<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
<META content="MSHTML 6.00.6000.16441" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff>
<DIV><FONT size=2><FONT size=3>FLOW @ Diapason Gallery<BR>9 PM Friday, June 8,
2007<BR>$7<BR><BR>Experimenting with noise, sound, and image...FLOW brings you
closer<BR>to the edge of dreams than you would normally find yourself. FLOW
<BR>provides you with continual sound and vision with stimulating textures
<BR>and rapid eye movements leaving you craving more. Come and watch
the<BR>sound/visual experiences of these 4 acts as they navigate their
way<BR>through the rapidly shifting textures of mind and creation!<BR><BR>1. Ian
Epps and Blithe Riley <BR>2. Jason Ajemian<BR>3. Corridors<BR>4. Red
Chair<BR><BR>Ian Epps : a Sonic/Visual Artist, was born in Lakenheath, UK in
1977. He<BR>received his BFA from Alfred University, in 1999. His sound
explorations <BR>are deeply invested in a fascination with how an object speaks,
utters, <BR>and dissolves itself within its given surroundings. Through this, he
treats <BR>sounds as building blocks. The blocks become pieces of information
that <BR>synthesize space. Each block speaks, sings,and erodes, but together
<BR>sound out the warmth and infinitely complex nature of
impermanence.<BR><BR>His work has been exhibited in the Walker Art Center,
Lovebytes<BR>Biennial (Sheffield, UK), Garage Projects (Atlanta, GA),
A.I.R.<BR>Gallery (NY, NY), EYEDRUM (Atlanta, GA), and SIGGRAPH2004 (Los
<BR>Angeles, CA). He has performed alongside and in collaboration with<BR>Rafael
Toral, Andrew Deutsch and Pauline Oliveros, Ogurusu Norihide,<BR>Kenneth
Kirschner, Mountains, Takeshi Mitsuhashi, Richard Devine,<BR>EVOL, Dave Gross
and Liz Tonne, Joe McPhee, and collectively with Dan <BR>Walsh, and Jason
Forrest aka Donna Summer under the name "the<BR>Computers".<BR><BR>Epps's recent
releases can be found on SoftL Music </FONT><A
onclick="return top.js.OpenExtLink(window,event,this)" href=""
target=_blank><FONT size=3>www.softlmusic.com</FONT></A><FONT size=3>, <BR>Grain
of Sound </FONT><A onclick="return top.js.OpenExtLink(window,event,this)"
href="" target=_blank><FONT size=3>www.grainofsound.com</FONT></A><FONT size=3>,
Powershovel Audio <BR></FONT><A
onclick="return top.js.OpenExtLink(window,event,this)" href=""
target=_blank><FONT size=3>www.powershovelaudio.com</FONT></A><FONT
size=3>, On;(do) </FONT><A
onclick="return top.js.OpenExtLink(window,event,this)" href=""
target=_blank><FONT size=3>www.ondomusic.com</FONT></A><FONT size=3>, and
<BR>Seasonal</FONT><A onclick="return top.js.OpenExtLink(window,event,this)"
href="" target=_blank><FONT size=3> www.seasonalbk.net</FONT></A><FONT
size=3>.For further information: </FONT><A
onclick="return top.js.OpenExtLink(window,event,this)" href=""
target=_blank><FONT size=3>http://ianepps.com/</FONT></A><BR><BR><FONT
size=3>Blithe Riley : is a Brooklyn-based artist working with video, performance
<BR>and installation. Incisive and uncomfortable, her works reveal us
to<BR>ourselves and turn the audience-performer relationship on its head.<BR>Her
work combines narrative elements with systemic based structures.<BR>Recent
projects have explored the operations of spectatorship in <BR>various contexts,
and use video to address the constructs of<BR>perception. Her work has been
screened nationally and internationally<BR>at venues such as the Hallwalls
Contemporary Art Center in Buffalo,<BR>NY, Roulette Performance Series, Lower
Manhattan Cultural Council's <BR>125 Maiden Lane Space in New York City,
Pittsburgh Filmmakers, The<BR>Warhol Museum, and Regina Miller Gallery, in
Pittsburgh, PA.<BR><BR>Jason Ajemian : is a double bassist and composer living
in Chicago. <BR>He moved to Chicago in the fall of 2000 after receiving a
Bachelors Degree <BR>in Music from William Paterson University. There he studied
with bassist<BR>Rufus Reid and composer Kevin Norton. By 2003 many of his
collectives<BR>for composing and performing began to get international
recognition, <BR>which has taken him throughout Europe, Canada and the US to
perform.<BR>The end of 2006 and early 2007 holds new releases from: Daydream
Full<BR>Lifestyles, Who Cares How Long You Sink (Sundmagi), Dragons
1976<BR>(Multikulti), A Cushicle, Lay All Over It, The Exploding Star
<BR>Orchestra (Thrill Jockey) and The Chicago Underground Trio
(Delmark).<BR><BR>Corridors : Byron Westbrook is a composer/sound artist living
in Brooklyn, <BR>NY. His work involves performance of processed instrumental and
<BR>environmental recordings through a multi-channel environment with a<BR>focus
on redistributing distilled energy of sound and light. In
solo<BR>performances under the name CORRIDORS, a system of multiple
<BR>amplifiers is used in conjunction with PA speakers to create a dynamic
<BR>space within a space using sound and video projection. He has
also<BR>collaborated with Rhys Chatham in the drone metal group
Essentialist<BR>(Table of the Elements), as well as performed in Phill
Niblock,<BR>Chatham, Glenn Branca and Jonathan Kane's ensembles. This
<BR>performance will present a piece for live guitar feedback and
voice.<BR><BR>Red Chair : is Jeremy Slater and Patrick Todd <BR><BR>Jeremy
Slater : Otherwise known as ( ), is an aritst who works with<BR>video and
sound in performance and installation settings. He was one <BR>of the 1999
recipients of the Computer Art Fellowship from New York <BR>Foundation of the
Arts (NYFA) and has exhibited and performed <BR>nationally and internationally.
</FONT><A onclick="return top.js.OpenExtLink(window,event,this)" href=""
target=_blank><FONT size=3>http://www.parenthesismedia.com </FONT></A><BR><A
onclick="return top.js.OpenExtLink(window,event,this)" href=""
target=_blank><FONT size=3>http://www.jeremyslater.net</FONT></A><BR><BR><FONT
size=3>Patrick Todd : Exploring the outer realms of manufacturing noise
<BR>production through digital interface, Patrick Todd will bring us his<BR>raw
sound in what will prove to be an electrifying evening
of<BR>excessive/compulsive distortions and feedback.<BR><BR
clear=all> <BR>( )<BR></FONT><A href=""><FONT
size=3>http://www.parenthesismedia.com</FONT></A><BR><A href=""><FONT
size=3>http://www.parenthesismusic.com</FONT></A><FONT size=3>
</FONT></FONT></DIV></BODY></HTML>