<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
<META content="MSHTML 6.00.2900.3199" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff>
<DIV><FONT face=Arial size=2><FONT face=Verdana size=2>hello,</FONT> </DIV>
<DIV>
<DIV><FONT face=Verdana size=2><STRONG></STRONG></FONT> </DIV>
<DIV><FONT size=1><FONT face=Verdana size=2>our next
releases</FONT></FONT></DIV>
<DIV><FONT face=Verdana></FONT><FONT size=1><FONT face=Verdana
size=2><BR> </DIV></FONT></FONT>
<DIV><FONT size=1><STRONG><FONT face=Verdana><FONT size=2>NVO 010 |
schurer > steinbrüchel</FONT><FONT size=2> | <falte>
|</FONT><FONT size=2> CD<BR>NVO 012 | Tomas Phillips | Drink_Deep |
CD<BR>NVO 013 | Iganz Schick / Dawid Szczesny | The View Underneath |
CD</FONT></FONT></STRONG></FONT></DIV>
<DIV><FONT size=1><FONT face=Verdana size=2></FONT></FONT> </DIV>
<DIV><FONT size=1><FONT face=Verdana size=2>are now
available!</FONT></FONT></DIV>
<DIV><FONT face=Verdana></FONT> </DIV>
<DIV><FONT face=Verdana>would be nice, if you are interested in!</FONT></DIV>
<DIV><FONT face=Verdana size=2></FONT> </DIV>
<DIV><FONT size=1><FONT face=Verdana>
<HR>
</FONT></DIV></FONT>
<DIV><FONT size=2>
<DIV><FONT size=1>
<P align=left><FONT size=2><FONT face=Verdana>For further information please
visit <A href="http://www.nonvisualobjects.com">www.nonvisualobjects.com</A> or
contact us directly at </FONT><A href="mailto:label@nonvisualobjects.com"><FONT
face=Verdana>label@nonvisualobjects.com</FONT></A></FONT></P>
<P align=left><FONT face=Verdana size=2>all the best,</FONT></P>
<P align=left><FONT face=Verdana size=2>Heribert Friedl, Raphael
Moser</FONT></FONT></FONT></P></DIV></DIV></FONT></DIV>
<DIV><FONT face=Arial size=2><FONT face=Verdana></FONT></FONT> </DIV>
<DIV><FONT face=Arial size=2><FONT face=Verdana>
<HR>
</FONT><FONT face=Verdana><STRONG>cat. #: NVO 010 <BR></STRONG></FONT><FONT
face=Verdana><STRONG>artist: schurer > steinbrüchel<BR></STRONG></FONT><FONT
face=Verdana><STRONG>title: <falte> <BR>format: cd</STRONG></FONT></DIV>
<P><FONT face=Verdana><</FONT><FONT face=Verdana>falte> </FONT><FONT
face=Verdana>is methodically based upon a technique invented by the surrealists
entitled «exquisite corpse». A method by which a collection of words, images or
sounds are assembled collectively in sequence, either by following a rule or by
delivering and making visible the «ending» of what has been created previously.
This procedure has a resemblance to an old parlor game entitled «consequences»,
in which the players write alternately on a sheet of paper, fold it to conceal
part of what they wrote and pass it on for further
contribution.<BR><BR></FONT><FONT face=Verdana>Based on this process a series of
compositions by schurer </FONT><FONT face=Verdana>> </FONT><FONT size=1><FONT
face=Verdana size=2>steinbrüchel </FONT><FONT face=Verdana size=2>was presented
in September 2006 as an eight channel surround sound</FONT><FONT face=Verdana
size=2>installation at the Kunsthaus Zurich, accompanied by a four channel
visual contribution by Yves Netzhammer. The version on this CD documents a
condensed, slightly more composed and therefore differentiated form of
folding.<BR><BR></FONT><FONT face=Verdana size=2>«Man kann (...) die Teilung des
Kontinuums nicht mit der des Sandes in Körner vergleichen, sondern mit in Falten
gelegtem Papier oder Stoff, so daß es unendlich viele Falten geben könnte, die
einen kleiner als die anderen, ohne daß sich der Körper jemals in Punkte oder
Minima auflöste.» </FONT></P>
<P><FONT face=Verdana size=2>(Gottfried Wilhelm Leibniz,
1646–1716)</FONT></FONT></FONT>
<HR>
<FONT face=Arial size=2><FONT size=1><FONT size=1><FONT face=Verdana
size=2><STRONG>cat. #: NVO 012 <BR>artist: </STRONG></FONT><FONT face=Verdana
size=2><STRONG>Tomas Phillips<BR>title: </STRONG></FONT><FONT face=Verdana
size=2><STRONG>DRINK_DEEP <BR>format: cd</STRONG></FONT>
<P></P><FONT size=1>
<P><FONT face=Verdana size=2>In the mid-1980’s, Rites of Spring emerged from the
thriving music community that was centered around Dischord Records in Washington
DC. Their sound was raw, dense and emotional. It provided a soundtrack to a
generation of veteran punks for whom introspection and renewal were increasingly
necessary tools in the ongoing (re)construction of personal and political
defiance.</FONT></P>
<P><FONT face=Verdana size=2>Drink_Deep marks an effort to bridge the two
distinct but inter-related milieus of the 80’s Dischord era and the more recent
practice of electronic minimalism, or microsound, both of which have relied upon
aesthetic innovation and a modus operandi that is at once individualized and
collaborative. Aside from a piano that simulates a particular chord progression,
all of the source material comes from the original R.O.S. tracks whose titles I
have had the privilege of retaining. As a whole, these compositions are, most
importantly, an expression of the admonition to savor the depths of what life
has to offer in the immediate moment, to embrace the paradoxical hazard of
living gracefully and deliberately. Herein lies, I would suggest, the continuing
relevance of the original music, my interpretations of which are </FONT><FONT
face=Verdana size=2>offered out of an enduring inspiration.</FONT><FONT size=1>
<FONT face=Verdana size=2><BR><BR>Tomas Phillips
<DIV>
<HR>
</DIV>
<DIV></FONT></FONT></FONT></FONT></FONT><FONT face=Verdana><STRONG>cat. #:
</STRONG></FONT><FONT size=1><FONT face=Verdana size=2><STRONG>NVO 013
<BR>artist: </STRONG></FONT><STRONG><FONT face=Verdana size=2>Ignaz Schick/Dawid
Szczesny<BR></FONT><FONT face=Verdana size=2>title: THE VIEW UNDERNEATH</FONT>
</STRONG><FONT face=Verdana size=2><BR><STRONG>format: cd<BR></STRONG><BR><FONT
size=1><FONT size=2><BR>Ignaz Schick & Dawid Szczesny met for the first time
in 2005 when </FONT><FONT size=2>Dawid was performing with Sofie Loizou in
Berlin. Coming both from </FONT><FONT size=2>quite different backgrounds (Hip
Hop/Electronica and Noise/</FONT><FONT size=2>Experimental Electro-Acoustics)
they decided to collaborate on some </FONT><FONT size=2>recordings. The first
session took place "live on radio" without previous </FONT><FONT
size=2>rehearsals the first night of Ignaz’ three weeks residency at
Radio </FONT><FONT size=2>Copernicus in Wroclaw in December 2005. The next
very early morning </FONT><FONT size=2>they went into the recording studio and
worked on the first tracks. <BR></FONT><FONT size=2>In early 2006 they did a
short minitour with 3 concerts in Germany and in the summer recorded more
material at Dawids house in Wroclaw. In all tracks you can notice a certain
jazzy feel, maybe coming from their shared passion for 1960s "jazz
noir".</FONT></FONT></FONT></FONT> </DIV>
<DIV>
<HR>
</DIV>
<DIV><A
href="http://www.nonvisualobjects.com">www.nonvisualobjects.com</A></DIV>
<DIV> </DIV>
<DIV><U><FONT color=#800080></FONT></U> </DIV>
<DIV><U><FONT color=#800080></FONT></U> </DIV></FONT>
<P></P></BODY></HTML>