<DIV>Bill Thompson | Untitled (McAlpine)<BR>TRANS005<BR>Net Release Date - August 2005 <BR>Codecs: .flac, .mp3, .ogg<BR>Physical in 2006 <BR>Edition 50</DIV>
<DIV> </DIV>
<DIV><A href="http://www.bremsstrahlung-recordings.org/transradiation/trans005.php">http://www.bremsstrahlung-recordings.org/transradiation/trans005.php</A></DIV>
<DIV> </DIV>
<DIV>"Chance favors the prepared mind." - Louis Pasteur</DIV>
<DIV>This work of stunning beauty presents itself more like a masterwork of compositional restraint and focused exploration of timbre than the enhanced field recording it is. Thompson's prepared mind allowed him to capture one of the most moving pieces of sound you are likely to experience this year. It must be heard to be believed…</DIV>
<DIV><BR>Artist Statement</DIV>
<DIV>This piece uses sounds drawn from a field recording made only a few meters from my home off the north sea in the small Scottish fishing village of Footdee. Wind blowing through the unfinished structure of the new harbor tower created an aeolian harp that resonated across the village. Isolating these sounds from the gusts of wind and sea, I tried to create a piece that flowed as pure and natural as the original recording. hints of wind and sea are still evident, but now with a slightly removed, alien timbre. Extreme noise reduction and equalization were used on the sounds, but otherwise no additional processing was employed. </DIV>
<DIV>Bio</DIV>
<DIV><BR>Bill Thompson is a sound artist living in the north east of Scotland. Formerly of Texas where he was active in the Austin experimental music scene, he now spends his time recording buildings, boats and clay pots while hoping this will somehow count towards his pending PhD. He has written for acoustic, electro-acoustic, live-electronic, tape, and digital media, including several installations. as a performer, he uses an assortment of equipment ranging from prepared guitar, digital cd mixers, laptop, radio, and digital/analogue synthesizers, as well as found objects and diy circuit bent devices. Regardless of media, an attention to sound and presence is always foremost in his approach. More info can be found at <A href="http://www.billthompson.org">www.billthompson.org</A></DIV>
<DIV> </DIV>
<DIV>===+=======================+=======+===+==+</DIV>
<DIV> </DIV>
<DIV><STRONG>OUT NOW</STRONG></DIV>
<DIV><STRONG>blung002 lowercase-sound 2002 </STRONG></DIV>
<DIV>" A well-researched and beautifully produced and highly recommended collection of accomplished music." <EM>- THE WIRE</EM></DIV>
<DIV><EM></EM> </DIV>
<DIV><STRONG>blung003 Toshiya Tsunoda/Civyiu Kkliu </STRONG></DIV>
<DIV>“… when played at a moderate volume, things become alive in your own space; I am sure that's exactly the sort of thing Kkliu is aiming for. Here the conceptualism is at work on a great level.” <EM>- Vital Weekly</EM></DIV>
<DIV> </DIV>
<DIV><STRONG>blung004 Radu Malfatti/Ilya Monosov</STRONG></DIV>
<DIV>“ Malfatti's grainy drones are thick Franz Kline brushstrokes, whereas Monosov's sound events are like tiny flecks of paint. Both pieces inhabit their blank canvases wonderfully though, and connoisseurs of this kind of music are strongly encouraged to check them out (as well as Bremsstrahlung's previous magnificent lowercase-sound double CD compilations, if they haven't completely disappeared into the welcoming arms of avid collectors).” <EM>- Paris Transatlantic</EM><BR></DIV>
<DIV> </DIV><p>__________________________________________________<br>Do You Yahoo!?<br>Tired of spam? Yahoo! Mail has the best spam protection around <br>http://mail.yahoo.com