, sans-serif"><b>framework is supported by <i>soundtransit</i>:
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<b><i>FRAMEWORK</i> NEEDS YOUR SUPPORT!</b> <br>
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y</font><font face="Helvetica, Arial, sans-serif">our subscriptions
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25% of all donations go to <b>resonancefm</b>, without whom <i><b>framework</b></i>
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PLUS, IN CELEBRATION OF FRAMEWORK'S 250TH EDITION, DONATE €25 OR MORE
AND RECEIVE A COPY OF THE FRAMEWORK250 2CD COMPILATION! (shipping
december, 2009)</b><br>
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<b>08.11.09<br>
<br>
</b>this edition has been produced in the uk by <b>karen lauke</b>.
for more information see <a moz-do-not-send="true"
class="moz-txt-link-freetext" href="http://www.karenlauke.com">http://www.karenlauke.com</a>.
karen says:<br>
<br>
</font>
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<p style="margin-bottom: 0cm;"><font
face="Helvetica, Arial, sans-serif">"The programme is being produced
with
special thanks to Steve Brown and Ewan Stefani who kindly allowed me
to interview them about their use of field recordings in their design
and compositional works. </font></p>
<p style="margin-bottom: 0cm;"><font
face="Helvetica, Arial, sans-serif">Being a designer and composer
myself I
was interested to see to what extent both the theatre and the
experimental music disciplines used field recordings so I could
compare this to my own work.</font></p>
<p style="margin-bottom: 0cm;"> </p>
<p style="margin-bottom: 0cm;"><font
face="Helvetica, Arial, sans-serif">Cities of Sound is a sonic
exploration
of the field recordings I have managed to collect over the past few
years from different places and countries I have visited. I was very
interested in bringing all the sounds together to produce an almost
immersive soundscape.</font></p>
<p style="margin-bottom: 0cm;"><font
face="Helvetica, Arial, sans-serif">Something I am very interested in
examining at the moment is the relationship that field recordings can
have in different places within musical composition. I have some
extracts to play of an interview I conducted with Steve Brown who is
a theatre sound designer at the royal exchange theatre in Manchester,
Steve is also head of sound at the international organisation OISTAT. I
am also going to play an interview conducted with Ewan Stefani who
is a lecturer at Leeds University and an electroacoustic and
acousmatic composer.</font></p>
<p style="margin-bottom: 0cm;"><font
face="Helvetica, Arial, sans-serif">One of the main aspects I set out
to
achieve by conducting interviews between a theatre sound designer and
electroacoustic composer was to see whether there were any
similarities in the way that they used field recordings in their work</font></p>
<p style="margin-bottom: 0cm;"><font
face="Helvetica, Arial, sans-serif">Ewan and Steve are both responding
to
questions I have asked them throughout my interview with them and at
the end are responding directly to my question of where is sound
design and electroacoustic music going in the future and are there
any similarities to their respected fields to one another's.</font></p>
<p style="margin-bottom: 0cm;"><font
face="Helvetica, Arial, sans-serif">Comparing the work produced by
Ewan and
Steve to my own work I can see many similarities in the way of style
and format. To me the discipline of being an electroacoustic,
acousmatic or experimental composer doesn't differ or vary much to
the work I carry out to a sound designer. I use field recordings
quite heavily in my work whether design related or composition
related. They have become more and more frequent over the years and
now feature quite dominantly in my work. </font></p>
<p style="margin-bottom: 0cm;"><font
face="Helvetica, Arial, sans-serif">I am very interested in organic
field
recordings and in the association sound can have with space and
location. My recent work has developed into more site specific
exhibition and installations.</font></p>
<p style="margin-bottom: 0cm;"><font
face="Helvetica, Arial, sans-serif">Working as both a composer and
sound
designer I am very interested in examining the connections between
the two disciplines and how a composer might see him or herself as a
designer when using fields recordings and sound in an experimental
way and how a sound designer might relate to themselves as a composer
because of the way they are structuring and composing a musical
piece.</font></p>
<p style="margin-bottom: 0cm;"><font
face="Helvetica, Arial, sans-serif">I have recently been involved in
composing and producing a piece titled Memories Unearthed which was
an outdoor sound installation at a country park in Salford,
Manchester. </font></p>
<p style="margin-bottom: 0cm;"><font
face="Helvetica, Arial, sans-serif">Memories Unearthed is an
experimental
soundscape which was produced by using various field recordings that
were taking from the park in Salford and fused alongside various
recordings I have produced and reproduced that would have been
associated with a colliery that was once based in the area, namely
the Wet Earth Colliery. The installation was produced for an event
titled Dirt and Dreams which commemorated the work of those that
worked in the mining industry. </font></p>
<p style="margin-bottom: 0cm;"><font
face="Helvetica, Arial, sans-serif">The environmental field recordings
specifically heard at the beginning and end of the piece were
produced with the help of local children and families that came along
to a workshop that was run in the park and involved them
participating in a soundwalk around the area. Recordings were made
and I tried to incorporate as many as possible into the piece."</font></p>
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<font face="Helvetica, Arial, sans-serif"><br>
again, we are always looking for material for the show, whether raw
field recordings, field recording based composition, or introduction
submissions. we are also now accepting proposals for full editions of
our guest curated series. send proposals or material, released or not,
on any format, to the address below. if you have any questions, please
don't hesitate to get in touch!<br>
<br>
<br>
framework<br>
tartu mnt 41<br>
63710 ahja<br>
polvamaa<br>
estonia<br>
<br>
<a moz-do-not-send="true" class="moz-txt-link-abbreviated"
href="mailto:info@frameworkradio.net">info@frameworkradio.net</a><br>
<br>
<br>
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<b>(title / time)</b> <br>
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<font face="Helvetica, Arial, sans-serif"><i>Cities of Sound</i>
0:00-10:45<br>
composed & produced by Karen Lauke
for installation at Wolstenholme Projects, Liverpool<br>
<br>
Introduction to the programme by Karen Lauke and the people that were
kind enough to be interviewed – Steve Brown, Head of Sound Design at
the Royal Exchange Theatre in Manchester and Ewan Stefani, Lecturer at
Leeds University and an electroacoustic and acousmatic composer.<i><br>
<br>
Knives & Hens</i> 10:27-15:00<br>
composed by Steve Brown for a theatre
production at the Royal Exchange Theatre in Manchester<i><br>
<br>
Lost in Sea</i> 15:00-19:42<br>
composed by Steve Brown for Dody Nash
Listening Shell Exhibition at the V&A Museum, London<i><br>
<br>
Rutherford & Son</i> 19:42-24:27<br>
composed by Steve Brown for a theatre
production at the Royal Exchange Theatre in Manchester<i><br>
<br>
East Fortune Market</i> 24:27-41:00<br>
an extract of a larger work by Ewan Stefani.<i><br>
<br>
Memories Unearthed</i> 41:00-53:20<br>
an extract of a larger work by Karen Lauke for an outdoor installation
at a Manchester
</font><br>
<br>
<font face="Helvetica, Arial, sans-serif">
</font>
<hr size="2" width="100%"><font face="Helvetica, Arial, sans-serif"><br>
</font><font face="Helvetica, Arial, sans-serif">framework intro
submissions:<br>
<br>
1) take yourself and an audio recorder to a location of your choice<br>
2) record for <i>AT LEAST</i> one minute before you -<br>
3) read aloud the following text:<br>
<br>
<b>welcome to framework.<br>
<br>
framework is a show consecrated to field recording, and its use in
composition. field recording, phonography, the art of sound hunting;
open your ears and listen!</b>
<br>
<br>
<b><i><big><font size="-1"><big>[3b)
please also feel free to translate this text into your native
tongue!] </big></font></big></i></b><br>
</font><font face="Helvetica, Arial, sans-serif"><br>
4) continue your recording for <i>AT LEAST</i> two minutes after
you have
finished speaking<br>
<span style="font-family: Arial; font-size: 10pt; color: black;">
5) post the recording to us on any format, or send us an mp3</span><br>
</font><font face="Helvetica, Arial, sans-serif"><br>
thanks!<br>
<br>
</font>
<hr size="2" width="100%"><font face="Helvetica, Arial, sans-serif">drop
a
note to <a moz-do-not-send="true" class="moz-txt-link-abbreviated"
href="mailto:info@frameworkradio.net">info@frameworkradio.net</a>
to be
added to or removed from this mailing list</font></div>
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