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<DIV><FONT face=Arial size=2><FONT size=2><FONT
face=Arial><STRONG>framework</STRONG> broadcasts live fridays on
<STRONG>resonance104.4fm</STRONG> in london (uk) or worldwide
on </FONT></FONT><A href="http://www.resonancefm.com"><FONT face=Arial
size=2>http://www.resonancefm.com</FONT></A><FONT face=Arial size=2> from 8-9pm
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<DIV><BR><FONT size=2><FONT face=Arial>next live broadcast:
<STRONG>17.03.06 </STRONG></FONT></FONT></DIV>
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<DIV><FONT face=Arial size=2></FONT><BR><FONT size=2><FONT
face=Arial><STRONG></STRONG></FONT></FONT> </DIV>
<DIV><FONT size=2><FONT face=Arial><STRONG>framework</STRONG> -
phonography/field recording; contextual and decontextualized sound
activity</FONT></FONT></DIV>
<DIV><FONT face=Arial size=2>presented by patrick mcginley</FONT></DIV>
<DIV> </DIV>
<DIV>this edition was held together with the second cd compilation of themed
untreated field recordings we've received from the small new zealand
<STRONG>claudia</STRONG> label, this one called <EM><STRONG>witching
hour</STRONG></EM> and themed on nighttime recordings (we heard one track from
this by <STRONG>felicity ford</STRONG> a few weeks ago). there are some
incredibly beautiful recordings in here, from all over the world, from
scandinavian midnight suns to west african crickets to pakistani muezzins.
nice stuff.</DIV>
<DIV> </DIV>
<DIV>we also heard another untreated recording by malaysian sound artist
<STRONG>yeoh yin pin</STRONG>, composition on <STRONG>ground fault</STRONG> by
<STRONG>phroq</STRONG>, extracts from a1996 radio mix by dutch digital artist
<STRONG>cym</STRONG>, and a number of short tracks by a berlin-based artist we
met on a recent trip to germany, <STRONG>sinebag</STRONG>.</DIV>
<DIV> </DIV>
<DIV>we finished off this edition with a recording i've been meaning to play
since we began broadcasting in 2002, and which was recently brought back
to my attention by a mention on the <STRONG>phonography</STRONG> (<A
href="http://www.phonography.org">http://www.phonography.org</A>) mailing list -
i've forgotten who is was who made this post, but thank you! i first came
across this recording in my university library in 1991, as part of a 4 cd
compilation accompanying an ethnomusicology textbook entitled <EM><STRONG>worlds
of music: an introduction to the music of the world's
peoples</STRONG></EM>. the recording, made by american ethnomusicologist
<STRONG>james koetting</STRONG> in 1975, is absolutely mind-boggling: in a post
office at the university of ghana countless workers are manually cancelling
stamps, presumably for hours on end. to pass the time they have developed
an inherent music in their actions; they bring their stamps down onto the
envelopes at hand at incomprehensibly complicated intervals to create an
incredible and ever-shifting syncopation, all the while whistling, in multipart
harmony, parts to an old ghanaian hymn... if you can't track this book
down, i believe this recording may be available online somewhere, if you do a
bit of hunting - it's well worth it!</DIV>
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<DIV><FONT face=Arial size=2><FONT face=Arial size=2>again, we are always
looking for material for the show, whether raw field recordings, field recording
based composition or introduction submissions. send material, released or
not, on any format, to the address below. we are also hoping to
have live performances as often as possible, so if you are in or passing through
london please get in touch! </FONT></FONT></DIV>
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size=2> </FONT></FONT></DIV>
<DIV><FONT face=Arial size=2><FONT face=Arial size=2>framework<BR>31 nevill
road<BR>london n16 8sl<BR>uk</FONT></FONT></DIV>
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<DIV><FONT face=Arial size=2><BR><A href="mailto:framework@talk21.com"><FONT
face=Arial size=2>framework@talk21.com</FONT></A><BR><BR></FONT></DIV>
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<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2><FONT face=Arial
size=2><STRONG>10.03.06</STRONG></FONT></FONT></DIV>
<DIV><FONT face=Arial size=2><FONT face=Arial
size=2><STRONG></STRONG></FONT></FONT> </DIV>
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<DIV><FONT face=Arial size=2>mystified / framework
intro</FONT></DIV>
<DIV><EM><FONT face=Arial size=2>thomas park recorded this intro for us on the
busy corner of his apartment building</FONT></EM></DIV>
<DIV><A href="http://www.mystifiedmusic.com"><FONT face=Arial
size=2>www.mystifiedmusic.com</FONT></A></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>p. westbourne / dawn chorus
/ witching hour / claudia</FONT></DIV>
<DIV><EM><FONT face=Arial size=2>late summer night midnight sun with birds and
hums in bergen, norway</FONT></EM></DIV>
<DIV><FONT face=Arial size=2><A
href="mailto:margot@brickbay.co.nz">margot@brickbay.co.nz</A>, <A
href="http://www.cmr.co.nz">http://www.cmr.co.nz</A></FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>cym / <EM>extract</EM>
/ triple x radio 100 festival july 1996 / -</FONT></DIV>
<DIV><EM><FONT face=Arial size=2>live mix of records and found sounds made for
dutch radio festival</FONT></EM></DIV>
<DIV><FONT face=Arial size=2><A
href="http://cym.net">http://cym.net</A></FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>yeoh yin pin / waktu subah 212
/ - / sudut</FONT></DIV>
<DIV><FONT face=Arial size=2><EM>mp3 release of an untreated recording from the
artist's bedroom window during a call to prayer</EM></FONT></DIV>
<DIV><FONT face=Arial size=2><A
href="http://www.yat.ch/emacm/sudut">http://www.yat.ch/emacm/sudut</A></FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>lau nau / <FONT size=2>keskallä
yötä / witching hour / claudia</FONT></FONT></DIV>
<DIV><FONT face=Arial size=2><EM>acoustic instrument and object improvisation
recorded at midnight in an orchard in finland</EM></FONT></DIV>
<DIV><FONT face=Arial size=2><A
href="http://www.haamu.com/launau">http://www.haamu.com/launau</A>,<EM> </EM><A
href="http://www.cmr.co.nz">http://www.cmr.co.nz</A></FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>christophe rault / blanc comme un
cacheton / - / arteradio</FONT></DIV>
<DIV><FONT face=Arial size=2><EM>mp3 release of sounds of the slopes, snowy
silences and mechanical lifts</EM></FONT></DIV>
<DIV><FONT face=Arial size=2><A
href="http://www.arteradio.com/son.html?21995">http://www.arteradio.com/son.html?21995</A></FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>phroq / psychotest, last attempt
/ collapse / ground fault</FONT></DIV>
<DIV><FONT face=Arial size=2><EM>elemental crackles, rumbles and whistles -
fire, water collide</EM></FONT></DIV>
<DIV><FONT face=Arial size=2><A
href="http://www.phroq.com">http://www.phroq.com</A>, <A
href="http://www.groundfault.net">http://www.groundfault.net</A></FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>un ciego / korogi gate /
witching hour / claudia</FONT></DIV>
<DIV><FONT face=Arial size=2><EM>minimal nightscape recorded in west africa,
korogi is japanese for cricket...</EM></FONT></DIV>
<DIV><FONT face=Arial size=2><A
href="mailto:slowchimes@gmail.com">slowchimes@gmail.com</A>, <A
href="http://www.cmr.co.nz">http://www.cmr.co.nz</A></FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>sinebag / garten am abend</FONT></DIV>
<DIV><FONT face=Arial size=2>
petit crr. #7</FONT></DIV>
<DIV><FONT face=Arial size=2>
deux avions</FONT></DIV>
<DIV><FONT face=Arial size=2>
pergola paul singerstraße</FONT></DIV>
<DIV><FONT face=Arial> <FONT
size=2> <FONT
size=2>près de la lisière .2b / près de la lisière /
ahornfelder</FONT></FONT></FONT></DIV>
<DIV><EM><FONT face=Arial size=2>several short continuous tracks of acoustic
guitar and field recording calmness</FONT></EM></DIV>
<DIV><FONT face=Arial size=2><A
href="http://www.sinebag.de">http://www.sinebag.de</A>, <A
href="http://www.ahornfelder.de">http://www.ahornfelder.de</A></FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>paintings of windows / gilgit
/ witching hour / claudia</FONT></DIV>
<DIV><FONT face=Arial size=2><EM>4am muezzin and a visiting bat echo around a
concrete hotel room in gilgit, pakistan</EM></FONT></DIV>
<DIV><FONT face=Arial size=2><A
href="http://www.pseudoarcana.com">http://www.pseudoarcana.com</A>, <A
href="http://www.cmr.co.nz">http://www.cmr.co.nz</A></FONT></DIV>
<DIV><EM><FONT face=Arial size=2></FONT></EM> </DIV>
<DIV><FONT face=Arial size=2>
<DIV><FONT face=Arial size=2>cym / <EM>extract</EM>
/ triple x radio 100 festival july 1996 / -</FONT></DIV>
<DIV><FONT face=Arial size=2><EM>another sampling of construction, crackling and
classical music</EM></FONT></DIV>
<DIV><FONT face=Arial size=2><A href="http://cym.net">http://cym.net</A></FONT>
</DIV>
<DIV> </DIV>
<DIV>phroq / attempt #3 / collapse / ground
fault</DIV>
<DIV><EM>gasp, a catch of breath, a smack of lips, always on the verge of
saying...</EM></DIV>
<DIV>
<DIV><FONT face=Arial size=2><A
href="http://www.phroq.com">http://www.phroq.com</A>, <A
href="http://www.groundfault.net">http://www.groundfault.net</A></FONT></DIV>
<DIV> </DIV>
<DIV>
<DIV>tim coster / drop time / witching hour
/ claudia</DIV>
<DIV><EM>sounds recorded via large glass jars at the tail end of a late night
storm, auckland, new zealand</EM></DIV>
<DIV><A href="mailto:intergalactim@gmail.com">intergalactim@gmail.com</A>, <A
href="http://www.cmr.co.nz">http://www.cmr.co.nz</A></DIV></DIV>
<DIV> </DIV>
<DIV>sinebag / <FONT size=2>collection d'électroniques
vétustees</FONT></DIV>
<DIV>
stromgenerator august bebel straße</DIV>
<DIV>
ajouter nouveau électroniques / près de la lisière /
ahornfelder
<DIV><EM>more continuous tracks, this time starting with birds and beeps,
arriving at strings</EM></DIV>
<DIV><FONT face=Arial size=2><A
href="http://www.sinebag.de">http://www.sinebag.de</A>, <A
href="http://www.ahornfelder.de">http://www.ahornfelder.de</A></FONT></DIV>
<DIV> </DIV>
<DIV>james koetting / postal workers cancelling stamps at the
university of ghana post office / <!--StartFragment --> worlds
of music / wadsworth publishing</DIV>
<DIV><EM>incredible field recording of - well - of exactly what it
says...</EM></DIV>
<DIV><U><FONT color=#0000ff><A
href="http://www.ethnomusic.ucla.edu/archive/biokoetting.htm">http://www.ethnomusic.ucla.edu/archive/biokoetting.htm</FONT></U></A>,
<A href="http://thomsonedu.com">http://thomsonedu.com</A></DIV>
<DIV> </DIV>
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<DIV><FONT face=Arial size=2>framework intro submissions:</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>1) take yourself and an
audio recording device to a location of your choice</FONT></DIV>
<DIV><FONT face=Arial size=2>2) record for AT
LEAST 1 minute before you -</FONT></DIV>
<DIV><FONT face=Arial size=2>3) read the following
text:</FONT></DIV>
<DIV><FONT face=Arial size=2><STRONG></STRONG></FONT> </DIV>
<DIV><FONT face=Arial size=2><STRONG>welcome to framework.</STRONG></FONT></DIV>
<DIV><FONT face=Arial size=2><STRONG></STRONG></FONT> </DIV>
<DIV><FONT face=Arial size=2><STRONG>framework is a show consecrated to field
recording, and it’s use in composition.</STRONG></FONT></DIV>
<DIV><FONT face=Arial size=2><STRONG>field recording, phonography, the art of
sound-hunting; open your ears and listen!</STRONG></FONT></DIV>
<DIV> </DIV>
<DIV><FONT face=Arial size=2>4) continue your recording for AT
LEAST 2 minutes after you've finish speaking</FONT></DIV>
<DIV><FONT face=Arial size=2>5) send the recording on any
format to the address above, or as an mp3 via email</FONT></DIV>
<DIV> </DIV>
<DIV><FONT face=Arial size=2>thanks!</FONT></DIV>
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