[microsound-announce] [framework radio] #615: 2017.10.22

. m u r m e r . murmer at murmerings.com
Mon Oct 23 12:07:21 EDT 2017


framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!

for general info, playlists, broadcasts, podcasts, or to stream at any 
time: http://www.frameworkradio.net


#615: 2017.10.22
listen to this edition here: 

this edition of framework:afield, entitled 'industries' has been 
produced in germany by regular contributor d. l. lutz.

Earscape „Industries“

This earscape is meant as a sound memorial to the questionable western 
thinking of progress that has spread worldwide despite all cultural 
differences. It captures industrial and technical noise, antique 
machinery and fully automated production lines, turbines and 
laboratories, active building sites and industrial ghost towns...

The sounds are composed to a „symphony“ with three sections in mind, 
roughly twenty minutes long each: andante – largo expressivo – andante 
con moto.

What you listen to here, is the intangible backdrop to the laziness of 
our civilized life, but also the display of the intelligence and pride 
of our species – mere noise thus becomes a sweet body of sound, speaking 
of our self-defence against helplessness and fate.

D. L. Lutz, born 1969 in Germany, is a practising architect, writer and 
sound artist living in Berlin.

again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!


[sound sources]

- Audialsense: Industrial Revolutions; Touch radio #107, from 
http://touchradio.org.uk, UK 2014
- Hala Strana: Doves Fielding Coal; from: Fielding, Last Visible Dog 
Label LVD 066/67, USA 2004
- Industries (various tracks from a sound effect compilation); download 
from I-Tunes, 2012
- Undark: Underground Kite; from: Undark3396, em:t 3396, UK 1996
- Francisco Lopez: Fahrstühle / Labs / Klokken; from: Machines, Elevator 
Bath eeaoa030, USA 2010
- Gregory Lenczycki: Variable State Optical Amplifier; from: STC 
presents Swarm Of Drones, Asphodel 0953, USA 1995
- DJ Chronos: Metal Atmosphere; from freesound.org, 2008, link deleted
- Pushkin: Whirlydoomer; unknown source
- Charlie Fox: Four Wild Places; from: Autumn Leaves Compilation, 
Gruenrekorder GrDI 088, Germany 2007
- Edo333: Metallic Gate; file from 2014, from freesound.org
- Mugwood: Walks On Metal 2; file from freesound.org, 2011
- dcf77: Sirenentest; file from freesound.org, 2015
- Connum: Fabrikhalle 5; file from freesound.org, link deleted, 2006
- Robin Hood76: 00560 Forge; file from freesound.org, 2008
- Richard Devine: Jacobs Ladder (High Voltage Traveling Arc); file from 
soundcloud.com, 2014
- Camilla Hannan & Tarab (Eamon Sprod): Improvisation; unknown source
- Genghis Attenborough: Pig7 (Nothing Out There) / Sabotage; files from 
freesound.org, 2014
- Biosphere: Fluxgate; from: Sound Installations 2000-2009, Biophon 
Records BIO21D, Norway 2015
- D. L. Lutz: Bansin Building Site I; self-published, 2015
- Swamps Up Nostrils & Vries Veld: Further Explorations; file from 
soundcloud.com, 2012
- Klaus Lutz: Freihafen XI (Rosshafen Hamburg); self-published, 2012
- Michel Redolfi: Une Etoile Cachee Par Sa Propre Lumiere; from: Vox In 
Vitro (Opera Noir), Signature SIG 11025, France 2004
- Milo: Finmarkken II; file from freesound.org, 2006
- David Toop: Brandnew; from: 37th Floor At Sunset (Music For 
Mondophrenetic), Sub Rosa SR 163, Belgium 2000
- Xopher Davidson: Lapsed Transfer; from: STC presents Swarm Of Drones, 
Asphodel 0953, USA 1995
- Mark Rushton: Service Desk Exit; file from soundcloud.com, 2014
- Klaus Lutz: Limbo II; live sound collage from playing "Limbo" 
(computer game released 2010, developed by Playdead, composed by Martin 
Stig Andersen)


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framework intro submissions:

    1)    take yourself and an audio recorder to a location of your choice
    2)    record for AT LEAST 1 minute before you -
    3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

    4)    continue recording for AT LEAST 2 minutes after the text
    5)    post the recording to us on any format, or send us an 

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