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<blockquote type="cite" cite>From: robert van heumen
<robert@steim.nl></blockquote>
<blockquote type="cite" cite><font face="Arial"><b><br>
STEIM presents three extraordinary solo performances by:<br>
</b><br>
<b>Pamela Z (US)<br>
Tarek Atoui (LB/FR)<br>
Keir Neuringer (US/NL)<br>
</b><br>
<b>Date: Thursday, February 1<br>
Venue: STEIM, Utrechtsedwarsstraat 134, Amsterdam<br>
Time: 20.30 hour<br>
Entrance: 5 euros<br>
Reservations and more information:<font color="#1C00EE"><u>
knock@steim.nl</u></font> or 020-6228690<br>
Curated by Takuro Mizuta Lippit<br>
<br>
</b>One of the themes that I would like to explore as STEIM's Artistic
Co-Director is "Musicianship in Live Electronic Music."
Although this is something that STEIM has dealt with for many years,
there still seems to be a general lack of discourse that encompasses
the sonic aesthetics that both acoustic and electronic musicians are
starting to share in a post-digital era. Live computer music has
helped us realize that it is the sonic relationship which the musician
attains with his/her instrument, sound material or audience that is
more important to the performative representation of music than any
kind of visual substitution or subtraction. I believe this
relationship is something that all musicians intuitively develop and
is revealed most clearly in solo performances. I am happy to present
the first STEIM concert of 2007 with three extraordinary performers
who each work in very different fields of music. <br>
- Takuro Mizuta Lippit (dj sniff)<br>
<br>
<b>Artist Biographies:<br>
Pamela Z</b> is a San Francisco-based composer/performer and audio
artist who works primarily with voice, live electronic processing, and
sampling technology. She creates solo works combining operatic bel
canto and experimental extended vocal techniques with found percussion
objects, spoken word, digital processing, and a MIDI controller called
The BodySynth (which allows her to manipulate sound with physical
gestures.) In addition to her solo work, she has composed and recorded
scores for dance, theatre, film, and new music chamber ensembles. Her
large-scale multi-media works have been presented at Theater Artaud
and ODC in SanFrancisco and at The Kitchen in New York, and her audio
works have been presented in exhibitions at the Whitney Museum in New
York and the Diözesanmuseum in Cologne. Her multi-media opera
Wunderkabinet based on the Museum of Jurassic Technology (created
in collaboration with Matthew Brubeck and Christina McPhee) has been
presented at The LAB Gallery (San Francisco) in 2005 and at REDCAT
(Disney Hall, Los Angeles) in 2006. Pamela Z has toured extensively
throughout the US, Europe, and Japan. She has performed in numerous
festivals including Bang on a Can at Lincoln Center in New York, the
Interlink Festival in Japan, the Other Minds Festival in San
Francisco, Pina Bausch Tanztheater Festival in Wuppertal, Germany, and
La Biennale di Venezia in Italy. She is the recipient of numerous
awards including a Guggenheim Fellowship, the Creative Capital Fund,
the CalArts Alpert Award in the Arts, the ASCAP Music Award, and the
NEA and Japan/US Friendship Commission Fellowship. She holds a music
degree from the University of Colorado at Boulder.
http://www.pamelaz.com<br>
<b><br>
Tarek Atoui</b> is a Lebanese laptop musician who lives and works in
Lebanon, France and other places.Artist on the label Staalplaat, his
work focuses on developing musical and video computer software thought
for live performances. Besides his compositions and concerts, he works
with research and creation studios as well as several theater,
dance and puppet companies on composing music
and conceiving interactive environments.</font><br>
<font face="Arial"></font></blockquote>
<blockquote type="cite" cite><font face="Arial"><b>Keir Neuringer</b>
was born in New York in 1976 and lives and works in The Hague. He is
active as an improvising saxophonist and a composer of electronic and
acoustic music. He also writes texts, curates concerts and makes
videos and installations. Much of his work is a manifestation of his
opposition to the destructive behavior exhibited and accepted by the
dominant culture. He studied composition, jazz, computer music,
ancient and modern literature, classical saxophone, and
multi-disciplinary art at institutions in the US, the UK, Poland, and
the Netherlands.</font></blockquote>
<blockquote type="cite" cite><font
face="Arial"><br></font></blockquote>
<blockquote type="cite" cite><font face="Arial">[IMG
removed]</font></blockquote>
<blockquote type="cite" cite><font face="Arial"><br>
More information on concerts:<font color="#1C00EE"><u>
http://www.steim.org/steim/activity.php</u></font> <br>
<br>
To unsubscribe from this list please go to<font color="#0000FF"><u>
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STEIM
<span
></span> <br>
(studio for electro instrumental music)<br>
(studio voor elektro instrumentale muziek) <br>
<br>
Achtergracht 19<br>
1017 WL Amsterdam<br>
The Netherlands<br>
<br>
Tel: 020-6228690<br>
Fax: 020-6264262<br>
Email:<font color="#0000FF"><u> knock@steim.nl<br>
</u></font>Website: www.steim.nl</font></blockquote>
<blockquote type="cite" cite><br>
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<div>-- <br>
<br>
Communauté électroacoustique canadienne (CEC) Canadian
Electroacoustic Community<br>
c/o Dept. de Musique, Université Concordia RF-302<br>
7141 rue Sherbrooke ouest, Montréal QC CANADA H4B 1R6<br>
[ http://cec.concordia.ca | http://econtact.ca | http://sonus.ca ]<br>
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