From bonequi at gmail.com Thu Nov 1 07:49:42 2012 From: bonequi at gmail.com (julian bonequi) Date: Thu, 1 Nov 2012 12:49:42 +0100 Subject: [microsound-announce] BERLIN, QUELQUE PART + ANDREA BELFI + STEVEN WARWICK @ FEED soundspace / Friday 02.11.12 Message-ID: ** BERLIN, QUELQUE PART 02.11.12 *Friday, November 2nd* 21:00 ? 01:30 ------------------------------ 22:30 *BERLIN, QUELQUE PART* ------------------------------ *KRISTOF GUEZ* video | *CHRIS HEENAN* contrabass clarinet *MARC PICHELIN* synth & phonography | *CHRISTOPER WILLIAMS* contrabass *BERLIN QUELQUE PART* is a collaboration between Marc Pichelin and Kristof Guez of the French phonography / visual art collective Ou?e/Dire, and Berlin-based musicians Chris Heenan and Christopher Williams. The project consists of an hour-long collage of audio and video field recordings made in Berlin, with instrumental music for contrabass, contrabass clarinet, and synthesizer ? performed both in the recorded environment, and as live accompaniment to the collage. READ MORE ouiedire.com/creations/berlin-quelque-part/ ------------------------------ 23:30 *ANDREA BELFI* drums, precussion, electronics ------------------------------ ?Wege is an astonishing album, created in part from two installation residencies in Austria and Brussels, for which Belfi developed a series of modular synth networks controlled by his percussion performances. A complex interwiring of mechanical and rhythmic devices that autonomously generated feedback and loop patterns whilst being restrained and guided by Belfi?s drumming.? Squealer magazine READ MORE auditionrecords.com/art_002.php chocolateguns.com/ Presents WEGE, his last solo album released oy 2012 by ROOM40 ------------------------------ 00:10 *STEVEN WARWICK a.k.a. HEATSICK* DJ SET ------------------------------ Steven Warwick a.k.a. Heatsick [pan, rush hour, cocktail d'amore] plays a rare dj set bridging the gaps between dance and early electronic music, dancefloors of desire. READ MORE residentadvisor.net perpendicularrain.blogspot.de ------------------------------ 21:30 | Opening *RAM.12* RADICAL ANIMATION & MUSIC SCREENINGS *RAM 2012 | Curated by Audition Records and Salon Bruit e.V.* Animations by *JULIO CLAVIJO* (MX) ? *ALESSANDRA LEONE* (IT) ? *BEST BEFORE UNU* (GR) ? * NAMTES* (PE) ? *REDSHIFT* (SE) ? *NZNZ* (AR) *THE NORDIC SWORD FIGHTS* (US) Music by *ROGELIO SOSA* (MX) ? *EMITER & ARSYZN* (PL) ? *ANTONIS ANISSEGOS* (GR) ? * LOUP* (FR) ? *FREDRIK OLOFSSON* (SE) ? *OFER SMILANSK*Y (IL) *JORGE SAD* (AR) auditionrecords.com/ram ------------------------------ Organized and curated by Julian Bonequi. BERLIN, QUELQUE PART is kindly supported by INM, Senat von Berlin, Agence Culturelle Dordogne Perigord & Region Aquitaine France. ------------------------------ FEED Soundspace Hobrechtsra?e 65 | Hinterhaus, Etage 4 | 12047 Berlin-Neuk?lln U-Bahnhof Hermannplatz Handicap Accessible info at 6554.de -------------- next part -------------- An HTML attachment was scrubbed... URL: From maxbleu at yahoo.com Thu Nov 1 08:54:56 2012 From: maxbleu at yahoo.com (max tanguay) Date: Thu, 1 Nov 2012 05:54:56 -0700 (PDT) Subject: [microsound-announce] [vau014] mike north - vol.014 (free net release) Message-ID: <1351774496.46982.YahooMailNeo@web110707.mail.gq1.yahoo.com> just to let you know that the latest various and uneasy release is out, free download! info : label : various and uneasy (pertin-nce) cat. number : vau014 title : vol.014 artist : mike north track listing : 1- percussion-piece-pt4-for-nylon-comb 2- panso3 3- percussion-piece-pt4-for-nylon-comb (maxime tanguay rmx) sounds like : experimental, electronic, weird. glitch free download on : www.variousanduneasy.blogspot.com on archive : www.archive.org/details/vau014 have a nice day! ps: btw i am down with demos... max ? net label : pertin-nce.ca me : soundcloud.com/bleupulp -------------- next part -------------- An HTML attachment was scrubbed... URL: From rwm2008 at gmail.com Fri Nov 2 06:25:38 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Fri, 2 Nov 2012 11:25:38 +0100 Subject: [microsound-announce] Transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #8.1, now available online Message-ID: *The transcript of COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #8.1., curated by Mark Fell and Joe Gilmore, is now available online.* Link: http://rwm.macba.cat/en/extra/composingwithprocess_8_transcript_mark_fell_joe_gilmore/capsula PDF: http://rwm.macba.cat/uploads/20121023/Composingwithprocess8_transcript_eng.pdf Episode eight in the series continues to look at how composers working with generative systems implement change in their works. This episode focuses on models of change using mathematical structures derived from complex dynamic systems observed in nature. Through advances in mathematics, physics and biology, the programme looks at how composers have utilised the central findings of chaos theory and emergent systems ? such as cellular automata, Lindenmeyer Systems and fractal geometry ? to generate automated dynamic patterns of change. You can find episode #8.1 here: http://rwm.macba.cat/en/research/composingwithprocess_8_mark_fell_joe_gilmore/capsula Follow us at http://twitter.com/Radio_Web_MACBA -------------- next part -------------- An HTML attachment was scrubbed... URL: From rwm2008 at gmail.com Fri Nov 2 09:09:06 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Fri, 2 Nov 2012 14:09:06 +0100 Subject: [microsound-announce] =?iso-8859-1?q?R=E0dio_Web_MACBA=3A_our_mos?= =?iso-8859-1?q?t_listened_podcast_this_October?= Message-ID: *R?dio Web MACBA: our most listened podcasts this October * *1- MEMORABILIA. COLLECTING SOUNDS WITH.... Jonny Trunk. Part I. Produced by Matias Rossi *Jonny Trunk walks us through a hard-to-find and yet very familiar genre: library music. Or as he puts it: 'The strange noise that TV makes at night.' Link: http://rwm.macba.cat/en/research/memorabilia_jonny_trunk/capsula Playlist: http://rwm.macba.cat/uploads/20121008/Memorabilia_Jonny_Trunk_eng.pdf *2- PROBES #1. Curated by Chris Cutler* PROBES #1 sets the scene and investigates early reconsiderations of pitch: probes that postulate new scales to be constructed through the ever-greater subdivision of the inherited intervals of equal temperament. Link: http://rwm.macba.cat/en/curatorial/probes1_chris_cutler_/capsula Playlist: http://rwm.macba.cat/uploads/20121023/Probes1_eng.pdf *3- SON[I]A #164 (in Catalan) *Jorge Luis Marzo talks about the relationships between art, culture and power, and about the different forms that these have in Spain and in Catalonia over the years. Link: http://rwm.macba.cat/en/sonia/sonia_jorge_luis_marzo/capsula *4- COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #8.1. Models of change. Curated by Mark Fell and Joe Gilmore *This episode considers the notion of change in music. It looks at how scientific and mathematical concepts can be used to model change in the acoustic domain. Link: http://rwm.macba.cat/en/research/composingwithprocess_8_mark_fell_joe_gilmore/capsula Playlist: http://rwm.macba.cat/uploads/20121009/Composingwithprocess8_eng.pd f * 5- SON[I]A #165 (in Spanish) *Miguel Noguera talks about the start of his career as an illustrator and a stand up comedian, his working methods and his vision of contemporary art. Link: http://rwm.macba.cat/en/sonia/sonia_miguel_noguera/capsula *6- PROBES #1.2. Auxiliaries. Curated by Chris Cutler *In this music selection we look further at microtonal divisons based on equal temperament. Link: http://rwm.macba.cat/en/curatorial/probes1-2_chris_cutler_/capsula Playlist: http://rwm.macba.cat/uploads/20121023/Probes1_2_eng.pdf -------------- next part -------------- An HTML attachment was scrubbed... URL: From dfkettle at gmail.com Fri Nov 2 10:09:11 2012 From: dfkettle at gmail.com (David) Date: Fri, 2 Nov 2012 10:09:11 -0400 Subject: [microsound-announce] Transcript of COMPOSING WITH PROCESS Message-ID: Hi! Can you post links to all the episodes in the series? I tried to find the earlier ones, but your ftp folder is organized by date, so it was like looking for a needle in a haystack. Thanks. -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at nephogram.net Fri Nov 2 11:03:19 2012 From: info at nephogram.net (Nephogram Info) Date: Fri, 2 Nov 2012 16:03:19 +0100 Subject: [microsound-announce] [NPG016] Franz Rosati + Francesco Saguto - GRIDSHAPE / OUT ON NEPHOGRAM Message-ID: Dear list, [NPG016] Franz Rosati + Francesco Saguto - GRIDSHAPE is out on Nephogram label, you can find more infos about this project on this page http://shop.nephogram.net/npg016-franz-rosati-francesco-saguto-gridshape And here you can find a short teaser, and interview and a video from a live performance SoundCloud http://soundcloud.com/nephogram/npg016-gridshape Interview http://www.fluid-radio.co.uk/2012/10/gridshape-interview-with-franz-rosati-francesco-saguto-and-paolo-arma/ Vimeo http://vimeo.com/49240475 Cheers, ANNA www.nephogram.net -------------- next part -------------- An HTML attachment was scrubbed... URL: From devel at thesaddj.com Fri Nov 2 11:37:05 2012 From: devel at thesaddj.com (Marco Donnarumma) Date: Fri, 2 Nov 2012 15:37:05 +0000 Subject: [microsound-announce] Ominous, new work for the Xth Sense at the 5th Live Electronic Music Competition, ECPNM, BE Message-ID: (sorry for x-post) Dear all, A novel piece for the Xth Sense [1], my visceral biophysical instrument, was commissioned by ECPNM (European Conference of Promoters of New Music), in occasion of the finals of the 5th Live Electronic Music Project Competition, during the ISCM World New Music Days [2]. The new work, titled "Ominous", is ready to be premiered tomorrow at De Singel concert hall, in Atwerp, BE. "Ominous is a sculpture of incarnated sound... The performance embodies, before the audience, the metaphor of an invisible and unknown object enclosed in my hands. This is made of malleable sonic matter. Similarly to a mime, I model the object in the empty space by means of whole-body gestures. The natural sound of my muscles and its virtual counterpart blend together into an unstable sonic object... The listeners see through sound the sculpture which their sight cannot perceive." Tags: multidimensional gesture, machine learning, muscle sounds, visceral embodiment. Read more at: http://marcodonnarumma.com/works/ominous/ Also on stage tomorrow John Eckhardt, one of the most fascinating performers of the contemporary music scene. fingers crossed! best wishes, [1] http://res.marcodonnarumma.com/projects/xth-sense [2] http://goo.gl/a7B6g -- Marco Donnarumma New Media + Sonic Arts Practitioner, Performer, Teacher, Director. Embodied Audio-Visual Interaction Research Team. Department of Computing, Goldsmiths University of London ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Portfolio: http://marcodonnarumma.com Research: http://res.marcodonnarumma.com Director: http://www.liveperformersmeeting.net -------------- next part -------------- An HTML attachment was scrubbed... URL: From rwm2008 at gmail.com Fri Nov 2 12:50:51 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Fri, 2 Nov 2012 17:50:51 +0100 Subject: [microsound-announce] Transcript of COMPOSING WITH PROCESS In-Reply-To: References: Message-ID: will do asap On Fri, Nov 2, 2012 at 3:09 PM, David wrote: > Hi! > > Can you post links to all the episodes in the series? I tried to find the > earlier ones, but your ftp folder is organized by date, so it was like > looking for a needle in a haystack. > > Thanks. > > > -------------- next part -------------- An HTML attachment was scrubbed... URL: From philippe-petit at wanadoo.fr Sat Nov 3 10:20:48 2012 From: philippe-petit at wanadoo.fr (philippe petit) Date: Sat, 03 Nov 2012 15:20:48 +0100 Subject: [microsound-announce] podcast and playlist for my radio shows In-Reply-To: <509527F3.3080703@wanadoo.fr> References: <505C33A7.4020806@wanadoo.fr> <505C33E7.6020509@wanadoo.fr> <506555C5.7080202@wanadoo.fr> <506EC261.2000100@free.fr> <5077EE35.2030909@free.fr> <5077EEA5.5020709@wanadoo.fr> <50812F4D.5000306@wanadoo.fr> <50812F92.8020206@wanadoo.fr> <508ABABF.40801@wanadoo.fr> <508ABC9F.7080304@wanadoo.fr> <509527F3.3080703@wanadoo.fr> Message-ID: <50952840.6080508@wanadoo.fr> *Hello* ***Every week my radio programs air thru EKO des Garrigues (Montpellier) on Thursdays, JET FM (Nantes) on Fridays, Campus (Grenoble) on Saturdays, and Grenouille (Marseille) on Sundays** **here's the podcast + tracklisting:* http://www.jetfm.asso.fr/site/stockage/generation_bip_hop/Generation%20BH%2002_11.mp3 BiP_HOp Generation on Eko des Garrigues // Montpellier - 88.5 FM Thursday NOV 1 : 20:00 - 21:00 PM http://www.ekodesgarrigues.com/article.php3?id_article=1413 BiP_HOp Generation on JET FM // Nantes Friday NOV 2 : 20:30 - 21:30 PM http://www.jetfm.asso.fr/site/Generation-BiP-HOp-vendredi-02,3822.html BiP_HOp Generation on RADIO CAMPUS // Grenoble - 90.8 FM Saturday NOV 3 : 20:30 - 21:30 PM http://www.campusgrenoble.org/Generation-BiP_HOp,1445.html BiP_HOp Generation on Radio Grenouille // 88.8 FM Sunday NOV 4 : 21:00 - 22:00 PM (19:00 - 20:00 GMT) // Marseille // France http://ns35904.ovh.net:8080/live.m3u ARTIST : SONG "ALBUM" (label) Jody Redhage: of minutiae and memory "Of Minutiae And Memory" (New Amsterdam) Parallel 41: the naked city "s/t" (Baskaru) Stormloop: losing sleep "Snowbound" (Glacial Movements) Phillip Schroeder: sky blue dreams "Passage Through A Dream" (Innova) Pretty Monsters: for autonauts, for travelers "s/t" (Public Eyesore) Riccardo Nova / Art Zoyd & Musiques Nouvelles "Exp?riences De Vol 4" (In-Possible) -------------- next part -------------- An HTML attachment was scrubbed... URL: From ll at detritus.net Sat Nov 3 15:35:26 2012 From: ll at detritus.net (ll) Date: Sat, 3 Nov 2012 20:35:26 +0100 Subject: [microsound-announce] nula ) new filecast: 56232 distant land. mp3, 9 minutes. Message-ID: <7203F645-4835-4841-8ECE-926E56B6CBC9@detritus.net> # 56232 distant land foreboding hung as the struggling train juddered and screed on the distorted rails, first this side of the mountain stream, then that, being forced at intervals to cross on worrisome bridges. a wan gibbous moon shone in the mist, evading the black graspless arms of trees. when they finally reached the city, night had fallen. download: nula.cc/56232 stream: soundcloud.com/nulacc/56232-distant-land # 56228 black sea video. the black sea near the port of odessa as seen from the deck of a passenger boat, brought together here with incidental sounds and music by sergei pototsky from the score of the 1936 film ?by the bluest of seas?, mentioned here before. download: nula.cc/56228 stream: vimeo.com/nulacc/56228-black-sea # 56211 fundament sounds from the basement. amid the out-of-sight out-of-mind, the 60Hz hum of a fluorescent tube is convoluted with a souvenir bell and a ukelin (apparently the unholy offspring of a ukelele and a violin). a scratchy old cylinder recording rounds out this set. download: nula.cc/56211 stream: soundcloud.com/nulacc/56211-fundament --- + main site: nula.cc + more filecasts: nula.cc/newer + contact: editor at nula.cc From rwm2008 at gmail.com Sun Nov 4 03:46:21 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Sun, 4 Nov 2012 09:46:21 +0100 Subject: [microsound-announce] =?iso-8859-1?q?R=E0dio_Web_MACBA_at_Pintere?= =?iso-8859-1?q?st=3A_a_visualisation_of_our_online_research_proces?= =?iso-8859-1?q?s?= Message-ID: *R?dio Web MACBA at Pinterest:* We started recently to visualize and share part of our online research process using Pinterest. Here's the result so far: Sound collecting: Here we share our research related to sound collecting, which aims to unearth private collections of music and sound memorabilia in order to create a historiography of sound collecting that reveals the unseen and passionate work of the amateur collector while reconstructing multiple parallel histories such as the evolution of recording formats, archiving issues, the collecting market and the evolution of musical styles beyond the marketplace. http://pinterest.com/radiowebmacba/sound-collecting-coleccionismo-sonoro-colleccionis/ Music for cooking: A selection of moments from the R?dio Web MACBA archives to enjoy while you cook, cycle, clean, work or whatever. http://pinterest.com/radiowebmacba/mientras-cocino-mentre-cuino-music-for-cooking/ Radio related: Radio and radio art related things. http://pinterest.com/radiowebmacba/radio-related/ Deutsche Kassettent?ter: Board inspired by the Deutsche Kassettent?ter series curated by Felix Kubin for R?dio Web MACBA. http://pinterest.com/achedas/deutsche-kassettentater/ Serendipity: Interesting things we stumble upon. http://pinterest.com/radiowebmacba/serendipity-serendipia/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From rwm2008 at gmail.com Sun Nov 4 04:01:29 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Sun, 4 Nov 2012 10:01:29 +0100 Subject: [microsound-announce] Transcript of COMPOSING WITH PROCESS In-Reply-To: References: Message-ID: David, As requested, I compiled of the links: * * *COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC * *Curated by Mark Fell and Joe Gilmore* Generative music is a term used to describe music which has been composed using a set of rules or system. This series explores generative approaches (including algorithmic, systems-based, formalised and procedural) to composition and performance primarily in the context of experimental technologies and music practices of the latter part of the twentieth century and examines the use of determinacy and indeterminacy in music and how these relate to issues around control, automation and artistic intention. Each episode of the series is accompanied by an additional programme, entitled 'Exclusives', featuring exclusive or unpublished sound pieces by leading sound artists and composers working in the field. You can find all the episodes and transcripts here: http://rwm.macba.cat/en/composingwithprocess_tag COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #1.1. Continue http://bit.ly/pI7VJM Related info: http://bit.ly/97Mtzt Transcript: http://bit.ly/KoYgsv COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #1.2. Exclusives by Florian Hecker and Ryoji Ikeda http://bit.ly/JfwJrm Related info: http://bit.ly/92NJEv COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #2.1. Continue http://bit.ly/obh8bM Related info: http://bit.ly/csDGIk Transcript: http://bit.ly/MnYwrq COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #2.2. Exclusives by Marcus Schmickler and EVOL http://bit.ly/qFpDQZ Related info: http://bit.ly/XaCIYc COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #3.1. Determinacy and indeterminacy http://bit.ly/oXlNga Related info: http://bit.ly/gG9eU4 Transcript: http://bit.ly/MnYCiR COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #3.2. Yasunao Tone and Christophe Charles http://bit.ly/my7plB Related info: http://bit.ly/iyPgms COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #4.1. Time http://bit.ly/qk07ok Related info: http://bit.ly/q5j6d5 Transcript: http://bit.ly/JUCcGQ COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #4.2. Exclusives by Laurie Spiegel and Terre Thaemlitz http://bit.ly/nUPBwF Related info: http://bit.ly/nHwrOD COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #5.1. Duration http://bit.ly/u42R2q Related info: http://bit.ly/rG9Dut Transcript: http://bit.ly/JdeH82 COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #5.2. Exclusives by Ben Vida and THE HUB http://bit.ly/xQalKI Related info: http://bit.ly/wjgY0c COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #6.1. Space http://bit.ly/H0mCD6 Related info: http://bit.ly/JyxGyD Transcript: http://bit.ly/HHpLwN COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #6.2. Exclusives by Russell Haswell and Stephan Mathieu http://bit.ly/JBr8eZ Related info: http://bit.ly/IXWy0w COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #7.1. Exclusives by Goodiepal http://bit.ly/Rvs8D8 Related info: http://bit.ly/TtCUjG COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #8.1. Models of change http://bit.ly/POTD0H Related info: http://bit.ly/Spx7HU Transcript: http://bit.ly/U91Vlo Coming soon: #8.2 and #9.1 (final episode!!) 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URL: From maxbleu at yahoo.com Sun Nov 4 07:44:03 2012 From: maxbleu at yahoo.com (max tanguay) Date: Sun, 4 Nov 2012 04:44:03 -0800 (PST) Subject: [microsound-announce] (313) another fresh production by me In-Reply-To: References: Message-ID: <1352033043.62360.YahooMailNeo@web110706.mail.gq1.yahoo.com> its cool! i like it ? net label : pertin-nce.ca me : soundcloud.com/bleupulp ________________________________ From: Asil Alptekin To: "313 at hyperreal.org" <313 at hyperreal.org> Cc: do id ; microsound Sent: Saturday, November 3, 2012 9:57:19 AM Subject: (313) another fresh production by me since last weeks i am stucked under 100 bpms. i mean i just like it nowadays. it feels like it gives me a bit more creativity. as i listener i had trip hop and ambient selections long time before listening to deep and techno music. so ithink its just coming out in this example. enjoy! and ?share if you like it. your comments are of course welcomed. http://soundcloud.com/yourdigitalfriend/this-was-your-life p.s.: the name was going to be "this is your life". due to the problems with soundcloud;?which made me try uploading it like 6 times, so i decided to make it that way at the end ;) -------------- next part -------------- An HTML attachment was scrubbed... URL: From ryan-jordan at hotmail.co.uk Mon Nov 5 06:31:18 2012 From: ryan-jordan at hotmail.co.uk (Ryan Jordan) Date: Mon, 5 Nov 2012 11:31:18 +0000 Subject: [microsound-announce] noise=noise & Onoma Research || 08/11/12 || Message-ID: noise=noise & Onoma Research present... http://nnnnn.org.uk/doku.php?id=noise_noise_onoma_research derelict electronics / broken piano / working harmonium / onomastic noise Thursday 8th November 2012 7pm - 11pm ?5 Unit 73a, Regent Studios, 8 Andrew's Road, E8 4QN, London TONESUCKER http://tonesucker.com/ UNIT 303 http://onomaresearch.bandcamp.com/album/gabaliukai-free ELLE ES AICH & J. M. BOWERS http://www.laurensarahhayes.com/ http://jmbowers.net/ RYAN JORDAN http://ryanjordan.org/ NORMAN YPSMAEL http://ypsmael.com/ LORAH PIERRE http://lorahpierre.tumblr.com/ http://www.onoma.co.uk/ http://nnnnn.org.uk/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From philippe-petit at wanadoo.fr Mon Nov 5 08:06:17 2012 From: philippe-petit at wanadoo.fr (philippe petit) Date: Mon, 05 Nov 2012 14:06:17 +0100 Subject: [microsound-announce] "The Extraordinary Tale Of A Lemon Girl" trilogy: Chapter III is now released In-Reply-To: <4FEC24D5.90906@laposte.net> References: <4FA97FD7.6070405@wanadoo.fr> <4FA9899F.1050002@wanadoo.fr> <4FC4697F.80907@wanadoo.fr> <4FC5A54C.9060205@wanadoo.fr> <4FC5A86B.9020906@wanadoo.fr> <4FC5B5E6.8070400@wanadoo.fr> <4FC5C83F.1000201@wanadoo.fr> <4FC5CEED.8060409@wanadoo.fr> <4FC5EC08.2080506@wanadoo.fr> <4FC5FF23.8050104@wanadoo.fr> <4FC605DB.3010601@wanadoo.fr> <4FEC0716.5010009@wanadoo.fr> <4FEC09C8.60802@wanadoo.fr> <4FEC196A.7040600@wanadoo.fr> <4FEC246A.3010000@laposte.net> <4FEC24D5.90906@laposte.net> Message-ID: <5097B9C9.5090508@wanadoo.fr> Hello It's been a while so I hope that you are enjoying a nice Autumn. Over here I had the pleasure of playing some very nice gigs, and many are taking form whose most exciting is celebrating 50 years of existence of Ensemble Musiques Nouvelles, playing with the whole orchestra again in Brussels on DEC 6. Lydia Lunch and I playing Philarmonie Luxembourg in March ; and above everything an Australian tour. At long last I'll make it in Aussieland for some shows between January 8 and 18, thanx to Shoeb Ahmad and HelloSquare label. More infos on this in future mailouts, as for now I'm happy to inform that "The Extraordinary Tales Of A Lemon Girl" trilogy is now complete since its third chapter "Hitch-Hiking Thru Bronze Mirrors" has been released last week some extracts can be heard there: http://soundcloud.com/5rp/philippe-petit-hitch-hiking http://soundcloud.com/5rp/philippe-petit-hitch-hiking-1 http://www.reverbnation.com/philippepetit2?profile_view_source=header_icon_nav * **Chapter III: Hitch-hiking Thru Bronze Mirrors *(CD - LP - Digital on AAGOO REC) - 15 euros postpaid from me. http://aagoo.com/ "Hitch-hiking Thru Bronze Mirrors" is the third and final chapter of the ?Extraordinary Tales Of A Lemon Girl? trilogy depicting a ?fruity? Lemon girl's nonsensical journeys to oneiric lands. Our heroin is slowly traveling back to reality, into a beautiful natureland though permeated by an atmosphere of pollution. The score is more acoustic, using a rich palette of instruments and paying attention to themes and melodies although being riddled here and there by some off-kilter sonic eruptions, dissonances or prepaired tunings/instruments. The Lemon Girl comes back home, "safe and sound" but action and suspense are still thrilling "listeners-in-danger" with a sense of uncertainty about the happy ending... *AND STILL A FEW LEFT of "The Extraordinary Tale Of A Lemon Girl" trilogy* *TRIPLE LP VINYL BOXSET*, direct from me at 40 euros so those interested just have to reply to this message to arrange mailordering... Or direct to Aagoo as please remember that ordering from us is the best possible way to support. :- ) In advance thank you For those around Poitiers Colin Stetson has invited me to share bill with him at Confort Moderne in Poitiers on NOV 20, so c u there... And 'till then best wishes. philippe http://www.philippepetit.info/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From murmer at murmerings.com Mon Nov 5 09:17:23 2012 From: murmer at murmerings.com (. m u r m e r .) Date: Mon, 05 Nov 2012 09:17:23 -0500 Subject: [microsound-announce] [framework radio] #395: 2012.11.04 Message-ID: <5097CA73.3030709@murmerings.com> framework radio phonography ::: field recording ::: the art of sound-hunting open your ears and listen! ------------------------- framework broadcasts: - sunday, 11pm, london, uk on resonance 104.4fm (http://www.resonancefm.com) - tuesday, 12:30pm, south devon, uk on soundartradio 102.5fm (http://www.soundartradio.org.uk) - wednesday, 3am, lisbon, pt on radio zero (http://www.radiozero.pt) - thursday, 7pm, lisbon, pt on radio zero (http://www.radiozero.pt) - thursday, 11pm, maribor, si on radio mar? 95.9fm (http://www.radiomars.si) - friday, 1am, brussels, be on radio campus 92.1fm (http://www.radiocampusbruxelles.org) - saturday, 11am, new york state, us on wgxc 90.7fm (http://www.wgxc.org) ~ time zone converter: http://www.timeanddate.com/worldclock/converter.html ~ for general info, playlists, podcasts, or to stream the latest edition at any time: http://www.frameworkradio.net **************************************************** SUPPORT FRAMEWORK! **************************************************** your contributions make framework possible. sign up as a regular donor, or make a one-time donation here: http://www.frameworkradio.net/donate. as a thank-you for your donation of ?20 or more, we'll send you the latest issue of our framework:seasonal cd series, issue #3, a 2.5 hour audio dvdr by the legendary chris watson! ------------------------- #395: 2012.11.04 this edition of framework:afield has been produced in the uk by regular contributor felicity ford. for more information see her website at http://www.felicityford.co.uk. from the producer: This radio show was produced as research/preparation for a forthcoming presentation by Prof. Paul Whitty, Dr Felicity Ford and Andrea Zarza Canova at the British Forum for Ethnomusicology's forthcoming annual conference. Their joint presentation will relate specifically to "Making Sonic Time Capsules", and many of the ideas in this radio show were developed through discussions between Whitty, Ford, and Zarza Canova regarding Sonic Time Capsules. http://www.bfeconference.org.uk/4.html again, we are always looking for new material, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated framework:afield series. send proposals or material, released or not, on any format, to the address at the bottom of this mail. if you have any questions, please don't hesitate to get in touch! ------------------------- (track details) Felicity Ford talking about The BBC's project, "A history of the world in 100 objects". Here is a link to the handaxe programme described: http://www.bbc.co.uk/programmes/b00pwn7p Clock ticking at the Clockmaker's Museum, recorded by Felicity Ford with Jez Riley French's contact microphones in 2011 The Glen of the Downs Nature reserve in Wicklow, Ireland, recorded by Felicity Ford with a minidisc recorder in 2002 Unmarked minidisc of mystery field-recordings made by Felicity Ford sometime between 2002 - 2007 Andrea Zarza Canova reading from her booklet, "A Sonic Time Capsule" London Street Noises, 1928, the Columbia Graphophone Company, digitised by Ian Rawes of the London Sound Survey and used with his kind permission http://www.soundsurvey.org.uk/index.php/survey/radio_recordings/1930s/1606/ "This Vehicle Is Reversing!" recorded by Felicity Ford in 2011, for the UK Soundmap/Sonic Time Capsule Sound Diaries project http://www.sound-diaries.co.uk/previous-sound-diaries-projects/uk-soundmap-sonic-time-capsule/ Felicity Ford describes Ian Rawes's presentation at the UK Soundmap meetings, referring to Street Barkers and Sewer workers, both BBC Radio Actuality recordings made in the 1940s and digitised by Ian Rawes with the permission of Simon Gurney at BBC Worldwide http://www.soundsurvey.org.uk/index.php/survey/radio_recordings/1940s/1619/ http://www.soundsurvey.org.uk/index.php/survey/radio_recordings/1940s/1525/ BBC Radio Actuality recording, Covent Garden market, 1935, digitised by Ian Rawes and used with the kind permission of Ian Rawes of the London Sound Survey and Simon Gurney of BBC Worldwide http://www.soundsurvey.org.uk/index.php/survey/radio_recordings/1930s/1422/ Reading Market recorded by Felicity Ford in 2011, for the UK Soundmap/Sonic Time Capsule Sound Diaries project http://www.sound-diaries.co.uk/previous-sound-diaries-projects/uk-soundmap-sonic-time-capsule/ BBC Radio Actuality recording, Hop picking Holiday, 1934, digitised by Ian Rawes and used with the kind permission of Ian Rawes of the London Sound Survey and Simon Gurney of BBC Worldwide http://www.soundsurvey.org.uk/index.php/survey/radio_recordings/1930s/1424/ Andrea Zarza Canova reading from her booklet, "A Sonic Time Capsule", quoting R Murray Schafer Felicity Ford's recordings of shaking a blown tungsten lightbulb, Mapledurham Flour Mill, Chip and Pin, and the public service announcements in train stations, all recorded by Felicity Ford in 2011 for the UK Soundmap/Sonic Time Capsule Sound Diaries project http://www.sound-diaries.co.uk/previous-sound-diaries-projects/uk-soundmap-sonic-time-capsule/ Felicity Ford explaining why you should just record your own Sonic Time Capsule Andrea Zarza Canova reading from her booklet, "A Sonic Time Capsule", and describing "The Golden Record" http://voyager.jpl.nasa.gov/spacecraft/goldenrec.html Sounds of Earth, the phonographic recordings included on the golden record produced by NASA, including Music of The Spheres, Volcanoes, Earthquake, Thunder, Mud Pots, Wind, Rain, Surf, Crickets, Frogs, Birds, Hyena, Elephant, Chimpanzee, Wild Dog, Footsteps, Heartbeat, Laughter, Fire, Speech, The First Tools, Tame Dog, Herding Sheep, Blacksmith, Sawing, Tractor, Riveter, Morse Code, Ships, Horse and Cart, Train, Tractor, Bus, Auto, F-111 Flyby, Saturn 5 Lift-off, Kiss, Mother and Child, Life Signs, Pulsar http://voyager.jpl.nasa.gov/spacecraft/sounds.html Picking up Voicemail featuring the lovely voice of Mark Stanley, recorded by Felicity Ford in 2011 for the UK Soundmap/Sonic Time Capsule Sound Diaries project http://www.sound-diaries.co.uk/previous-sound-diaries-projects/uk-soundmap-sonic-time-capsule/ Andrea Zarza Canova reading from her booklet, "A Sonic Time Capsule", and quoting Alvin Lucier?s "North American Time Capsule" score, 1967 http://en.wikipedia.org/wiki/North_American_Time_Capsule North American Time Capsule by Alvin Lucier, realised by the Brandeis University Chamber Chorus and featured on Vespers and other early works Andrea Zarza Canova reading listening questions from her booklet, "A Sonic Time Capsule" Felicity Ford's family clock striking the hour ------------------------- framework intro submissions: 1) take yourself and an audio recorder to a location of your choice 2) record for AT LEAST 1 minute before you - 3) read aloud the following text (in english or translated): welcome to framework. framework is a show consecrated to field-recording, and its use in composition. field-recording, phonography, the art of sound hunting; open your ears and listen! 4) continue recording for AT LEAST 2 minutes after the text 5) post the recording to us on any format, or send us an mp3 ??????????????????????????????? -- ????????????????????????????????????????????? framework ????????????????????????????????????????????? :: http://www.frameworkradio.net :: info at frameworkradio.net :: :: http://www.facebook.com/frameworkradio :: http://www.frameworkradio.net/podcast :: http://www.frameworkradio.net/donate ????????????????????????????????????????????? :: tartu mnt 41 :: 63710 ahja :: p?lvamaa :: estonia ????????????????????????????????????????????? mailing list: http://eepurl.com/lQBOT From rwm2008 at gmail.com Thu Nov 8 06:02:39 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Thu, 8 Nov 2012 12:02:39 +0100 Subject: [microsound-announce] New podcast: MEMORABILIA. COLLECTING SOUNDS WITH... Jonny Trunk. Part II. A library music selection Message-ID: *New podcast: MEMORABILIA. COLLECTING SOUNDS WITH... Jonny Trunk. Part II * Link: http://rwm.macba.cat/en/research/memorabilia_jonny_trunk_collection/capsula Playlist: http://rwm.macba.cat/uploads/20121102/Memorabilia_Jonny_Trunk_partII_eng.pdf MP3: http://rwm.macba.cat/uploads/memorabilia/05_memorabilia_jonny_trunk_music_selection.mp3 Library music and myself met by accident. I had been collecting film and TV music for a while, but was always curious about the incidental background music used for science programming and bizarre European documentaries. There didn?t seem to be a way of finding out what this music was or where it came from, no record shops could help me and there were no commercial albums of the recordings anywhere. But one day I found a strange looking LP in a bargain bin. The LP was called Dramatics Electronic1, and had the track listing on its front, with bad drawings of a clarinet and trumpet in the background. After a little research I discovered this was a ?library? record and my journey into the most wonderful, beautiful and experimental world of sound was about to begin. Library music is non-commercial music made for inexpensive use in film, TV and broadcasting. Throughout the sixties, seventies and eighties it was pressed onto vinyl by a small number of established library companies in Europe, and supplied to TV broadcasters and film studios. You could not buy this music in the shops. Composed by talented and risk-taking composers, this incredible genre is full of the obvious and bizarre. It is a musical world full of strange wonders, of peculiar nostalgia, of invented themes, oddball electronics and styles of sound that defy categorization. It?s where music is made for under the sea, for inside your dreams or for nuclear power stations at lunch time. It?s a musical place where composers can be controlled and compose for specific orders, or they can be free of any musical restrictions and produce material that sounds like nothing that has come before. Some of this music has tremendous familiarity and nostalgia, especially when a library cue has been used for a game show or children?s TV theme. But its use is always unpredictable and library music has been the background to science and the foreground the horror and hardcore pornography. Over the last fifteen years it has been recognized and a major influence on hip-hop artists, and has slowly become and important and influential genre. Prices for rare LPs remain very high. I have also produced a book examining the bizarre cover art of the library album; with a need to communicate purpose and not egos, the artwork surprises and can often be refreshingly simple. Here I present (in my opinion) the fifteen best European library music companies, along with some of their amazing music ? strange, beautiful and free from the usual commercial restraints of pop and fame. *Jonny Trunk, December 2011* * * *Previous episode: MEMORABILIA. COLLECTING SOUNDS WITH... Jonny Trunk. Part II: *http://rwm.macba.cat/en/research/memorabilia_jonny_trunk/capsula *Jonny Trunk lecture: http://www.macba.cat/en/conferencia-jonny-trunk * Jonny Trunk @Radio_Web_MACBA: http://rwm.macba.cat/en/jonny_trunk_tag * * *Follow us at http://twitter.com/Radio_Web_MACBA* -------------- next part -------------- An HTML attachment was scrubbed... URL: From incite at gmx.de Fri Nov 9 07:38:15 2012 From: incite at gmx.de (incite at gmx.de) Date: Fri, 9 Nov 2012 13:38:15 +0100 Subject: [microsound-announce] incite/ live @ U-Topia Festival, Dortmund, Germany Message-ID: <009E83A9-E355-4018-9853-DBA2BEFA55F1@gmx.de> incite/ live @ U-Topia Festival for Music, Art and Technology Sat,.November 10th Foyer of Dortmunder U http://www.u-topia.de/programm.html other artists confirmed for U-Topia: KrillMinima, Mouse on Mars, Frank Bretschneider, Oval, Moonbootica, Strotter Inst., Dash Dortmund, ?mit Hahn and more --- !!! awarded at qwartz award 2012 !!! http://qwartz.fr/2012/04/02/qwartz-8-les-laureats-au-centquatre-a-paris-le-29-mars-2012/ --- incite/ eye-catching experimental audiovisual art dynamic distorted idm-beats criss-crossing art and club worlds immersive synaesthetic experience for ears and eyes http://www.incite.fragmentedmedia.org http://www.incite.fragmentedmedia.org/images/incite-infotext.pdf http://www.facebook.com/pages/incite/184807865948 http://vimeo.com/incitefm --- -------------- next part -------------- An HTML attachment was scrubbed... URL: From bruce at skeletonhome.com Fri Nov 9 11:48:45 2012 From: bruce at skeletonhome.com (Bruce Tovsky) Date: Fri, 9 Nov 2012 11:48:45 -0500 Subject: [microsound-announce] Murmur @ 106BLDG30 / Brooklyn Navy Yard, BLDG30, Suite 106 / Nov 16 8PM Message-ID: 2 0 1 2 / 2 0 1 3 S E A S O N E V E N T 1 after a long hiatus we are pleased to announce the first of a new series of events: FRIDAY NOVEMBER 16 2012 8PM $5 RSVP: via FB, btovsky (at) gmail (dot) com or 917.674.6647 (TEXT) MURMUR (SOUND) + BRUCE TOVSKY (VISUALS) BEN OWEN (SOUND) + GUEST (VISUALS) we are really happy to have two very special artists launch our new season: patrick mcginley (aka murmur), who is an american now living in estonia, and ben owen, based in brooklyn. for patrick's set all sounds used are prerecorded in the space itself or it's surroundings, or generated live from local found objects. patrick is using this process for each of the performances he is giving on this tour. we will be doing a soundwalk around the navy yard the day before, collecting sounds, and in my case visuals, to be presented during the performance. BIOS patrick mcginley is an american-born sound, performance, and radio artist who has been based in europe since 1996. since then he has been building a collection of found sounds and found objects that has become the basis of all his work. in 2002 he founded framework, an organization that produces a weekly field-recording themed radio show, broad- and podcasting around the world. in 2005, he began working closely with the artist-run organization MoKS in southeast estonia, relocating there permanently in 2009. most recently mcginley has been giving presentations, workshops, and performances based on the exploration of site-specific sound (with the revenant project) and sound as definition of space. in live performance his interest in field recording has developed into an attempt to integrate and resonate found sounds, found objects, specific spaces, and moments in time, in order to create a direct and visceral link with an audience and location. murmer?s work is about small discoveries and concentrated attention; it focuses on the framing of the sounds around us which normally pass through our ears unnoticed and unremarked, but which out of context become unrecognizable, alien and extraordinary: crackling charcoal, a squeaking escalator, a buzzing insect, or one?s own breath. he works equally with spaces, objects, resonances, and people, in composition, performance, or simply collective action and experience, in exploration of perception via attentive listening. ben owen works with projected slide film manipulations and experimental electro-acoustic sound composition. his collaborations can be found with ting ting jahe, tiptip, and radio transmission works with free103point9 and broadcastatic. ben first explored the theme of instability and decay through his work with stone lithography printmaking. he has continued to work with these themes. this theme is evidenced by ben's decision to focus on (mostly) unmanipulated location (field) recordings, thereby underscoring the ephemeral and unpredictable nature of sound. ben arranges these sound-fields both as raw captures and digitally processed fragments. 106BLDG30 is in the Brooklyn Navy Yard: BUILDING 30 Suite 106 Brooklyn Navy Yard enter at the Clinton Ave & Flushing Ave gate, ask for Building 30 Suite 106 at the guardhouse, they will direct you. a BNY map link and directions can be found below. btovsky (at) gmail (dot) com or 917.674.6647 for more information 106BLDG30 is curated by Bruce Tovsky & Tracy Wuischpard a short list of upcoming shows in progress: bowed guitars // zach layton / bruce tovsky [ next month! ] carver audain daniel neumann david linton and more... http://www.brooklynnavyyard.org/direction.html http://www.murmerings.com/ http://www.benowen.org/ http://www.skeletonhome.com/ bruce tovsky www.skeletonhome.com "Sometimes the appropriate response to reality is to go insane." Philip K. Dick _________________________________________________________________ To unsubscribe or modify your subscription options, please visit: http://lists.skeletonhome.com/mailman/options/friends--3/bruce%40skeletonhome.com -------------- next part -------------- An HTML attachment was scrubbed... URL: From lists at asquare.org Fri Nov 9 14:05:58 2012 From: lists at asquare.org (Garrett Lynch) Date: Fri, 9 Nov 2012 19:05:58 +0000 Subject: [microsound-announce] Remote Encounters - Schedule and Registration now online Message-ID: <30E92DC9-8DE3-4131-B9DD-5D799FF27629@asquare.org> Apologies for cross posting. The schedule and registration (early bird prices) for the networked performance conference Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance is now online. Conference schedule: http://remote-encounters.tumblr.com/schedule Registration (early bird prices): http://remote-encounters.tumblr.com/registration The conference will over its two day sessions and performance evening pull together a number of practitioners and academics who are working in a variety of exciting ways with networks in performance contexts. These will cover web based performance, streaming media, sonic practices, metaverses, custom networked electronics, dance and theatre; each exploring a wealth of topics and themes. Full details about the conference are available below. ------------------------------------ Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance keywords: performance, networked, body, space, place, time, real, virtual URL: http://remote-encounters.tumblr.com/ :: Description :: Since the internet entered the public domain in the early 90's there has been an explosion in artistic interest in its use as a means, site and context for creative practice. Much of this practice is performative in nature; ether originating from a performance background and using the internet as a new site and/or augmenting aspect of that practice or is a form of practice developed as direct response to the internet and becomes performative to some degree in its spectatorship. It has been well established that the internet is not the first or only example of the use of a networked technology repurposed for creative practice. There is a clear time line that can be traced back through the practice of Roy Ascott and his coining of the term Telematic Art in the 1980's to artist's use of satellite networks, telephone and other telecommunication devices as each were invented. Seen in this respect the internet can be considered as one of many networked technologies that has enabled networked performance. The internet is unique however in that it is not a singular network type that favours a particular form of media, broadcast or spectatorship. Most famously known as the network of networks it enables multiple protocols of which the world wide web's http is just one, is multimedia in nature and encourages intertextual folding and layering of media, is multi-directional not simply a broadcast communication form, de-centralised in ownership and the majority of its technologies are openly accessible. Remote Encounters, a two-day international conference with performance evening, aims to explore the use of networks as a means to enhance or create a wide variety of performance arts. How do networks as a site for performance provide opportunities for us as artists and performers? In particular how can we remotely collaborate, merge geographically separate places and times, reconfigure the space of performance and the relationship between artist and audience? :: Conference information :: Registration: Early bird fee (until January 1st 2013) - academic affiliated ?80, non- affiliated ?40 Late fee - academic affiliated ?100, non-affiliated ?50 Location: ATRiuM, Cardiff School of Creative & Cultural Industries, University of Glamorgan, Adam Street, Cardiff, Wales, CF24 2FN. Date: 11th - 12th of April 2013 _________________ http://www.asquare.org/ http://www.asquare.org/networkresearch/ From nathalie.fougeras at gmail.com Fri Nov 9 14:44:34 2012 From: nathalie.fougeras at gmail.com (Nathalie Fougeras) Date: Fri, 9 Nov 2012 20:44:34 +0100 Subject: [microsound-announce] sound performance video Message-ID: Hi Just release now "Splatform", a short movie from the Sound Platform project: - field recording, underwater microphone and piezo micro made hand combined with environmental ressources & one performer Have a listening-look (low res video image) and if you have some time I will be interesting to hear from you about it? If you know some place where I can send this sound-video you can send me too, thanks. http://vimeo.com/likenowupgrade/splatform To hear from you Best regards Nathalie -- Nathalie Fougeras Performances/ cyberperformances http://vimeo.com/48391388 Artist member in the KKV H?rn?sand (collective art workshop) and KC Nord http://www.kkvh.se/index.htm http://www.kc-nord.org/ H?rlursfestival in V?sternorrland & world http://www.lab-gallery.com Media art network http://www.likenow.org/upgrade/ Sound artist member in the Kvast (women swedish composer network) http://kvast.org/ Teaching background http://www.univ-montp3.fr/media_arts/index.html e-mail: nathalie.fougeras at gmail.com cell phone: 0730449920 -------------- next part -------------- An HTML attachment was scrubbed... URL: From nathalie.fougeras at gmail.com Fri Nov 9 14:45:51 2012 From: nathalie.fougeras at gmail.com (Nathalie Fougeras) Date: Fri, 9 Nov 2012 20:45:51 +0100 Subject: [microsound-announce] Sound performance video Message-ID: Hi Just release now "Splatform", a short movie from the Sound Platform project: - field recording, underwater microphone and piezo micro made hand combined with environmental ressources & one performer Have a listening-look (low res video image) and if you have some time I will be interesting to hear from you about it? If you know some place where I can send this sound-video? you can send me too, thanks. http://vimeo.com/likenowupgrade/splatform To hear from you Best regards Nathalie -- Nathalie Fougeras Performances/ cyberperformances http://vimeo.com/48391388 Artist member in the KKV H?rn?sand (collective art workshop) and KC Nord http://www.kkvh.se/index.htm http://www.kc-nord.org/ H?rlursfestival in V?sternorrland & world http://www.lab-gallery.com Media art network http://www.likenow.org/upgrade/ Sound artist member in the Kvast (women swedish composer network) http://kvast.org/ Teaching background http://www.univ-montp3.fr/media_arts/index.html e-mail: nathalie.fougeras at gmail.com cell phone: 0730449920 -------------- next part -------------- An HTML attachment was scrubbed... URL: From bonequi at gmail.com Sun Nov 11 19:50:50 2012 From: bonequi at gmail.com (julian bonequi) Date: Mon, 12 Nov 2012 01:50:50 +0100 Subject: [microsound-announce] 12.11.12 [>>> VOIX BRUTES <<<] AUDREY CHEN + MAT POGO + JULIAN BONEQUI at ZMF BERLIN Message-ID: 12.11.12 [>>> VOIX BRUTES <<<] at ZMF ? ZUR M?BELFABRIK Brunnenstra?e 10. 10119 Berlin Mitte. im zweiten Hinterhof (Rosenthaler Platz U-Bhan - Brunnenstra?e exit) 21:30 15 minute SOLOS AUDREY CHEN - cello, voice, analog electronics myspace.com/audreychen MAT POGO - voice, CDJ?s soundcloud.com/matpogo JULIAN BONEQUI - amplified drums, voice auditionrecords.com/wokman.php 22:30 15 minute DUOS Chen - Pogo Pogo - Bonequi Bonequi - Chen 23:30 Dj Set - Oscar der Winzige Doors 21:00 | Concerts 21:30 SHARP! http://zurmoebelfabrik.de -------------- next part -------------- An HTML attachment was scrubbed... URL: From murmer at murmerings.com Mon Nov 12 11:46:42 2012 From: murmer at murmerings.com (. m u r m e r .) Date: Mon, 12 Nov 2012 11:46:42 -0500 Subject: [microsound-announce] [framework radio] #396: 2012.11.11 Message-ID: <50A127F2.30203@murmerings.com> framework radio phonography ::: field recording ::: the art of sound-hunting open your ears and listen! ------------------------- framework broadcasts: - sunday, 11pm, london, uk on resonance 104.4fm (http://www.resonancefm.com) - tuesday, 12:30pm, south devon, uk on soundartradio 102.5fm (http://www.soundartradio.org.uk) - wednesday, 3am, lisbon, pt on radio zero (http://www.radiozero.pt) - thursday, 7pm, lisbon, pt on radio zero (http://www.radiozero.pt) - thursday, 11pm, maribor, si on radio mar? 95.9fm (http://www.radiomars.si) - friday, 1am, brussels, be on radio campus 92.1fm (http://www.radiocampusbruxelles.org) - saturday, 11am, new york state, us on wgxc 90.7fm (http://www.wgxc.org) ~ time zone converter: http://www.timeanddate.com/worldclock/converter.html ~ for general info, playlists, podcasts, or to stream the latest edition at any time: http://www.frameworkradio.net **************************************************** SUPPORT FRAMEWORK! **************************************************** your contributions make framework possible. sign up as a regular donor, or make a one-time donation here: http://www.frameworkradio.net/donate. as a thank-you for your donation of ?20 or more, we'll send you the latest issue of our framework:seasonal cd series, issue #3, a 2.5 hour audio dvdr by the legendary chris watson! ------------------------- #396: 2012.11.11 a second edition of our new occasional format, framework:ephemera. in each edition of framework:ephemera, which will be produced whenever possible, travels and meetings permitting, will feature selections from the personal collection of an invited guest, and commentary from our guest along with a visit to his/her home or studio. the first, let's say 'pilot', edition was aired two weeks ago from the home of yannick dauby in taipei, taiwan. this one was produced in southeastern pennsylvania in the studio of scott sherk. scott is a sculptor and sound artist who teaches in the art department at muhlenberg college in allentown, pennsylvania. his new work new york glyptic, has just been released on the 3 leaves label from hungary. he selected some great works from his shelves that have inspired and impressed him over the years, and talked to us about about his studio space, the third barn. scott's selections included magnetic sound walks from christina kubisch, synthesized field recording transformations from andrew deutsch, a bus tunnel recorded by robert carlberg, improvisations with his own sonic sculptures by harry bertoia, and a bit of singing in the forest by the revenant project. to accompany these i selected a few excerpts from scott's 3 leaves release, as well as an unreleased recording he made recently during the hurricane that hit the east coast of the united states. again, we are always looking for new material, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated framework:afield series. send proposals or material, released or not, on any format, to the address at the bottom of this mail. if you have any questions, please don't hesitate to get in touch! ------------------------- (time / artist / track / album / label) 00:00 - 04:42 / scott sherk / framework introduction http://www.thethirdbarn.org 02:54 - 12:58 / scott sherk / [extract 1] / new york glyptic / 3 leaves http://www.thethirdbarn.org, http://www.3leaves-label.com 06:54 - 17:55 / christina kubisch / [extract 1] / la ville magnetique / ville de poitiers http://www.christinakubisch.de 11:36 - 21:44 / andrew deutsch / [track 1] / the sun / and/oar http://and-oar.org 12:45 - 30:59 / harry bertoia / bellisima / the sun/the moon / sonambient http://bertoiastudio.com 18:38 - 28:52 / robert carlberg / [extract 1] / bus tunnel (urban soundscape #6) [no web info] 21:12 - 29:43 / - / [track 6] / revenant:topolo / prele http://www.revenantsound.net, http://www.prelerecords.net 27:58 - 38:38 / christina kubisch / [extract 2] / la ville magnetique / ville de poitiers http://www.christinakubisch.de 34:32 - 45:26 / scott sherk / [extract 2] / new york glyptic / 3 leaves http://www.thethirdbarn.org, http://www.3leaves-label.com 38:00 - 51:55 / harry bertoia / bellisima / the sun/the moon / sonambient http://bertoiastudio.com 45:37 - 48:46 / scott sherk / super storm sandy / - / - http://www.thethirdbarn.org 47:38 - 54:10 / andrew deutsch / [track 5] / the sun / and/oar http://and-oar.org 49:33 - 57:00 / robert carlberg / [extract 2] / bus tunnel (urban soundscape #6) [no web info] ------------------------- framework intro submissions: 1) take yourself and an audio recorder to a location of your choice 2) record for AT LEAST 1 minute before you - 3) read aloud the following text (in english or translated): welcome to framework. framework is a show consecrated to field-recording, and its use in composition. field-recording, phonography, the art of sound hunting; open your ears and listen! 4) continue recording for AT LEAST 2 minutes after the text 5) post the recording to us on any format, or send us an mp3 ??????????????????????????????? -- ????????????????????????????????????????????? framework ????????????????????????????????????????????? :: http://www.frameworkradio.net :: info at frameworkradio.net :: :: http://www.facebook.com/frameworkradio :: http://www.frameworkradio.net/podcast :: http://www.frameworkradio.net/donate ????????????????????????????????????????????? :: tartu mnt 41 :: 63710 ahja :: p?lvamaa :: estonia ????????????????????????????????????????????? mailing list: http://eepurl.com/lQBOT From devel at thesaddj.com Tue Nov 13 11:01:09 2012 From: devel at thesaddj.com (Marco Donnarumma) Date: Tue, 13 Nov 2012 16:01:09 +0000 Subject: [microsound-announce] Three biomedia performances in Rio de Janeiro: sonic, vexed, networked bodies Message-ID: (Sorry for x-post) SARC (Sonic Arts Research Center) and Multiplicidade Festival with the support of the Transform initiative by the British Council present In Rio de Janeiro, a night of biomedia performances with Anna Weisling, Miguel Ortiz, and Marco Donnarumma. Programme: - Dentro, a music performance for brainwaves and hear-trate biointerface (Ortiz) - Liminal Corpus (world premiere), audio-visual trio for Xth Sense and networked biological bodies (Weisling, Ortiz, Donnarumma) - Hypo Chrysos (South America premiere), action art for vexed body and biophysical media (Donnarumma) Learn about the work on-line: http://marcodonnarumma.com/works/hypo-chrysos/ ~~~~~~~~~~~~ WHEN: h 19.00, Thursday 15th November 2012 WHERE: PANORAMA Performance Festival, Centro de Artes Helio Oiticica, Rio De Janeiro ENTRANCE: Free Curated by Batman Zavarese for Multiplicidade, organized by SARC, with the support of British Council. Ref: http://www.multiplicidade.com/2012/index.php?option=com_content&view=article&id=58&Itemid=58 ~~~~~~~~~~~~ Hope to see some of you there, best wishes, -- Marco Donnarumma New Media + Sonic Arts Practitioner, Performer, Teacher, Director. Embodied Audio-Visual Interaction Research Team. Department of Computing, Goldsmiths University of London ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Portfolio: http://marcodonnarumma.com Research: http://res.marcodonnarumma.com Director: http://www.liveperformersmeeting.net -------------- next part -------------- An HTML attachment was scrubbed... URL: From manuela.benetton at gmail.com Tue Nov 13 12:07:17 2012 From: manuela.benetton at gmail.com (Manuela Benetton) Date: Tue, 13 Nov 2012 18:07:17 +0100 Subject: [microsound-announce] =?iso-8859-1?q?Nov=2E_20-22=3A_CM_von_Hauss?= =?iso-8859-1?q?wolff/_The_Sons_of_God/_Thymolphthalein_=28Anthony_?= =?iso-8859-1?q?Pateras=2C_J=E9r=F4me_Noetinger=2E=2E=2E=29?= Message-ID: With Apologies for Cross-Posting Next week in Berlin *20.11.2012 at FEED: CM VON HAUSSWOLFF **| THE SONS OF GOD *(Leif Elggren, Kent Tankred)* 22.11.2012 at West Germany: THYMOLPHTHALEIN *(Anthony Pateras, J?r?me Noetinger, Natasha Anderson, Clayton Thomas, Will Gutrie) __________________ 20.11.2012 at FEED Doors 21h - Concerts 21:30 *CM VON HAUSSWOLFF **| THE SONS OF GOD* Carl Michael von Hausswolff is a Swedish artist (working with sound, light and image), composer, curator, an expert on electronic voice phenomenon pioneer Friedrich Jurgensson, producer, founder of the label Radium 226.5, and the co-monarch of The Kingdoms of Elgaland-Vargaland. In his concerts a very physical, almost brutal, side of Hausswolff?s aesthetics is blended with a droned and polyfrequential beauty. The audience very often fall into a form of trance, dosing away in their seats. Other times people experiencing the events have expressed a ?feeling that the flesh came off the bones? due to the vibrations of the low frequencies used. Collaborators include Graham Lewis, Jean-Louis Huhta, Pan sonic, Russell Haswell, Zbigniew Karkowski, Erik Pauser, The Hafler Trio and John Duncan. Leif Elggren and Kent Tankred have worked in the arts for over 20 years. In 1988 they formed the duo, The Sons of God (Guds S?ner), a constellation which moves freely between performance, music and the visual arts, and whose productions often reach a point where traditional aesthetic boundaries, limitations and concepts are eliminated. Everything contributes to the whole and provides the basic structure for that inquisitive and expansive spirit wh ich is apparent in the Sons of God?s working method. Sound objects, pre-recorded compositions, physically demanding movements, the voice, the staged meetings and conditions, the objects: all of this constitutes the foundation for an attempt to gain access to those hard rare moments when daily life merges with the heroic nature of the inner self. Kindly supported by Initiative Neue Musik e.V. FEED Soundspace http://6554.de/ Hobrechtsra?e 65 | Hinterhaus, Etage 4 12047 Berlin-Neuk?lln * ___________________* 22.11.2012 West Germany Doors 21h Concerts 21:30 *THYMOLPHTHALEIN* Anthony Pateras: prepared piano and analogue synthesizer J?r?me Noetinger: tape machines and electronics Natasha Anderson: recorders, sensors and computer Will Guthrie: drums Clayton Thomas: double bass Since 2009, *Thymolphthalein* has explored the grass between the cracks ? the fertile wasteland between structure and freedom. Taking their name from a key ingredient in disappearing ink, game plans are established and destroyed, paths cleared then obscured, musical links cemented and ruptured. Electronic and acoustic personas rub together to produce a special kind of tension between utopian pasts and and broken futures. Anthony Pateras (piano and syntheszier) is a prolific, multi-facted composer with an interest in analogue modular systems and extended piano. J?r?me Noetinger (tape machines and electronics) is the originator of live Revox techniques in an improvised context, developed over two decades with his seminal audio-visual group Metamkine. Natasha Anderson (recorders, sensors and computer) splices a performance history in Baroque music with digital signal processing and a unique compositional focus on the uncanny. Clayton Thomas (double bass) infuses his virtuosic bass technique and tone with obsessions running though hip-hop, R&B and jazz, combined with a dedication to playing any musician who seeks to challenge. Will Guthrie (drums) is one of the few drummers who can boast a history in jazz, flamenco, hip-hop and noise, widely regarded as one of the driving forces of Australian free music. Having featured initially at the SWR New Jazz Meeting in Baden-Baden, the group has go on to perform at major creative music festivals throughout Europe and Australia. The quintet?s first album Ni Ma?tre Ni Marteau was released by Editions Mego in 2011. West Germany Skalitzerstr. 133 10997 Berlin-Kreuzberg -------------- next part -------------- An HTML attachment was scrubbed... URL: From maxbleu at yahoo.com Wed Nov 14 10:19:22 2012 From: maxbleu at yahoo.com (max tanguay) Date: Wed, 14 Nov 2012 07:19:22 -0800 (PST) Subject: [microsound-announce] =?iso-8859-1?q?=5Bpertin=5F48=5D_bleupulp_-?= =?iso-8859-1?q?_kote_ordinat=E8_mwen_=28=28=28bandcamp_/_dubtech=29=29=29?= Message-ID: <1352906362.758.YahooMailNeo@web110711.mail.gq1.yahoo.com> hello! just to let you know that my new EP is out on bandcamp. it'll follow on beatport but its way cheaper on bandcamp... (i am also down to share the promo copy with djs or radio host etc...) details : label : pertin-nce cat. number : pertin_48 title : kote ordinat? mwen artist : bleupulp track listing : 1- back at rouje 2- back at meduse 3- a cave filled with laptop 4- brazil 5- brazil-v2 sounds like : dub techno, deep, minimal, duby, house, break stream & buy on : www.pertin-nce.bandcamp.com thanks! ? net label : pertin-nce.ca me : soundcloud.com/bleupulp -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at lullcec.org Thu Nov 15 00:54:32 2012 From: info at lullcec.org (l'ull cec) Date: Thu, 15 Nov 2012 06:54:32 +0100 Subject: [microsound-announce] Live Real-time Machine Learning seminar in Barcelona Message-ID: <50A48398.4020103@lullcec.org> 23/24/25.11.2012 LIVE REAL-TIME MACHINE LEARNING seminar led by Dan Stowell This seminar will explore machine listening and machine learning in SuperCollider, applied in real time to perform intelligent signal processing on live audio streams. We will specifically focus on server-based processing of sound streams (i.e. not on ?offline? machine learning or general compositional aspects). We will study classification, clustering and regression using built-in analysis tools (plus standard sc3-plugins and quarks), covering important machine-learning techniques such as Self-Organising Maps, K-Means, K-Nearest Neighbours, Sparse Representations and more. Structure: Session #01: - Introduction to machine listening and machine learning - Real-time live processing issues - Revision of SuperCollider extensions; how to use third party code Session #02: - Exploring live data - Machine listening features, pros and cons - Clustering - Classification Session #03 - More classification - Regression - Sparse representations - Practical considerations: latency, accuracy, noise Level: intermediate (some basic knowledge of SuperCollider and sound synthesis is assumed) Instructor: Dan Stowell [ http://mcld.co.uk ] Dan Stowell (MCLD) is a musician, programmer, and scientist. In 2010 he obtained a PhD in Machine Learning and Digital Music at Queen Mary University of London, where he is now currently working as a postdoctoral researcher in the Centre for Digital Music. Dan has been developing techniques to use voice sounds such as beatboxing to control electronic instruments. In his musical practice, he combines live-coding with beatboxing ? both solo and as part of the duo Spoonfight ? and also produces installation work as part of C4DM Presents. He?s currently also one of the lead SuperCollider developers. Dates: Friday 23.11.2012, 18:00-22.00h Saturday 24.11.2012, 11:00?14:00h, 16:00-19:00h Sunday 25.11.2012, 11:00?14:00h, 16:00-19:00h Location: Fabra i Coats ? F?brica de Creaci?. Sant Adri?, 20. Barcelona. Metro Sant Andreu. Price: 90? To sign up or request further information, please send an email to info at lullcec.org. [ http://lullcec.org/en/2012/workshops/aprenentatge-artificial-en-temps-real/ ] ------------------------------------------------------ This activity is organized by l?ull cec in collaboration with OSIC, Institut de Cultura de Barcelona and Fabra i Coats ? F?brica de Creaci?. ------------------------------------------------------ web: [ http://lullcec.org ] facebook: [ http://facebook.com/lullcec ] twitter: [ http://twitter.com/lullcec ] From rwm2008 at gmail.com Thu Nov 15 05:07:45 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Thu, 15 Nov 2012 11:07:45 +0100 Subject: [microsound-announce] New podcast: Musicologist and writer James Pritchett talks about the work of John Cage, David Tudor and Morton Feldman Message-ID: *New podcast: SON[I]A #166. Interview with James Pritchett * James Pritchett about the work of John Cage, David Tudor and Morton Feldman, and the direct link between his way of studying, playing and writing about their music. Link: http://rwm.macba.cat/en/sonia/sonia_james_pritchett/capsula James Pritchett is a musicologist, writer, pianist and software designer. In 1992, he completed 'The Music of John Cage', the only critical survey of John Cage's entire body of work that has been published. With its thorough research and insightful description of Cage's thought, methodologies and compositions, it has become a key reference work for anybody interested in the work of this unique musician. Feeling out of place in the field of academic musicology, Pritchett decided to explore more creative ways of writing about music in articles, lectures and CD liner notes, always, as he says, trying "to tell a good story about the music." He has also studied and written about the music of David Tudor and, more recently, Morton Feldman. His curiosity about the processes of electronic music led Pritchett to teach himself programming, and he has designed the software for musical compositions and sound installations by his wife, the composer Frances White, as well as other musicians and artists. Since 1999, he has worked as the Manager of Technology Developement at the National Headquarters of Recording for the Blind & Dyslexic. More on podcasts and materials related to John Cage: http://rwm.macba.cat/en/john_cage_100 *Follow us at http://twitter.com/Radio_Web_MACBA* -------------- next part -------------- An HTML attachment was scrubbed... URL: From djstephenr at gmail.com Thu Nov 15 12:52:53 2012 From: djstephenr at gmail.com (Stephen Ruiz) Date: Thu, 15 Nov 2012 09:52:53 -0800 Subject: [microsound-announce] RIP Pete Namlook Message-ID: Really sad news. http://stereogum.com/1200711/r-i-p-pete-namlook/news/ -- Stephen Ruiz :: Pixel Pusher / Sound Wrangler --------------------------------------------------------------- http://www.stephenruiz.com http://architectsandheroes.net/ http://agentesconsulting.com/ --------------------------------------------------------------- -------------- next part -------------- An HTML attachment was scrubbed... URL: From philippe-petit at wanadoo.fr Fri Nov 16 05:40:16 2012 From: philippe-petit at wanadoo.fr (philippe petit) Date: Fri, 16 Nov 2012 11:40:16 +0100 Subject: [microsound-announce] podcast and playlist for my radio shows In-Reply-To: <509CE3CE.4090108@wanadoo.fr> References: <505C33A7.4020806@wanadoo.fr> <505C33E7.6020509@wanadoo.fr> <506555C5.7080202@wanadoo.fr> <506EC261.2000100@free.fr> <5077EE35.2030909@free.fr> <5077EEA5.5020709@wanadoo.fr> <50812F4D.5000306@wanadoo.fr> <50812F92.8020206@wanadoo.fr> <508ABABF.40801@wanadoo.fr> <508ABC9F.7080304@wanadoo.fr> <509527F3.3080703@wanadoo.fr> <50952885.5080505@free.fr> <509CE013.1020506@wanadoo.fr> <509CE0FB.2000904@wanadoo.fr> <509CE3CE.4090108@wanadoo.fr> Message-ID: <50A61810.3060005@wanadoo.fr> *Hello* ***Every week my radio programs air thru EKO des Garrigues (Montpellier) on Thursdays, JET FM (Nantes) on Fridays, Campus (Grenoble) on Saturdays, and Grenouille (Marseille) on Sundays** **here's the podcast + tracklisting:* http://www.jetfm.asso.fr/site/stockage/generation_bip_hop/BH%20Generation%2016_11.mp3 BiP_HOp Generation on Eko des Garrigues // Montpellier - 88.5 FM Thursday NOV 15 : 20:00 - 21:00 PM http://www.ekodesgarrigues.com/article.php3?id_article=1413 BiP_HOp Generation on JET FM // Nantes Friday NOV 16 : 20:30 - 21:30 PM http://www.jetfm.asso.fr/site/Generation-BiP-HOp-vendredi-16,3863.html BiP_HOp Generation on RADIO CAMPUS // Grenoble - 90.8 FM Saturday NOV 17 : 20:30 - 21:30 PM http://www.campusgrenoble.org/Generation-BiP_HOp,1445.html BiP_HOp Generation on Radio Grenouille // 88.8 FM Sunday NOV 18 : 21:00 - 22:00 PM (19:00 - 20:00 GMT) // Marseille // France http://ns35904.ovh.net:8080/live.m3u ARTIST : SONG "ALBUM" (label) Andrea Van Cleef: house by the river "Sundog" (Great Machine/Pistola) Gallon Drunk: a thousand years "The Road Gets Darker From Here" (Clouds Hill) The Somnambulist: steam "Sophia Verloren" (Solaris Empire/Acid Cobra) Normal Love: #7 "Survival Tricks" (Public Eyesore/Ug Explode) Acid Mother Temple & The Melting Paraiso U.F.O.: pt2 "IAO Chant From The Melting Paraiso Underground Freak Out" (Riot Season) Ambrose Field: Thor's hammer "VA. Sargasso Sampler" (Sargasso) Andreas Brandal: sleep miracle "This Is Not For You" (Eh!/Public Eyesore) The Desert Fathers: fortitudo "Charismata" (pfMENTUM) Erik Nystr?m: elemental chemistry "M?tamorphoses 2010" (Musiques & Recherches) -------------- next part -------------- An HTML attachment was scrubbed... URL: From rwm2008 at gmail.com Sat Nov 17 03:56:59 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Sat, 17 Nov 2012 09:56:59 +0100 Subject: [microsound-announce] Podcasts/interviews featuring experimental musicians and sound artists Message-ID: We dig up some interviews related to experimental music and sound art from our archive: SON[I]A #155. Arthur Sauer, co-fundador de Game of Life, l'?nic sistema m?bil de Wave Field Synthesis del m?n, parla de so immersiu, m?sica electr?nica espacial, i d'altres aplicacions de la Wave Field Synthesis. http://rwm.macba.cat/en/sonia/wave_field_synthesis/capsula SON[I]A #139. Interview with the american composer Ari Benjamin Meyers about "1395 Days without Red" and some aspects of his work in general. http://rwm.macba.cat/en/sonia/sonia_ari_benjamin_meyers/capsula SON[I]A #134. Interview with Ulf Langheinrich on aesthetics and perception of flow, both in his audiovisual work and during his experience in Ghana, where he has lived for some years. http://rwm.macba.cat/en/sonia/ulf_langheinrich/capsula SON[I]A #132. Interview with Theo Burt on perceptual processes, visual music and intermedia art. http://rwm.macba.cat/en/sonia/theo_burt/capsula SON[I]A #135. Sound artists and curators Mark Fell and Joe Gilmore talk about minimalism, complexity, abstraction and the processes and concepts behind their audiovisual works. http://rwm.macba.cat/en/sonia/mark_fell_joe_gilmore/capsula SON[I]A #115. Interview with Pierre Bastien http://rwm.macba.cat/en/sonia/sonia115_pierre_bastien/capsula SON[I]A #111. Interview with Vicki Bennett, plunderphonic genius behind People Like Us. http://rwm.macba.cat/en/sonia/people_like_us/capsula SON[I]A #99. John Oswald, one of the leading exponents of sound appropriationism, talks about his work. http://rwm.macba.cat/en/sonia/sonia99_john_oswald/capsula SON[I]A #90. Interview with Margaret Leng Tan, long time collaborator of John Cage. http://rwm.macba.cat/en/sonia/sonia_margaret_leng_tan/capsula SON[I]A #88. Interview with the experimental guitarist Jochen Arbeit. http://rwm.macba.cat/en/sonia/jochen_arbeit/capsula SON[I]A #85. Interview with David Grubbs, an essential guitarist and composer in the field of contemporary avant-garde rock. http://rwm.macba.cat/en/sonia/david_grubbs/capsula SON[I]A #67. Interview with Alex Waterman, musician, composer, writer and curator of the exhibition Agap?. http://rwm.macba.cat/en/sonia/alex_waterman/capsula *Follow us at http://twitter.com/Radio_Web_MACBA* -------------- next part -------------- An HTML attachment was scrubbed... URL: From ml at robmunro.net Mon Nov 19 10:11:06 2012 From: ml at robmunro.net (Robert Munro) Date: Mon, 19 Nov 2012 15:11:06 +0000 Subject: [microsound-announce] OpenNight w. MusicHackSpace @ Troyganic this Thursday, Nov 22. Message-ID: We are holding the next OpenNight w. HackSpace @ Troyganic this Thursday, Nov 22. There are still opportunities to perform present if desired signup below or just replay to this.. 132 Kingsland Road Corner of Cremer Street London E2 8DY http://goo.gl/maps/Gwz6q OpenNight is a night of presentations/performances using open-source software. Some closed is al lowed/tolerated, it's not a hard boundary, the emphasis is that you publish your code/work before you perform (your patches, code, artwork used, schematics - whatever is relevant ), usually on the day. It's also good form to do a quick intro about what you do & how you do it. It's a pretty freeform night, just to show what you are up to, or test out something new or experimental, people just sign up, publish and play - it always good to fit as many people in as possible, all depending on how many people enrol. You sign up on the WIKI here: http://xwiki.sentinelweb.co.uk/bin/view/OpenNight/Signup Just make sure to read the RULES - it sort of defeats the purpose if people turn up with *just* closed software. or just leave a comment. We will also have a thanksgiving bent for the Americans out there. Hopefully with turkey but is not confirmed yet. -- best Rob *Web*: http://www.my-pod.org http://sentinelweb.co.uk http://www.suprcards.com* * *Apps*: MyPOD SuperCards SilentTimer *Social* : twitter (@siliconeagle) | FaceBook -------------- next part -------------- An HTML attachment was scrubbed... URL: From murmer at murmerings.com Mon Nov 19 11:22:17 2012 From: murmer at murmerings.com (. m u r m e r .) Date: Mon, 19 Nov 2012 11:22:17 -0500 Subject: [microsound-announce] [framework radio] #397: 2012.11.18 Message-ID: <50AA5CB9.5030007@murmerings.com> framework radio phonography ::: field recording ::: the art of sound-hunting open your ears and listen! ------------------------- framework broadcasts: - sunday, 11pm, london, uk on resonance 104.4fm (http://www.resonancefm.com) - tuesday, 12:30pm, south devon, uk on soundartradio 102.5fm (http://www.soundartradio.org.uk) - wednesday, 3am, lisbon, pt on radio zero (http://www.radiozero.pt) - thursday, 7pm, lisbon, pt on radio zero (http://www.radiozero.pt) - thursday, 11pm, maribor, si on radio mar? 95.9fm (http://www.radiomars.si) - friday, 1am, brussels, be on radio campus 92.1fm (http://www.radiocampusbruxelles.org) - saturday, 11am, new york state, us on wgxc 90.7fm (http://www.wgxc.org) ~ time zone converter: http://www.timeanddate.com/worldclock/converter.html ~ for general info, playlists, podcasts, or to stream the latest edition at any time: http://www.frameworkradio.net **************************************************** SUPPORT FRAMEWORK! **************************************************** your contributions make framework possible. sign up as a regular donor, or make a one-time donation here: http://www.frameworkradio.net/donate. as a thank-you for your donation of ?20 or more, we'll send you the latest issue of our framework:seasonal cd series, issue #3, a 2.5 hour audio dvdr by the legendary chris watson! ------------------------- #397: 2012.11.18 this edition of framework:afield, entitled diamonds and hoofoil, has been produced in the scottish borders by james wyness. notes from the producer: Diamonds and Hoofoil is an ethnosonic investigation into equestrian culture in the Scottish Borders. As part of a wider collaborative project, Fetlock Deep, in collaboration with Claire Pen?ak, Catriona Taylor and Caroline Adam, I spent several months researching my topic, gathering field recordings and creating an archive. Selections from the archive were played at rural events throughout the summer of 2012 and presented at an exhibition in the Eastgate Theatre, Peebles in November 2012. By means of field recordings, interviews and commentary, Diamonds and Hoofoil examines a range of topics: how we humans and the horse have evolved together; the deep bond between us and domesticated animals; how we represent the horse. Thanks to Gavin Millar, Judith, Lucy and Anna King, Les Amis d?Onno, Claire Pen?ak, Catriona Taylor, Caroline Adam, Eastgate Theatre, Riding for the Disabled (RDA), Parkside Primary School. James Wyness is a composer, sound artist, performer and researcher. His raw materials range typically from field and experimental studio recordings to hand-made acoustic and electronic instruments to found objects, which are edited and transformed in the digital domain to produce a range of creative outcomes, including composition, performance, stereo and multi-channel installation, work for fixed medium and digital publication. As a performing improviser he works with prepared bowed psaltery, contact surfaces, vibrating devices, materials and objects. He is also involved in traditional music both as an accompanist and educator, working regularly with the new generation of young musicians from 'both sides the Tweed'. He holds an MA Honours degree in French Studies and a PhD in electroacoustic composition from the University of Aberdeen where he studied with Pete Stollery. http://www.wyness.org http://www.wyness.org/mana http://jimmy2hats.wordpress.com again, we are always looking for new material, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated framework:afield series. send proposals or material, released or not, on any format, to the address at the bottom of this mail. if you have any questions, please don't hesitate to get in touch! ------------------------- framework intro submissions: 1) take yourself and an audio recorder to a location of your choice 2) record for AT LEAST 1 minute before you - 3) read aloud the following text (in english or translated): welcome to framework. framework is a show consecrated to field-recording, and its use in composition. field-recording, phonography, the art of sound hunting; open your ears and listen! 4) continue recording for AT LEAST 2 minutes after the text 5) post the recording to us on any format, or send us an mp3 ??????????????????????????????? -- ????????????????????????????????????????????? framework ????????????????????????????????????????????? :: http://www.frameworkradio.net :: info at frameworkradio.net :: :: http://www.facebook.com/frameworkradio :: http://www.frameworkradio.net/podcast :: http://www.frameworkradio.net/donate ????????????????????????????????????????????? :: tartu mnt 41 :: 63710 ahja :: p?lvamaa :: estonia ????????????????????????????????????????????? mailing list: http://eepurl.com/lQBOT From carlopatrao at gmail.com Mon Nov 19 14:15:40 2012 From: carlopatrao at gmail.com (=?ISO-8859-1?Q?Carlo_Patr=E3o?=) Date: Mon, 19 Nov 2012 19:15:40 +0000 Subject: [microsound-announce] Zepelim's Podcast - Plant Consciousness & Communication Message-ID: Hi everyone, There's a new episode of *Zepelim * on the flourishing body of work connected to Plant Consciousness and Communication: * Links: * *Plant Consciousness & Communication * Podcast ? Download? Tracklist (pdf) All the best, Carlo Patr?o *Zepelim - Malfunctions and Dysfunctions of an FM exciter R?dio Universidade de Coimbra |107.9 FM| www.ruc.fm * -------------- next part -------------- An HTML attachment was scrubbed... URL: From paquetehugo at gmail.com Mon Nov 19 14:19:18 2012 From: paquetehugo at gmail.com (Hugo Paquete) Date: Mon, 19 Nov 2012 19:19:18 -0000 Subject: [microsound-announce] Zepelim's Podcast - Plant Consciousness & Communication In-Reply-To: References: Message-ID: http://crcan.blogspot.pt/ Em Mon, 19 Nov 2012 19:15:40 -0000, Carlo Patr?o escreveu: > Hi everyone, > > There's a new episode of *Zepelim * > on > the flourishing body of work connected to Plant Consciousness and > Communication: > * > Links: * > *Plant Consciousness & > Communication > * > Podcast > ? > Download? > Tracklist > (pdf) > > All the best, > Carlo Patr?o > > *Zepelim - Malfunctions and Dysfunctions of an FM exciter > R?dio Universidade de Coimbra |107.9 FM| > www.ruc.fm > > * -- Hugo Paquete Artist / Director of the Institute Of viral sonology / Contact for live performance exhibition and other inquiries: Mobil: +351919396727 Portugal +491606966037 Germany Inter-media artist and composer: http://hugopaquete.tumblr.com/ http://hugopaquete.blogspot.pt/ http://soundcloud.com/paquetehugo http://www.myspace.com/hugopaquete http://www.myspace.com/processpoet http://www.myspace.com/kuadriviumproject Institute Of viral sonology http://crcan.blogspot.pt/ More inf: http://about.me/hugo.paquete From david at yugen-art.org Tue Nov 20 23:43:57 2012 From: david at yugen-art.org (yugen) Date: Wed, 21 Nov 2012 05:43:57 +0100 Subject: [microsound-announce] Vox Populi : La Cathedrale Morte Message-ID: <1BEAD946-A234-43D9-B154-A46CC9CCABE9@yugen-art.org> After a too long hiatus I am back and ready for the Yugen Archives autumn/winter campaign. First reissue is Vox Populi! : La Cath?drale Morte 1980-1985 Vox Populi! was one of the more interesting and eclectic acts to emerge from the thriving so-called industrial network of the 80s. Based in France, their releases ranged from psychedelic jams to pseudo industrial moments, from quirky pop songs to ethno-ambient meditations, a real treasure of surprises. La Cath?drale Morte was released as a very limited cassette in 1985 and finds them in one of their more abstract moments. The tape has been remastered by founding member Axel Kyrou specially for this reissue and the package includes scans of the original tape & extra visual unpublished material from that period, courtesy of Axel. free download. http://www.yugen-art.org/ http://www.yugen-art.org twitter : @YugenArt facebook : http://tinyurl.com/YugenArt -------------- next part -------------- An HTML attachment was scrubbed... URL: From rwm2008 at gmail.com Wed Nov 21 04:01:13 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Wed, 21 Nov 2012 10:01:13 +0100 Subject: [microsound-announce] Music selection: MEMORABILIA. Collecting sounds with... William Bennett. Teaser Message-ID: *Music selection: MEMORABILIA. Collecting sounds with... William Bennett. Teaser * Link: http://rwm.macba.cat/en/extra/william_bennett_teaser/capsula We dig up the teaser we used for the MEMORABILIA. Collecting sounds with... William Bennett lecture, which took plave on April 15th, 2011 at the MACBA. This music selection features some of the highlights of William Bennett?s collection. Playlist: http://rwm.macba.cat/uploads/twitter/william-bennett-favorits.txt William Bennett @ R?dio Web MACBA: http://rwm.macba.cat/en/william_bennett_tag Follow us at http://twitter.com/Radio_Web_MACBA -------------- next part -------------- An HTML attachment was scrubbed... URL: From rwm2008 at gmail.com Fri Nov 23 08:48:45 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Fri, 23 Nov 2012 14:48:45 +0100 Subject: [microsound-announce] New podcast: INTERRUPTIONS #9. Meta-records, by the gramophonic collector Anki Toner Message-ID: *New podcast: INTERRUPTIONS #9. Meta-records * Curated by the *gramophonic* collector Anki Toner A selection of records that mention, replicate, utilise or study the phenomena of vinyl, the record player and/or recordings. Link: http://rwm.macba.cat/en/curatorial/interruptions_9_anki_toner_metadiscos/capsula Playlist: http://rwm.macba.cat/uploads/20121123/09Interruptions_eng.pdf One of the phenomena covered in my collection of gramophonic objects is the dislocation between the object that contains the information (the record) and the information it contains. For this reason, my collection contains records that mention, replicate, utilise or study the phenomena of vinyl, the record player and/or studio recordings. That is to say, records that are, in some way, meta-records. For purposes of clarification I have divided the collection into the six following categories: A) Pure meta-records: records that speak about themselves and/or records that simulate the effects of a record. B) Derived records: records that speak about other records, gramophones or recordings. C) Scratch: the manipulation of vinyl as an instrument. D) Surface noise: the sound of vinyl used as an instrument. E) Record players without records: the sound of a record player used as an instrument. F) Locked grooves records (loops): vinyls that have been created to be used as instruments. *Anki Toner, 2012.* * * A conversation with Anki Toner on his sound collection is also available here (only in Spanish): http://rwm.macba.cat/en/extra/memorabilia_anki_toner_conversation/capsula Follow us at http://twitter.com/Radio_Web_MACBA -------------- next part -------------- An HTML attachment was scrubbed... URL: From paquetehugo at gmail.com Fri Nov 23 09:26:59 2012 From: paquetehugo at gmail.com (Hugo Paquete) Date: Fri, 23 Nov 2012 14:26:59 -0000 Subject: [microsound-announce] Institute of viral sonology new release Virology 03 and call for 60 sec sonic material : Tony Stirner Charles Shriner Didier Tallec Giorgio Cipolletta Sue69 Ruben Costa In-Reply-To: References: Message-ID: > New release from the Institute of viral sonology > > http://modisti.com/12/2012/11/20/hugo-paquete-institute-of-viral-sonology-viral-sonology-03/ > This album experiment start as a call from the director of the of > Institute of viral sonology Hugo Paquete. This call consists in > exploring the potentiality of the computer as an automatic machine to > generate compositional material and aesthetics content base on > stochastic probabilities. > 60 seconds files > 6 composers collaborators > 6 minutes compositions > 12 tracks > Artists: > Tony Stirner > Charles Shriner > Didier Tallec > Giorgio Cipolletta > Sue69 > Ruben Costa > Connecting and collecting different sound material from different > collaborators and without a previous selection construct a social and > artistic possibility to generate aesthetic content base in the power > of computer algorithmic to compose in a randomatic aesthetic. > Thanks to all the collaborators > Institute of viral sonology > Hugo Paquete > http://crcan.blogspot.pt/ > www.instituteofviralsonology.tk > Call: > I am collecting 60 seconds of sound material and I need your > contribution. > The editions that I am developing with the sound material that I am > reviving. > http://modisti.com/netlabel/?p=721 > http://modisti.com/netlabel/?p=709 > The call: > > http://sonicstudies.org/post/35053178555/call-for-60-sec-sonic-material-by-institute-of-viral > > http://modisti.com/12/2012/11/12/call-for-60-sec-sonic-material-by-institute-of-viral-sonology/ > I am waiting for your contribution > I January I go make a radio program in radio Manobras in Portugal and > then I promote the edition if you want collaborate. > Send files to: > paquetehugo at gmail.com -- Hugo Paquete Artist / Director of the Institute Of viral sonology / Contact for live performance exhibition and other inquiries: Mobil: +351919396727 Portugal +491606966037 Germany Inter-media artist and composer: http://hugopaquete.tumblr.com/ http://hugopaquete.blogspot.pt/ http://soundcloud.com/paquetehugo http://www.myspace.com/hugopaquete http://www.myspace.com/processpoet http://www.myspace.com/kuadriviumproject Institute Of viral sonology http://crcan.blogspot.pt/ More inf: http://about.me/hugo.paquete From paquetehugo at gmail.com Fri Nov 23 09:27:18 2012 From: paquetehugo at gmail.com (Hugo Paquete) Date: Fri, 23 Nov 2012 14:27:18 -0000 Subject: [microsound-announce] Institute of viral sonology new release Virology 03 and call for 60 sec sonic material : Tony Stirner Charles Shriner Didier Tallec Giorgio Cipolletta Sue69 Ruben Costa In-Reply-To: References: Message-ID: New release from the Institute of viral sonology http://modisti.com/12/2012/11/20/hugo-paquete-institute-of-viral-sonology-viral-sonology-03/ This album experiment start as a call from the director of the of Institute of viral sonology Hugo Paquete. This call consists in exploring the potentiality of the computer as an automatic machine to generate compositional material and aesthetics content base on stochastic probabilities. 60 seconds files 6 composers collaborators 6 minutes compositions 12 tracks Artists: Tony Stirner Charles Shriner Didier Tallec Giorgio Cipolletta Sue69 Ruben Costa Connecting and collecting different sound material from different collaborators and without a previous selection construct a social and artistic possibility to generate aesthetic content base in the power of computer algorithmic to compose in a randomatic aesthetic. Thanks to all the collaborators Institute of viral sonology Hugo Paquete http://crcan.blogspot.pt/ www.instituteofviralsonology.tk Call: I am collecting 60 seconds of sound material and I need your contribution. The editions that I am developing with the sound material that I am reviving. http://modisti.com/netlabel/?p=721 http://modisti.com/netlabel/?p=709 The call: http://sonicstudies.org/post/35053178555/call-for-60-sec-sonic-material-by-institute-of-viral http://modisti.com/12/2012/11/12/call-for-60-sec-sonic-material-by-institute-of-viral-sonology/ I am waiting for your contribution I January I go make a radio program in radio Manobras in Portugal and then I promote the edition if you want collaborate. Send files to: paquetehugo at gmail.com Hugo Paquete Artist / Director of the Institute Of viral sonology / Contact for live performance exhibition and other inquiries: Mobil: +351919396727 Portugal +491606966037 Germany Inter-media artist and composer: http://hugopaquete.tumblr.com/ http://hugopaquete.blogspot.pt/ http://soundcloud.com/paquetehugo http://www.myspace.com/hugopaquete http://www.myspace.com/processpoet http://www.myspace.com/kuadriviumproject Institute Of viral sonology http://crcan.blogspot.pt/ More inf: http://about.me/hugo.paquete From philippe-petit at wanadoo.fr Fri Nov 23 10:30:54 2012 From: philippe-petit at wanadoo.fr (philippe petit) Date: Fri, 23 Nov 2012 16:30:54 +0100 Subject: [microsound-announce] playlist + podcast for my radio shows this week In-Reply-To: <50A618AC.8040608@free.fr> References: <50A61866.20103@free.fr> <50A618AC.8040608@free.fr> Message-ID: <50AF96AE.7090308@wanadoo.fr> *Hello* ***Every week my radio programs air thru EKO des Garrigues (Montpellier) on Thursdays, JET FM (Nantes) on Fridays, Campus (Grenoble) on Saturdays, and Grenouille (Marseille) on Sundays** **here's the podcast + tracklisting:* BiP_HOp Generation on Eko des Garrigues // Montpellier - 88.5 FM Thursday NOV 22 : 20:00 - 21:00 PM http://www.ekodesgarrigues.com/article.php3?id_article=1413 BiP_HOp Generation on JET FM // Nantes Friday NOV 23 : 20:30 - 21:30 PM http://www.jetfm.asso.fr/site/Generation-BiP-HOp-vendredi-23,3893.html BiP_HOp Generation on RADIO CAMPUS // Grenoble - 90.8 FM Saturday NOV 24 : 20:30 - 21:30 PM http://www.campusgrenoble.org/Generation-BiP_HOp,1445.html BiP_HOp Generation on Radio Grenouille // 88.8 FM Sunday NOV 25 : 21:00 - 22:00 PM (19:00 - 20:00 GMT) // Marseille // France http://ns35904.ovh.net:8080/live.m3u ARTIST : SONG "ALBUM" (label) Panayiotis Kokoras: construct synthesis "M?tamorphoses 2010" (Musiques & Recherches) Claude Ledoux: Shinjuku's blues "VA. Electro AC" (Wallonie Bruxelles Musiques) The Somnambulist: logsailor "Sophia Verloren" (Solaris Empire/Acid Cobra) Andrea Van Cleef: andromeda "Sundog" (Great Machine/Pistola) The Desert Fathers: pietas "Charismata" (pfMENTUM) Ekkehard Ehlers: adikia (extract) "Adikia" (Staubgold) Stephan Dunkelman: metharcana "VA. Electro AC" (Wallonie Bruxelles Musiques) Ingenting Kollektiva: the air wove of these nothings "Lost Beyond Telling" (Oiseaux Invisibles) -------------- next part -------------- An HTML attachment was scrubbed... URL: From a.detapol at free.fr Sun Nov 25 08:09:08 2012 From: a.detapol at free.fr (a.detapol at free.fr) Date: Sun, 25 Nov 2012 14:09:08 +0100 (CET) Subject: [microsound-announce] =?utf-8?q?release_=22TALKING_WITH_A_DINOSAU?= =?utf-8?q?R=22=2C_LP=2C_recorded_by_Aymeric_de_Tapol=2C_Angstr=C3=B4m_rec?= =?utf-8?q?ord?= Message-ID: <1371361084.431131685.1353848948024.JavaMail.root@zimbra61-e11.priv.proxad.net> BOOMERANG It?s the 21st century; about 3 to 5 million year after the invention of the first tools. It seemed important to me to face the experience. Doing this would influence the ?concept? (an anglo-french paradox?). PARIS/MAIL I got in touch with Christian Zan?si of the GRM, on the subject of a rare and legendary machine: The COUPIGNY. FROZEN AGE/FROZEN AIR 1997, the remains of a mammoth was found in the Siberian ice wastes, strips of hide and tiny crystallised plants were found in the ice. The Coupigny is an analogue modular synthesiser that was built in the 60s by the engineer Fran?ois Coupigny on the request of the GRM. Its metal. At the time this synthesizer was built into a console, an incredible invention in terms of analogic engineering. Here its functional framework is all that could be dug up, the archaeologist in question would be bewitched by its audio possibilities. OS The original Coupigny was dismantled; the console itself currently lies in state in the museum of music, only a few of the fundamental oscillators and some other modules remain in the rack. It?s still metal. CAVALCADE/CADAVRE After 4 days of mutual ?taming? between human and machine it felt like harvesting or even shaping flint tools out of granite, like sculpting electricity in its base form, conducting all electronic matter. >From raw, unshaped stone into tool. PAUSE I smoked a lot of cigarettes and drank almost as much coffee. This kind of machine makes your head spin. Yes, turn the knobs, start again, gestures that make up the ritual of both electronic music and factory floor. The composer never quite disappears but is taken hostage by the mechanisms and a certain lack of control. To transcend or take responsibility by exaggerating? The result is littered with human and technical errors, children should be able to get this shouldn?t they? They already do? they play. Things degrade, one of the modules has faulty contacts, you have to leave a finger on it to maintain contact. PARIS/BRUXELLES electric computer I shall quote Mr. Deleuze, even if I hate doing that. He said that the problem with humans and domestic animals is that they are too human, not stupid enough. In the end, the vinyl of this record had to be CUT, the main process, for me the only reliable means of archiving sound, in that it is possible to divine the turning speed of the potter?s wheel by simply observing his finger prints in the clay. CURIOS This record could find itself in the ?CONSTRUCTED BY TIME? section. Digital correspondence with Val?rie Vivancos, February 2011 -------------------------------------------------------------------------------------------------------------------------------------------------------- for direct order, angstrom (dot) records (at) gmail (dot) com payment with paypal or wire the records are already available to order: ?lp10 : 17? / shipping into EU flat rate 11? up to 4kg outside EU contact us ... IN BRUSSEL- ?ngstrom vinyls can be found in Brussels @ Arlequin Centre, 7 rue du ch?ne, Arlequin St Gilles, 90 rue d'Andenne (coin rue du fort ), Elektrocution, 37 rue des pierres, Veals & Geeks, rue des grands carmes 8a, P?le M?le, Bd Anspach metamkine ON THE WEB- France : TOOLBOX http://www.toolboxrecords.com/fr/product/16663/industrial/angstrom-lp-10/ Germany:A-MUSIK http://www.discogs.com/Aymeric-de-Tapol-Talking-With-A-Dinosaur/release/4044234 France : BLIND SPOT http://www.blindspot.fr/actu.html All the best Aymeric de Tapol From philippe-petit at wanadoo.fr Sun Nov 25 10:42:53 2012 From: philippe-petit at wanadoo.fr (philippe petit) Date: Sun, 25 Nov 2012 16:42:53 +0100 Subject: [microsound-announce] Eugene S. Robinson & Philippe Petit: Last Of The Dead Hot Lovers / NEW ALBUM In-Reply-To: <50B23BE7.3070903@free.fr> References: <4FA97FD7.6070405@wanadoo.fr> <4FA9899F.1050002@wanadoo.fr> <4FC4697F.80907@wanadoo.fr> <4FC5A54C.9060205@wanadoo.fr> <4FC5A86B.9020906@wanadoo.fr> <4FC5B5E6.8070400@wanadoo.fr> <4FC5C83F.1000201@wanadoo.fr> <4FC5CEED.8060409@wanadoo.fr> <4FC5EC08.2080506@wanadoo.fr> <4FC5FF23.8050104@wanadoo.fr> <4FC605DB.3010601@wanadoo.fr> <4FEC0716.5010009@wanadoo.fr> <4FEC09C8.60802@wanadoo.fr> <4FEC196A.7040600@wanadoo.fr> <4FEC246A.3010000@laposte.net> <4FEC24D5.90906@laposte.net> <5097B9C9.5090508@wanadoo.fr> <5097BAC5.9060009@wanadoo.fr> <5097C0FA.2020200@wanadoo.fr> <5097C213.10501@wanadoo.fr> <5097CEAE.7080605@wanadoo.fr> <5097CED5.4090704@free.fr> <50B23BE7.3070903@free.fr> Message-ID: <50B23C7D.4090207@wanadoo.fr> Hello* **Hope that this message finds you well** **Proud to announce the second album of my duo with Eugene Robinson from Oxbow, this time enlightened by the great vocals from Kasia Meow. Released as a gatefold deluxe vinyl + CD/Digital on the famous Southern label* http://shop.southern.com/eugene-s-robinson-philip-petit-last-of-the-dead-hot-lovers-vinyl/ http://shop.southern.com/eugene-s-robinson-philip-petit-last-of-the-dead-hot-lovers-cd/ an extract can be heard there http://soundcloud.com/robinson-petit/dinner-done-feat-kasia-meow * **On another hand**happy to have been asked to provide a mix for a nice series run by the label Mystery Plays* http://soundcloud.com/mystery-plays-records/mystery-plays-mixtape-14 * * *And last but not least getting ready to play again with the European Chamber Orchestra + do a rework of Ensemble Musiques Nouvelles catalog to celebrate their 50 years of existence. Those inhabiting Brussels may want to attend that glorious event...* http://www.musiquesnouvelles.com/fr/Actualites/ * **have a nice day* philippe http://www.philippepetit.info/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From paquetehugo at gmail.com Sun Nov 25 10:54:43 2012 From: paquetehugo at gmail.com (Hugo Paquete) Date: Sun, 25 Nov 2012 15:54:43 -0000 Subject: [microsound-announce] Institute of viral sonology: Editions_01_02_03 virology base in an collaborative composition method. Message-ID: Dear all, The Institute of Viral Sonology have the pleasure to present the editions that is developing in an collaborative compositional method base in a call. The editions: Virology_01 http://modisti.com/netlabel/?p=709 Virology_02 http://modisti.com/netlabel/?p=721 Virology_03 http://modisti.com/netlabel/?p=729 The editions are published by Modisti. The call is still open inviting all composers and artist to send 60 seconds sound files. http://modisti.com/12/2012/11/12/call-for-60-sec-sonic-material-by-institute-of-viral-sonology/ More info: www.instituteofviralsonology.tk -- Hugo Paquete Inter-media and sound artist / Director of the Institute Of viral sonology / Contact for live performance exhibition and other inquiries: Mobil: +351919396727 Portugal +491606966037 Germany Links: http://hugopaquete.tumblr.com/ http://hugopaquete.blogspot.pt/ http://soundcloud.com/paquetehugo http://digitalsoundarchaeologist.blogspot.pt/ http://www.myspace.com/hugopaquete http://www.myspace.com/processpoet http://www.myspace.com/kuadriviumproject Institute Of viral sonology http://www.instituteofviralsonology.tk/ http://crcan.blogspot.pt/ More inf: http://about.me/hugo.paquete From rwm2008 at gmail.com Mon Nov 26 04:03:37 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Mon, 26 Nov 2012 10:03:37 +0100 Subject: [microsound-announce] =?iso-8859-1?q?Podcast=3A_OBJETO_SEMI-IDENT?= =?iso-8859-1?q?IFICADO_NO_PAIS_DO_FUTURO=2E_Tropic=E1lia_and_post-?= =?iso-8859-1?q?tropicalismo_in_Brasil_=281967-1976=29?= Message-ID: *P**odcast: OBJETO SEMI-IDENTIFICADO NO PAIS DO FUTURO. Tropic?lia and post-tropicalismo in Brasil (1967-1976)* *Curated by Ra?l G. Pratginest?s* Often reduced to a kind of "psychedelia Made in Brazil", Tropic?lia was actually a reinvention of Brazilian popular music, which was able to encompass elements from the local scene and beyond, modern styles and traditional music, with all the contradictions that this implies. Curated by Ra?l G. Pratginest?s. Link: http://rwm.macba.cat/en/specials/tropicalia_2/capsula Related info + playlist: http://rwm.macba.cat/uploads/20090701/Tropicalia_eng_PDF.pdf In the late 1960s, the movement known as Tropic?lia revolutionised Brazil's cultural scene. In spite of being open to all kinds of artistic expressions (theatre, film, plastic arts), Tropic?lia had its greatest impact in the field of music, due to the personality of its leading players (some of the most promising, edgy artists of the time) and also to the high quality of its artistic output. Often reduced to a kind of "psychedelia Made in Brazil", Tropic?lia was actually a reinvention of Brazilian popular music, which was able to encompass elements from the local scene and beyond, modern styles and traditional music, with all the contradictions that this implies. >From a record collector's perspective, "Objeto Semi-Identificado No Pais Do Futuro. Tropic?lia and post-tropicalismo in Brasil (1967-1976)" is an overview of the musical side of Tropicalismo that offers an introduction to the movement and helps to explain some of its key aspects. With a special emphasis on the more experimental, avant-garde works of the genre, the selection also shows the ongoing presence and influence of Tropicalismo in the history of Brazilian music that came directly after it. Follow us at http://twitter.com/Radio_Web_MACBA -------------- next part -------------- An HTML attachment was scrubbed... URL: From michaelpalumbo at gmx.com Mon Nov 26 04:55:31 2012 From: michaelpalumbo at gmx.com (Michael Palumbo) Date: Mon, 26 Nov 2012 04:55:31 -0500 Subject: [microsound-announce] Concordia, Montreal - CESSA Presents! Navid Navab, Wednesday November 28th Message-ID: <27D0A3D6-02DC-4D98-B141-7E2152749A0D@gmx.com> Hello! This Wednesday, November 28, CESSA will be presenting its second lecture of the year, with Navid Navab on "Realtime Alkemie and the Transformation of Everyday Situations". Navid will discuss his portfolio, present excerpts from his pieces and conduct demonstrations. http://navidnavab.net/index.html The event is free to attend, and open to students and faculty from all departments, and to the public. The lecture begins at 6pm. Please do not be late. There will be refreshments in the music lounge following the lecture. Location: Concordia University. MB Building, 1450 Guy Street; Room 8.245; Montreal, Quebec Date: Wednesday, November 28, 2012 Time: 6:00 pm - 7:30 pm Cost: Free URL: http://cessa.music.concordia.ca/blog/ Find this event on Facebook: https://www.facebook.com/events/171640336313593/?fref=ts Best regards, Michael ------------------------ Michael Palumbo 514-945-5023 michaelpalumbo at gmx.com Director of External Affairs Concordia Electroacoustic Studies Students' Association (CESSA) Electroacoustic Studies Major Department of Music, Concordia University Montreal, Quebec, Canada -------------- next part -------------- An HTML attachment was scrubbed... URL: From murmer at murmerings.com Mon Nov 26 18:00:39 2012 From: murmer at murmerings.com (. m u r m e r .) Date: Mon, 26 Nov 2012 18:00:39 -0500 Subject: [microsound-announce] [framework radio] #398: 2012.11.25 Message-ID: <50B3F497.9000805@murmerings.com> framework radio phonography ::: field recording ::: the art of sound-hunting open your ears and listen! ------------------------- framework broadcasts: - sunday, 11pm, london, uk on resonance 104.4fm (http://www.resonancefm.com) - tuesday, 12:30pm, south devon, uk on soundartradio 102.5fm (http://www.soundartradio.org.uk) - wednesday, 3am, lisbon, pt on radio zero (http://www.radiozero.pt) - thursday, 7pm, lisbon, pt on radio zero (http://www.radiozero.pt) - thursday, 11pm, maribor, si on radio mar? 95.9fm (http://www.radiomars.si) - friday, 1am, brussels, be on radio campus 92.1fm (http://www.radiocampusbruxelles.org) - saturday, 11am, new york state, us on wgxc 90.7fm (http://www.wgxc.org) ~ time zone converter: http://www.timeanddate.com/worldclock/converter.html ~ for general info, playlists, podcasts, or to stream the latest edition at any time: http://www.frameworkradio.net **************************************************** SUPPORT FRAMEWORK! **************************************************** your contributions make framework possible. sign up as a regular donor, or make a one-time donation here: http://www.frameworkradio.net/donate. as a thank-you for your donation of ?20 or more, we'll send you the latest issue of our framework:seasonal cd series, issue #3, a 2.5 hour audio dvdr by the legendary chris watson! ------------------------- #398: 2012.11.25 this is our 3rd edition of framework:ephemera, our new occasional series of shows featuring selections from the personal collection of an artist who has invited us into his or her home or studio. in this edition we visited ernst karel in boston, who selected some great sounds for us: a release on smithsonian folkways' archival series from another current boston resident, jed speare; an amazing collection of the 2 minute silences that the bbc has broadcast each year on armistice day since 1929; a few samples from aaron dilloway's 3 cd collection of found radio excerpts from nepal; a classic piece of 'cinema pour l'oreille' (cinema for the ear) from 1930 by walter ruttmann; and other great sounds from peter cusack, united states of belt, gilles aubry, and john arndt. to these selections i added my own choices from ernst's own wonderful release on the ever-prolific gruenrekorder label, swiss mountain transport systems, a collection of untreated recordings from cable cars, ski lifts, helicopters, and more. again, we are always looking for new material, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated framework:afield series. send proposals or material, released or not, on any format, to the address at the bottom of this mail. if you have any questions, please don't hesitate to get in touch! ------------------------- (time / artist / track / album / label) 00:00 - 03:36 / ernst karel / framework introduction http://ek.klingt.org 01:43 - 03:56 / peter cusack / port baikal weird / baikal ice / rer megacorp http://favouritesounds.org, http://www.rermegacorp.com 02:59 - 09:51 / ernst karel / dallenwil-wiesenberg / swiss mountain transport systems / gruenrekorder http://ek.klingt.org, http://www.gruenrekorder.de 04:42 - 14:11 / jed speare / riding the tracks / cable car soundscapes / smithsonian folkways http://www.mobius.org/artist/jed-speare, http://www.folkways.si.edu 09:10 - 11:25 / john arndt / swallows and radar / field recordings from the great salt lake desert / gallery 400 http://www.johnarndt.net, http://cluistore.org/firefrgrsala.html 11:07 - 18:37 / jonty semper / [disc 1 tracks 2-5] / keotaphion / charrm http://www.discogs.com/Jonty-Semper-Kenotaphion/release/1029561 14:54 - 22:19 / aaron dilloway / [excerpt 1] / radio nepal vol. 1 / hanson http://thenevaributchers.blogspot.com, http://www.hansonrecords.net 18:14 - 36:13 / gilles aubry / [excerpt 1] / les ?coutis le caire / gruenrekorder http://www.soundimplant.com/gilaubry, http://www.gruenrekorder.de 18:54 - 42:15 / united states of belt / [excerpt] / sparkle night mojave / champ [no web info] 35:03 - 46:24 / walter ruttmann / weekend / weekend / metamkine http://en.wikipedia.org/wiki/Walter_Ruttmann, http://www.metamkine.com 40:05 - 42:47 / aaron dilloway / [excerpt 2] / radio nepal vol. 1 / hanson http://thenevaributchers.blogspot.com, http://www.hansonrecords.net 41:53 - 50:04 / jonty semper / [disc 2 tracks 36-39] / keotaphion / charrm http://www.discogs.com/Jonty-Semper-Kenotaphion/release/1029561 47:25 - 49:10 / john arndt / shooting sheriff / field recordings from the great salt lake desert / gallery 400 http://www.johnarndt.net, http://cluistore.org/firefrgrsala.html 49:00 - 53:18 / ernst karel / simplon pass / swiss mountain transport systems / gruenrekorder http://ek.klingt.org, http://www.gruenrekorder.de 51:05 - 55:53 / gilles aubry / [excerpt 2] / les ?coutis le caire / gruenrekorder http://www.soundimplant.com/gilaubry, http://www.gruenrekorder.de 51:48 - 56:56 / john arndt / walking bonneville / field recordings from the great salt lake desert / gallery 400 http://www.johnarndt.net, http://cluistore.org/firefrgrsala.html 55:19 - 57:00 / peter cusack / falling in / baikal ice / rer megacorp http://favouritesounds.org, http://www.rermegacorp.com ------------------------- framework intro submissions: 1) take yourself and an audio recorder to a location of your choice 2) record for AT LEAST 1 minute before you - 3) read aloud the following text (in english or translated): welcome to framework. framework is a show consecrated to field-recording, and its use in composition. field-recording, phonography, the art of sound hunting; open your ears and listen! 4) continue recording for AT LEAST 2 minutes after the text 5) post the recording to us on any format, or send us an mp3 ??????????????????????????????? -- ????????????????????????????????????????????? framework ????????????????????????????????????????????? :: http://www.frameworkradio.net :: info at frameworkradio.net :: :: http://www.facebook.com/frameworkradio :: http://www.frameworkradio.net/podcast :: http://www.frameworkradio.net/donate ????????????????????????????????????????????? :: tartu mnt 41 :: 63710 ahja :: p?lvamaa :: estonia ????????????????????????????????????????????? mailing list: http://eepurl.com/lQBOT From michaelpalumbo at gmx.com Wed Nov 28 11:18:59 2012 From: michaelpalumbo at gmx.com (Michael Palumbo) Date: Wed, 28 Nov 2012 11:18:59 -0500 Subject: [microsound-announce] Reminder: Guest Lecturer Navid Navab at Concordia University Today - Wednesday, November 28 - 6pm Message-ID: <77D8272F-C835-43A9-899B-1252C484B7F0@gmx.com> Hello all, Just a friendly reminder that today, Wednesday, November 28, CESSA will be presenting its second lecture of the year, with Navid Navab on "Realtime Alkemie and the Transformation of Everyday Situations". Navid will discuss his portfolio, present excerpts from his pieces and conduct demonstrations. Here is some updated information on Navid's lecture and Bio: Programme Note: "Three-hundred years ago, alchemy was a practical and magical art, transmuting bodies and materials. Under the prism of the Enlightenment, such practices split into the practical (e.g. engineering or medicine), the scientific, and the art of the imaginary." (alkemieAtelier.com) As a sonic alchemist, Navid fuses these arts together again to recast the material transmutation of social relations expressed in the form of movement and sound." Schizo-phonia and the Acousmatic all around us, inhibit us from hearing both the sound object and its contextual origin. Using technology, Navid re-invents the electroacoustic sound-event as a gesture and its subsequent noise. While interacting with these real-time sound systems, one discovers how nuances in physical movement can create intricate sonic textures. Gestures and actions are manifested into sound, agitating the materiality of movement, and matter. Through interactively varied augmentation of the world's natural acoustical response, the built and the found collapse in a performative sonics, leading to narratives about shaping fresh relationships with the world. + Bio: Navid Navab is a Montreal based ?media-alkemist,? composer, improvisor, programmer, and sound designer. Currently an artist and researcher at Topological Media Lab, Matralab, and Alkemie Atelier, he studied Electroacoustics and Computational Arts at Concordia University as well as Music Technology at McGill University. Navid has collaborated with many of today?s greatest improvisors and artists including Jean Derome, Bozzini Quartet, Constantinople Ensemble, Lori Freedman, Vinny Golia, Pierre Tanguay, Coat Cooke, Rohan de Saram, Mei Han, Lan Tung , Dhruba Ghosh, Zata Omm Dance Project, Sinha Danse, Alexander Wang, and many others. Navid uses gestures and vibrations from everyday life as basis for real-time sound generation, resulting in augmented acoustical-poetry. His investigations, which range from compositions to responsive architecture, interface design, theatrical interactive installations, and improv-based performances, have been presented at various festivals and events in many countries. Some venues include Canadian Center for Architecture, Festival du Nouveau Cinema, Electric Eclectics Festival Meaford, Shanghai eArts Festival China, Mixology Festival at Roulette New York, Western Front Vancouver, CMS Black Box Cambridge UK, StudentFest Romania, CCRMA Palo Alto, Box13 Houston, La Soci?t? des Arts Technologiques [SAT], Galleri Monopoli ChampLibre Montreal, les Territoires Gallery Montreal, Agora Montreal, Fashion Night Out [FNO] New York, Pop Montreal, Eastern Bloc, and L?enver Montreal. http://navidnavab.net/index.html The event is free to attend, and open to students and faculty from all departments, and to the public. The lecture begins at 6pm. Please do not be late. Location: Concordia University. MB Building, 1450 Guy Street; Room 8.245; Montreal, Quebec Date: Wednesday, November 28, 2012 Time: 6:00 pm - 7:30 pm Cost: Free URL: http://cessa.music.concordia.ca/blog/ Live Stream available at http://www.ustream.tv/channel/cessa-live Best regards, Michael ------------------------ Michael Palumbo 514-945-5023 michaelpalumbo at gmx.com Director of External Affairs Concordia Electroacoustic Studies Students' Association (CESSA) Electroacoustic Studies Major Department of Music, Concordia University Montreal, Quebec, Canada -------------- next part -------------- An HTML attachment was scrubbed... URL: From lists at asquare.org Wed Nov 28 11:35:21 2012 From: lists at asquare.org (Garrett Lynch) Date: Wed, 28 Nov 2012 16:35:21 +0000 Subject: [microsound-announce] Remote Encounters - Schedule and Registration now online Message-ID: Apologies for cross posting. The schedule and registration (early bird prices) for the networked performance conference Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance is now online. Conference schedule: http://remote-encounters.tumblr.com/schedule Registration (early bird prices): http://remote-encounters.tumblr.com/registration The conference will over its two day sessions and performance evening pull together a number of practitioners and academics who are working in a variety of exciting ways with networks in performance contexts. These will cover web based performance, streaming media, sonic practices, metaverses, custom networked electronics, dance and theatre; each exploring a wealth of topics and themes. Full details about the conference are available below. ------------------------------------ Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance keywords: performance, networked, body, space, place, time, real, virtual URL: http://remote-encounters.tumblr.com/ :: Description :: Since the internet entered the public domain in the early 90's there has been an explosion in artistic interest in its use as a means, site and context for creative practice. Much of this practice is performative in nature; ether originating from a performance background and using the internet as a new site and/or augmenting aspect of that practice or is a form of practice developed as direct response to the internet and becomes performative to some degree in its spectatorship. It has been well established that the internet is not the first or only example of the use of a networked technology repurposed for creative practice. There is a clear time line that can be traced back through the practice of Roy Ascott and his coining of the term Telematic Art in the 1980's to artist's use of satellite networks, telephone and other telecommunication devices as each were invented. Seen in this respect the internet can be considered as one of many networked technologies that has enabled networked performance. The internet is unique however in that it is not a singular network type that favours a particular form of media, broadcast or spectatorship. Most famously known as the network of networks it enables multiple protocols of which the world wide web's http is just one, is multimedia in nature and encourages intertextual folding and layering of media, is multi-directional not simply a broadcast communication form, de-centralised in ownership and the majority of its technologies are openly accessible. Remote Encounters, a two-day international conference with performance evening, aims to explore the use of networks as a means to enhance or create a wide variety of performance arts. How do networks as a site for performance provide opportunities for us as artists and performers? In particular how can we remotely collaborate, merge geographically separate places and times, reconfigure the space of performance and the relationship between artist and audience? :: Conference information :: Registration: Early bird fee (until January 1st 2013) - academic affiliated ?80, non- affiliated ?40 Late fee - academic affiliated ?100, non-affiliated ?50 Location: ATRiuM, Cardiff School of Creative & Cultural Industries, University of Glamorgan, Adam Street, Cardiff, Wales, CF24 2FN. Date: 11th - 12th of April 2013 _________________ http://www.asquare.org/ http://www.asquare.org/networkresearch/ From rwm2008 at gmail.com Wed Nov 28 14:29:54 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Wed, 28 Nov 2012 20:29:54 +0100 Subject: [microsound-announce] Podcast: THE MALADY OF WRITING. Modernism you can dance to. Curated by Kenneth Goldsmith Message-ID: *Podcast: THE MALADY OF WRITING. Modernism you can dance to. * *Curated by Kenneth Goldsmith * Link: http://rwm.macba.cat/en/specials/malady_kenneth_goldsmith/capsula Playlist: http://rwm.macba.cat/uploads/20091119/Malady_eng_PDF.pdf Transcript: http://rwm.macba.cat/uploads/20120214/Malady_eng_transcript_PDF.pdf Mark Klienberg's proposition: "Could there be someone capable of writing a science-fiction thriller based on the intention of presenting an alternative interpretation of modernist art that is readable and appreciated by the wider public?" has actually been answered affirmatively in a certain undercurrent of artist's audio production over the past century; let's call it an unofficial unofficial history of modernism (doubly unofficial since artist's audio production has been viewed as secondary to the their plastic / marketable production). This program was designed as an audio companion to the exhibition "The Malady of Writing. A project on text and speculative imagination" that presented a pleasurable, humorous and fun version of modernism. Follow us at: http://twitter.com/Radio_Web_MACBA -------------- next part -------------- An HTML attachment was scrubbed... URL: From philippe-petit at wanadoo.fr Fri Nov 30 09:07:59 2012 From: philippe-petit at wanadoo.fr (philippe petit) Date: Fri, 30 Nov 2012 15:07:59 +0100 Subject: [microsound-announce] playlist + podcast for my radio shows this week In-Reply-To: <50B8BCFC.4090501@free.fr> References: <50A61866.20103@free.fr> <50A618AC.8040608@free.fr> <50AF96D7.2060100@free.fr> <50B8BCFC.4090501@free.fr> Message-ID: <50B8BDBF.1030702@wanadoo.fr> *Hello* ***Every week my radio programs air thru EKO des Garrigues (Montpellier) on Thursdays, JET FM (Nantes) on Fridays, Campus (Grenoble) on Saturdays, and Grenouille (Marseille) on Sundays** **here's the podcast + tracklisting:* http://www.jetfm.asso.fr/site/stockage/generation_bip_hop/Generation%20BH%2030_11.mp3 BiP_HOp Generation on Eko des Garrigues // Montpellier - 88.5 FM Thursday NOV 29 : 20:00 - 21:00 PM http://www.ekodesgarrigues.com/article.php3?id_article=1413 BiP_HOp Generation on JET FM // Nantes Friday NOV 30 : 20:30 - 21:30 PM http://www.jetfm.asso.fr/site/Generation-BiP-HOp-vendredi-30,3917.html BiP_HOp Generation on RADIO CAMPUS // Grenoble - 90.8 FM Saturday DEC 01 : 20:30 - 21:30 PM http://www.campusgrenoble.org/Generation-BiP_HOp,1445.html BiP_HOp Generation on Radio Grenouille // 88.8 FM Sunday DEC 02 : 21:00 - 22:00 PM (19:00 - 20:00 GMT) // Marseille // France http://ns35904.ovh.net:8080/live.m3u ARTIST : SONG "ALBUM" (label) Daniel Biro: sargasso sea "Songs Of Refuge" (Sargasso) Acid Mother Temple & The Melting Paraiso U.F.O.: pt1 "IAO Chant From The Melting Paraiso Underground Freak Out" (Riot Season) Annette Vande Gome: yawar fiesta (opera): combatimento "VA. Electro AC" (Wallonie Bruxelles Musiques) John Young: lamentations "M?tamorphoses 2010" (Musiques & Recherches) Grampus: hot air ballon "Ilkilk" (pfMENTUM) -- and PLEASE NOTE that the addresses @wanadoo won't work anymore as I am switching to: philippepetit666 at free.fr thank you philippe http://www.philippepetit.info/ http://www.bip-hop.com http://www.pandemoniumrecords.com -------------- next part -------------- An HTML attachment was scrubbed... URL: From rwm2008 at gmail.com Fri Nov 30 14:46:46 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Fri, 30 Nov 2012 20:46:46 +0100 Subject: [microsound-announce] The transcript of PROBES #2, curated by Chris Cutler, is available online Message-ID: The transcript for the second episode of the podcast series PROBES, curated by Chris Cutler, is available online as a PDF. The podcast will be posted soon. Link: http://rwm.macba.cat/en/extra/probes2_chris_cutler/capsula PDF: http://rwm.macba.cat/uploads/20121129/02probes_transcript_eng.pdf In the late nineteenth century two facts conspired to change the face of music: the collapse of common practice tonality (which overturned the certainties underpinning the world of Art music), and the invention of a revolutionary new form of memory, sound recording (which redefined and greatly empowered the world of popular music). A tidal wave of probes and experiments into new musical resources and new organisational practices ploughed through both disciplines, bringing parts of each onto shared terrain before rolling on to underpin a new aesthetics able to follow sound and its manipulations beyond the narrow confines of ?music?. This series tries analytically to trace and explain these developments, and to show how, and why, both musical and post-musical genres take the forms they do. PROBES #2 continues to explore probes into pitch, examining alternative tuning systems based on the naturally occurring harmonic series, opening up a potentially infinite series of customised Just Intonation scales. Follow us at: http://twitter.com/Radio_Web_MACBA -------------- next part -------------- An HTML attachment was scrubbed... URL: