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<font face="Helvetica, Arial, sans-serif"><i><b>framework</b></i>
broadcasts:</font><br>
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<div class="gmail_quote"><font face="Helvetica, Arial, sans-serif">
- sundays at 10pm</font><font face="Helvetica, Arial, sans-serif">
london, </font><font face="Helvetica, Arial, sans-serif">uk</font><font
face="Helvetica, Arial, sans-serif"> on <b>resonance104.4fm</b>
(<a moz-do-not-send="true" href="http://www.resonancefm.com"
target="_blank">http://www.resonancefm.com</a>)<br>
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<div bgcolor="#ffffff" text="#000000"><font
face="Helvetica, Arial, sans-serif"> - </font><font
face="Helvetica, Arial, sans-serif">thursdays at 7pm </font><font
face="Helvetica, Arial, sans-serif">in lisbon, pt </font><font
face="Helvetica, Arial, sans-serif">on <b>radio
zero</b> (<a moz-do-not-send="true" href="http://www.radiozero.pt"
target="_blank">http://www.radiozero.pt</a>)<br>
- fridays at 1am </font><font face="Helvetica, Arial, sans-serif">brussels,
be
</font><font face="Helvetica, Arial, sans-serif">on <b>radio campus
92.1fm</b>
(<a moz-do-not-send="true" href="http://www.radiocampusbruxelles.org"
target="_blank">http://www.radiocampusbruxelles.org</a>)<br>
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<br>
<b>for general info, playlists, podcasts, or to stream the latest
edition at any time: <a moz-do-not-send="true"
href="http://www.resonancefm.com/framework" target="_blank">http://www.frameworkradio.net</a></b><br>
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THANK YOU!<br>
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</font><font face="Helvetica, Arial, sans-serif"><i><b>framework</b></i>
-
phonography / field recording; contextual and decontextualized sound
activity<br>
presented by patrick mcginley<br>
<br>
this edition of <i><b>framework:afield</b></i> has been produced in
brooklyn, new york by <b>jonny farrow</b>, of the <b>new york society
for acoustic ecology</b>. jonny says:<br>
<br>
</font>
<blockquote><font face="Helvetica, Arial, sans-serif">"Scratching the
surface of some of the concepts that interpenetrate the
field of Acoustic Ecology – below is the playlist from the show as well
as a good handful of links for further exploration of AE and related
concepts."</font><br>
</blockquote>
<font face="Helvetica, Arial, sans-serif"><br>
again, we are always looking for material for the show, whether raw
field recordings, field recording based composition, or introduction
submissions. we are also now accepting proposals for full editions of
our guest curated series. send proposals or material, released or not,
on any format, to the address below. if you have any questions, please
don't hesitate to get in touch!<br>
<br>
<br>
framework<br>
354 rue de l'andelle<br>
27910 perruel<br>
france<br>
<br>
<a moz-do-not-send="true" href="mailto:info@frameworkradio.net"
target="_blank">info@frameworkradio.net</a><br>
<br>
<br>
</font>
<hr size="2" width="100%"><font face="Helvetica, Arial, sans-serif"><br>
</font><font face="Helvetica, Arial, sans-serif"><b>08.03.09</b><br>
<br>
01. Origins of Acoustic Ecology -- under-track: “Dinosaurs” by Jonny
Farrow<br>
<br>
02.
Annea Lockwood: “Confluence of Patterson Brook and the Hudson River”
<br>
from A Sound Map of the Hudson River. Lovely Music CD 2081, 1989 and
2003.<br>
<br>
03. Problemitization of recording technology -- under-track:
“Dinosaurs” <br>
<br>
04. Hildegard Westerkamp: “Kits Beach Soundwalk” <br>
from Transformations. Diffusion iMedia CD 9631, 1989 and 1996.<br>
<br>
05. Xenakis intro: under-track: “Dinosaurs” <br>
<br>
06. Iannis Xenakis: “Concrete PH”<br>
from Electronic Music. Electronic Music Foundation CD 003, 1997.<br>
<br>
07. Acousmatics, Pierre Schaeffer and Francisco Lopez --
under-track: “Dinosaurs”<br>
<br>
08. Francisco Lopez: excerpt of “Lopez Island”<br>
from Lopez Island elevator bath CD, 2007.<br>
<br>
09. Cage, Silence and the Ether -- under-track: “Imaginary Landscape
No. 4” <br>
from John Cage Imaginary Landscapes, Maelstrom Percussion
Ensemble conducted by Jan Williams. Hat[now]ART 145, 2006.<br>
<br>
10. Anna Friz: excerpt of “Vacant City Radio” from the CD Vacant
City Radio. Self-released, 2005.<br>
<br>
</font>
<hr size="2" width="100%"><font face="Helvetica, Arial, sans-serif"><br>
URL’s:<br>
<a moz-do-not-send="true"
href="http://interact.uoregon.edu/MediaLit/wfae/home/">http://interact.uoregon.edu/MediaLit/wfae/home/</a>
-- World Forum for Acoustic Ecology (WFAE)<br>
<a moz-do-not-send="true"
href="http://interact.uoregon.edu/MediaLit/wfae/about/index.html">http://interact.uoregon.edu/MediaLit/wfae/about/index.html</a>
-- bottom of this WFAE page has links to all the AE organizations
affiliated to WFAE (Canada, Japan, Finland, UK & Ireland, FKL
(Germany , Austria, Italy), Australia, Mexico, Greece, USA (ASAE).<br>
<a moz-do-not-send="true" href="http://www.acousticecology.org/">http://www.acousticecology.org/</a>
-- American Society for Acoustic Ecology (ASAE)<br>
<a moz-do-not-send="true" href="http://www.nyacousticecology.org/">http://www.nyacousticecology.org/</a>
New York Society for Acoustic Ecology (NYSAE)<br>
<a moz-do-not-send="true" href="http://www.worldlisteningproject.org/">http://www.worldlisteningproject.org/</a>
-- Eric Leonardson, et al (newly formed Midwestern Society for
Acoustic Ecology group in Chicago (MSAE))<br>
<a moz-do-not-send="true" href="http://www.basoundecology.org/">http://www.basoundecology.org/</a>
-- Bay Area Sound Ecology Group ((BASE) California)<br>
<a moz-do-not-send="true" href="http://www.phonography.org/">http://www.phonography.org/</a>
-- Phonography website and list<br>
<a moz-do-not-send="true" href="http://www.sfu.ca/%7Ewesterka/">http://www.sfu.ca/~westerka/</a>
-- homepage of Hildegard Westerkamp, composer, acoustic ecologist<br>
<a moz-do-not-send="true" href="http://www.sfu.ca/%7Etruax/wsp.html">http://www.sfu.ca/~truax/wsp.html</a>
-- World Soundscape Project website<br>
<a moz-do-not-send="true" href="http://www.sfu.ca/%7Etruax/">http://www.sfu.ca/~truax/</a>
--
homepage of Barry Truax, composer, acoustic ecologist<br>
<a moz-do-not-send="true" href="http://www.franciscolopez.net/">http://www.franciscolopez.net/</a>
-- Francisco Lopez, compser, sound artist, acoustic ecologist website<br>
<a moz-do-not-send="true" href="http://jonnyfarrow.net/">http://jonnyfarrow.net/</a>
-- Jonny
Farrow, composer, sound artist, acoustic ecologist website<br>
<a moz-do-not-send="true"
href="http://plato.stanford.edu/entries/phenomenology/">http://plato.stanford.edu/entries/phenomenology/</a>
-- detailed definition of phenomenology<br>
<a moz-do-not-send="true"
href="http://www.youtube.com/watch?v=d2afuTvUzBQ">http://www.youtube.com/watch?v=d2afuTvUzBQ</a>
-- Animation about “Plato’s Cave”<br>
<a moz-do-not-send="true"
href="http://www.constitution.org/pla/repub_07.htm">http://www.constitution.org/pla/repub_07.htm</a>
-- Book VII from Plato’s Republic that contains the allegory of the cave<br>
<a moz-do-not-send="true" href="http://www.davidddunn.com/%7Edavid/">http://www.davidddunn.com/~david/</a>
-- scientist, acoustic ecologist, David Dunn’s website<br>
<a moz-do-not-send="true"
href="http://www.acousticecology.org/writings/echomuseecology.html">http://www.acousticecology.org/writings/echomuseecology.html</a>
-- Essay by sound anthropologist Steven Feld: From Ethnomusicology to
Echo-Muse Ecology<br>
<a moz-do-not-send="true"
href="http://leonardo.info/isast/spec.projects/acousticecologybib.html">http://leonardo.info/isast/spec.projects/acousticecologybib.html</a>
-- long bibliographic resource for the topic of acoustic ecology<br>
<a moz-do-not-send="true"
href="http://en.wikipedia.org/wiki/Ear_of_Dionysius">http://en.wikipedia.org/wiki/Ear_of_Dionysius</a>
-- short definition and photo of “Ear of Dionysius”<br>
<a moz-do-not-send="true" href="http://cartome.org/foucault.htm">http://cartome.org/foucault.htm</a>
-- excerpt of Michel Foucault’s Discipline and Punish – R. Murray
Schafer relates the “Ear of Dionysius” to the “panopticon” of prison
architect Jeremy Bentham<br>
<a moz-do-not-send="true"
href="http://homepage.mac.com/kendallwrightson/ae/aecology.html">http://homepage.mac.com/kendallwrightson/ae/aecology.html</a>
-- essay about acoustic ecology<br>
<a moz-do-not-send="true"
href="http://www.youtube.com/watch?v=Bkt8Dwzl6Sg">http://www.youtube.com/watch?v=Bkt8Dwzl6Sg</a>
-- early eighties commercial for Memorex audio tape featuring Ella
Fitzgerald.<br>
<a moz-do-not-send="true"
href="http://www.youtube.com/watch?v=zUz4NWFEbiU&feature=related">http://www.youtube.com/watch?v=zUz4NWFEbiU&feature=related</a>
-- another Memorex commercial<br>
<a moz-do-not-send="true"
href="http://www.bopsecrets.org/SI/2.d%C3%A9rive.htm">http://www.bopsecrets.org/SI/2.dérive.htm</a>
-- Guy Debord’s theory of the dérive<br>
<br>
</font>
<hr size="2" width="100%"><font face="Helvetica, Arial, sans-serif"><br>
A Very Short List of Books and Articles for Further Reading::Near and
Afield:<br>
<br>
Attali,
Jacques. Noise: The Political Economy of Music. University of Minnesota
Press: Minneapolis and London: 2003. English translation, Foreword and
Afterword copyright 1985, eighth printing 2003.<br>
<br>
Bull, Michael and Les Back, edd.. The Auditory Culture Reader. Berg:
Oxford and New York, 2003.<br>
<br>
Cox, Chrisoph and Daniel Warner edd.. Audio Culture: Readings in Modern
Music. Continuum: New York, 2006.<br>
<br>
De
Caro, Laura and Carlotta Daró. “Meetings with R. Murray Schafer:
Composer, educator and founder of Soundscape Studies.” in Soundscape:
The Journal of Acoustic Ecology Vol 8, No. 1 Fall/Winter 2008 pp. 26-31.<br>
<br>
Dufour, Frank. “Musique Concrète as one of the Preliminary Steps to
Acoustic Ecology,”in Soundscape: The Journal of Acoustic Ecology Vol 8,
No. 1 Fall/Winter 2008 pp. 17-19.<br>
<br>
Schafer, R. Murray. The Soundscape: Our Sonic Environment and the
Tuning of the World. Destiny Books: Rochester, VT, 1977.</font>
<br>
<br>
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</font><font face="Helvetica, Arial, sans-serif">framework intro
submissions:<br>
<br>
1) take yourself and a recording device to a location of your choice<br>
2) record for AT LEAST one minute before you -<br>
3) read aloud the following text:<br>
<br>
<b>welcome to framework.</b><br>
<br>
<b>framework is a show consecrated to field recording, and its use in
composition. field recording, phonography, the art of sound hunting;
open your ears and listen!<br>
<br>
</b><big><font size="-1"><big><b><i>[3b)
please also feel free to translate this text into your native
tongue!]</i></b></big></font></big><br>
</font><font face="Helvetica, Arial, sans-serif"><br>
4) continue your recording for AT LEAST two minutes after you have
finished speaking<br>
5) send the recording on any format to the above address, or as an
mp3 via email<br>
<br>
thanks!<br>
<br>
</font>
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a
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