[microsound-announce] [framework radio] #459: 2014.03.23

. m u r m e r . murmer at murmerings.com
Tue Mar 25 09:38:52 EDT 2014


framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!

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framework broadcasts:
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#459: 2014.03.23
listen to this edition here: 
http://www.frameworkradio.net/2014/03/459-2014-03-23/

many thanks to those of you who took place in my first framework 
introduction competition - as i announced a in edition #457, the names 
of all producers of framework intros received between then and the 
release of edition #458 were tossed in a (virtual) hat, and one was 
picked. congrats to jeremy hegge, who will now receive an issue of 
framework:seasonal of his choice, delivered for free by the finest 
postal services to his home.

i like this raffle idea, so i will do it again someday, but i can't 
afford to do it every week, so in the meantime you can continue sending 
your intros simply from the goodness of your heart! we always need them, 
so keep recording!

speaking of intros, this edition began with our first ever intro 
translated into a language created by the recordist, as james worse 
graced our airwaves with his own worsicle tongue. check out his spoken 
word work, and his great beard, on his soundcloud page. we also featured 
jeph jerman and tony whitehead's collaborative project 'underwater', for 
which sounds recorded underwater were exchanged back and forth by the 
two, before the final master tape itself was submerged for a time. what 
we here is what was left when it came up.

other great sounds in this edition came to us from the new-to-us (though 
not at all new, having begun in 1993) ouïe-dire productions (more from 
them soon), and framework regular imprints mystery sea, gruenrekorder, 
and baskaru.

again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!


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[time / artist / track / album / label]

00:00 - 04:36  /  james worse  /  framework introduction, recorded in 
england
https://soundcloud.com/james-worse

01:48 - 14:01  /  tony whitehead  /  fluid  /  underwater  /  impulsive 
habitat
http://www.tonywhitehead.org, http://www.impulsivehabitat.com

05:10 - 14:21  /  rodolphe alexis  /  syndicate reserve at dusk  / 
mornes diablotins  /  gruenrekorder
http://www.rodolphe-alexis.info, http://www.gruenrekorder.de

08:11 - 23:24  /  france jobin  /  0  /  the illusion of infinitesimal / 
  baskaru
http://www.i8u.com, http://www.baskaru.com

16:02 - 28:23  /  james wyness  /  [extract 1]  /  stultifera navis  / 
mystery sea
http://www.wyness.org, http://www.mysterysea.net

22:42 - 36:37  /  marc pichelin  /  [track 1]  /  nuit  /  ouïe-dire
http://ouiedire.com/artistes/marc-pichelin, http://ouiedire.com

31:57 - 45:14  /  jeph jerman  /  fluid  /  underwater  /  impulsive habitat
https://soundcloud.com/jeph-jerman, http://www.impulsivehabitat.com

36:25 - 48:38  /  rodolphe alexis  /  a night in grand bay  /  mornes 
diablotins  /  gruenrekorder
http://www.rodolphe-alexis.info, http://www.gruenrekorder.de

40:29 - 54:19  /  france jobin  /  +1  /  the illusion of infinitesimal 
  /  baskaru
http://www.i8u.com, http://www.baskaru.com

44:27 - 57:00  / james wyness  /  [extract 2]  /  stultifera navis  / 
mystery sea
http://www.wyness.org, http://www.mysterysea.net


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framework intro submissions:

   1)    take yourself and an audio recorder to a location of your choice
   2)    record for AT LEAST 1 minute before you -
   3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

   4)    continue recording for AT LEAST 2 minutes after the text
   5)    post the 
recording to us on any format, or send us an mp3––––––––––––––––––––––––––


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