<html><head><style type="text/css"><!-- DIV {margin:0px;} --></style></head><body><div style="font-family:arial,helvetica,sans-serif;font-size:10pt"><div><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><br><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><div style="font-family: arial,helvetica,sans-serif; font-size: 10pt;"><div style="font-family: times new roman,new york,times,serif; font-size: 12pt;"><font size="-1"><font face="Arial"><i><b>framework</b></i> broadcasts
sundays on <b>resonance104.4fm</b> in london (uk) or worldwide on <a rel="nofollow" target="_blank" href="http://www.resonancefm.com">http://www.resonancefm.com</a>
from
10-11pm gmt<br>
<br>
next edtion: <b>24.02.08</b><br>
~ time zone converter: <a rel="nofollow" class="moz-txt-link-freetext" target="_blank" href="http://thesaturnv.com/converter.html">http://thesaturnv.com/converter.html</a>
~<br>
<br>
<br>
<b>for general info, playlists, podcasts, or to stream the latest
edition: <a rel="nofollow" target="_blank" href="http://www.resonancefm.com/framework">http://www.resonancefm.com/framework</a>
</b><br>
<b>framework is supported by <i>soundtransit</i>: <a rel="nofollow" target="_blank" href="http://www.soundtransit.nl">http://www.soundtransit.nl</a>
</b><br>
<br>
<br>
RESONANCE FM'S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE
HELP US TO CONTINUE BY MAKING A DONATION. CHECK OUT OUR WEBSITE TO
FIND OUT HOW YOU CAN HELP K
EEP RESONANCE ON THE AIR:
<a rel="nofollow" class="moz-txt-link-freetext" target="_blank" href="HTTP://WWW.RESONANCEFM.COM">HTTP://WWW.RESONANCEFM.COM</a>.
THANK YOU!<br>
<br>
</font></font>
<hr size="2" width="100%"><br>
<font size="-1"><font face="Arial"><i><b>framework</b></i> -
phonography / field recording; contextual and decontextualized sound
activity<br>
presented by patrick mcginley<br>
<br>
this edition of <b><i>framework:afield</i></b> has been produced in
reading, uk, by <b>jonathan coleclough</b>. for more information see
<a rel="nofollow" class="moz-txt-link-freetext" target="_blank" href="http://www.coleclough.plus.com">http://www.coleclough.plus.com</a>.<br>
<br>
again, we are always looking for material for the show, whether raw
field recordings, field recording based composition, or introduction
submissions. we are also now accepting proposals for full editions of
our guest curated series. send proposals or material, released or not,
on any format, to the address below. if you have any questions, please
don't hesitate to get in touch!<br>
<br>
<br>
framework<br>
bp17<br>
27910 perruel<br>
france<br>
<br>
<a rel="nofollow" class="moz-txt-link-abbreviated" ymailto="mailto:framework@talk21.com" target="_blank" href="mailto:framework@talk21.com">framework@talk21.com</a><br>
<br>
<br>
</font></font>
<hr size="2" width="100%"><br>
<font size="-1"><font face="Arial"><b>17.02.08</b><br>
<b>(this edition will be available online until 24.02.08)</b><br>
<br>
</font></font><font size="2"><font face="Verdana"><span style="font-size: 12px;">(Key: Number / <b>Title</b> / Artist / <b>Album</b>
/ Label / <b>Release date</b>.)<br>
<br>
1. <b>MY.9.98</b> / Richard Harrison / <b>Drone Hill 225</b> /
Airdale / <b>1999<br>
</b>2. <b>R&D Track 1</b> [excerpt] / Disinformation / <b>R&D</b>
/ Ash International / <b>1996<br>
</b>3. <b>Unidentified</b> [excerpt] / RLW / <b>Antiphony</b> / Ash
International / <b>1997<br>
</b>4. <b>N=N</b> / S.E.T.I. / <b>Antiphony</b> / Ash International /
<b>1997<br>
</b>5. <b>Kits Beach Soundwalk</b> / Hildegard Westerkamp / <b>Transformations</b>
/ Empreintes DIGITALes / <b>1996<br>
</b>6. <b>Concret pH</b> / Iannis Xenakis / <b>Electronic Music</b> /
EMF / <b>1997<br>
</b>7. <b>Le jardin magnétique</b> [excerpt] / Christina Kubisch / <b>Le
jardin magnétique</b> / Cité de la musique / <b>2001<br>
</b>8. <b>Stuyvesant</b> / Annea Lockwood / <b>A Sound Map of the
Hudson River</b> / Lovely Music / <b>1989<br>
</b>9. <b>Somnium</b> [excerpt] / Robert Rich / <b>Somnium</b> /
Hypnos / <b>2000<br>
</b>10. <b>Field (rice terrace) in rain</b> / Kiyoshi Mizutani / <b>Yokasawa-iri</b>
/ CMR / <b>2002<br>
</b>11. <b>Inside</b> / Ingram Marshall / <b>Alcatraz</b> / New
Albion / <b>1994<br>
</b>12. <b>Berlin, Q-Damm 12-4-81</b> / Goebbels and Harth / <b>Indianer
für Morgen</b> / Riskant / <b>1981<br>
</b>13. <b>Red Fleet, UT 2:30pm/Roundup, MT 3pm</b> / Doug Haire / <b>Nineteen
American Waysides</b> / Anomalous / <b>2004<br>
</b>14. <b>Slow Motion Blackbird</b> / Chris Hughes / <b>Music from
nature</b> / Terra Nova / <b>1997<br>
</b>15. <b>Goodbye</b> / Durutti Column / <b>Somebody Else's Party</b>
/ Artful Records / <b>2003<br>
<br>
</b></span></font></font><font size="-1"><font face="Arial"><br>
</font></font>
<hr size="2" width="100%"><br>
<font size="-1"><font face="Arial">framework intro submissions:<br>
<br>
1) take yourself and a recording device to a location of your choice<br>
2) record for AT LEAST one minute before you -<br>
3) read aloud the following text:<br>
<br>
<b>welcome to framework.</b><br>
<br>
<b>framework is a show consecrated to field recording, and its use in
composition. field recording, phonography, the art of sound hunting;
open your ears and listen!</b><br>
<br>
4) continue your recording for AT LEAST two minutes after you have
finished speaking<br>
5) send the recording on any format to the above address, or as an
mp3 via email<br>
<br>
thanks!<br>
<br><br></font></font><font size="-1"><font face="Arial"></font></font><font size="-1"><font face="Arial">
</font></font><br>
<br>
</div><br></div></div></div><br></div></div></div></body></html>