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<font face="Helvetica, Arial, sans-serif"><i><b>framework</b></i>
broadcasts:<br>
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- sunday, 10pm</font><font face="Helvetica, Arial, sans-serif">,
london, </font><font face="Helvetica, Arial, sans-serif">uk</font><font
face="Helvetica, Arial, sans-serif"> on <b>resonance 104.4fm</b>
(<a moz-do-not-send="true" href="http://www.resonancefm.com"
target="_blank">http://www.resonancefm.com</a>)<br>
- tuesday, 12pm, thessaloniki, gr on <b>cooradio</b>
(<a moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://www.cooradio.com">http://www.cooradio.com</a>)<br>
</font>
<font face="Helvetica, Arial, sans-serif"> - </font><font
face="Helvetica, Arial, sans-serif">thursdays, 7pm,</font><font
face="Helvetica, Arial, sans-serif"> lisbon, pt </font><font
face="Helvetica, Arial, sans-serif">on <b>radio
zero</b> (<a moz-do-not-send="true" href="http://www.radiozero.pt"
target="_blank">http://www.radiozero.pt</a>)<br>
- fridays, 1am, </font><font face="Helvetica, Arial, sans-serif">brussels,
be
</font><font face="Helvetica, Arial, sans-serif">on <b>radio campus
92.1fm</b>
(<a moz-do-not-send="true" href="http://www.radiocampusbruxelles.org"
target="_blank">http://www.radiocampusbruxelles.org</a>)<br>
- saturday, 5pm, south devon, uk on <b>soundartradio</b> <b>102.5fm</b>
(<a moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://www.soundartradio.org.uk">http://www.soundartradio.org.uk</a>)<br>
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~ time zone converter: <a moz-do-not-send="true"
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<br>
<b>for general info, playlists, podcasts, or to stream the latest
edition at any time: <a moz-do-not-send="true"
href="http://www.resonancefm.com/framework" target="_blank">http://www.frameworkradio.net</a></b><br>
<b>framework is supported by <i>soundtransit</i>: <a
moz-do-not-send="true" href="http://www.soundtransit.nl"
target="_blank">http://www.soundtransit.nl</a>
</b><br>
<br>
<br>
RESONANCE FM'S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE
HELP US TO CONTINUE BY MAKING A DONATION. CHECK OUT OUR WEBSITE TO
FIND OUT HOW YOU CAN HELP KEEP RESONANCE ON THE AIR:
<a moz-do-not-send="true" href="HTTP://WWW.RESONANCEFM.COM"
target="_blank">HTTP://WWW.RESONANCEFM.COM</a>.
THANK YOU!<br>
<br>
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</font><font face="Helvetica, Arial, sans-serif"><i><b>framework</b></i>
-
phonography / field recording; contextual and decontextualized sound
activity<br>
presented by patrick mcginley<br>
<br>
this edition of <i><b>framework:afield</b></i> has been produced in
montreal, canada
by <b>france jobin</b>, aka <b>i8u</b>. for more information see her
website at
<a moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://www.i8u.com">http://www.i8u.com</a>. france says:<br>
<br>
</font><br>
<blockquote><font face="Helvetica, Arial, sans-serif">"these are a few
of my favorite things" </font><br>
<br>
<font face="Helvetica, Arial, sans-serif">My interpretation of field
recording based works is very broad, however, i can tell you what
influences me with my work and hope this gives you a hint as to how i
came to choose the pieces you will hear.</font><br>
<br>
<font face="Helvetica, Arial, sans-serif">The sound of music, my
favorite things, John Coltrane, Hendrix, Pink Floyd, de Bussy, Satie,
Penderezky, the list goes on, but basically, all these artists have a
sound, it is unmistakable.</font><br>
<br>
<font face="Helvetica, Arial, sans-serif">What John Coltrane does
with his interpretation of my favorite things, is what i try to do with
my own work, i try to do with textures, what he does with notes. The
way he interprets the melody, flowing with incredible precision and
musicality, i find very inspiring. </font><br>
<br>
<font face="Helvetica, Arial, sans-serif">When i prepared this
program, i tried to take this further, looking for different processes
of interpretation and looking for artists who have mastered their
unique identity through the music of sound. </font><br>
</blockquote>
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again, we are always looking for material for the show, whether raw
field recordings, field recording based composition, or introduction
submissions. we are also now accepting proposals for full editions of
our guest curated series. send proposals or material, released or not,
on any format, to the address below. if you have any questions, please
don't hesitate to get in touch!<br>
<br>
<br>
framework<br>
354 rue de l'andelle<br>
27910 perruel<br>
france<br>
<br>
<a moz-do-not-send="true" href="mailto:info@frameworkradio.net"
target="_blank">info@frameworkradio.net</a><br>
<br>
<br>
</font>
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</font><font face="Helvetica, Arial, sans-serif"><b>17.05.09</b><br>
<br>
1.10000PeacockFeathersinFoamingAcidPart2<br>
Evelina Domnitch + Dmitry Gelfand, from “Colorfield Variations.” on line<br>
<br>
http://portablepalace.com<br>
http://www.12k.com/line<br>
<br>
<br>
2.áttinar <br>
dirac <br>
<br>
http://dirac.klingt.org<br>
<br>
<br>
3.vester fields (extract of) <br>
Steve Roden on Volume <br>
<br>
http://www.inbetweennoise.com<br>
http://www.volumeprojects.org<br>
<br>
<br>
4.Effect Of Discovery <br>
Angel from kalmukia on Editions Mego 2008<br>
<br>
http://mirrorworldmusic.com/artists/angel<br>
http://www.myspace.com/angelnoise<br>
http://www.editionsmego.com<br>
<br>
<br>
5.untitled sound objects <br>
PE Lang+ zimoun<br>
<br>
http://www.untitled-sound-objects.ch<br>
<br>
<br>
6.Patchworked Blanket <br>
sawako from HUM on 12k<br>
<br>
http://www.troncolon.com<br>
http://www.12k.com<br>
<br>
</font>
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</font><font face="Helvetica, Arial, sans-serif">framework intro
submissions:<br>
<br>
1) take yourself and a recording device to a location of your choice<br>
2) record for AT LEAST one minute before you -<br>
3) read aloud the following text:<br>
<br>
<b>welcome to framework.</b><br>
<br>
<b>framework is a show consecrated to field recording, and its use in
composition. field recording, phonography, the art of sound hunting;
open your ears and listen!<br>
<br>
</b><big><font size="-1"><big><b><i>[3b)
please also feel free to translate this text into your native
tongue!]</i></b></big></font></big><br>
</font><font face="Helvetica, Arial, sans-serif"><br>
4) continue your recording for AT LEAST two minutes after you have
finished speaking<br>
5) send the recording on any format to the above address, or as an
mp3 via email<br>
<br>
thanks!<br>
<br>
</font>
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