From murmer at murmerings.com Mon Apr 5 02:19:01 2021 From: murmer at murmerings.com (. m u r m e r .) Date: Mon, 5 Apr 2021 09:19:01 +0300 Subject: [microsound-announce] [framework radio] #751: 2021.04.04 Message-ID: –––––––––––––––––––––––––––––––––––––––– ––––––––––––––––––––––––––––––––––––––––––––– framework radio phonography ::: field recording ::: the art of sound-hunting open your ears and listen! :: https://frameworkradio.net :: https://patreon.com/frameworkradio :: https://facebook.com/frameworkradio :: https://frameworkeditions.bandcamp.com ––––––––––––––––––––––––––––––––––––––––––––– –––––––––––––––––––––––––––––––––––––––– #751: 2921.04.04 listen to this edition here: https://frameworkradio.net/2021/04/751-2021-04-04/ patreon campaign progress report: 100 patrons (up from 99) 50% towards our next goal (no change) want to help? http://www.patreon.com/frameworkradio 100 patrons! as a happy-750th-show present, you brought us to this milestone. thank you! can we get to 200 by #1000?? this edition, entitled 'peace of home', has been produced in canada by shawn pinchbeck. for more information see http://www.spinchbeck.com/, or https://shawnpinchbeck.bandcamp.com/. producer's notes: ––––––––––––––––––––––––– Peace of Home At the beginning of the global pandemic in May 2020, I was living in the North Western Peace Region of Alberta, Canada in the city of Grande Prairie. Looking for something socially distant and outdoors to do, I started driving into the countryside and recording the soundscapes I found there with a Sennheiser Ambeo VR Microphone and Zoom F4 recorder. At first, I didn’t have a project in mind. I was just enjoying exploring the different places I found and the recordings I was making. Then, an idea for a soundscape piece documenting places in the four directions away from the city took hold. The area itself is very diverse with the northern most Canadian prairie making up a large part of the area, but also forests, foothills, lakes, rivers, and vast valleys with significant natural areas. Depending which direction you travel from the city, you find different types of economic and human activity such as: farming, honey production, forestry, oil and gas and recreation. The piece follows the chronological order of my explorations into the four directions from Grande Prairie. Most excursions were day long experiences with sometimes hundreds of kilometres covered, thanks to the long daylight hours in north western Alberta. The recordings you hear start with my backyard in Grande Prairie with the noise of pickup trucks and people in the neighbourhood as a storm approaches kicking up the wind. In the first segment, we travel to the East down Highway 43 towards the vast Smokey River valley and the nearby badlands of the Kleskun Hills. In the second segment, we go South down Highway 40 to the nearby Wapiti River Valley and O’brien Provincial Park, where many Grande Prairians go for walks and picnics in the park. We continue to the Grovedale area with its endless kilometres of farmland and finally end up in the Rocky Mountain foothills at the picturesque Musreau Lake. In the next segment we travel West to the Beaver Lodge area, just a few kilometers shy of the border with British Columbia; enjoying the hospitality and environs of filmmaker David McGregor and his bees, ducks and chickens. In the final segment, we go north to the Dunvegan suspension bridge that spans the mighty Peace River valley and the historical site there, finishing a bit south west in the nearby Saddle hills at a lake at the top of a hill by the name of Hilltop Lake! I wish to thank the Alberta Media Arts Alliance Society and their Artist Bursary program for funding this piece. I also wish to thank the Grande Prairie Regional College for providing the recording equipment. A binaural version of this piece is available at: shawnpinchbeck.bandcamp.com Biography Shawn Pinchbeck is an award winning Edmonton, Alberta, Canada and Viljandi, Estonia based electroacoustic music composer, sound designer, audio engineer, performer, media artist, curator and educator. His artworks explore all things that sound, merging elements such as video, computer interaction, multi-speaker environments, sensors and electronics, interdisciplinary performance and installation art. Shawn’s works are presented widely at festivals and exhibits across Canada and Europe. He has eight releases of electroacoustic, film and ambient music, most recently collaborating with Rose McDowall on the soundtrack for Far From the Apple Tree available on Glass Modern Records. He performs live regularly and his music and sound design has been used in numerous films and contemporary dance performances. Shawn holds MMus and PhD degrees in electroacoustic music composition from the University of Birmingham, UK where he studied with Erik Oña and Jonty Harrison. Shawn was one of the founding members of the Boreal Electroacoustic Music Society (BEAMS) and is currently its President. He hosts a yearly artist residency program in Viljandi, Estonia. ––––––––––––––––––––––––– again, we are always looking for new material, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated framework:afield series. send proposals or material, released or not, on any format, to the address at the bottom of this mail. if you have any questions, please don't hesitate to get in touch! –––––––––––––––––––––––––––––––––––––––– ––––––––––––––––––––––––––––––––––––––––––––– SUPPORT FRAMEWORK! your contributions make framework possible. become a patron: http://www.patreon.com/frameworkradio or make a one-time donation: http://www.frameworkradio.net/donate. explore our rewards and thank-you gifts! we can't do it without you, and we greatly appreciate your support. ––––––––––––––––––––––––––––––––––––––––––––– –––––––––––––––––––––––––––––––––––––––– framework intro submissions: 1) take yourself and an audio recorder to a location of your choice 2) record for AT LEAST 1 minute before you - 3) read aloud the following text (in english or translated): welcome to framework. framework is a show consecrated to field-recording, and its use in composition. field-recording, phonography, the art of sound hunting; open your ears and listen! 4) continue recording for AT LEAST 2 minutes after the text 5) post the recording to us on any format, or send us an mp3–––––––––––––––––––––––––– ––––––––––––––––––––––––––––––––––––––––––––– framework ––––––––––––––––––––––––––––––––––––––––––––– :: https://frameworkradio.net :: info at frameworkradio.net :: :: https://patreon.com/frameworkradio :: https://facebook.com/frameworkradio :: https://frameworkeditions.bandcamp.com :: https://frameworkradio.net/donate ––––––––––––––––––––––––––––––––––––––––––––– :: nuti :: metsküla :: põhja-sakala vald :: 71302 viljandimaa :: estonia ––––––––––––––––––––––––––––––––––––––––––––– ––––––––––––––––––––––––––––––––––––––––––––– mailing list: http://eepurl.com/lQBOT From murmer at murmerings.com Mon Apr 12 04:46:48 2021 From: murmer at murmerings.com (. m u r m e r .) Date: Mon, 12 Apr 2021 11:46:48 +0300 Subject: [microsound-announce] [framework radio] #752: 2021.04.11 Message-ID: –––––––––––––––––––––––––––––––––––––––– ––––––––––––––––––––––––––––––––––––––––––––– framework radio phonography ::: field recording ::: the art of sound-hunting open your ears and listen! :: https://frameworkradio.net :: https://patreon.com/frameworkradio :: https://facebook.com/frameworkradio :: https://frameworkeditions.bandcamp.com ––––––––––––––––––––––––––––––––––––––––––––– –––––––––––––––––––––––––––––––––––––––– #752: 2021.04.11 listen to this edition here: https://frameworkradio.net/2021/04/752-2021-04-11/ listen to the VOICEOVER-FREE edition (patrons only) here: https://www.patreon.com/posts/49781547 patreon campaign progress report: 100 patrons (no change) 50% towards our goal (no change) want to help? http://www.patreon.com/frameworkradio we hope this edition sounds like spring, because it feels like spring here - the green explosion has not yet come (it usually doesn't until may) but the windows are open, the birds are singing and the ponds have thawed. ok, i might be jumping the gun a little, it's only 11C outside, but 11C feels like 25C when you've spent the -15C winter in an unheated outbuilding. anyway, sorry, were we talking about radio? our springtime was ushered in by manja ristić, pierrot desperes, beatriz ferreyra, natasha barrett, dave phillips, an intro by cain blanchard, and listener-chosen favorite recent uploads to the aporee maps. almost every single release in this edition has been self-released on bandcamp (apart from the one split LP, which is also available for listening digitally on bandcamp), and direct links to all of them can be found below. go and listen, and if you like what you hear, please support these artists. again, we are always looking for new material, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated framework:afield series. send proposals or material, released or not, on any format, to the address at the bottom of this mail. if you have any questions, please don't hesitate to get in touch! ––––––––––––––––––––––––––––––––––––––––––––– [time / artist / track / release / label] 00:00 - 04:23 / cain blanchard, framework introduction recorded in knoxville, tn, us https://park70.bandcamp.com/ 02:35 - 07:02 / hoerma / ants make a rustling noise / frickenhausen, de / aporee soundmaps https://aporee.org/maps/?loc=52748 04:06 - 15:38 / manja ristić / patient love [excerpt 1] / patient love / [self-released] https://manjaristic.bandcamp.com/album/patient-love 10:30 - 14:02 / pierrot desperes / wabash frisco & pacific / endure / [self-released] https://pierrotdesperes.bandcamp.com/album/endure 11:29 - 19:24 / dave phillips / yangmingshan cicadas, a storm comes up, different cicadas resound. kalamoji mountains / don't hurt me for your pretty (中国实地录音) / [self-released] https://dave-phillips.bandcamp.com/album/dont-hurt-me-for-your-pretty 13:48 - 26:21 / beatriz ferreyra / souvenirs caché / souvenirs caché / innermost [split LP] / persistence of sound https://beatrizferreyraandnatashabarrett.bandcamp.com/album/souvenirs-cach-s-innermost 17:21 - 28:43 / david j. pitt / covid isolation / malvern, uk / aporee soundmaps https://aporee.org/maps/?loc=52838 19:59 - 24:15 / pierrot desperes / rock holler / endure / [self-released] https://pierrotdesperes.bandcamp.com/album/endure 22:35 - 35:46 / manja ristić / patient love [excerpt 2] / patient love / [self-released] https://manjaristic.bandcamp.com/album/patient-love 26:44 - 36:09 / dave phillips / nocturnal anuran soundscape. huashan shanzhai-panlong / don't hurt me for your pretty (中国实地录音) / [self-released] https://dave-phillips.bandcamp.com/album/dont-hurt-me-for-your-pretty 32:53 - 41:08 / natasha barrett / innermost [excerpt 1] / souvenirs caché/innermost [split LP] / persistence of sound https://beatrizferreyraandnatashabarrett.bandcamp.com/album/souvenirs-cach-s-innermost 35:29 - 39:17 / pierrot desperes / minke / endure / [self-released] https://pierrotdesperes.bandcamp.com/album/endure 38:22 - 44:33 / thomas martin nutt / whistling fence at the onset of a typhoon / nagasaki, jp / aporee soundmaps https://aporee.org/maps/?loc=52728 39:59 - 51:50 / manja ristić / water / patient love / [self-released] https://manjaristic.bandcamp.com/album/patient-love 43:05 - 47:22 / pierrot desperes / yeatman detritus / endure / [self-released] https://pierrotdesperes.bandcamp.com/album/endure 45:25 - 56:00 / natasha barrett / innermost [excerpt 2] / souvenirs caché/innermost [split LP] / persistence of sound https://beatrizferreyraandnatashabarrett.bandcamp.com/album/souvenirs-cach-s-innermost 49:48 - 56:59 / dave phillips / typhoon. ri yue, hainan / don't hurt me for your pretty (中国实地录音) / [self-released] https://dave-phillips.bandcamp.com/album/dont-hurt-me-for-your-pretty 55:39 - 58:26 / pierrot desperes / ozark submarine / endure / [self-released] https://pierrotdesperes.bandcamp.com/album/endure 57:30 - 59:00 / wallyre / little nuns go for alms / mandalay, mm / aporee soundmaps https://aporee.org/maps/?loc=52504 –––––––––––––––––––––––––––––––––––––––– ––––––––––––––––––––––––––––––––––––––––––––– SUPPORT FRAMEWORK! your contributions make framework possible. become a patron: http://www.patreon.com/frameworkradio or make a one-time donation: http://www.frameworkradio.net/donate. explore our rewards and thank-you gifts! we can't do it without you, and we greatly appreciate your support. ––––––––––––––––––––––––––––––––––––––––––––– –––––––––––––––––––––––––––––––––––––––– framework intro submissions: 1) take yourself and an audio recorder to a location of your choice 2) record for AT LEAST 1 minute before you - 3) read aloud the following text (in english or translated): welcome to framework. framework is a show consecrated to field-recording, and its use in composition. field-recording, phonography, the art of sound hunting; open your ears and listen! 4) continue recording for AT LEAST 2 minutes after the text 5) post the recording to us on any format, or send us an mp3–––––––––––––––––––––––––– ––––––––––––––––––––––––––––––––––––––––––––– framework ––––––––––––––––––––––––––––––––––––––––––––– :: https://frameworkradio.net :: info at frameworkradio.net :: :: https://patreon.com/frameworkradio :: https://facebook.com/frameworkradio :: https://frameworkeditions.bandcamp.com :: https://frameworkradio.net/donate ––––––––––––––––––––––––––––––––––––––––––––– :: nuti :: metsküla :: põhja-sakala vald :: 71302 viljandimaa :: estonia ––––––––––––––––––––––––––––––––––––––––––––– ––––––––––––––––––––––––––––––––––––––––––––– mailing list: http://eepurl.com/lQBOT From dubloop at oricom.ca Tue Apr 13 09:42:08 2021 From: dubloop at oricom.ca (dubloop) Date: Tue, 13 Apr 2021 09:42:08 -0400 Subject: [microsound-announce] =?utf-8?b?W1ZBVTAyNl0gTWluaXRyb25pa+KAiyw=?= =?utf-8?q?=E2=80=8BMatke_-_Vid_EP______=28free_dl=29?= In-Reply-To: <6eca866ecf750e6992fad908976d95de@oricom.ca> References: <350e05acc290af2e1754310f7aa7bf6e@oricom.ca> <4cd31fdfaa1bec70b4a00bc35a65aad7@oricom.ca> <5a900a0b28c59e8c49cfce5cb16e07bd@oricom.ca> <34185471461806cc6d250f46eff2c8ff@oricom.ca> <9d5072da19d66d68f5a11e97f8721d21@oricom.ca> <56108ed0f75a7ec6e83ed136d0785b44@oricom.ca> <6eca866ecf750e6992fad908976d95de@oricom.ca> Message-ID: <6448435113b9baf45707fb1306d37382@oricom.ca> new music from Serbia [VAU026] Minitronik​,​Matke - Vid EP label: Various And Uneasy (Pertin-nce) release: VAU026 artist: Minitronik,Matke title : Vid EP track listing: 1- Pojave 2- Brdo 3- Funkcija 4- Zbun sound like: experimental, ambient, dark, deep, cinematic stream & free download: https://pertin-nce.bandcamp.com/album/vau026-minitronik-matke-vid-ep [1] thanks! ps: i accept demo for releases & podcasts Links: ------ [1] https://pertin-nce.bandcamp.com/album/vau026-minitronik-matke-vid-ep -------------- next part -------------- An HTML attachment was scrubbed... URL: From tazberrydocs at gmail.com Wed Apr 14 12:40:10 2021 From: tazberrydocs at gmail.com (Eldad Tsabary) Date: Wed, 14 Apr 2021 12:40:10 -0400 Subject: [microsound-announce] CLOrk mini-opera tomorrow: Mixed messages, no pants Message-ID: Hey all, CLOrk - Concordia Laptop Orchestra invites you tomorrow (Thursday, 6:30PM EDT), to a (free) networked premier of Juanita Marchand Knight's mini opera "Mixed Messages, No Pants", a four-movement improvisatopera about pandemic job loss, artificial intelligence, and pyjama bottoms. The networked performance will feature *Juanita Marchand Knight*, and guest musician *Katrine Amsler (in Copenhagen)*, and the 25 members of the laptop orchestra. Hope to see you there ❤ You can check out the Facebook event here: https://www.facebook.com/events/2262216607248229/ Or just join the stream here: https://youtu.be/92soJT4NMXc About Juanita: https://www.thevoicelabinc.com/juanita-marchand-knight.html Katrine’s music: https://katrineamsler.bandcamp.com/album/laslafaria *Performers:* Juanita Marchand Knight, voice Katrine Amsler, electronics CLOrk performers: - Alexandre Calixte - Benjamin Rowland - Christophe Cinq - Christophe Daigle - Domenico Carbone - Dorian Bell - Emmanuel Racine - Etienne Dube - Georgia Campbell-Irwin - Joseph Sims - Julien Tieman - Laurent-Olivier Bernier - Liam Mansfield - Luke Steinmann - Mario Velarde - Matthew Sagar - Pablo Geeraert - Patrick McMaster - Patrick Woods - Sako Ghanaghounian - Savion Achod - Sisi Chen - Tommy Ayala - Tristan Huber - Xi Lu Dr. Eldad Tsabary, Associate Professor Coordinator, Electroacoustic Studies Department of Music, Concordia University https://www.concordia.ca/faculty/eldad-tsabary.html -------------- next part -------------- An HTML attachment was scrubbed... URL: From maxinemaxmsp74 at gmail.com Sun Apr 18 23:12:32 2021 From: maxinemaxmsp74 at gmail.com (Maxine Maxteacher) Date: Sun, 18 Apr 2021 23:12:32 -0400 Subject: [microsound-announce] Online Max course starts May 24 Message-ID: Hi Microsound List, My next* online* Max course for beginners starts on May 24th, 2021. It's an approximately seven-week long intensive for *1.5 college credit* offered through Massachusetts College of Art and Design. *Enrollment is open to everyone (not just students).* It is not taught in "real time" so it's suitable for anyone anywhere to participate. For complete information and a link to registration go here: http://www.jeweltone16.org/SoundWithMaxMSP If you want a total of 3 college credits you may continue with MaxMSP: Advanced online course (1.5 credits) starting immediately following the beginner course. Here are some endorsements from former students: http://www.jeweltone16.org/endorsements.html Please email my school address if you need more information: jdunaway at massart.edu Judy Dunaway ----------------------------------------- -------------- next part -------------- An HTML attachment was scrubbed... URL: From murmer at murmerings.com Mon Apr 19 04:14:19 2021 From: murmer at murmerings.com (. m u r m e r .) Date: Mon, 19 Apr 2021 11:14:19 +0300 Subject: [microsound-announce] [framework radio] #753: 2021.04.18 Message-ID: <69d80867-160e-28e5-87ac-0b9c47eafce2@murmerings.com> –––––––––––––––––––––––––––––––––––––––– ––––––––––––––––––––––––––––––––––––––––––––– framework radio phonography ::: field recording ::: the art of sound-hunting open your ears and listen! :: https://frameworkradio.net :: https://patreon.com/frameworkradio :: https://facebook.com/frameworkradio :: https://frameworkeditions.bandcamp.com ––––––––––––––––––––––––––––––––––––––––––––– –––––––––––––––––––––––––––––––––––––––– #753: 2021.04.18 listen to this edition here: https://frameworkradio.net/2021/04/753-2021-04-18/ patreon campaign progress report: 102 patrons (up from 100) 52% towards our goal (up from 50%) want to help? http://www.patreon.com/frameworkradio this edition has been curated in the netherlands by raviv ganchrow - detailed program notes: Disjunctive Locales The following audio sequence by Mehrnaz, Farah, Richard, Ján, Marco, David, Ghaith and Hilde was realized during Raviv Ganchrow's Aural Tectonics workshop at the Institute of Sonology, The Hague, in the spring of 2021. Aural Tectonics explores the site-specificity and context-dependency of in-situ sound by fostering a critical awareness of, and attitudes towards, environmental ambiance. Founded in a practice-based approach, the workshop develops situated strategies for listening, recording, sound montage and mapping as well as experimental approaches to situated sound synthesis and site-specific sound intervention. Each year, a particular site is chosen around which a sequence of intensive projects are developed, fostering diverse approaches to 'hearing place' and encouraging individual approaches towards hearing contextual ambiance and the spatial agency of situated sounds. This year Aural Tectonics took place under the duress of the third-wave in Covid's global pandemic. Convening entirely online, the group investigated affordances (and limitations) of interlinked presences and geographically distributed locales through shared experiences of solitary listening. Confined to each participant's immediate surrounds, the group partially responded to the unprecedented circumstances by examining the agency of locally sited hearing and dislocated yet interleaved simultaneities. The result is a sonorous collection of disjunctive locales linking situated trembling from the Netherlands to Germany to Sardinia to Turkey. The resulting sonic montage, mediated through audio (and video) transductions, presents an attentive fragment from a much larger transductive patchwork that continues to unfold in the quarantined and intensely mediated site of global online streaming. Participants: David Andriani, Mehrnaz Khorrami Ghaziani, Richard Hughes, Marco Manconi, Ghaith Qoutainy, Farah Rahman, Ján Solčáni, Hilde Wollenstein Audio Mastering: Hilde Wollenstein The Institute of Sonology website: http://www.sonology.org again, we are always looking for new material, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated framework:afield series. send proposals or material, released or not, on any format, to the address at the bottom of this mail. if you have any questions, please don't hesitate to get in touch! ––––––––––––––––––––––––––––––––––––––––––––– [time / artist / track / notes] ///////////////////////////////// 00:01:20 ////// Mehrnaz Khorrami Ghaziani Behind the Wall This piece represents the sound recording of various times and events of daily life for a small group of people sharing the same house. The chosen house is considered the base zone with three recording locations. These three locations constituted a triangulation data collection. The piece is composed of the fragments of the recorded sound, based on the events taking place, and describes what I hear and see. Events within the piece include moments where I breathe and hold my breath and flashbacks of time. The intension of the piece is to find relationships between the activities and individuals who live within the shared space. It explores how individuals hear each other, their behaviors, and the rhythm they unconsciously compose over time. Occasionally, these activities overlap each other or follow one another. Eventually, what we hear is not what we imagine in our minds. Our experiences depend on our perceptions, our choices and our senses. ///////////////////////////////// 00:06:28 ////// Farah Rahman Be-tu-le-breath visit: https://vimeo.com/530311254 ///////////////////////////////// 00:11:59 ////// Richard Hughes Turscar Sometime between Sunday the 7th and Monday the 8th of March, a large heap of seaweed and rubbish was disposed of by the sea at Scheveningen north pier, The Hague. It took until Friday the 12th for the rough sea and high winds to clear and disperse the heap. This brief environment invited birds of many varieties and excluded the habitual humans to this location. Although now the location has returned to what it once was. The Irish language provides some words to describe a situation like this. 
Turscar - cast-up dead seaweed :: Bruscar - human rubbish
 :: Tuaim - noise (naturally occurring) :: Torann - human noise The sound aims to blur the source between human and ‘natural’ rubbish and noise. visit: https://youtu.be/h2XhMFn8NQg ///////////////////////////////// 00:16:48 ////// Ján Solčáni Kotti Soundwalk This recording thematises my daily walk routines across the neighborhood and the variety of sonic events interacting with my body that shape the everyday social reality. ///////////////////////////////// 00:25:39 ////// Marco Manconi RoadTrip I often take my car going to the town center or to the countryside and I’ve always been fascinated by the noises and the vibrations that it reproduces and how the different sounds coming from the surroundings interact with and mutate the audible atmosphere within the car. ///////////////////////////////// 00:33:56 ////// David Andriani wind_traffic_water and time The piece is a 2-channels cut-up composition of environmental sounds recorded while exploring the industrial zone of Binckhorst in Den Haag. Time-stretch processing has been used to capture certain moments or details occurring during the walk in order to allow the listener to better focus on their sound qualities. ///////////////////////////////// 00:41:59 ////// Ghaith Qoutainy Habitat 0.01 Habitat 0.01 is fertile. It grows, eternally. The soil is brought from the upper layer of a ground that touches the edges of a pond. The air tunnels through the tubing made by worms on the insides of the muddy earth to feed the roots of the potentially sprouting greens. Algae creep from the bottom of the water, swimming up, reaching to the light. The beach sand lays a bed for the water not to soak the ground. Revisiting Habitat 0.01 in a matter of a month or two, a new context will be found; endlessly growing atmospheres. The installation is an alive context in which an atmosphere resides. This atmosphere is not a recreation or an imitation of a formerly perceived experience, but rather an Aura in itself. It had been constructed as a first result of an undergone -- still ongoing-- research on the interrelated interactions of the elements of an unintended atmosphere, with a great -- rather unavoidable-- respect to the experiencer’s perceptive presence in it. visit: https://vimeo.com/526925106 ///////////////////////////////// 00:48:40 ////// Hilde Wollenstein a gallery of anamorphic impressions in fluid frames The composition consists of impressions that have been found in field recordings from a roof terrace in Gazi, Yenimahalle, Ankara. From several hours of recordings I chose parts based on their recurrence in the environment and their varying distance from the roof terraces. I framed each impression in different durations and band filters in order to bring out the different sonic qualities and the sonic objects that occur within them. As the piece progresses, a relationship between the frames begins to appear. Perhaps not in a vertical sense, but over memory of the previous impression and what was different or similar with what we hear before or after. –––––––––––––––––––––––––––––––––––––––– ––––––––––––––––––––––––––––––––––––––––––––– SUPPORT FRAMEWORK! your contributions make framework possible. become a patron: http://www.patreon.com/frameworkradio or make a one-time donation: http://www.frameworkradio.net/donate. explore our rewards and thank-you gifts! we can't do it without you, and we greatly appreciate your support. ––––––––––––––––––––––––––––––––––––––––––––– –––––––––––––––––––––––––––––––––––––––– framework intro submissions: 1) take yourself and an audio recorder to a location of your choice 2) record for AT LEAST 1 minute before you - 3) read aloud the following text (in english or translated): welcome to framework. framework is a show consecrated to field-recording, and its use in composition. field-recording, phonography, the art of sound hunting; open your ears and listen! 4) continue recording for AT LEAST 2 minutes after the text 5) post the recording to us on any format, or send us an mp3–––––––––––––––––––––––––– ––––––––––––––––––––––––––––––––––––––––––––– framework ––––––––––––––––––––––––––––––––––––––––––––– :: https://frameworkradio.net :: info at frameworkradio.net :: :: https://patreon.com/frameworkradio :: https://facebook.com/frameworkradio :: https://frameworkeditions.bandcamp.com :: https://frameworkradio.net/donate ––––––––––––––––––––––––––––––––––––––––––––– :: nuti :: metsküla :: põhja-sakala vald :: 71302 viljandimaa :: estonia ––––––––––––––––––––––––––––––––––––––––––––– ––––––––––––––––––––––––––––––––––––––––––––– mailing list: http://eepurl.com/lQBOT From murmer at murmerings.com Mon Apr 26 06:27:36 2021 From: murmer at murmerings.com (. m u r m e r .) Date: Mon, 26 Apr 2021 13:27:36 +0300 Subject: [microsound-announce] [framework radio] #754: 2021.04.25 Message-ID: <1528dbf5-96c9-c2a7-6e80-b1b6a0df0173@murmerings.com> –––––––––––––––––––––––––––––––––––––––– ––––––––––––––––––––––––––––––––––––––––––––– framework radio phonography ::: field recording ::: the art of sound-hunting open your ears and listen! :: https://frameworkradio.net :: https://patreon.com/frameworkradio :: https://facebook.com/frameworkradio :: https://frameworkeditions.bandcamp.com ––––––––––––––––––––––––––––––––––––––––––––– –––––––––––––––––––––––––––––––––––––––– #754: 2021.04.25 listen to this edition here: https://frameworkradio.net/2021/04/754-2021-04-25/ listen to the VOICEOVER-FREE edition (patrons only) here: https://www.patreon.com/posts/50337973 patreon campaign progress report: 103 patrons (up from 102) 52% towards our goal (no change) want to help? http://www.patreon.com/frameworkradio spring has sprung and the doors are open in the temporary sauna-studio framework HQ - ok, it's cold and rainy right now, but it was beautiful when making this show. a new project by old friend michael northam this week, who was one of our first ever in-studio live performances on denmark street in london back in the early late 2002, his jewel ship explores virtual synthesizers and field recordings captured along his north american and asian travels. also lovely sounds we've been trying to get to for some time by bethan kellough, budhaditya chattopadhyay (who was recently here in estonia, although with lockdown we didn't manage to meet him), and embla quickbeam. also recent listener-chosen favorites from the aporee soundmaps, and a framework introduction recorded by northern irish regular-contributor barry cullen, although this time recorded in west virginia in 2018. and it's time for my perennial for framework intros, folks! we've got a handful waiting to get on the air from the usual suspects, and while we love having regular contributors and repeat appearances (don't stop barry, keith and ben!) we also like to hear new voices and new places! so if you've never recorded a framework introduction before, now is the time! take a recording device, get out there, welcome us to the show, and send it on in! recording an intro is easy, and a great way to start contributing to the show. see the guidelines here: https://frameworkradio.net/intros again, we are always looking for new material, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated framework:afield series. send proposals or material, released or not, on any format, to the address at the bottom of this mail. if you have any questions, please don't hesitate to get in touch! ––––––––––––––––––––––––––––––––––––––––––––– [time / artist / track / release / label] 00:00 - 04:40 / barry cullen, framework introduction, recorded in west virgina, usa https://barryjosephcullen.com/ 03:10 - 06:10 / piotrek zyla / waves on rocks at cabo de la huerta / alicante, es / aporee soundmaps https://aporee.org/maps/?loc=52946 04:25 - 10:21 / bethan kellough / descent / aven / touch music https://bethankelloughreleases.bandcamp.com/ 08:01 - 19:52 / the jewel ship / imprints / ornaments of emptiness vol I / [self-released] https://michaelnortham.bandcamp.com/album/ornaments-of-emptiness-vol-i-2 10:20 - 16:12 / embla quickbeam / church in the sand / stones that move and grow / chocolate monk https://emblaquickbeam.bandcamp.com/album/stones-that-move-and-grow 14:16 - 27:17 / budhaditya chattopadhyay / [extract 1] / exile and other syndromes / crónica https://cronica.bandcamp.com/album/exile-and-other-syndromes 17:38 - 22:15 / bethan kellough / vision / aven / touch music https://bethankelloughreleases.bandcamp.com/ 21:42 - 24:04 / pablo salaün / 1000 france / abidjan, ci / aporee soundmaps https://aporee.org/maps/?loc=52962 24:04 - 34:06 / embla quickbeam / stones that move and grow / stones that move and grow / chocolate monk https://emblaquickbeam.bandcamp.com/album/stones-that-move-and-grow 26:09 - 37:31 / the jewel ship / ornaments of emptiness / ornaments of emptiness vol I / [self-released] https://michaelnortham.bandcamp.com/album/ornaments-of-emptiness-vol-i-2 34:06 - 39:28 / kris limbach / crow nests in the trees / ottweiler, de / aporee soundmaps https://aporee.org/maps/?loc=52809 36:38 - 42:29 / bethan kellough / canopy / aven / touch music https://bethankelloughreleases.bandcamp.com/ 40:51 - 50:06 / budhaditya chattopadhyay / [extract 2] / exile and other syndromes / crónica https://cronica.bandcamp.com/album/exile-and-other-syndromes 42:29 - 49:45 / embla quickbeam / remote sense / stones that move and grow / chocolate monk https://emblaquickbeam.bandcamp.com/album/stones-that-move-and-grow 47:18 - 55:06 / juila tieke / mietendeckel protest / berlin, de / aporee soundmaps https://aporee.org/maps/?loc=52922 49:35 - 57:18 / the jewel ship / thegreatwandering (quiet version) / ornaments of emptiness vol I / [self-released] https://michaelnortham.bandcamp.com/album/ornaments-of-emptiness-vol-i-2 51:31 - 58:49 / bethan kellough / low / aven / touch music https://bethankelloughreleases.bandcamp.com/ 57:09 - 59:00 / embla quickbeam / manifest tulpa / stones that move and grow / chocolate monk https://emblaquickbeam.bandcamp.com/album/stones-that-move-and-grow –––––––––––––––––––––––––––––––––––––––– ––––––––––––––––––––––––––––––––––––––––––––– SUPPORT FRAMEWORK! your contributions make framework possible. become a patron: http://www.patreon.com/frameworkradio or make a one-time donation: http://www.frameworkradio.net/donate. explore our rewards and thank-you gifts! we can't do it without you, and we greatly appreciate your support. ––––––––––––––––––––––––––––––––––––––––––––– –––––––––––––––––––––––––––––––––––––––– framework intro submissions: 1) take yourself and an audio recorder to a location of your choice 2) record for AT LEAST 1 minute before you - 3) read aloud the following text (in english or translated): welcome to framework. framework is a show consecrated to field-recording, and its use in composition. field-recording, phonography, the art of sound hunting; open your ears and listen! 4) continue recording for AT LEAST 2 minutes after the text 5) post the recording to us on any format, or send us an mp3–––––––––––––––––––––––––– ––––––––––––––––––––––––––––––––––––––––––––– framework ––––––––––––––––––––––––––––––––––––––––––––– :: https://frameworkradio.net :: info at frameworkradio.net :: :: https://patreon.com/frameworkradio :: https://facebook.com/frameworkradio :: https://frameworkeditions.bandcamp.com :: https://frameworkradio.net/donate ––––––––––––––––––––––––––––––––––––––––––––– :: nuti :: metsküla :: põhja-sakala vald :: 71302 viljandimaa :: estonia ––––––––––––––––––––––––––––––––––––––––––––– ––––––––––––––––––––––––––––––––––––––––––––– mailing list: http://eepurl.com/lQBOT From jef at econtact.ca Mon Apr 26 16:03:45 2021 From: jef at econtact.ca (CEC jef chippewa) Date: Mon, 26 Apr 2021 23:03:45 +0300 Subject: [microsound-announce] [CALL] JTTP 2021 - 4 New Awards / 4 nouveau prix Message-ID: PRESS RELEASE / COMMUNIQUÉ DE PRESSE For Immediate Release / Pour diffusion immédiate JTTP 2021 -- Jeu de temps / Times Play LAST CALL: 22nd Edition / DERNIER APPEL : 22e édition Communauté électroacoustique canadienne (CEC) Canadian Electroacoustic Community DEADLINE / DATE LIMITE : 1 MAY 2021 http://facebook.com/events/ [NEW] Four Thematic Awards. As of JTTP 2021, participants may request that the jury also consider their submission for one or more of the following annual thematic awards: - The Hildegard Westerkamp Award for soundscape and sound installation - The Micheline Coulombe Saint-Marcoux Award for self-identified female or non-binary electroacoustic artists - The Jean Piché Award for videomusic, new media and creative coding - The Martin Gotfrit and Martin Bartlett Award for live electroacoustic practices Eligibility criteria for each of the JTTP thematic awards is described in more detail on the Call for Submissions page. http://jttp.sonus.ca/call.html#thematicawards -- [NOUVEAU] Quatre prix thématiques -- À compter de l'édition 2021 de JTTP, les participants peuvent demander que le jury évalue leur soumission en fonction d'un ou plusieurs des prix thématiques annuels suivants: - le prix Hildegard-Westerkamp pour l'installation et le paysage sonores; - le prix Micheline-Coulombe-Saint-Marcoux pour les artistes électroacoustiques auto identifié.e.s comme femmes ou personnes non binaires; - le prix Jean-Piché pour la vidéomusique, les nouveaux médias et la programmation créative; - le prix Martin-Gotfrit-Martin-Bartlett pour les pratiques électroacoustiques en direct. Les critères d'admissibilité pour chacun des prix thématiques JTTP sont énoncés sur la page d'appel de soumissions. http://jttp.sonus.ca/call.html#prixthematiques ==================================== [E] Call for New Works from Young and / or Emerging Sound Artists / Composers NB: As of 2018 there is a new system in place for the management of submissions to JTTP. In order to participate in the project you MUST create a user account on sonus.ca, the CEC's online jukebox for electroacoustic practices. JTTP is an annual project aimed at promoting and celebrating new electroacoustic works from young and/or emerging sound artists / composers from (or living in) Canada. More information on how to submit your work and eligibility is found at the following web address. Please forward the info to your friends, colleagues and students! http://jttp.sonus.ca/call.html As of the 2010 edition, multi-channel submissions and videomusic works may be submitted to JTTP. Jeu de temps / Times Play (JTTP) is coordinated since 2000 by the Canadian Electroacoustic Community (CEC). [F] Appel d'¦uvres aux compositeurs|trices et artistes sonores, jeunes ou émergent.e.s En 2018 un nouveau système est mis en place pour gérer les soumissions à JTTP. Afin d'y participer vous DEVEZ créer un compte sur sonus.ca, la sonothèque en ligne de la CEC. JTTP met en valeur des nouvelles ¦uvres électroacoustiques produites par des compositeurs|trices et artistes sonores, jeunes ou émergent.e.s, du ou vivant au Canada. Pour plus d'informations à propos des soumissions et votre éligibilité, voir le lien suivant. Veuillez rappeler vos ami.e.s, collègues et étudiant.e.s! http://jttp.sonus.ca/appel.html Nous acceptons aussi depuis 2010 les soumissions d'¦uvres en format multicanal et les vidéomusiques. Jeu de temps / Times Play (JTTP) est coordonné depuis l'an 2000 par la Communauté électroacoustique canadienne (CEC). Contact Yves Gigon JTTP Project Manager ----------------------------------------------------------- -30- -- Communauté électroacoustique canadienne (CEC) Canadian Electroacoustic Community HOME http://cec.sonus.ca \|\ JOURNAL http://econtact.ca http://FACEBOOK.com/cec.sonus \|\ http://TWITTER.com/cec_ca From a.ludovico at neural.it Tue Apr 27 09:12:27 2021 From: a.ludovico at neural.it (Alessandro Ludovico) Date: Tue, 27 Apr 2021 15:12:27 +0200 Subject: [microsound-announce] Adversarial Tactics - Neural 67 Message-ID: “Adversarial Tactics” (Neural #67) is still available! . . . . . . . . . . . . . . . . . . . . . . . . . Print Subscription , 3 issues + extra . . . . . . . . . . . . . . . . . . . . . . . . . Digital Subscription , to access the last 38 issues. . . . . . . . . . . . . . . . . . . . . . . . . . Back Issues Pack , to get all the previous English issues . . . . . . . . . . . . . . . . . . . . . . . . . Facebook , Twitter , Instagram . . . . . . . . . . . . . . . . . . . . . . . . . Autumn 2020, ISSN: 2037-108X . . . . . . . . . . . . . . . . . . . . . . . . . Neural #67, “ Adversarial Tactics” Centrefold: Solitary Survival Raft, augmented skin to navigate the sea of uncertainty. interviews: . Vladan Joler . Shinseungback Kimyonghun . Winnie Soon . Weidi Zhang articles: . Trading Voices . Sonic Surveillance in the Age of AI, Through a Glass Darkly reports: . Dither Studies and Straightened Trees . MNEMOSCOPIO and rs548049170_1_69869_TT (The Other Shapes of Me) news: . Invisible Social Network, meeting machines . Radio Amnion, sounding to the deep ocean . I heard TALKING IS DANGEROUS, socially distanced performance art . Phonoptic Readers, pattern-based optical sounds . High Fidelity Wasteland I: 100 Year Old Quicksilver Cloud, sonifying decay . Nature Morte, welcome to my studio . Not For You, systematic TikTok confusion . Codependent Algorithms, highly calculated misunderstandings . Capture, facial recognising the power . Cacophonic Choir, outside the choir . Environmental Bike, pollution sound . Octopus, manifesting the remote visiting presence . Machine Unlearning, the charm of neural conditioning . Organscape, orchestrating mechanical nature . The Candle, robotic philosophical failure books/dvds: . (edited by) Achim Szepanski / Ultrablack Of Music / Mille Plateaux . (edited by) Benjamin Beil, Gundolf S. Freyermuth, and Hanns Christian Schmidt / Playing Utopia, Futures in Digital Games / transcript . (edited by) Hava Aldouby / Shifting Interfaces, an anthology of presence, empathy, and agency in 21st- century media arts / Leuven University Press . (edited by) Sabine Himmelsbach, Angelique Spaninks, Ariane Koek / Real Feelings, Emotion and Technology / Christoph Merian Verlag . (edited by) Tanya Ravn Ag / Digital Dynamics in Nordic Contemporary Art / intellect . Ksenia Fedorova / Tactics of Interfacing, Encoding Affect in Art and Technology / MIT Press . Charlton D. McIlwain / Black Software, The Internet & Racial Justice, from the AfroNet to Black Lives Matter / Oxford University Press . Brian Massumi / Architectures of the Unforeseen : Essays in the Occurrent Arts / Univ. of Minnesota Press . Budhaditya Chattopadhyay / The Nomadic Listener / Errant Bodies Press . Caleb Kelly / Tangible/Intangible: The Sound of Sculpture / Govett-Brewster Art Gallery . Christoph Collenberg and Jakob Gengenbach / un|sounding the self — a portrait / Gruenrekorder . Damon Krukowski / Ways of Hearing / MIT Press . Lev Manovich / Cultural Analytics / MIT Press . Siegfried Zielinski / Variations on Media Thinking / Univ. of Minnesota Press . Valentina Tanni / Memestetica. Il settembre eterno dell’arte / Nero Editions music reviews: . AtomTM: <3: Raster . Alva Noto: Xerrox Vol. 4: Noton . Black Burst Sound Generator: Black Burst Sound G.: Moozak . Andreas Bülhoff and Marc Matter: ɅV – A Sound Writing Tool: Research and Waves . Black To Comm: Oocyte Oil & Stolen Androgens: Thrill Jockey . Bronius Kutavičius: Last Pagan Rites – From the Yotvingian Stone: Music Information Centre Lithuania . Eric La Casa: Intérieurs: Swarming . Fabio Perletta + Luigi Turra: Ma 間: 901 Editions . Pedro Rebelo: Listen to me: Crónica . Florian Wittenburg: Beyond The Traceries: Wandelweiser . Francisco López: untitled (2019): Esc.rec . Kotra & Zavoloka: Silence: Kvitnu . Mads Emil Nielsen + Katja Gretzinger + Nicola Ratti: Framework 3: Arbitrary . Marcin Pietruszewski: The New Pulsar Generator Recordings Volume 1: fancyyyyy . mHz: Function: Important . Michael Lightborne: Ring Road Ring: Gruenrekorder . Nebulo: Parallaxes: Le Cabanon . Ulrich Troyer: NOK 2020: 4Bit . VV. AA.: Pre – Palsecam 1994 – 1999: Pionierska . Yannis Kyriakides & Andy Moor: Pavilion: Unsounds -------------- next part -------------- An HTML attachment was scrubbed... URL: