<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
<html>
<head>
</head>
<body bgcolor="#ffffff" text="#000000">
<font size="-1"><font face="Arial"><i><b>framework</b></i> broadcasts
sundays on <b>resonance104.4fm</b> in london (uk) or worldwide on <a
moz-do-not-send="true" href="http://www.resonancefm.com">http://www.resonancefm.com</a>
from
10-11pm gmt<br>
<br>
next edtion: <b>16.12.07</b><br>
~ time zone converter: <a moz-do-not-send="true"
class="moz-txt-link-freetext"
href="http://thesaturnv.com/converter.html">http://thesaturnv.com/converter.html</a>
~<br>
<br>
<br>
<b>for general info, playlists, podcasts, or to stream the latest
edition: <a moz-do-not-send="true"
href="http://www.resonancefm.com/framework">http://www.resonancefm.com/framework</a>
</b><br>
<b>framework is supported by <i>soundtransit</i>: <a
moz-do-not-send="true" href="http://www.soundtransit.nl">http://www.soundtransit.nl</a>
</b><br>
<br>
<br>
RESONANCE FM'S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE
HELP US TO CONTINUE BY MAKING A DONATION. CHECK OUT OUR WEBSITE TO
FIND OUT HOW YOU CAN HELP K
EEP RESONANCE ON THE AIR:
<a moz-do-not-send="true" class="moz-txt-link-freetext"
href="HTTP://WWW.RESONANCEFM.COM">HTTP://WWW.RESONANCEFM.COM</a>.
THANK YOU!<br>
<br>
</font></font>
<hr size="2" width="100%"><br>
<font size="-1"><font face="Arial"><i><b>framework</b></i> -
phonography / field recording; contextual and decontextualized sound
activity<br>
presented by patrick mcginley<br>
<br>
this edition of framework:afield was produced in brooklyn, new york, by
gill arno. gill says:<br>
<br>
</font></font>
<blockquote>
<pre wrap=""><font face="Arial">framework:home:afield
The initial curiosity behind this sort of survey was to approach a range of ideas and feelings that come with the choice of living in a foreign country - far away from one's birthplace and the country where his or her mother tongue is spoken... voluntarily removed from the day-to-day exchange with the people that one had grown up with and their mores. Each participant was asked to submit two field recordings: one deemed of a "familiar sound" and one of an "alien sound". The definition of familiar and alien was left to the subjectivity of individual responses.
The following artists contributed their recordings:
Hitoshi Kojo (place of birth: Ibaragi, Japan/current residence: Hull, Canada), Jason Kahn (New York, NY, USA/ZŸrich, Switzerland), jgrzinich (Poughkeepsie, NY, USA/Mooste, Estonia) Marcone Galvani (Milan, Italy/Brooklyn, NY, USA), Richard Garet (Montevideo, Uruguay/New York, NY, USA), sawako (Nagoya, Japan/Brooklyn, NY, USA).
Further information:
Hitoshi Kojo (<a moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://www.octpia.com/kojo">http://www.octpia.com/kojo</a>)
Jason Kahn (<a moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://jasonkahn.net">http://jasonkahn.net</a>)
jgrzinich (<a moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://maaheli.ee">http://maaheli.ee</a> <a
moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://moks.ee">http://moks.ee</a>)
Richard Garet (<a moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://richardgaret.com">http://richardgaret.com</a>)
sawako (<a moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://www.troncolon.com">http://www.troncolon.com</a>)
This program was produced by Gill Arno in Brooklyn between Summer and Fall 2007.
more info at: <a moz-do-not-send="true" class="moz-txt-link-freetext"
href="http://www.m-i-c-r-o.net/mpld">http://www.m-i-c-r-o.net/mpld</a></font></pre>
</blockquote>
<font size="-1"><font face="Arial"><br>
again, we are always looking for material for the show, whether raw
field recordings, field recording based composition, or introduction
submissions. we are also now accepting proposals for full editions of
our guest curated series. send proposals or material, released or not,
on any format, to the address below. if you have any questions, please
don't hesitate to get in touch!<br>
<br>
<br>
framework<br>
bp17<br>
27910 perruel<br>
france<br>
<br>
<a moz-do-not-send="true" class="moz-txt-link-abbreviated"
href="mailto:framework@talk21.com">framework@talk21.com</a><br>
<br>
<br>
</font></font>
<hr size="2" width="100%"><br>
<font size="-1"><font face="Arial"><b>16.12.07</b><br>
<b>(this edition will be available online until 23.12.07)</b><br>
<br>
<b>(start - finish / artist / track / album / label)</b><br>
</font></font><br>
<pre wrap=""><font face="Arial">00:00 - 15:00 Richard Garet - familiar
14:17 - 17:14 Jason Kahn - familiar (rain)
16:29 - 19:00 Hitoshi Kojo - Ard�eche (familiar)
18:40 - 23:58 jgrzinich_Familiar (The familiar sounds include: walking in autumn leaves; cars; lake shore sounds; cicadas)
23:34 - 24:34 sawako "the brand new fan ~ familiar sound in my room" recorded in August 27th 2007
24:27 - 31:07 Marcone Galvani - Ceci n'est pas: familiar (construction workers bending iron bars in my backyard, progressively filtered so as to leave only the recording artifacts found at about 9 kHz)
29:29 - 40:07 Richard Garet - unfamiliar
39:29 - 41:54 sawako "the brand new fan ~ alien sound in my room" recorded in August 4th 2007
41:33 - 43:03 Hitoshi Kojo - Gen�eve (alien)
43:10 - 46:16 Jason Kahn - unfamiliar (cows with their bells in the mountains)
45:10 - 57:00 jgrzinich_Unfamiliar (The unfamiliar sounds include: old telephone lines, spring night birds; nightingales, crex crex; old oil tanks; underwater insects)</font>
</pre>
<br>
<font size="-1"><font face="Arial"><br>
</font></font>
<hr size="2" width="100%"><br>
<font size="-1"><font face="Arial">framework intro submissions:<br>
<br>
1) take yourself and a recording device to a location of your choice<br>
2) record for AT LEAST one minute before you -<br>
3) read aloud the following text:<br>
<br>
<b>welcome to framework.</b><br>
<br>
<b>framework is a show consecrated to field recording, and its use in
composition. field recording, phonography, the art of sound hunting;
open your ears and listen!</b><br>
<br>
4) continue your recording for AT LEAST two minutes after you have
finished speaking<br>
5) send the recording on any format to the above address, or as an
mp3 via email<br>
<br>
thanks!<br>
<br>
</font></font>
</body>
</html>