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<font size="-1"><font face="Arial"><i><b>framework</b></i> broadcasts
sundays on <b>resonance104.4fm</b> in london (uk) or worldwide on <a
moz-do-not-send="true" href="http://www.resonancefm.com">http://www.resonancefm.com</a>
from
10-11pm gmt<br>
<br>
next new edtion: <b>07.09.08<br>
</b></font></font><font size="-1"><font face="Arial">next repeat
edtion: <b>10.08.08</b></font></font><br>
<font size="-1"><font face="Arial">~ time zone converter: <a
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href="http://thesaturnv.com/converter.html">http://thesaturnv.com/converter.html</a>
~<br>
<br>
<br>
<b>for general info, playlists, podcasts, or to stream the latest
edition: <a moz-do-not-send="true"
href="http://www.resonancefm.com/framework">http://www.resonancefm.com/framework</a>
</b><br>
<b>framework is supported by <i>soundtransit</i>: <a
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THANK YOU!<br>
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</font></font>
<hr size="2" width="100%"><br>
<font size="-1"><font face="Arial"><i><b>framework</b></i> -
phonography / field recording; contextual and decontextualized sound
activity<br>
presented by patrick mcginley<br>
<br>
<br>
<b>N.B. - <i>FRAMEWORK</i> IS ON HOLIDAY!<br>
<br>
for the next 4 weeks <i>framework</i> will be taking a well-deserved
break. this show, 03.08.08, is the last new broadcast until 07.09.08.
but fear not! this current edition will be available online for the
coming week as per usual, after which we have arranged an exciting
array of past frameworks of undoubtedly great historical interest! we
know you're excited. here's what you'll be hearing:<br>
<br>
</b></font></font><font face="Arial" size="-1"><strong><span
class="style10">week of august 10th - repeat from 27.12.06 <br>
week of august 17th - repeat from 11.11.05 <br>
week of august 24th - repeat from 08.08.03 <br>
week of august 31st - repeat from 29.11.02 <br>
<br>
we won't be sending out playlists for these shows, but you can use the
playlist archive online to find out what you're listening to. these
dates are also clearly posted on the website. so enjoy the history
lesson, and we'll see you in september!<br>
<br>
</span></strong></font><font size="-1"><font face="Arial"><br>
</font></font>
<hr size="2" width="100%"> <br>
<font size="-1"><font face="Arial">meanwhile, this edition of <b><i>framework:afield</i></b>
has been produced in the uk by <b>duncan whitley</b> and <b>james
wyness</b>. for more information see their websites at
<a moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://www.wyness.org">http://www.wyness.org</a> and <a
moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://www.khora.org.uk">http://www.khora.org.uk</a>.<br>
<br>
</font></font>
<blockquote>
<p style="margin-bottom: 0cm;" align="justify"><font
face="Arial, sans-serif"><font size="2"><i><b>Listening
through Holy Week</b></i></font></font><font face="Arial, sans-serif"><font
size="2"><br>
</font></font></p>
<p style="margin-bottom: 0cm;" align="justify"> </p>
<p style="margin-bottom: 0cm;" align="justify"><font
face="Arial, sans-serif"><font size="2">The
piece focuses on sounds recorded during Seville’s Holy Week
processions in 2007 and 2008. The sounds of the processions are
interleaved with unscripted (conversational) dialogue between the
producers recorded during Holy Week 2008. The subjectivity of the
conversational excerpts raises questions about the objectivity of
recorded sound within the documentary process.</font></font></p>
<p style="margin-bottom: 0cm;" align="justify"><font
face="Arial, sans-serif"><font size="2">Taking
the Holy Week processions of Seville as subject matter, the listener
is invited to explore acoustic communication within a specific human
social context. The piece sets out to reveal the underlying syntax of
sound within processions: musical elements, symbolic uses of sound,
aural and verbal cues, crowd dynamics and performance features. </font></font>
</p>
<p style="margin-bottom: 0cm;" align="justify"><font
face="Arial, sans-serif"><font size="2">The
complete field recordings from which the submitted work draws are to
be archived as a new collection by the British Library.<br>
</font></font></p>
<p style="margin-bottom: 0cm;" align="justify"><font
face="Arial, sans-serif"><font size="2">Whitley
and Wyness began collaborating on the Seville 2007 project following
a lengthy period of research. Their collaboration was based on a
mutual interest in investigating archive and documentary forms
through the medium of sound. This, combined with experience in
different areas of sonic art research, led to the development of
multi-channel field recording techniques adapted to the specific
conditions of public processions.</font></font><br>
<em><font face="Arial, sans-serif"><font size="2"><span
style="font-style: normal;"><br>
For</span></font></font></em><em><font face="Arial, sans-serif"><font
size="2">
Holy Week: Seville 2007 (scenes)</font></font></em><font
face="Arial, sans-serif"><font size="2">
Whitley and Wyness adopted the use of two customised portable and
mobile field recording rigs. The recordists took up carefully
selected positions on the streets which offered the flexibility of
capturing both the larger movement of the processions through time
and space and the minutiae of specific details.<br>
</font></font></p>
</blockquote>
<font size="-1"><font face="Arial"><br>
again, we are always looking for material for the show, whether raw
field recordings, field recording based composition, or introduction
submissions. we are also now accepting proposals for full editions of
our guest curated series. send proposals or material, released or not,
on any format, to the address below. if you have any questions, please
don't hesitate to get in touch!<br>
<br>
<br>
framework<br>
354 rue de l'andelle<br>
27910 perruel<br>
france<br>
<br>
<a moz-do-not-send="true" class="moz-txt-link-abbreviated"
href="mailto:framework@talk21.com">framework@talk21.com</a><br>
<br>
<br>
</font></font>
<hr size="2" width="100%"><br>
<font size="-1"><font face="Arial">framework intro submissions:<br>
<br>
1) take yourself and a recording device to a location of your choice<br>
2) record for AT LEAST one minute before you -<br>
3) read aloud the following text:<br>
<br>
<b>welcome to framework.</b><br>
<br>
<b>framework is a show consecrated to field recording, and its use in
composition. field recording, phonography, the art of sound hunting;
open your ears and listen!</b><br>
<br>
4) continue your recording for AT LEAST two minutes after you have
finished speaking<br>
5) send the recording on any format to the above address, or as an
mp3 via email<br>
<br>
thanks!<br>
<br>
</font></font>
<hr size="2" width="100%"><font size="-1"><font face="Arial">drop a
note to <a moz-do-not-send="true" class="moz-txt-link-abbreviated"
href="mailto:framework@talk21.com">framework@talk21.com</a> to be
removed from this mailing list</font></font><font size="-1"><font
face="Arial"><br>
</font></font><br>
<br>
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