[microsound-announce] [framework radio] #542: 2016.01.31

. m u r m e r . murmer at murmerings.com
Mon Feb 1 13:08:28 EST 2016


framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!

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#542: 2016.01.31
listen to this edition here: 
http://www.frameworkradio.net/2016/02/542-2015-01-31/ ‎

this edition of framework:afield has been produced in the united states 
by john f. barber. for more information on his radio work see 
http://radionouspace.net, or visit his page for this show here: 
http://radionouspace.net/index.php/water-waves-dreams. some notes from 
the producer:

Water, Waves, Dreams

This work explores sounds of water, waves, and dreams through 
soundscapes, field recordings, and phonography produced by John Barber 
and students in his radio art class.

The included works are broad ranging. Bryan Ruhe, Kathryn Christopher, 
Jacob Hansen, and Travis Petersen explore sonic manifestations of water 
in various states in their work “Ice, Waves, Steam, Streams.”

“Experience the Alley” by Shane Sullivan and Glenda Rothfus portrays 
sounds at a local bowling alley as a narrative. “The Accident in the 
Alley” by Glenda Rothfus follows this theme.

Speaking of narrative, “Dreamscapes” by Dustin King, Ross Dixon, Andrew 
Dizinno, Nicholas Rudy, Randall Theil, and Josh Thomas imagines a series 
of (disturbing) dreams while sleeping in front of a television set.

“Sometimes” by Adam Denny might also be heard as a sonic interpretation 
of dreams, especially about travel.

“Something in the Water” by Kathryn Christopher may be imagined, or it 
may be real. Either way the effect is unsettling.

Away from water, away from Earth, “Spacescape3” by Aaron Phillips 
imagines the sonic ambience of space travel.

“Empty” by Dan Ashbridge may speak to feelings about space travel, or 
isolated life here on Earth.

“Zen” by Jenel Cohen brings our listening back with some calming, 
centering sounds.

In between and all around samples from these student works are field 
recordings by John Barber like air rushing through an automatic door on 
the campus of University of Victoria, water flowing down a rain chain in 
Vancouver, sounds of the clock atop the Arco da Rua Augusta in Lisbon.

These sounds represent not only recordings of specific sound 
environments, but interpretations as well. Listening here is a specific, 
personal event. We hope you enjoy this offering of radio art.

again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!


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[time / content / artist]

00:00-4:38
“Sometimes” by Adam Denny

4:21-4:35
Air escaping through an automatic door, University of Victoria, British 
Columbia, Canada, field recording by John Barber

4:28-6:03
Nature soundscape, field recordings by John Barber

5:42-8:05
Sample, “Something in the Water” by Kathryn Christopher

8:03-8:37
Sample, “Something in the Water” by Kathryn Christopher

8:33-17:31
Sample, “Experience the Alley” by Shane Sullivan and Glenda Rothfus

17:28-20:31
Sample, “The Accident in the Alley” by Glenda Rothfus

20:28-26:46
“Empty” by Dan Ashbridge

23:24-30:42
Alta Lake train crossing, field recording by John Barber

26:45-27:51
Sample, “Zen” by Jenel Cohen

30:39-32:15
“Maker Faire Soundscape,” field recordings by John Barber

32:03-34:06
Airport security, field recordings by John Barber

34:04-46″09
Samples, “Dreamscapes” by Dustin King, Ross Dixon, Andrew Dizinno, 
Nicholas Rudy, Randall Theil, and Josh Thomas

45:46-48:56
Hotel refrigerator compressor, Pullman, Washington, field recording by 
John Barber

46:03-48:14
Television sounds from next door, field recording by John Barber

48:52-53:50
Samples, “Ice, Waves, Steam, Streams” by Bryan Ruhe, Kathryn 
Christopher, Jacob Hansen, and Travis Petersen

53:39-55:00
Water down a rain chain, Vancouver, Washington, field recording my John 
Barber

54:15-55:00
Clock mechanism atop the Arco da Rua Augusta, Lisbon, Portugal, field 
recording by John Barber


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framework intro submissions:

   1)    take yourself and an audio recorder to a location of your choice
   2)    record for AT LEAST 1 minute before you -
   3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

   4)    continue recording for AT LEAST 2 minutes after the text
   5)    post the 
recording to us on any format, or send us an mp3––––––––––––––––––––––––––


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