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<font face="Arial"><font size="2"><strong><em>framework</em></strong>
broadcasts sundays on <strong>resonance104.4fm</strong> in london (uk)
or worldwide on </font></font><a moz-do-not-send="true"
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<div><font face="Arial" size="2">next edition: <strong>04.11.07</strong></font></div>
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href="http://www.resonancefm.com/framework">http://www.resonancefm.com/framework</a></font></strong></div>
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<font face="Arial"><font size="2"><strong><em>framework</em></strong> -
phonography/field recording; contextual and decontextualized sound
activity</font></font></div>
<div>
<div>
<div>
<div>
<div><font face="Arial" size="2">presented by patrick mcginley</font></div>
<div><font face="Arial" size="2"><strong></strong></font> </div>
<div><font face="Arial" size="2">this edition of <b><i>framework:afield</i></b>
was produced in new york city by <b>ben owen</b>. for more
information on ben and his work see <a moz-do-not-send="true"
class="moz-txt-link-freetext" href="http://www.benowen.org">http://www.benowen.org</a>.
track
listing and notes below.<br>
<br>
please note: there will be no new edition of <b><i>framework</i></b>
next week, the 28th of october, as<b> resonancefm</b> presents a
special program live from the <b>radiophonic festival </b>in brussels
from 7-11pm. <i><b>framework</b></i> will return with it's next new
edition on sunday the 4th of november. meanwhile, podcast and internet
listeners will be treated to another lost edition from the<i><b>
framework</b></i> archives...<br>
</font></div>
<div><strong></strong> </div>
<div dir="ltr" style="margin-right: 0px;"><span class="style4"><span
style="font-family: Arial;"><span style="font-family: Arial;"><span
style="font-family: Arial;"><font size="2">again, we are always
looking for material for the show, whether raw field recordings, field
recording based composition or introduction submissions. we are also
now accepting proposals for full editions of our guest-curated series.
send proposals or material, released or not, on any format, to the
address below. if you have any questions, please don't hesitate to get
in touch!</font></span></span></span></span></div>
<div><br>
<font size="2"> </font></div>
<div><font face="Arial" size="2">framework<br>
bp17</font></div>
<div><font face="Arial" size="2">27910 perruel<br>
france</font></div>
<div>
<div><br>
<a moz-do-not-send="true" href="mailto:framework@talk21.com"><font
face="Arial" size="2">framework@talk21.com</font></a></div>
<div> </div>
<div><font face="Arial" size="2">
<div><font face="Arial" size="2">
<hr></font></div>
<div><font face="Arial" size="2"><strong></strong></font> </div>
<div>
<div><font face="Arial" size="2"><strong>21.10.07</strong></font></div>
<div>
<div>
<div>
<div>
<div><font face="Arial" size="2"><strong>(this edition will be
available online until 28.10.07)</strong></font></div>
<div> </div>
<div>
<div>
<div>lawrence english. 4:48</div>
<div>storm</div>
<div><a moz-do-not-send="true" href="http://www.lawrenceenglish.com">http://www.lawrenceenglish.com</a>/</div>
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<div>andy graydon. aina. 12:49</div>
<div>aina 20070308</div>
<div>a 12 minute edit of field recordings from Maui.</div>
<div>order of events:</div>
<div>line noise.</div>
<div>haiku, bamboo forest, contact mic.</div>
<div>haiku, edge of the gulch.</div>
<div>rain on garage roof, contact mic.</div>
<div>rain on deck roof, stereo.</div>
<div>makamakaole stream.</div>
<div>haiku, small stones.</div>
<div>nyc, broken xmas ornament on floor.</div>
<div>bamboo forest, stereo.</div>
<div><a moz-do-not-send="true" href="http://andygraydon.net">http://andygraydon.net</a>/</div>
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<div>nathan mcninch. en-hiver. 6:03</div>
<div>the
track is composed of a selection of winter recordings made with some of
<br>
my really low quality home made mics. you can hear the short comings of
the <br>
mics in the recordings, limited frequency range, there are a few
clicks and pops...</div>
<div>the title is "en hiver"(in winter)
recordings from the same sessions were used in<br>
'from the falling snow'
and 'a lonesome arctic waltz'</div>
<div>the recordings were made within a one block radius of my home in
montreal, <br>
and on my parents farm in ontario.</div>
<div><a moz-do-not-send="true" href="http://www.petitesono.com">http://www.petitesono.com</a>/</div>
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<div>john clair. valentine morning. 7:21</div>
<div>valentine morning with margaret and gulliver</div>
<div>recorded feb 14, 2007, westchester NY </div>
<div><a moz-do-not-send="true" href="mailto:saltwatersnow@yahoo.com">saltwatersnow@yahoo.com</a></div>
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<div>gilles aubry. siegessaule_tunnel. 5:14</div>
<div>This recording was made inside the about 100 meters long
underground passage</div>
<div>allowing access to the Siegessauele monument located at a large
crossroads</div>
<div>in the middle of Tiergarten in Berlin.</div>
<div>During the audition, the tunnel becomes the place of a natural
mixing</div>
<div>process of several sound sources, redefining the terms of their
encounter :</div>
<div>The heavy traffic noise from above is attenuated and reverberated,
resulting</div>
<div>in a continuous and smooth sonic flow.</div>
<div>The various sounds of the pedestrians walking inside blend in
progressively,</div>
<div>becoming more defined as they get closer to the microphone and
vanishing</div>
<div>again after a while.</div>
<div><a moz-do-not-send="true"
href="http://www.soundimplant.com/gilaubry/">http://www.soundimplant.com/gilaubry/</a></div>
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<div>ben scott. file0199. 4:11</div>
<div>it
is soft and odd. a recording of a Cleo toy with batteries gone dry, <br>
and
other muffled room sounds buried way down deep, almost sounding EVP
<br>
style. it is a straight up field rec, with no edits, or manip. nor was
it set up <br>
in any way.</div>
<div><a moz-do-not-send="true" href="http://broadcastatic.org">http://broadcastatic.org</a></div>
<div><br class="khtml-block-placeholder">
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<div>joda clement. perthlake2. 1:50</div>
<div>lake feedback, metal canoe (w/ external battery powered monitor)</div>
<div>(Perth, Ontario, July 2006) </div>
<div>So
you know, this excerpt was recorded in the middle of a lake, in Perth
Ontario, <br>
with my small military radio used as a monitor, positioned in
the middle of a metal <br>
canoe, with a microphone taped to the side of the
canoe, pointed at the lake's surface, <br>
going into my Minidisc and the
output sent to the monitor (thus: feeback informed by <br>
the environment).
This wild outburst seemed to be informed by my physical relationship <br>
to
the monitor as we moved across the lake (I was not paddling). </div>
<div><a moz-do-not-send="true" href="http://www.jodaclement.com">http://www.jodaclement.com</a>/</div>
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<div>kristen roos. comox_train_starting. 2:34</div>
<div>This is a recording that was made during a train ride down
Vancouver Island.</div>
<div>It
was recorded in the bathroom of this one car train, the only space that
had lots of <br>
ambient sounds because it had a toilet that just dropped
right out to the tracks.</div>
<div><a moz-do-not-send="true" class="moz-txt-link-abbreviated"
href="http://www.microradio.ca">www.microradio.ca</a></div>
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<div>gill arno. blackout at leo. 4:05</div>
<div>sometime before 1997</div>
<div>this
one somehow made it to my current hard drive, migrating computer after
computer <br>
through more than ten years of upgrades. for some reason it is
mono - i'm not sure why <br>
but i imagine i was working with mono sound
files back then to keep a minimum cpu <br>
usage. the recording was made at
leoncavallo, the venerable milanese squat. ozric <br>
tentacles, a big
stoner group from england were playing that night and in the middle of
<br>
the concert there was a power failure. for a long time we were all
packed together in this <br>
huge pitched black warehouse space...</div>
<div><a moz-do-not-send="true" href="http://www.m-i-c-r-o.net/mpld/">http://www.m-i-c-r-o.net/mpld/</a></div>
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<div>gen ken montgomery. hong-kong-birdmarket. 7:04</div>
<div>walking through hong kong birdmarket, 1998</div>
<div><a moz-do-not-send="true"
href="http://home.earthlink.net/%7Ekenmontgomery/">http://home.earthlink.net/~kenmontgomery/</a></div>
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<div>gill arno. Avrà risposto qualcuno? (excerpt) 9:24</div>
<div>september, 1997</div>
<div>there
was a point in the subway system in milan in which the sound in the
tunnel would <br>
go "wooooo", a kind of scream that i had always thought
was quite lovely. so one day just <br>
before moving to nyc i recorded it
with my cheap walkman.</div>
<div>it was nice to find and listen again
to that 10 years old tape - of course it satisfies my <br>
fixation with
memory and displacement. but subway recordings are kind of common place
<br>
in the field of phonography, so i hope you will still find it
interesting in its own right, beyond <br>
my subjective take.</div>
<div>the title comes from a voice that you can hear towards the end. it
means <br>
"will anybody have replied?"</div>
<div><a moz-do-not-send="true" href="http://www.m-i-c-r-o.net/mpld/">http://www.m-i-c-r-o.net/mpld/</a></div>
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<div><font face="Arial" size="2"><strong></strong></font> </div>
<div><font face="Arial" size="2"> framework intro submissions:</font></div>
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<div><font face="Arial" size="2">1) take yourself and an
audio recording device to a location of your choice</font></div>
<div><font face="Arial" size="2">2) record for AT LEAST 1 minute
before you -</font></div>
<div><font face="Arial" size="2">3) read the following text:</font></div>
<div><font face="Arial" size="2"><strong></strong></font> </div>
<div><font face="Arial" size="2"><strong>welcome to framework.</strong></font></div>
<div><font face="Arial" size="2"><strong></strong></font> </div>
<div><font face="Arial" size="2"><strong>framework is a show
consecrated to field recording, and it’s use in composition.</strong></font></div>
<div><font face="Arial" size="2"><strong>field recording, phonography,
the art of sound-hunting; open your ears and listen!</strong></font></div>
<div> </div>
<div><font face="Arial" size="2">4) continue your recording for AT
LEAST 2 minutes after you've finish speaking</font></div>
<div><font face="Arial" size="2">5) send the recording on any format
to the address above, or as an mp3 via email</font></div>
<div> </div>
<div><font face="Arial" size="2">thanks!</font></div>
<div> </div>
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<div><font face="Arial" size="2">drop a note to </font><a
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size="2"> to be removed from this mailing list </font></div>
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