[microsound-announce] [framework radio] #507: 2015.04.12

. m u r m e r . murmer at murmerings.com
Mon Apr 13 07:15:11 EDT 2015

framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!


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#507: 2015.04.12
listen to this edition here: 

after weeks of folding/burning/stamping madness, things have quieted 
down at framework HQ. all the initial orders and artist copies of 
framework500 are winging their way around the world, to arrive soon in 
the hands of adoring fans, and we are at the ready with further copies 
and envelopes to fill all subsequent orders posthaste. that said, i can 
confirm that i have only TWO early adopter thank you packs left, so if 
you would like your copy of framework500 to be accompanied by extra 
badges, stickers, drawings, rust, and notes then order your copy NOW! if 
you're concerned, drop me a quick email, and i will confirm that one of 
them is yours. go here and donate 40€ or more to get yours!


(come on people, do it. we need you.)

this edition of framework:afield has been produced in the philippines by 
dayang yraola. for more information see dayang’s website at 
http://www.dayangyraola.com. producer’s notes:

Project Bakawan is an arts festival held at the University of the 
Philippines-Diliman.  It is a festival that took inspiration from 
sustaining and sustainability of the mangroves, which is a crucial 
component of the ecological balance in the Philippines.

Listening Terminals is the offering of Project Bakawan’s Sound and 
Movement Component.

Listening terminals is an archiving project, which recorded sounds from 
different parts of Metro Manila.  Materials were gathered through crowd 
sourcing from social media.

Listening terminals is also a composition project, wherein musicians 
were invited to compose works using the gathered sounds.  Later movement 
artists were invited to compose performance using the composed music. In 
the 1 month exhibition, visual artists are also being invited to react 
and interact with the listening terminals that are installed on the 
Academic Oval of the University.

Like most field recording projects, listening terminals is an attempt to 
isolate the different sonic layers of a very crowded city , to direct 
more attention towards them for purposes of awareness, and hopefully as 
source of creative inspiration.

again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!


[artist (country)]

Erwin Fajardo (Philippines)
Maria Christine Muyco (Philippines)
Juro Kim Feliz (Canada/Philippines)
Michael Graeve (Australia)
Motohide Taguchi (Japan)
Thomas Reifner (Germany)
Kamal Sabran (Malaysia)
Charlies Fournier (Philippines)


framework intro submissions:

   1)    take yourself and an audio recorder to a location of your choice
   2)    record for AT LEAST 1 minute before you -
   3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

   4)    continue recording for AT LEAST 2 minutes after the text
   5)    post the 
recording to us on any format, or send us an mp3––––––––––––––––––––––––––

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