[microsound-announce] [framework radio] #429: 2013.07.14

. m u r m e r . murmer at murmerings.com
Tue Jul 16 06:35:12 EDT 2013


framework radio
phonography ::: field recording ::: the art of sound-hunting
open your ears and listen!

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#429: 2013.07.14
listen to this edition here: 
http://www.frameworkradio.net/2013/07/429-2013-07-14/

this edition of framework:afield has been produced by marcos fernandes 
in observation of world listening day 2013. world listening day is 
co-organised by the world listening forum 
(http://www.worldlisteningproject.org) and the midwest society for 
acoustic ecology (http://mwsae.org). in their own words:

World Listening Day has been happening annually on July 18 since 2010, 
and the fourth annual World Listening Day happens on Thursday, July 18. 
The purposes of World Listening Day are:

- to celebrate the practice of listening as it relates to the world 
around us, environmental awareness, and acoustic ecology;

- to raise awareness about issues related to the World Soundscape 
Project, World Forum for Acoustic Ecology, World Listening Project, and 
individual and group efforts to creatively explore phonography;

- and to design and implement educational initiatives which explore 
these concepts and practices.

July 18 was chosen as the date because it is the birthday of the 
Canadian composer R. Murray Schafer, who is celebrating his 80th 
birthday this year.

for more information and to find out how you can participate in world 
listening day 2013 please visit 
http://www.worldlisteningproject.org/world-listening-day-2013.

and a few words from marcos about this show:

I was recently asked to put together a show on the theme of World 
Listening Day. What I have assembled are recordings made during WLD 
events organized by the Tokyo Phonographers Union. The TPU has presented 
a WLD event every year since its inception in 2010. The opening 
phonograph is one that I made at Stanley Park in Vancouver, Canada and I 
used this as the opening piece at the first WLD event held at 20202 
Gallery in Tokyo in 2010. (I thought it was appropriate as we were 
honoring R. Murray Shafer's birthday.) The second piece is an excerpt of 
an improvisation using field recordings by Tomoyoshi Date, Corey Fuller, 
Nobuhiko Nakayama, Carl Stone and myself at WLD 2010. The third piece is 
an improvisation, this time by Jez Riley French, Hiroki Sasajima, 
sawako, Eisuke Yanagisawa and myself, from WLD 2012 held at Ikejiri 
Institute of Design in Tokyo. The fourth piece is another excerpt from 
the performance at WLD 2010. The final phonograph was made during a 
soundwalk led by Keiko Torigoe at Zenpukuji Park in Tokyo as part of WLD 
2011. The TPU will celebrate WLD 2013 at Sakura WORKS in Yokohama.

1. 0:00-4:30 - Bird Woman, Stanley Park, Vancouver, Canada
2. 4:30-19:00 - Tokyo Phonographers Union, 20202 Gallery, WLD 2010.
3. 19:00-35:00 - Tokyo Phonographers Union, IID, WLD 2012.
4. 35:00-51:00 - Tokyo Phonographers Union, 20202 Gallery, WLD 2010.
5. 51:00-55:00 - Soundwalk, Zenpukuji Park, WLD 2011.

Tokyo Phonographers Union
http://www.tokyophonographersunion.com

again, we are always looking for new material, whether raw field 
recordings, field recording based composition, or introduction 
submissions. we are also now accepting proposals for full editions of 
our guest curated framework:afield series. send proposals or material, 
released or not, on any format, to the address at the bottom of this 
mail. if you have any questions, please don't hesitate to get in touch!


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framework intro submissions:

   1)    take yourself and an audio recorder to a location of your choice
   2)    record for AT LEAST 1 minute before you -
   3)    read aloud the following text (in english or translated):

welcome to framework. framework is a show consecrated to 
field-recording, and its use in composition.  field-recording, 
phonography, the art of sound hunting; open your ears and listen!

   4)    continue recording for AT LEAST 2 minutes after the text
   5)    post the 
recording to us on any format, or send us an mp3––––––––––––––––––––––––––


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