From manuela.benetton at gmail.com Tue May 1 09:25:45 2012 From: manuela.benetton at gmail.com (Manuela Benetton) Date: Tue, 1 May 2012 15:25:45 +0200 Subject: [microsound-announce] Bozen 4th-5th May 2012: MuseRuole - women in experimental music Message-ID: *With apologies for cross-posting * MuseRuole - women in experimental music *May, 4th - 5th 2012* - Museion - Museum of modern and contemporary art Bolzano / Bozen Organized by Assessorato alla Cultura e alla Convivenza del Comune Bolzano in collaboration with Transart artistic director : Valeria Merlini * Program:* --------------------------------------------------- *4th May 2012 - 9 PM* --------------------------------------------------- Helena Gough (UK): laptop Magda Mayas (DE): piano The Secretaries (AUS / DE / IT): found sounds, electronics FREE ENTRANCE --------------------------------------------------- *5th May 2012 - 9 PM* --------------------------------------------------- ** ?liane Radigue (FR): compositions OCCAM III / OCCAM IV / OCCAM River I (World Premiere) performed by Julia Eckhardt : viola | Carol Robinson : birbyne FREE ENTRANCE --------------------------------------------------- *Museion - Museum of modern and contemporary art Bolzano / Bozen* Hall Museion -1 Via Dante Strasse 6 39100 Bolzano / Bozen Italy http://museruole.tumblr.com --------------------------------------------------- --------------------------------------------------- * * *Artists: * *Helena Gough | laptop |* Helena Gough is an English sound artist currently living in Berlin. Her work initially focused upon the collection and manipulation of ?real-world? sound material and the exploration of its abstract properties. Occasional deviations into synthetic and instrumental sources are now developing into more prominent ingredients. Each new sound-space is created by taking everything possible from the tiniest element, working to make something from nearly nothing. This reduction in means yields a density and richness of results. As a solo (laptop) player she presents her music live on a regular basis. Her performances are intended for dark spaces and involve multi-layering and improvisation with her sound materials in order to create a unique environment for each new event. Her debut solo album was released at the beginning of 2007 by the London based label Entr?acte, followed by a second album in 2010. Her most recent album began with the simple idea of using only the cello as source material, and explored improvisations made by cellists Anthea Caddy and Anton Lukoszevieze. ** *helenagough.net * * Magda Mayas | piano |* Magda Mayas is a pianist living in Berlin. Developing a vocabulary utilizing both the inside as well as the exterior parts of the piano, using preparations and objects, she explores textural, linear and fast moving sound collage. Lately she has also focused on the clavinet, an electric piano from the 60s with strings and metal chimes, where she engages with noise and more visceral sound material, equally extending the instrumental sound palette using extended techniques and devices. Current projects are ?Spill?, a duo with drummer Tony Buck, a duo with Anthea Caddy (cello), a duo with Christine Abdelnour Sehnaoui (sax), ?Great Waitress?, a trio with Monika Brooks (acc) and Laura Altman (cl) and different collaborations with Andy Moor, Clayton Thomas and Peter Evans. Magda Mayas has performed and toured in Europe, the USA, Australia and Lebanon with many leading figures in improvisation such as John Butcher, Peter Evans, Annette Krebs, Andrea Neumann, Axel D?rner, Johannes Bauer, Christoph Kurzmann, Thomas Lehn and Tristan Honsinge*.* *magdamayas.jimdo.com* *The Secretaries* | Felicity Mangan, WJM, JD Zazie - found sounds, electronics | A new band formed in Berlin, The Secretaries bring together three strong personalities to explore new musical directions and forms. Works are composed and performed through the reproduction of recorded material whose manipulation acquires a new meaning in a game of tensions and balances, interweaving and setting of concrete sounds, environmental field recordings, rhythms, impulses, noises, and mistakes. *soundcloud.com/thesecretaries* *Eliane Radigue *| composer | She was born and raised in Paris in a modest family of merchants at Les Halles. Afterwards, she married the French-born American artist Arman with whom she lived in Nice while raising their three children until 1967, then in Paris. She had studied piano and was already composing before having heard a broadcast by the founder of musique concr?te Pierre Schaeffer. She met him shortly thereafter in the early 50s and became his student while working periodically during visits to Paris at the Studio d?Essai. During the early 1960s, she was assistant to Pierre Henry, during which time she created some of the sounds which appeared in his work. As her work gained maturity, Schaeffer and Henry believed her use of microphone feedback and long tape loops was moving away from their ideals, but her singular practice was still related to their methods. Around 1970, she created her first synthesizer-based music at NYU at a studio she shared with Laurie Spiegel on a Buchla synthesizer installed by Morton Subotnick. Her goal by that point was to create a slow, purposeful ?unfolding? of sound, which she felt to be closer to the minimal composers of New York at the time than to the French musique concr?te composers who had been her previous allies. After presenting the first of her Adnos in 1974 at Mills College at the invitation of Robert Ashley, a group of visiting French music students suggested that her music was deeply related to meditation and that she should look into Tibetan Buddhism, two things that she had very little familiarity with. Upon investigation of Tibetan Buddhism, she quickly converted and spent the next three years devoted to its practice under her guru Pawo Rinpoche, who subsequently sent her back to her musical work. She returned to composition, picking up where she left off, using the same methods and working toward the same goals as before, and finished Adnos II in 1979 and Adnos III in 1980. Then came the series of works dedicated to Milarepa, a great Tibetan yogi, known for his Thousand songs representing the basis of his teaching. First she composed the Songs of Milarepa, followed by Jetsun Mila an evocation of the life of this great master; the creation of these works was sponsored by the French government. At the end of the 80s, beginning of the 90s, she devotes herself to a singular three-hour work, perhaps her masterpiece, the Trilogie de la Mort, of which the first part kyema Intermediate states follows the path of the continuum of the six states of conscience. The work is influenced by the Tibetan Book of the Dead Bardo Thodol and her meditation practice as by the death of Pawo Rinpoche and her son Yves Arman. The first third of the Trilogie, ?Kyema?, was her first release recording, issued by Phill Niblock?s XI label. In 2000, she made in Paris her last electronic work l?Ile Re-sonante for which she received in 2006 the Golden Nica Award at the festival Ars Electronica in Linz. In 2001 upon request from the double bass and electronic composer Kasper T. Toeplitz, she makes her first instrumental work Elemental II, a work taken up again with the laptop improvisation group The Lappetites she joined. She participated in their first album ?Before the Libretto? on the Quecksilber label in 2005. Since 2004 she dedicated herself to works for purely acoustical instrument. First with the American cello player Charles Curtis, the first part of the work Naldjorlak was created in December 2005 in New York and later played in 25 concerts across the U.S. and in Europe. The second part of Naldjorlak for the two basset-horn players Carole Robinson and Bruno Martinez, was created in September 2007 at the Aarau Festival (Switzerland). The three musicians have completed with Eliane Radigue the last part of Naldjorlak and presented the complete work ?Naldjorlak I,II,III? on January 24, 2009 in Bordeaux. In June 2011 the world premiere of her composition for solo harp Occam I which was written for the harpist Rhodri Davies was hold in London. -------------- next part -------------- An HTML attachment was scrubbed... URL: From ryan-jordan at hotmail.co.uk Tue May 1 10:37:51 2012 From: ryan-jordan at hotmail.co.uk (Ryan Jordan) Date: Tue, 1 May 2012 14:37:51 +0000 Subject: [microsound-announce] composing the Composer w/Zbigniew Karkowski 18/05/12 Message-ID: composing the Composer workshop with Zbigniew Karkowski Friday 18th May midday - 19:00 ?40-?30 concs. nnnnn, Unit 73a, Regent Studios, 8 Andrew's Road, London, E8 4QN FULL INFORMATION AND BOOKING here > http://nnnnn.org.uk/doku.php?id=composing_the_composer Zbigniew Karkowski is one of the most significant artists working in the field of experimental and contemporary music. http://en.wikipedia.org/wiki/Zbigniew_Karkowski composing the Composer is aimed towards sound artists, musicians or composers who are interested in his approach to composition and live performance on both the technical and formal level. This workshop gives the participants an opportunity to gain insight into the working methods of on one of the most challenging composers / performers of electronic music today. Karkowski will teach the participants about his aesthetic and conceptual approaches towards composition through an in depth analysis of some of his own pieces as well as exploring the compositional concepts that are inherent to the design of his Max and Super Collider patches which have been developed in collaboration with people such as Alberto De Campo, Peter Castine, and Aaron McLeran. Along these lines aesthetic approaches towards the use of sound textures, timbres and the technical aspects of sound production will also be covered. To finish the workshop there will be a short panel discussion about noise and composition with Karkowski, Ryan Jordan, J.-P. Caron, Inigo Wilkins, and Richard Whitelaw. The outcome of the workshop will result in an evening concert featuring all the participants from the workshop performing alongside Karkowski. -------------- next part -------------- An HTML attachment was scrubbed... URL: From jakeharries at gmail.com Tue May 1 18:01:56 2012 From: jakeharries at gmail.com (Jake Harries) Date: Tue, 1 May 2012 23:01:56 +0100 Subject: [microsound-announce] Open Call - Access Space Artist Residencies 2012 at Refab Space Message-ID: *Access Space Artist Residencies 2012 at Refab Space* Open Call Access Space is delighted to announce four artist residencies at its recently developed Refab Space - one in July and three from 4th September to 15th December. We are inviting artists, composers, hackers, designers, engineers and creative technologists to explore emerging artforms and curatorial practise in Refab Space, Access Space's DIY FabLab. The application deadline for the July residency is Wednesday May 16 and deadline for the Autumn residencies is Monday 18 June. *Applying:* Each 15 working day residency offers an artist fee of 1500 GBP, self-catering accommodation, a modest budget for materials and a contribution towards travel. In return artists will create a new work for a physical exhibition. Further information and application forms: http://www.access-space.org/arts/Refab_Residency_Call.htm <<<<<<<<<<<<<<<<<<<<<<<<<<< Jake Harries, Digital Art Programme Manager, ACCESS SPACE, 3-7 Sidney St, Sheffield, S1 4RG, UK t: +44 (0) 114 249 5522 <%2B44%20%280%29%20114%20249%205522> w: www.access-space.org Reg. Charity 1103837 <<<<<<<<<<<<<<<<<<<<<<<<<<<<< The Arts Programme at Access Space is supported by the National Lottery through Arts Council England <<<<<<<<<<<<<<<<<<<<<<<<<<<<< Join our Facebook Group: http://tinyurl.com/37j7gh4 Follow us onTwitter: http://twitter.com/accessspace Not subscribed to our mailing list yet? http://eepurl.com/gPMwX -------------- next part -------------- An HTML attachment was scrubbed... URL: From ml at robmunro.net Tue May 1 21:26:40 2012 From: ml at robmunro.net (Robert Munro) Date: Wed, 2 May 2012 02:26:40 +0100 Subject: [microsound-announce] OpenLab OpenDay 1-7p Saturday 5th May, nnnnn Message-ID: The next OpenLab OpenDay is this Saturday 5th May 1-7p at nnnnn, Unit 73a, Regent Studios 8 Andrews Road, London map There are still some slot available if anyone would like to present or perform. Just reply to me or sign up on the WIKI. http://xwiki.sentinelweb.co.uk/bin/view/OpenNight/Signup or see http://openlab.pawfal.org The line up so far is: *Presentations 1-4p* - Rob Munro : Vectoroid drawing framework. A vector graphics framework for processing drawings on android & processing *Performances 4-7p* - Rob Munro : Android controlled AV patch. - Jag: Visual drone modulation - Trodza(Kenneth Nielsen) :Guitar played with sticks n' fxs' and such. - Ryan Jordan: Open Sauce Amplified Cooking and Eating Open night is a semi-regular meetup of presentations & performances using at least some open-source software. Where people can come along and try out their new open-source based creations in front of an audience, or just have a jam (e.g. wife swap, etc). Usually we have presentations of things people are working on before we start. So if you been tinkering away and want to show of your work then anyone is free to join in - just add your name on the list below or get in contact on the mailing list or just reply to this mail. There is a podcast if you want to hear some. -- best Rob *Web*: http://www.my-pod.org http://sentinelweb.co.uk http://www.suprcards.com* * *Apps*: MyPOD SuperCards SilentTimer *Social* : twitter (@sentinelwebtech) | FaceBook -------------- next part -------------- An HTML attachment was scrubbed... URL: From idrioema at gmail.com Wed May 2 13:09:27 2012 From: idrioema at gmail.com (idrioema) Date: Wed, 2 May 2012 18:09:27 +0100 Subject: [microsound-announce] idrioema - d e f r a c t a _ New release out now Message-ID: Hello ! We want to inform you that our new release " d e f r a c t a " is out now ! info: format: lightscribe cdr wave 44.100 hz stereo lenght: 29.17 minutes package: printed digipack dimensions: 14 x 12.5 x 1.2 cm produced by: idrioema year: 2012 video: https://vimeo.com/41388159 audio: http://http://soundcloud.com/idrioema/idrioema-defracta-extracts For further informations, please, feel free to contact us. Thank you ! www.idrioema.tk *www.facebook.com/idrioema http://twitter.com/idrioema http://myspace.com/idrioema www.vimeo.com/channels/idrioema http://www.youtube.com/user/idrioema http://soundcloud.com/idrioema http://www.discogs.com/artist/Idrioema* ______________________________________. -------------- next part -------------- An HTML attachment was scrubbed... URL: From thanielionlee at gmail.com Wed May 2 13:20:48 2012 From: thanielionlee at gmail.com (Thaniel Lee) Date: Wed, 2 May 2012 13:20:48 -0400 Subject: [microsound-announce] new release by humanhood records Message-ID: thaniel ion lee - crumbling silence http://humanhoodrecordings.bandcamp.com/album/crumbling-silence -- ........................................ http://thanielionlee.com/ http://usedwheelchairsofcraigslist.tumblr.com/ https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=AG3JEL5LYXLDA -------------- next part -------------- An HTML attachment was scrubbed... URL: From devel at thesaddj.com Thu May 3 04:35:49 2012 From: devel at thesaddj.com (Marco Donnarumma) Date: Thu, 3 May 2012 09:35:49 +0100 Subject: [microsound-announce] Incarnated Sound - USA Tour 2012 Message-ID: (sorry for x-post) INCARNATED SOUND - USA TOUR 2012 Biophysical music, sonic flesh theory and body hacking courses. ~~~~~~~~ Dear all, hoping it might be of your interest, I'm sharing with you the schedule of the upcoming USA Tour. I'll be performing, teaching and speaking with and about the Xth Sense in 5 cities on the East Coast. See the planned events below, and feel free to get in touch if you happen to be in the area. http://marcodonnarumma.com/works/xth-sense/ http://marcodonnarumma.com/works/music-for-flesh-ii For detailed information you're welcome to visit: http://marcodonnarumma.com/calendar You can still book a place for the Xth Sense workshop in New York at: http://bit.ly/JEwto0 ||| ACM - CHI 2012 Liveness ||| 5-10 May ||| Austin Conference Center, Texas - Presentation ?Xth Sense: recoding visceral embodiment? Other presenters include Toby Harris, Maria Lantin and Leila Sujir, among the others. ~~~~~~~~ ||| They, Who Sound ||| 7 May ||| Avant Garden, 411 Westheimer, Houston, Texas. - Performing ?Music for Flesh II?, interactive music piece for enhanced body. - Performing ?Nascent?, incarnated sound sculpture, US Premiere; ~~~~~~~~ ||| Washington DC ||| 15 May. ||| American University, Washington DC. A night of Biophysical music with Marco Donnarumma. - Performing ?Music for Flesh II?; - Performing ?Nascent?; - Open Workshop ?Performing incarnated sound: the Xth Sense?. ~~~~~~~~ ||| Tanaka/Donnarumma, Mobile and biophysical music ||| 18 May ||| Spectrum, 115 West 23rd Street #22, Manhattan, New York. - Performing ?Music for Flesh II?. Also on stage Atau Tanaka with his mobile musical instruments. ~~~~~~~~ ||| Xth Sense Workshop New York ||| 19-20 May ||| Harvestworks, Manhattan, New York. - Workshop ?Xth Sense, Biophysical Music?. Hands-on training in augmentation of the body for musical performance. Build your own low cost biosensing wearable device for muscle sounds. Book a place at: http://bit.ly/JEwto0 ~~~~~~~~ ||| NIME Conference ||| 21-23 May ||| University of Michigan, Ann Arbor, Michigan. - Performing ?Music for Flesh II?; - Poster ?Music for Flesh II: informing interactive music performance with the viscerality of the body system? -- Marco Donnarumma New Media + Sonic Arts Practitioner, Performer, Teacher, Director. ACE, Sound Design MSc by Research (ongoing) The University of Edinburgh, UK ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Portfolio: http://marcodonnarumma.com Research: http://res.marcodonnarumma.com | http://www.thesaddj.com | http://www.flxer.net Director: http://www.liveperformersmeeting.net -------------- next part -------------- An HTML attachment was scrubbed... URL: From hatam at drfz.de Thu May 3 07:51:10 2012 From: hatam at drfz.de (Farah Hatam) Date: Thu, 3 May 2012 13:51:10 +0200 Subject: [microsound-announce] Sir Richard Bishop (SUN CITY GIRLS) @ NK Berlin Tonight! Message-ID: Sorry for x-postings NK Elsenstr. 52 2HH 2Etage 12059 Berlin +49(0)17620626386 www.nkprojekt.de Thursday May 3rd 2012 Doors 20:30 SIR RICHARD BISHOP (SUN CITY GIRLS) He is an improviser, composer, and an intrepid explorer on electric and acoustic guitar whose work often reflects the shadow worlds of India, the Middle East, North Africa, and other points along the Gypsy trail. There is also a fair amount of experimentation involved in much of his string-work which can lead to audio realms rarely visited by others. Attentive listeners may hear shades of Jimmy Page, Django Reinhardt, Sonny Sharrock, and Ali Akbar Khan in his playing. He is perhaps best known as a founding member (along with brother Alan Bishop) of experimental ethnic-improv pioneers and underground trickstersSun City Girls, who for nearly 30 years have produced an extensive discography of over 50 full length albums, 20 one-hour cassettes and a dozen 7" records. Sun City Girls formed in 1981 after the Bishop brothers' stint in the group Paris 1942 which also featured J. Akkari and former Velvet Underground drummer Moe Tucker. Richard has put out music on his own on such labels as John Fahey's Revenant (his debut Salvador Kali), Locust Music, Drag City, Southern Records, and ever since 2005 began performing relentlessly as a solo artist, playing throughout Europe, Australia, and the United States. He has not stopped since. In May of 2010, Drag City released the album False Flag by Rangda, a new group featuring Bishop, Ben Chasny (Six Organs of Admittance, Comets on Fire), and Chris Corsano (Flower-Corsano Duo, Flaherty/Corsano, Jandek, Bjork, etc). Richard was also a co-founder of the Sublime Frequencies label (with Alan Bishop and Hisham Mayet). The label, whose mission is dedicated to acquiring and releasing obscure sights and sounds from Africa, India, S.E. Asia and beyond, began in 2003 and currently has over 65 releases to its credit. He is coming back to Europe after several successful european tours, prior to the release of his new album on Drag City Records. http://www.sirrichardbishop.net/ http://en.wikipedia.org/wiki/Richard_Bishop_(guitarist) BIO: http://www.sirrichardbishop.net/bio.htm RECORD LABEL: http://www.dragcity.com/artists/sir-richard-bishop PRESS: "Freak of Araby" Album review http://pitchfork.com/reviews/albums/13057-the-freak-of-araby/ VIDEOS: Live 2011 http://www.youtube.com/watch?v=rtIIFFd0iR0 Live at Bottom Lounge, opening for Swans http://www.youtube.com/watch?v=GrDUlhKISm8 Live in Tokyo http://www.youtube.com/watch?v=CMZ9WIxIDl0&feature=related with Devendra Banhart for a French Tv Station: http://www.youtube.com/watch?v=R5WeSlPEUQo DISCOGRAPHY: Salvador Kali (1998, Revenant Records) Improvika (2004, Locust Music) Fingering the Devil (2006, Southern Records) Elektronika Demonika (2006, Locust Music) While My Guitar Violently Bleeds (2007, Locust Music) Polytheistic Fragments (2007, Drag City) God Damn Religion DVD, (2008, Locust Music) The Freak of Araby (2009, Drag City) From incite at gmx.de Thu May 3 18:08:06 2012 From: incite at gmx.de (incite at gmx.de) Date: Thu, 3 May 2012 18:08:06 -0400 Subject: [microsound-announce] incite/ performance Saturday Montreal @ Elektra Festival Message-ID: <762FE823-AC85-4106-AC19-0E752B9C74A9@gmx.de> incite/ live @ elektra festival Montreal, QC, Canada Usine C Sat. 05.05.2012 9:00 p.m. other artists to perform that night: Schnitt Novi_sad & Ryoichi Kurokawa http://www.elektrafestival.ca From carlopatrao at gmail.com Fri May 4 12:04:08 2012 From: carlopatrao at gmail.com (=?ISO-8859-1?Q?Carlo_Patr=E3o?=) Date: Fri, 4 May 2012 17:04:08 +0100 Subject: [microsound-announce] Podcast: Zepelim - Manoel de Oliveira: Collected Silences Message-ID: *Zepelim *RUC |107.9 FM| * New Episode - Manoel de Oliveira: Collected Silences * *If the eye is entirely won, give nothing or almost nothing to the ear?and vice versa, if the ear is entirely won, give nothing to the eye. One can not be at the same time all eye and all ear.* ? Robert Bresson, *Notes on Cinematography* This episode of Zepelim sets out to make the eye impatient by presenting the sounds of non-dialogue scenes edited from 10 Manoel de Oliveira films. The goal is to explore the rich auditory dynamics of Oliveira?s non-dialogue scenes. The sounds presented in this collage are not organized according to the films? chronology or storylines. Rather, they are grouped as much as possible according to other properties like volume, pitch, and intensity of the samples as well as by common themes like footsteps, motors roaring, wind blowing, characters breathing, wood creaking, etc. In the context of radio, these sounds become the focal point while unique new visual layers are free to form in the listener?s imagination. Podcast? Download All the best, Carlo Patr?o -------------- next part -------------- An HTML attachment was scrubbed... URL: From kim at anechoicmedia.com Fri May 4 14:14:21 2012 From: kim at anechoicmedia.com (Kim Cascone) Date: Fri, 04 May 2012 11:14:21 -0700 Subject: [microsound-announce] Subtle Listening workshop update Message-ID: <4FA41C7D.9000006@anechoicmedia.com> follow us on Facebook https://www.facebook.com/events/158874134241989 and Twitter: @subtlelistening sign up before May 15th and get the early bird discount https://subtlelistening.eventbrite.com/ :) From dwnewman at clara.co.uk Fri May 4 18:11:47 2012 From: dwnewman at clara.co.uk (David Newman) Date: Fri, 4 May 2012 23:11:47 +0100 Subject: [microsound-announce] Autistici - chroniqueselectroniques. Message-ID: <02582B692C4D4FB0B1E5867C649F66C5@audiobul6e8dab> http://www.chroniqueselectroniques.net/article-autistici-amplified-presence- 96100076.html David Newman is a prolific artist, who prevailed on as pointed and considered labels as 12k and Audiobulb Records. Observer and actor of the experimental scene of Sheffield, he was noticed by certain Taylor Dupree. Not miserly the David, his Autistici project was also relayed on interesting netlabels, like Hippocamp, Kikapu or Wandering Ear. Its last realization bears a definitively evocative name, and is published on Normal the Home label. Autistici has something of obsessional in its manner of considering the sounds. It is much more than one observer of its direct environment. It analyzes it permanently to develop its talents of sound designer. It would be unjust to qualify its music of experimental purely. Its strictly melody pallet is first of all well too rich for that. It has also a capacity to go to the essence which makes its music terribly accessible. Amplified Presence is a little similar to a Fountain of Youth. As if one had spun a sequencer to a child, and that it had immediately known to make use of it. Who played forever with the apprentice chemist using a case discount by adding all that fell to him under the hand in test tubes? The carpet of awakening too. If I put my hand there, that made this noise there (Bed Of Powdered Glass or Attachment Type), and if I draw on this thing which hangs, that lights a bright light (Vocal Chords). There is indeed something here the very ludic one, and of very childish (more particularly on Slow Rotor Sensory Loop). David Newman is not however any more one child, and even less one apprentice. There is only to consider the oblique topics of Religion Off Toilets And Air to realize and note of it that joinings and the cuts are not simply the work of any beatmaker. Opposition to progress? The rogue does not know. Not here of vulgar repetition to seek a not very elaborate exit. He can make transfer the sound rough weight and avoid it synthetic illuminations. The cords of Sixteenth seem to be recorded in the bed of a river. The lapping has something of resting and confers a certain bliss. Let us not even speak about Towar Location and its binary tempo, decorated rhythmic improvisation very jazz. Who said that the digital spheres denatured the product? Even if the impression of luxuriant nature certain to the listening of is well named Field, perhaps one regrets the absence of additions of sources a little less traditional. But it does not matter, amazement will remain intact. Amplified Presence is a curious and disconcerting album from its variety. Even if it is necessary a significant number of listenings for completion to adhere to the unit, it settles in the duration with the accesses of the turntable for each time, to find additional ideas and treasures to him. Very a good surprise, swarming with ingeniousness. http://www.chroniqueselectroniques.net/article-autistici-amplified-presence- 96100076.html Autistici http://homenormal.tumblr.com/029 http://www.autistici.com/amplified-presence.htm -------------- next part -------------- An HTML attachment was scrubbed... URL: From MURPHJ8 at rpi.edu Fri May 4 18:15:28 2012 From: MURPHJ8 at rpi.edu (jason steven murphy) Date: Fri, 4 May 2012 18:15:28 -0400 Subject: [microsound-announce] Pauline Oliveros: Oliveros at 80 concert | Thursday, May 10 | EMPAC, Troy, NY Message-ID: PERFORMANCE Pauline Oliveros: Oliveros at 80 Thursday, May 10, 2012, 7:30 PM EMPAC Concert Hall Troy, NY FREE http://empac.rpi.edu/events/2012/spring/oliveros Join us for a celebration of musician, composer, and Rensselaer faculty member Pauline Oliveros on the occasion of her 80th birthday. Presented in collaboration with the Rensselaer Arts Department, this free concert will feature a reception with nine birthday cakes and the opportunity to support Oliveros? venerable Deep Listening Institute. Every member of the audience will receive a free copy of the hot-off-the-presses DVD with the video of the joint concert by Oliveros and Cecil Taylor at the opening festival of EMPAC in 2008. One of the highlights of this concert is an acoustic simulation of the Fort Worden Cistern?a two-million-gallon underground water tank made famous by Oliveros? 1988 Deep Listening album and recreated by Jonas Braasch, professor in Rensselaer?s Architectural Acoustics program. It will empower EMPAC?s concert hall to sound like the cistern with its 45 seconds of reverberation. Guests are invited to listen to the process of tuning the concert hall in the afternoon from 11:30 AM to 2 PM as Jonas Braasch and Pauline Oliveros prepare for the evening performance. Pauline Oliveros? life as a composer, performer, and humanitarian is about opening her own and others? senses to the many facets of sound. Since the 1960s, she has profoundly influenced American music through her work with improvisation, meditation, electronic music, myth, and ritual. All of Oliveros? work emphasizes musicianship, attention strategies, and improvisational skills. Many credit her with being the founder of present day meditative music, and she has been celebrated worldwide. Sounding the Margins, a forty-year retrospective, will be released soon in a six CD boxed set from Deep Listening. http://www.paulineoliveros.us/ http://deeplistening.org/ Evelyn?s Caf? will open at 6:30 PM with a full menu of meals, snacks, and beverages as well as a selection of wines - service continues after the performance. Parking is available in the Rensselaer parking lot on College Avenue. Additional event information can be found on the EMPAC website: http://empac.rpi.edu/. Questions? Call the EMPAC Box Office: 518.276.3921. -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: 750x350_02.jpeg Type: image/jpg Size: 19551 bytes Desc: not available URL: From macumbista at googlemail.com Sat May 5 20:06:11 2012 From: macumbista at googlemail.com (Derek Holzer) Date: Sun, 06 May 2012 02:06:11 +0200 Subject: [microsound-announce] SoundBoxes Workshop Berlin Message-ID: <4FA5C073.2040500@gmail.com> SOUNDBOXES WORKSHOP with DEREK HOLZER May 26 & 27, 2012, Time 11-19 Presentation Sunday May 27 2012, Time 20.00 (venue TBA) Discover the hidden sonic qualities of objects from our everyday world in this workshop, combining the arts of electronics, noise, sculpture and collage. The basic elements of this workshop are a wooden box, a speaker, a small audio amplifier, and a contact microphone. To this, brave box-builders will add their own found objects, graphics, images, memories and ideas to create a unique electroacoustic cabinet of curiosities. No previous electronics experience is necessary for this workshop. Each participant is required to bring several items to the workshop, please see below. TIMETABLE Day One: Introduction to simple noise/electroacoustic electronics, circuit soldering. Day Two: Box-building, decoration and collage, experimentation with found objects as sound sources. Final Presentation: All participants will present their finished soundboxes to the public at the end of the second day! WHAT TO BRING I will provide most of the tools and materials necessary for constructing the box, however there are a few things you should bring yourself: 1) A BOX: This should be made of thin wood or very strong cardboard. Plastic can be also used, but it doesn?t sound very good. And please, no metal! It is too difficult to cut and drill with the tools we will have. This box should be a minimum of 10x10x4cm, or bigger if you want to use a larger speaker or have more room to decorate and add objects. Cigar boxes, small suitcases, instrument cases or jewelry/silverware boxes are all good things to look for. At least one side of the box should be no more than 5mm thick, to allow the hardware to be mounted. 2) A SPEAKER (OPTIONAL): I will have a selection of speakers for participants to use. However, if you have something special please bring it along, but please make sure it fits in the box you have chosen! 3) FOUND OBJECTS: Please bring as many found objects as you can to decorate your soundbox or use as a sound source via the contact microphone. Bones, shells, small sticks, bells, strings, wires, springs (especially!) or anything else made out of solid yet resonant material make great sound sources. Photographs, cloth, leather, paper or any other kind of material can be useful for covering the box and making collages. Paint, markers and pens may also be useful. 4) EFFECTS PEDALS (OPTIONAL): Any kind of battery-powered effects pedals, such as distortions, filters or delays, can be very useful in creating more nonlinearities in the feedback loop. FURTHER INFO: You can see videos and photos from previous SoundBoxes workshops here: http://macumbista.net/?page_id=1897 Or use the ?soundboxes? tag to see all posts related to SoundBoxes: http://macumbista.net/?tag=soundboxes ABOUT THE INSTRUCTOR: Derek Holzer (1972) is an American sound artist based in Berlin, whose current interests include DIY analog electronics, sound art, field recording and the meeting points of electroacoustic, noise, improv and extreme music. He has played live experimental sound, as well as taught workshops in noise art technology, across Europe, North America, Brazil and New Zealand. http://macumbista.net/ BASIC INFO: Fee: EUR 35 (participation) + EUR 10 (materials) Registration is required and can be done by sending an email to info at nkprojekt.de with the subject line ?SoundBoxes? Number of Participants: Minimum 6/Maximum 14 Location: NK Projekt Elsenstr. 52 2HH 2Etage 12059 Berlin +49(0)17620626386 -- derek holzer noise.art.technology http://macumbista.net From murmer at murmerings.com Mon May 7 07:16:14 2012 From: murmer at murmerings.com (. m u r m e r .) Date: Mon, 07 May 2012 14:16:14 +0300 Subject: [microsound-announce] [framework] playlist #374: 2012.05.06 Message-ID: <4FA7AEFE.5030108@murmerings.com> /*framework*/ - phonography / field recording; contextual and decontextualized sound activity presented by patrick mcginley /*framework*/ broadcasts: - sunday, 11pm, london, uk on *resonance 104.4fm* (http://www.resonancefm.com) - tuesday, 12:30pm, south devon, uk on *soundartradio 102.5fm* (http://www.soundartradio.org.uk) - wednesday, 2am, thessaloniki, gr on *cooradio* (http://www.cooradio.com) - wednesday, 3am, lisbon, pt on *radio zero* (http://www.radiozero.pt) - thursday, 7pm, lisbon, pt on *radio zero* (http://www.radiozero.pt) - thursday, 11pm, maribor, si on *radio mar? 95.9fm* (http://www.radiomars.si) - friday, 1am, brussels, be on *radio campus 92.1fm* (http://www.radiocampusbruxelles.org) - saturday, 11am, new york state, us on *wgxc 90.7fm* (http://www.wgxc.org) ~ time zone converter: http://www.timeanddate.com/worldclock/converter.html ~ *for general info, playlists, podcasts, or to stream the latest edition at any time: http://www.frameworkradio.net * **************************************************** */FRAMEWORK/ NEEDS YOUR SUPPORT!* **************************************************** your subscriptions & donations help make the production of /*framework*/ possible. visit out website to find out how to become a regular donor, or make a one-time donation here: http://www.frameworkradio.net/donate. * **AND AS A THANK-YOU FOR YOUR DONATION, WE'LL SEND YOU ONE OF OUR /FRAMEWORK EDITIONS/ CD RELEASES: THE LATEST ISSUE OF THE /FRAMEWORK:SEASONAL/ SERIES, OR THE /FRAMEWORK250/ SET!** ** * ------------------------------------------------------------------------ *#374: 2012.05.06* this edition of /*framework:afield*/ has been produced in portugal by *luis antero*. for more information see his website at http://luisantero.yolasite.com. luis says: The collection of the intangible heritage of soundscapes of Beira Serra and part of the Natural Park of Estrela Mountain (Portugal) has been my main goal since 2008, the year I started in the fantastic world of field recording. Never until then had I heard the area where I live. I had always seen it, as most of those who live here. The abundant nature of these areas and their beautiful inviting landscapes.By collecting sound i discovered an entirely different universe to explore and learn about. Since then I have dedicated my free time to documenting, disseminating and preserving this sound legacy. There are many sounds that do not exist here anymore (from many of the mills in operation in the past, only two reveal their sound ancestors, for example) and the sounds of those who live every day in these parts of the interior of Portugal, both in nature and the daily life of the men, women and children who live here.This sound piece attempts to precisely capture this reality, sometimes hidden, sometimes on display for all those who want to hear and feel.When traveling by these roads of wonderful sound, well traveled by the multiple identities of a rural Portugal who wants to be preserved, but also released in all its acoustic diversity.Thank you, Patrick! again, we are always looking for material for the show, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated /*framework:afield*/ series. send proposals or material, released or not, on any format, to the address below. if you have any questions, please don't hesitate to get in touch! framework tartu mnt 41 63710 ahja p?lvamaa estonia info at frameworkradio.net ------------------------------------------------------------------------ *(time / sound)* 01:20 - 06:15 - Ants 06:05 - 08:45 - Water Wheel 08:40 - 10:24 - Local People 1 10:23 - 12:40 - Chocalhos 12:20 - 16:04 - The Sheperd Day/Local People 2 16:00 - 18:50 - Frogs 18:40 - 21:49 - Wind 21:20 - 23:35 - The River (excerpt) 23:30 - 24:35 - Water Mill 24:25 - 27:04 - Local People 3 27:00 - 27:19 - Trator em Pomares 28:15 - 29:08 - A Meio Caminho (excerpt) 29:05 - 32:51 - A nobre arte de calcetar 32:35 - 38:10 - Passarada e o trabalho do Sr. Manuel Dias 37:50 - 42:41 - Local People 4 42:40 - 44:24 - Bees and Water 44:15 - 45:32 - Local People 5 45:25 - 52:02 - Levada de ?gua 52:05 - 56:20 - Water Mill 2 ------------------------------------------------------------------------ framework intro submissions: 1) take yourself and an audio recorder to a location of your choice 2) record for /AT LEAST/ one minute before you - 3) read aloud the following text: *welcome to framework. framework is a show consecrated to field recording, and its use in composition. field recording, phonography, the art of sound hunting; open your ears and listen!* */[3b) please also feel free to translate this text into your native tongue!] /* 4) continue your recording for /AT LEAST/ two minutes after you have finished speaking 5) post the recording to us on any format, or send us an mp3 thanks! ------------------------------------------------------------------------ drop a note to info at frameworkradio.net to be added to or removed from this mailing list -- |||http://www.murmerings.com ||| -------------- next part -------------- An HTML attachment was scrubbed... URL: From zztijn at gmail.com Tue May 8 12:41:19 2012 From: zztijn at gmail.com (Stijn Demeulenaere) Date: Tue, 8 May 2012 18:41:19 +0200 Subject: [microsound-announce] Call for sound memories / recollections of sound Message-ID: <82F06D40-F6DF-4AD0-B753-44AD68E3EDB7@gmail.com> Dear people, I would like to ask your help. My installation Soundtracks will be shown at Den Frie in Copenhagen in june, and I would like to ask you for a contribution. The idea behind soundtracks is to build an archive of memories of sound. Memories of sounds that were important to someone, that struck them or stayed with them. Soundtracks wants to research which kind of sounds get remembered, and how they are remembered. Can we hear those sounds again in our heads, or can we only remember the circumstances of the situation; the outlines, the edges of the sound? And that?s why I would like to ask you to take a moment and try to find your memory of a sound, a sound that was important to you. And I would want to ask you to write down your memory, on paper. And if you could send that memoy by post/snailmail to this address: SNYK c/o Kristine Bakken (Soundtracks) Graabr?dretorv 16, st. th. DK-1154 K?benhavn K Denmark You can find some more info on Soundtracks on this URL: http://versonatura.org/stijn/soundtracks/ Thanks in advance in advance, Kind regards, Stijn Demeulenaere Ps: It?s important that the memories are hand written / hand made, so please, no emails or typed letters. Apart from that, you can write in any language you prefer. kind regards Stijn Demeulenaere www.stijndemeulenaere.be -------------- next part -------------- An HTML attachment was scrubbed... URL: From philippe-petit at wanadoo.fr Tue May 8 16:20:50 2012 From: philippe-petit at wanadoo.fr (philippe petit) Date: Tue, 08 May 2012 22:20:50 +0200 Subject: [microsound-announce] "una symphonia della paura" for FANS of Jesu - KTL - Fennesz - Neurosis - Oren Ambarchi - Nadja... In-Reply-To: <4FA97FD7.6070405@wanadoo.fr> References: <4FA97FD7.6070405@wanadoo.fr> Message-ID: <4FA98022.6010402@wanadoo.fr> *Hello hope that this message finds you well Over here returning from a great US tour with PAS Musique from Brooklyn, playing 14 gigs and travelling more than 5000 miles Now to announce the release of my new and darkest album to date on the cult UTECH Records, below is the press-release in hope you may find it appetizing.* *Thanx for your attention. * *Philippe Petit: *una symphonia della paura http://www.utechrecords.com/** * * *01. murmurs (feat. Justin Broadrick)03:53* *02. fear has fallen16:06* *03. the dark passenger06:24* *04. diurnal terror07:14* *05. the night has eyes11:01* ** For FANS of Jesu - KTL - Fennesz - Neurosis - Oren Ambarchi - Nadja... The opener is a collaboration Philippe Petit did with Justin Broderick. Petit was so happy with it that he felt an urge to produce more pieces in that vein and complete a whole suite. The idea was neither to give birth to one more Neo-Metal record, nor to one more Noise album, instead Petit dreamt of blending together Phil Spector's "Wall Of Sound" and Lou Reed's influential "Metal Machine Music"... Building dense mixtures of digital filtering in order to conjure up a mix of blurred melodies and themes, and feeding his No?z with loads of twists and turns. Our "French musical travel agent" explored countless paths and a couple of years later "Tales Of Fright" was born. Depicting some epic musical stories... Wandering through spaciousness and elegance, interspersing fuzzy-buzzing guitar and blissed-out-droney-drilling textures with post-orchestral or tribal rythms into incandescent and luxurious massive movements of sound. Rarely has Fright been so alluring, Petit casts his spells on his listeners with a demanding album, but a very rewarding trip for those willing to be intrigued... http://www.philippepetit.info/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From radialx at radiozero.pt Tue May 8 19:44:08 2012 From: radialx at radiozero.pt (radialx) Date: Wed, 9 May 2012 00:44:08 +0100 Subject: [microsound-announce] RadiaLx 2012: broadcast Open Call In-Reply-To: References: Message-ID: OPEN CALL: RadiaLx2012 June 28-30 2012 http://radialx.radiozero.pt The aim of this Call is to provide opportunity for the radio and sound art community to express, from producers to instigators, from sound artists to social researchers. We hope to gather domains of scientific, artistic and technological research and creativity in order to offer an open and diverse stream of ideas, voices and sounds as well as contribute to help form an increasing discussion on the importance and the multiple strategies of the creative radio medium. Broadcast works We are looking for pre-recorded programs of any length of format. You can submit any gender of program, from experimental narrative to documentary, from field recording to song poetry and more. Send your proposals as audio files (or links), with a brief description (500c) Deadline for broadcast proposals: May 30, 2012 Send to: radialx at radiozero.pt Looking forward for your participation! all the best paulo raposo & Ricardo reis http://radialx.radiozero.pt -- http://radialx.radiozero.pt/ | www.radiozero.pt | www.sirrecords.com | www.pauloraposo.org From info at lullcec.org Wed May 9 01:22:35 2012 From: info at lullcec.org (l'ull cec) Date: Wed, 09 May 2012 07:22:35 +0200 Subject: [microsound-announce] Audiovisual Programming: Mapping and Visualization (seminar, Barcelona 18-20.05.2012) Message-ID: <4FA9FF1B.20903@lullcec.org> AUDIOVISUAL PROGRAMMING: MAPPING AND VISUALIZATION (by Fredrik Olofsson) This seminar will investigate the built-in graphical features of SuperCollider and how to use these artistically in combination with the sound synthesis server. We will use simple sounds and simple graphics to explore the endless possibilities of audiovisual mapping and sound visualization. The aim is to combine shapes, colours, paths and pixels with oscillators, control signals, wavetables and spectrums. At the end of the course we will have programmed a few unique audiovisual instruments and connected sound generating code to drawing routines. We will also play with drawing time and frequency domain representations of audio and looked at generating static images by plotting waveforms in non-realtime. We will code sounds that look good as well as code graphics that sound well. Level: intermediate (presumes some basic SuperCollider knowledge) Language: English Dates: Friday 20.04.2012, 18:00-22.00h. Saturday 21.04.2012, 11:00?14:00h, 16:00-19:00h Sunday 22.04.2012, 11:00?14:00h, 16:00-19:00h Location: Fabra i Coats ? F?brica de Creaci?. Sant Adri?, 20. Barcelona. Metro Sant Andreu. +info: [ http://lullcec.org/en/2012/workshops/programacio-audiovisual-mapeig-i-visualitzacio/ ] ------------------------------------------------------------------------ web: [ http://lullcec.org/ ] facebook: [ http://facebook.com/lullcec ] twitter: [ http://twitter.com/lullcec ] From steiner at block4.com Sun May 6 16:26:34 2012 From: steiner at block4.com (Malte Steiner) Date: Sun, 06 May 2012 22:26:34 +0200 Subject: [microsound-announce] Pd-berlin meeting next tuesday, 8th May Message-ID: <4FA6DE7A.9040704@block4.com> Hello, next tuesday, 8th May 20:00, will be the next meeting of Pure Data users in Berlin at NK (http://www.nkprojekt.de/) - Elsenstr. 52, 2HH 2Etage. For more information, look up http://puredata.info/community/groups/pd-berlin/pd-berlin-users-group/ We also encourage you to take an active part, and put up suggestions for topics you want to talk about / topics you want to be talked about. Pd-Berlin Google group: You can join the open group http://groups.google.com/group/pd_berlin, and make questions to the users there. Doors are open from 20h-20h15. After that they'll be closed, and you will have to call someone from the Pd-meeting to get in. To get a telephone number to call or confirm assistance you can write to steiner AT block4 DOT com. Please, don?t call to the staff of NK to open the doors. They let us use the space but we have to take care about having the meeting without producing any disturbance to them, and to clean the space after the meeting. We would apreciate if you would send us a small mail to steiner AT block4 DOT com with your name, Pd experience and interests, so that we know how many people might be coming. Or put your name in the pd-berlin wiki page. We would like to thank the support and willingness of NK in the organization of these events. From m at dekorder.com Tue May 8 02:01:34 2012 From: m at dekorder.com (Dekorder) Date: Tue, 8 May 2012 08:01:34 +0200 Subject: [microsound-announce] Dekorder Spring Sale 2012 Message-ID: One week only sale (May 07 - 14, 2012): We're moving most of our stock to a new place soon. So we're giving a 50% discount (!) on all distributed titles in our Mailorder section (including all Dekorder releases) this week only!!! You can simply deduct 50% from the listed prices (shipping NOT included though). http://www.dekorder.com/mailorder.html We usually only have a few copies of each title in stock so you have to act fast. Minimum order is EUR 25.00 (after discount). We do accept Paypal! Please ask for shipping costs. -- http://www.dekorder.com http://www.blacktocomm.org http://www.themalegarden.com From gintaskr at takas.lt Sun May 6 11:49:27 2012 From: gintaskr at takas.lt (gintas k) Date: Sun, 6 May 2012 18:49:27 +0300 Subject: [microsound-announce] festival viskas gerai Alles gut References: <4F89CA88.90905@lullcec.org> Message-ID: <10AE6CDEFE71482E86F947413C043709@6c981fb2fa5a492> Festival viskas gerai Alles gut Litauen in Wien 2012/05 10-12 e c h o r a u m, Sechshauser Stra?e 66, A-1150 Wien http://www.echoraum.at/viskasd.htm 10. Mai 2012 Beginn 19:30 Uhr Tautvydas Bajarkevi?ius SOLO audiovisual performance Martin Siewert SOLO guitar, lapsteel, electronics TRIO Susanna Gartmayer bassclarinet TRIO Tamara Wilhelm homemade electronics TRIO Katharina Ernst percussion Lina Lapelyte SOLO violin, electronics 11. Mai 2012 Beginn 19:30 Uhr DUO Elisabeth Schimana live electronics, composition ? Manon-Liu Winter piano Antanas Jasenka SOLO electronics Raminta ?erk?nyte SOLO piano, composition Boris Hauf SOLO saxophon, electronics, devices 12. Mai 2012 Beginn 19:30 Uhr DUO Lisbeth Kovacic & Katka Csanyiova audiovisual performance Gintas K SOLO electronics QUARTET Egidija Medeks?aite composition, electronics ? Lucas Miceika visuals QUARTET Simon Z?chbauer & Ayac Jimenez-Salvador trumpet Caroline Profanter SOLO composition/performance http://www.echoraum.at/viskasd.htm regards, gintas k http://gintask.dar.lt v/a: VVAA Loud Listening Cr?nica 067~2012 http://www.cronicaelectronica.org/?p=067 From rwm2008 at gmail.com Thu May 10 04:33:49 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Thu, 10 May 2012 10:33:49 +0200 Subject: [microsound-announce] COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #6.2. Exclusives by Stephan Mathieu and Russell Haswell Message-ID: *COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #6.2. Exclusives by Stephan Mathieu and Russell Haswell* Curated by Mark Fell and Joe Gilmore. Narrated by Connie Treanor. Link: http://bit.ly/JBr8eZ MP3: http://bit.ly/IMn3YW Each episode of this series is followed by a special accompaniment programme of exclusive music by some of the leading sound artists and composers working in the field. This show presents two process-led works by German composer Stephan Mathieu and British multidisciplinary artist Russell Haswell. 01:12* Stephan Mathieu* 'Untitled Consort Music' (fragmento), 2012 (15' 35'') 17:52 *Russell Haswell *'Oscillographics: the search for unusual images on a Stereo-Phase Scope', 2012 (20'') Related info: http://bit.ly/IXWy0w Complete series: http://bit.ly/jd5DyQ Follow us at http://twitter.com/Radio_Web_MACBA -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at lullcec.org Thu May 10 13:26:46 2012 From: info at lullcec.org (l'ull cec) Date: Thu, 10 May 2012 19:26:46 +0200 Subject: [microsound-announce] Audiovisual Programming: Mapping and Visualization (correct dates) Message-ID: <4FABFA56.5090800@lullcec.org> The announcement we sent out a couple of days ago had the dates all wrong. Here's the correct info about the seminar: AUDIOVISUAL PROGRAMMING: MAPPING AND VISUALIZATION (by Fredrik Olofsson) This seminar will investigate the built-in graphical features of SuperCollider and how to use these artistically in combination with the sound synthesis server. We will use simple sounds and simple graphics to explore the endless possibilities of audiovisual mapping and sound visualization. The aim is to combine shapes, colours, paths and pixels with oscillators, control signals, wavetables and spectrums. At the end of the course we will have programmed a few unique audiovisual instruments and connected sound generating code to drawing routines. We will also play with drawing time and frequency domain representations of audio and looked at generating static images by plotting waveforms in non-realtime. We will code sounds that look good as well as code graphics that sound well. Level: intermediate (presumes some basic SuperCollider knowledge) Language: English Dates: Friday 18.05.2012, 18:00-22.00h. Saturday 19.05.2012, 11:00?14:00h, 16:00-19:00h Sunday 20.05.2012, 11:00?14:00h, 16:00-19:00h Location: Fabra i Coats ? F?brica de Creaci?. Sant Adri?, 20. Barcelona. Metro Sant Andreu. +info: [ http://lullcec.org/en/2012/workshops/programacio-audiovisual-mapeig-i-visualitzacio/ ] ------------------------------------------------------------------------ web: [ http://lullcec.org/ ] facebook: [ http://facebook.com/lullcec ] twitter: [ http://twitter.com/lullcec ] From jessefrankmatthews at gmail.com Thu May 10 14:38:23 2012 From: jessefrankmatthews at gmail.com (Jesse Frank Matthews) Date: Thu, 10 May 2012 15:38:23 -0300 Subject: [microsound-announce] "una symphonia della paura" for FANS of Jesu - KTL - Fennesz - Neurosis - Oren Ambarchi - Nadja... In-Reply-To: <4FA98022.6010402@wanadoo.fr> References: <4FA97FD7.6070405@wanadoo.fr> <4FA98022.6010402@wanadoo.fr> Message-ID: *how many hearts do you hold? * * * * * * * * * jfm * * * * * * * * On Tue, May 8, 2012 at 5:20 PM, philippe petit wrote: > > *Hello > hope that this message finds you well > Over here returning from a great US tour with PAS Musique from Brooklyn, > playing 14 gigs and travelling more than 5000 miles > Now to announce the release of my new and darkest album to date on the > cult UTECH Records, below is the press-release in hope you may find it > appetizing.* > > *Thanx for your attention. > > * > > *Philippe Petit: *una symphonia della paura > > http://www.utechrecords.com/** > * > * > > *01. murmurs (feat. Justin Broadrick) 03:53* > > *02. fear has fallen 16:06* > > *03. the dark passenger 06:24* > > *04. diurnal terror 07:14* > > *05. the night has eyes 11:01* > > * * > > For FANS of Jesu - KTL - Fennesz - Neurosis - Oren Ambarchi - Nadja...**** > > The opener is a collaboration Philippe Petit did with Justin Broderick.*** > * > > Petit was so happy with it that he felt an urge to produce more pieces in > that vein and complete a whole suite. The idea was neither to give birth to > one more Neo-Metal record, nor to one more Noise album, instead Petit > dreamt of blending together Phil Spector's "Wall Of Sound" and Lou Reed's > influential "Metal Machine Music"... Building dense mixtures of digital > filtering in order to conjure up a mix of blurred melodies and themes, and > feeding his No?z with loads of twists and turns.**** > > Our "French musical travel agent" explored countless paths and a couple of > years later "Tales Of Fright" was born. > Depicting some epic musical stories... Wandering through spaciousness and > elegance, interspersing fuzzy-buzzing guitar and blissed-out-droney- > drilling textures with post-orchestral or tribal rythms into incandescent > and luxurious massive movements of sound.**** > Rarely has Fright been so alluring, Petit casts his spells on his > listeners with a demanding album, but a very rewarding trip for those > willing to be intrigued... > > > http://www.philippepetit.info/ > > > _______________________________________________ > microsound-announce mailing list > microsound-announce at microsound.org > http://or8.net/mailman/listinfo/microsound-announce > > -------------- next part -------------- An HTML attachment was scrubbed... URL: From tazberry_docs at yahoo.ca Thu May 10 21:47:24 2012 From: tazberry_docs at yahoo.ca (Eldad Tsabary) Date: Thu, 10 May 2012 21:47:24 -0400 Subject: [microsound-announce] Call for 60 second works for 60x60's 10th anniversary Message-ID: Vox Novus is inviting composers/sound artists to submit (fixed) works 60 seconds or less in length to be included in its tenth annual 60x60 project. 60 compositions will be selected to be played continuously in a one-hour concert. Act fast! The deadline is in less than a month! Your works can be considered for multiple mixes, including the International and local mixes (Canada, Europe, NOrth-East, UK) and a variety of other thematic mixes. Please check the appropriate boxes when you submit your work: International mix Canada mix Un-Twelve mix - for microtonal works The Athena mix - for female composers Voice mix - works incorporating the human voice John Mix - for works that are based on recorded natural or urban sounds North American Soundscapes - focusing on urban soundscapes in North America Presenters mix - from composers who presented 60x60 Latin-American mix Europe Mix UK mix North-East mix More information about the call and submit your works here: http://www.60x60.com/calls/ Best, Eldad Tsabary -------------- next part -------------- An HTML attachment was scrubbed... URL: From rwm2008 at gmail.com Fri May 11 08:29:53 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Fri, 11 May 2012 14:29:53 +0200 Subject: [microsound-announce] VARIATIONS, a podcast series on the history of appropriative music curated by Jon Leidecker Message-ID: A compilation of all the episodes available so far of the ongoing series by the plunderphonic musician and historian Jon Leidecker for R?dio Web MACBA. Do not miss this! *VARIATIONS, by Jon Leidecker* The idea of a completely original piece of music is fairly recent. Music was passed on through sound, through generations, even for centuries after the invention of written music. Only in the 14th century did it become standard practice for a composer to sign his name to a piece of music and claim it entirely as his own, giving rise to the cult of the individual composer. But as recording supplanted sheet music in the 20th century, the presence of communal influence became unavoidably obvious once again as composers began to use recordings to make new recordings. We can now hear the presence of more than one voice. And there is a reason why people don't say they listen to a record ? they say that they play a record. From the beginning, recordings have been instruments. *VARIATIONS #1. Transition* Podcast: http://bit.ly/KV8gXc Transcript: http://bit.ly/ggLzop *VARIATIONS #2. The Globe *Podcast: http://bit.ly/IIa07h Transcript: http://bit.ly/eca9yd *VARIATIONS #3. The Approach *Podcast: http://bit.ly/IY5C7G Transcript: http://bit.ly/INIiEF *VARIATIONS #4. The Explosion *Podcast: http://bit.ly/J2S7F0 Transcript: http://bit.ly/KM3Zvm *VARIATIONS #5. The Discipline *Podcast: http://bit.ly/JiPAX8 Transcript: http://bit.ly/J50Q30 *VARIATIONS #6. The Library *Podcast: http://bit.ly/JlxK1Q Transcript: http://bit.ly/J50WHM Episode #7 coming soon! Follow us at http://twitter.com/Radio_Web_MACBA -------------- next part -------------- An HTML attachment was scrubbed... URL: From kim at anechoicmedia.com Fri May 11 18:56:29 2012 From: kim at anechoicmedia.com (Kim Cascone) Date: Fri, 11 May 2012 15:56:29 -0700 Subject: [microsound-announce] reminder: Subtle Listening workshop SF Message-ID: <4FAD991D.8080808@anechoicmedia.com> reminder that the workshop discount ends on the 15th of May so sign up now! http://subtlelistening.eventbrite.com/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From philippe-petit at wanadoo.fr Sat May 12 03:00:54 2012 From: philippe-petit at wanadoo.fr (philippe petit) Date: Sat, 12 May 2012 09:00:54 +0200 Subject: [microsound-announce] tonight my radio show on Campus Grenoble In-Reply-To: <4FAE0A70.1030203@wanadoo.fr> References: <4F87062C.30706@wanadoo.fr> <4FAE0A70.1030203@wanadoo.fr> Message-ID: <4FAE0AA6.6090804@wanadoo.fr> BiP_HOp Generation on RADIO CAMPUS // Grenoble - 90.8 FM Saturday evenings : 20:30 - 21:30 PM ARTIST : SONG "ALBUM" (label) MAY 12 Ron Anderson/Robert L. Pepper/David Tamura/Philippe Petit: #4 "Close Encounters Of The 4 Minds" (Public Eyesore) Tempelhof: we were not there from the beginning? "We Were Not There From The Beginning, We Won't Be There For The End" (Distraction) Fluid/DJ Phys: extract "The Fantasia Mixes" (Alrealon) Machinefabriek: mosaic "Colour Tones" (Fang Bomb) Pollen Trio: passage "Roll Slow" (HelloSquare) Christy & Emily: gueen's head "Tic Tac Toe" (Klangbad) Extra Life: blinded beast "Dream Seeds" (Africantape) The Jeffrey Lee Pierce Sessions Project: I wanna be you "The Journey Is Long" (Glitterhouse) From philippe-petit at wanadoo.fr Sun May 13 03:41:32 2012 From: philippe-petit at wanadoo.fr (philippe petit) Date: Sun, 13 May 2012 09:41:32 +0200 Subject: [microsound-announce] tonight BiP_HOp Generation on Grenouille + John Cage in Nonclassical In-Reply-To: <4FAF6575.1060405@wanadoo.fr> References: <4F87062C.30706@wanadoo.fr> <4FAE0A70.1030203@wanadoo.fr> <4FAF6575.1060405@wanadoo.fr> Message-ID: <4FAF65AC.4090601@wanadoo.fr> Good morning tonight at 00h. in Nonclassical, on Radio Grenouille I'll air John Cage's works for prepaired piano on Naxos Rds and a few hours earlier: BiP_HOp Generation on Radio Grenouille // 88.8 FM Sunday evenings : 21:00 - 22:00 PM // Marseille // France http://ns35904.ovh.net:8080/live.m3u ARTIST : SONG "ALBUM" (label) MAY 13 Newspeak: brennschlusse (composed by Pat Muchmore) "Sweet Light Crude" (New Amsterdam) Hoodlum Shouts: 4000 kms "Young Man Old Man" (HelloSquare) Build: dissolve "Place" (New Amsterdam) Machinefabriek:brown "Colour Tones" (Fang Bomb) Matmos remix Chiara String Qt. # 2 "Jefferson Friedman Quartets (New Amsterdam) Philippe Petit & Friends: eugenia "Cordophony" (HomeNormal) Itsnotyouitsme: always look up (always look up) "Everybody's Pain Is Magnificent" (New Amsterdam) Matteo Uggeri/Luca Mauri/Francesco Giannico: 8:23 am "Pagetos" (Boring Machines) Duane Pitre: live at the stone (extract) "ED 09 For String Ensemble" (Basses Fr?quences) Fear Falls Burning: #1 (extract) "Disorder Of Roots" (Tonefloat) From noishx at gmail.com Sun May 13 08:05:12 2012 From: noishx at gmail.com (oskoff lovich) Date: Sun, 13 May 2012 14:05:12 +0200 Subject: [microsound-announce] Noish - Black Nature - [Hum.rec 2012] Message-ID: *Hi list! It is a placer to share here my last audio work and some code.. The patch is a ensemble using boids lib. I made a gui to control 2 groups of boids wich are conected to 2 sound generator.. The release inagurates HUM.REC Hum.reclabel which will support experimental sounds made ??from the open source philosophy. (Free / Libre and Open Source Software) and in which ?releases? also include the source code. Each release will be available for free download ? high-quality FLAC and also in physical format, in this case in cassette 40 minutes.* * Download FULL ZIP AUDIO (FLAC) + CODE + INFO feedback and comments are wellcome!! enjoy it oscar _ _ _ _ ____ _ _ _ _ _ | \ | | ___ (_)___| |__ | __ )| | __ _ ___| | __ | \ | | __ _| |_ _ _ _ __ ___ | \| |/ _ \| / __| '_ \ _____ | _ \| |/ _` |/ __| |/ / | \| |/ _` | __| | | | '__/ _ \ | |\ | (_) | \__ \ | | | |_____| | |_) | | (_| | (__| < | |\ | (_| | |_| |_| | | | __/ |_| \_|\___/|_|___/_| |_| |____/|_|\__,_|\___|_|\_\ |_| \_|\__,_|\__|\__,_|_| \___| * Noish - Black Nature [hum.rec, 2012] Available in cassette [C20] http://humrec.org/ Release title : black nature by Oscar Martin [noish] http://noconventions.mobi/noish Coded, edited and master @ txukrut studio BCN 2 nov 2011 Software : Pure Data, SuperCollider and Ardour under Ubuntu "lucid" artwork: lcpino http://lcpino.com/ licensed under GPLv3 *Side A : track 001 boids_01 track 002 boids_02 extra 003 eetz_zzz Side B : track 004 karplus track 005 noish vs antom mobin * * Side A* : *track 001* come from a exploration of the sound posibilities of the "boids algorithm" I used the boids lib from Pure Data and some [phasor~] audio generators. (c) 1995-98 Eric L, Singer float/2d/3d adaptation by a. sier / jash Based on Simon Fraser's implementation of Craig Reynolds' Boids algorith. Boids is free for non-commercial use. Boids is a bird flight and animal flock simulator. It is based on the same algorithm which was used in Jurassic Park for the herding dinosaurs. For more information about the boids algorithm, see Craig Reynolds' Web site at http://reality.sgi.com/employess/craig/boids.html *track 002* is a hybrid between boids sound material and sounds generated by "eetz" my previus work still under development. +info about "eetz" audio&code http://www.apo33.org/records/doku.php?id=virtual_records * Side B : 004 Karplus* For this track i used code i found in a supercollider's tutorial random melodies with the Karplus-Strong clasic sound algoritm.. the code could be by Paul Berg, Nick Collins, Alo Allik, Jan Trutzschler, Zlatko Baracskai, Sergio Luque, Jorrit Tamminga, David Cottle, Julio d'Escriv?n.. not too much especifications in the tutorial,, *005 noish vs anton mobin* (extract) live @ A Ma?zing Session #24 (KKWNE radio) very specials thanks to Zorei anton mobin: impro with tape, scratch cassette, delay noish: impro with a Pd patch anton mobin web: http://antonmobin.blogspot.com -- oscar martin && [noish] ::::::::::::::::::::::::::::::::::::::::::::: http://noconventions.mobi/noish http://metaminafnr.hotglue.me/ http://www.minipimer.tv/ http://ursonatefanzine.tk/ --------------------------------------------- -------------- next part -------------- An HTML attachment was scrubbed... URL: From ryan-jordan at hotmail.co.uk Mon May 14 05:25:29 2012 From: ryan-jordan at hotmail.co.uk (Ryan Jordan) Date: Mon, 14 May 2012 09:25:29 +0000 Subject: [microsound-announce] Karkowski + Lukoszevieze + Jordan 17/05 & Workshop 18/05 Message-ID: Zbigniew Karkowski + Anton Lukoszevieze + Ryan Jordan Thursday 17th May 2012 Door Times : 8pm Tickets : ?10 on the door only Cafe OTO, 18 - 22 Ashwin street, Dalston, London, E8 3DL http://nnnnn.org.uk/doku.php?id=zbigniew_karkowski_anton_lukoszevieze_ryan_jordan http://www.cafeoto.co.uk/zbigniew-karkowski.shtm -------------------------------------------------------- composing the Composer: Workshop w/ Zbigniew Karkowski Friday 18th May 2012 12midday - 7pm ?40 / ?30 concs. nnnnn, Unit 73a, Regent Studios, 8 Andrew's Road, London, E8 4QN Workshop followed by short panel discussion with Zbigniew Karkowski, Ryan Jordan, J.-P. Caron, Inigo Wilkins and Richard Whitelaw. Full info:...> http://nnnnn.org.uk/doku.php?id=composing_the_composer -------------- next part -------------- An HTML attachment was scrubbed... URL: From murmer at murmerings.com Mon May 14 06:37:10 2012 From: murmer at murmerings.com (. m u r m e r .) Date: Mon, 14 May 2012 13:37:10 +0300 Subject: [microsound-announce] [framework] playlist #375: 2012.05.13 Message-ID: <4FB0E056.3010506@murmerings.com> /*framework*/ - phonography / field recording; contextual and decontextualized sound activity presented by patrick mcginley /*framework*/ broadcasts: - sunday, 11pm, london, uk on *resonance 104.4fm* (http://www.resonancefm.com) - tuesday, 12:30pm, south devon, uk on *soundartradio 102.5fm* (http://www.soundartradio.org.uk) - wednesday, 2am, thessaloniki, gr on *cooradio* (http://www.cooradio.com) - wednesday, 3am, lisbon, pt on *radio zero* (http://www.radiozero.pt) - thursday, 7pm, lisbon, pt on *radio zero* (http://www.radiozero.pt) - thursday, 11pm, maribor, si on *radio mar? 95.9fm* (http://www.radiomars.si) - friday, 1am, brussels, be on *radio campus 92.1fm* (http://www.radiocampusbruxelles.org) - saturday, 11am, new york state, us on *wgxc 90.7fm* (http://www.wgxc.org) ~ time zone converter: http://www.timeanddate.com/worldclock/converter.html ~ *for general info, playlists, podcasts, or to stream the latest edition at any time: http://www.frameworkradio.net * **************************************************** */FRAMEWORK/ NEEDS YOUR SUPPORT!* **************************************************** your subscriptions & donations help make the production of /*framework*/ possible. visit out website to find out how to become a regular donor, or make a one-time donation here: http://www.frameworkradio.net/donate. * **AND AS A THANK-YOU FOR YOUR DONATION, WE'LL SEND YOU ONE OF OUR /FRAMEWORK EDITIONS/ CD RELEASES: THE LATEST ISSUE OF THE /FRAMEWORK:SEASONAL/ SERIES, OR THE /FRAMEWORK250/ SET!** ** * ------------------------------------------------------------------------ *#375: 2012.05.13* this is our final edition of our *spring fundraiser* and focus on the /*framework:seasonal #2, spring 2012*/ release, featuring the last 3 tracks from the compilation by *camilla hannan*, *pali meursault*, and *lasse-marc riek*, and reminding you loudly, frequently and incessantly: we need you! /*framework*/ is not free to produce, but it /is/ free to hear, and therefore we rely on your generosity and acknowledgement to make production possible. please, if you listen to the show regularly, either via broadcast, streaming or podcast, make a contribution. a one-time donation or a regular monthly contribution of as little as 1? can help ensure that there will be plenty more /*frameworks*/ to come. go to the website now and you can feel good about yourself and enable us to pay our studio rent! and what's more, for your gift you can get yourself a copy of one of our fundraising compliations: /*framework:seaonal issue #1*/ or the new issue /*#2*/, or even one of the now-classic /*framework250*/ 4-disc sets (only 2 or 3 left!). we'll stop going on about it now, at least until june, when a /very/ special /*framework:seasonal #3, summer 2012*/ will be released. stay tuned for details on that as the spring progresses... so this edition's /*framework:seasonal*/ tracks were accompanied by a handful of other great contributions. we heard several excerpts from a wonderful piece by a young local estonian artist who found us recently, *erik illaste*, who we sincerely hope we'll be hearing more from soon. also 3 wonderful tracks from *ann ros?n*'s noisy textural release on the swedish *firework edition* imprint, a single track from an upcoming release by german artist *gabi schaffner*, and another lovely /*framework*/ introduction my regular contributor *martin clarke*. again, we are always looking for material for the show, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated /*framework:afield*/ series. send proposals or material, released or not, on any format, to the address below. if you have any questions, please don't hesitate to get in touch! framework tartu mnt 41 63710 ahja p?lvamaa estonia info at frameworkradio.net ------------------------------------------------------------------------ *(time / artist / track / album / label)* 00:00 - 06:48 / martin clarke / framework intro http://www.rockscottage.net 03:20 - 13:10 / erik illaste / feeding of the dying burning machine /[extract 1]/ / - / - http://soundcloud.com/rubadim-rubadam 08:28 - 15:25 / ann ros?n / krita/chalk / thimble noise / firework edition http://www.annrosen.se, http://www.fireworkeditionrecords.com 14:46 - 23:24 / camilla hannan / straddie / framework:seasonal ::: spring 2012 / framework editions http://www.camillahannan.com, http://www.frameworkradio.net/seasonal/spring2012 21:44 - 26:22 / gabi schaffner / kantele tea party / musiques d'orion / - http://www.schaffnerin.net 25:05 - 32:10 / erik illaste / of the dying burning machine /[extract 2]/ / - / - http://soundcloud.com/rubadim-rubadam 27:37 - 32:50 / ann ros?n / fingerborgsbrus/thimble noise / thimble noise / firework edition http://www.annrosen.se, http://www.fireworkeditionrecords.com 32:20 - 39:47 / pali meursault / offset, flux #1 / framework:seasonal ::: spring 2012 / framework editions http://www.palimeursault.net, http://www.frameworkradio.net/seasonal/spring2012 39:04 - 46:25 / erik illaste / of the dying burning machine /[extract 3]/ / - / - http://soundcloud.com/rubadim-rubadam 40:54 - 49:32 / ann ros?n / text/text / thimble noise / firework edition http://www.annrosen.se, http://www.fireworkeditionrecords.com 46:44 - 57:00 / lasse-marc riek / judenbad, friedberg, germany (jewish bath) / framework:seasonal ::: spring 2012 / framework editions http://lasse-marc-riek.de, http://www.frameworkradio.net/seasonal/spring2012 ------------------------------------------------------------------------ framework intro submissions: 1) take yourself and an audio recorder to a location of your choice 2) record for /AT LEAST/ one minute before you - 3) read aloud the following text: *welcome to framework. framework is a show consecrated to field recording, and its use in composition. field recording, phonography, the art of sound hunting; open your ears and listen!* */[3b) please also feel free to translate this text into your native tongue!] /* 4) continue your recording for /AT LEAST/ two minutes after you have finished speaking 5) post the recording to us on any format, or send us an mp3 thanks! ------------------------------------------------------------------------ drop a note to info at frameworkradio.net to be added to or removed from this mailing list -- |||http://www.murmerings.com ||| -------------- next part -------------- An HTML attachment was scrubbed... URL: From rwm2008 at gmail.com Mon May 14 07:26:13 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Mon, 14 May 2012 13:26:13 +0200 Subject: [microsound-announce] Lecture on collecting library music, by Jonny Trunk: May 16, 9 pm. MACBA Auditorium. Free admission Message-ID: *Lecture on collecting library music, by Jonny Trunk: May 16, 9 pm. MACBA Auditorium. Free admission * Teaser: http://rwm.macba.cat/en/extra/teaser_memorabilia_jonny_trunk/capsula In this hybrid lecture/audition, Jonny Trunk will be sharing his collection of library music records, which he started in 1982 and now contains around 6000 LPs. Also known as *sonorizzazioni*, the term library music encompasses the audio productions made for professional use in the context of film, television and radio. This exciting musical underworld is part of the collective imagination, and yet it remains practically unknown to the general public. Jonny Trunk founded the label Trunk Records in 1995, and it soon gained a cult following as a result of its specialisation in unpublished jazz recordings and film and television soundtracks. Trunk Records was the first label to feature non-commercial "library music", a genre that Trunk has written about extensively. Trunk hosts a radio programme at London radio station Resonance FM, and he regularly DJs around the world. He began collecting records around 1982, but rather than focusing on traditional record stores, he chose to comb second hand outlets and street markets. It didn't take long for him to realise that his obsession was not pop music or modern sounds, but film soundtracks and television music. His record collection now consists of around six thousand LPs. More info: http://www.macba.cat/en/lecture-memorabilia -------------- next part -------------- An HTML attachment was scrubbed... URL: From kyleevans1123 at gmail.com Mon May 14 11:53:39 2012 From: kyleevans1123 at gmail.com (Kyle Evans) Date: Mon, 14 May 2012 10:53:39 -0500 Subject: [microsound-announce] de/Rastra - A new real-time audio/video instrument Message-ID: Hello All, Here is a link to text and video documentation regarding my new performance interface, de/Rastra. *- http://yaktronix.com/derastra <-http://yaktronix.com/derastra-> -* The de/Rastra oscillographic synthesizer is a real-time audio/video instrument and computer-interfacing device that allows a performer to generate visualizations intrinsic to cathode ray tube technology while simultaneously creating the acoustic analog of the displayed imagery. By way of building, bending and mutilating, de/Rastra shows the effects of altering the anatomical makeup of a CRT television, revealing the intrinsically hidden potentials of the technology through the repurposing and restructuring of its own ability. Through hacking and exploiting the capabilities intrinsic to all CRT devices, the technology becomes repurposed as a performative interface, breaking down the device?s ?consumption only? nature. The performer is given control over the technology by removing it from the intended application and forcing it into an active state through a combination of physical and mental effort. The de/Rastra oscillographic synthesizer is an open source project and will eventually be accompanied by tutorials on methods of CRT hacking. Related tutorials can be found at http://www.crackedraytube.com/textstutorials.html but specific information regarding de/Rastra are in progress. Thanks for your attention, -- Kyle E. Evans http://www.yaktronix.com -------------- next part -------------- An HTML attachment was scrubbed... URL: From rwm2008 at gmail.com Tue May 15 12:17:36 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Tue, 15 May 2012 18:17:36 +0200 Subject: [microsound-announce] Compilation of the six COMPOSING WITH PROCESS intros available so far Message-ID: COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC is a podcast series, curated by Mark Fell and Joe Gilmore, exploring generative approaches (including algorithmic, system-based, formalised and procedural) to composition and performance primarily in the context of experimental technologies and music practices of the latter part of the twentieth century and examines the use of determinacy and indeterminacy in music and how these relate to issues around control, automation and artistic intention. You can find the six episodes available so far here: http://rwm.macba.cat/en/composingwithprocess_tag We compiled the six COMPOSING WITH PROCESS intros in a zip file for DJing or whatever! http://rwm.macba.cat/uploads/twitter/cwp_intro.zip -------------- next part -------------- An HTML attachment was scrubbed... URL: From dave at mysterybear.net Tue May 15 21:30:30 2012 From: dave at mysterybear.net (Dave Seidel) Date: Tue, 15 May 2012 21:30:30 -0400 Subject: [microsound-announce] mysterybear drone radio Message-ID: <4FB30336.50107@mysterybear.net> On Sunday, May 27 at 7:30PM EDT, StillStream will broadcast an hour-long "mysterybear drone radio" mix, which will include both live-recorded/analog/improv and generated/digital/composed work and possibly a few words as well. Streaming from http://stillstream.com (direct: http://srv3.electro-music.com:8500/). I hope you'll tune in and listen. - Dave Seidel http://mysterybear.net http://soundcloud.com/mysterybear http://mysterybear.bandcamp.com From devel at thesaddj.com Wed May 16 13:13:02 2012 From: devel at thesaddj.com (Marco Donnarumma) Date: Wed, 16 May 2012 13:13:02 -0400 Subject: [microsound-announce] Donnarumma, Tanaka, Parkinson, Biophysical and mobile music 19th May Message-ID: Dear all, this weekend, a concert of biophysical and mobile music in New York: 19th May h. 8pm Harvestworks FREE** entry 596 Broadway, #602 | New York, NY 10012 Subway: F/M/D/B Broadway/Lafayette, R Prince, 6 Bleeker Info at: http://bit.ly/K1PA9m ~~~~~~~~~~~~~~~~ In a double bill tonight, Marco Donnarumma starts with a performance utilizing the award-winning biophysical instrument Xth sense, that he teaches this weekend in a class at Harvestworks. This is followed by Adam Parkinson's and Atau Tanaka's exploitation of a common consumer electronics device, the iPhone. ~~~~~~~~~~~~~~~~ Marco Donnarumma's Music for Flesh II is a seamless mediation between human biosonic potential and algorithmic composition. By enabling a computer to amplify and augment the muscle sounds of human tissues, the work approaches the biological body as a means for computational artistry. Adam Parkinson & Atau Tanaka reappropriate the iPhone and its advanced technical capabilities to transform the consumer object into an expressive musical instrument for concert performance. In a duo, with one in each hand, they create a chamber music, 4-hands iPhone. hope to see some of you there, best wishes, -- Marco Donnarumma New Media + Sonic Arts Practitioner, Performer, Teacher, Director. ACE, Sound Design MSc by Research (ongoing) The University of Edinburgh, UK ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Portfolio: http://marcodonnarumma.com Research: http://res.marcodonnarumma.com | http://www.thesaddj.com | http://www.flxer.net Director: http://www.liveperformersmeeting.net -------------- next part -------------- An HTML attachment was scrubbed... URL: From doranmas at gmail.com Thu May 17 08:21:43 2012 From: doranmas at gmail.com (Doran Massey) Date: Thu, 17 May 2012 08:21:43 -0400 Subject: [microsound-announce] mproTech Paris-New York 2012 : Improvisation & Technology Message-ID: Conferences, Workshops & Performances :: May 16-18, 2012 May 16th: Concert at Roulette, 8:30 pm May 17th: NYU (Steinhardt) lectures/demo/performances, 9:30-6pm May 18th: Columbia (Prentis Hall) lectures/demo/performances, 9:30-6pm May 18th: Columbia (Prentis Hall) Concert, 8pm The ImproTech Paris - NYC 2012 workshop is dedicated to the exploration of the links between musical improvisation and digital technologies. Gathering researchers and artists from both research & creation scenes, it favors the idea of using digital intelligence as a source of continuous and sophisticated creation, in acomplex interaction with live musicians, as opposed to mere decorative digital effects. Distributed over 3 sites (Roulette, NYU, Columbia) the event combines concerts, presentations, demos and workshops and features such great artists as Roscoe Mitchell, Steve Coleman, George Lewis, Geri Allen, Bernard Lubat, Margaret Lancaster, Steve Lehman, Vijay Iyer, Mari Kimura, Esther Lamneck, Raphael Imbert, Lori Freedman, Brice Martin, Laurent Mariusse, Sylvain Roux, Les Emeudro?des and many others (see the List of participants and the Events Schedule .) Complete Info at : http://repmus.ircam.fr/improtechpny -------------- next part -------------- An HTML attachment was scrubbed... URL: From rwm2008 at gmail.com Thu May 17 08:38:53 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Thu, 17 May 2012 14:38:53 +0200 Subject: [microsound-announce] Conversation with Jonny Trunk on his record collection (specialised on film and library music) Message-ID: *Conversation with Jonny Trunk on his sound collection * Link: http://bit.ly/KhNsK8 PDF: http://bit.ly/JTjEXg This is a conversation by email with record collector Jonny Trunk, which took place on April-May 2012, to prepare a monograph on his library music collection. Jonny Trunk founded the label Trunk Records in 1995, and it soon gained a cult following as a result of its specialisation in unpublished jazz recordings and film and television soundtracks. Trunk Records was the first label to feature non-commercial library music, a genre that Trunk has written about extensively. Trunk hosts a radio programme at London radio station Resonance FM, and he regularly DJs around the world. He began collecting records around 1982, but rather than focusing on traditional record stores, he chose to comb second hand outlets and street markets. It didn?t take long for him to realise that his obsession was not pop music or modern sounds, but film soundtracks and television music. His record collection now consists of around six thousand LPs and his library music collection focuses on the period from 1966 to 1978 and exhaustively explores british, french, italian and german productions. Follow us at http://twitter.com/Radio_Web_MACBA -------------- next part -------------- An HTML attachment was scrubbed... URL: From bonequi at gmail.com Thu May 17 09:03:10 2012 From: bonequi at gmail.com (julian bonequi) Date: Thu, 17 May 2012 15:03:10 +0200 Subject: [microsound-announce] 18.05.12 || RAM.04: SOLOS: ZEGER VANDENBUSSCHE || DEREK SHIRLEY || ANIMATION: NAMTES Message-ID: 18.05.12 || RAM.04 Join us at K77 | Salon Bruit: RAM | New monthly series at K77 Kino co-curated and hosted by Audition Records & Salon Bruit. http://auditionrecords.com/ram.php RAM.04: TWO SOLOS 1. ZEGER VANDENBUSSCHE (BE) | "instant compositions" for saxophone & bass clarinet | http://www.myspace.com/zegervandenbussche Zeger Vandenbussche studied philosophy at the university of Gent and Sevilla and saxophone at the royal conservatory of Gent, Belgium. Being an active member of the Belgian jazz and improvisational music scene, he toured in Belgium, Holland, Germany, France, Italy, Spain and Portugal, playing reed instruments and double bass. Zeger claims to be musically influenced by the sound of spinning neutrons, multiplying cells, sunbeams penetrating the atmosphere, but considering the frequency range of the humanoid ear, that?s highly unlikely. Attracted by the thriving population of skylarks in Flughafen Tempelhof he recently relocated to Berlin. 2. - SCREENING NAMTES (PERU, Berlin) | Commissioned animation with music by LOUP (FR) | https://vimeo.com/namtes >>>filmmaker>>>3d>>>video generative>>>explorer>>>I dont know>>>whatever>>>>>>>voyeurist>>>>>>> Born in Peru, lived in Mexico and Barcelona. Currently in Berlin. ANYWHEREISNOTYOURPLACE 3. DEREK SHIRLEY (CA) | "bau des kabinets" (for solo Kontrabass) | http://www.soundimplant.com/derekshirley Derek Shirley, multi-instrumentalist (Kontrabass, cello, drums, electronics) based in Berlin. Active in the improvised/experimental music scene, focusing on low frequency minimalism in both improvised and composed realms. Performs actively with such groups as Monno, Vladislav Delay Quartet, Hotelg?ste, MEK, obliq, coal oven, ruby3 and unununium. And in various collaborations with such musicians as: Sven Ake Johansson, Chris Abrahams, Steve Heather, Anat Cohavi, Tobias Delius, Antoine Chessex, Lucio Capece, Mika Vanio, Michael Thieke, Robin Hayward, Justin Haynes, Dave Bennett, Allesandro Bossetti, Tony Buck. Derek Shirley on Audition: [ar064] MONNO | Live Archives 2000-2005 | http://auditionrecords.com/ar064.php READ MORE RAM | A documentary project by AR http://auditionrecords.com/ram.php http://salonbruit.org/ Kastanienallee 77. 10435. Prenzlauer Berg Doors 21:30 - Concert 22:30 -------------- next part -------------- An HTML attachment was scrubbed... URL: From andrecastro at c-e-m.org Thu May 17 10:35:00 2012 From: andrecastro at c-e-m.org (andre castro) Date: Thu, 17 May 2012 16:35:00 +0200 Subject: [microsound-announce] Tactile Noise Machines Workshop - WORM(Rotterdam) - 26/05 Message-ID: <4FB50C94.8060204@c-e-m.org> :::: Tactile Noise Machines Workshop!! At WORM(Rotterdam) on the 26th of May :::: http://www.worm.org/home/view/event/1423 Do come and join us making some loud and fun noise machines. This workshop will be dedicated to constructions of touch-reactive noise machines. Such devices, based on a simple amplifier chip, are able to produce a variety unexpected tones and textures, depending on the position, humidity and pressure of the fingers touching its circuits' contact-points. The body becomes part of the machines' electrical flux, and is directly responsible for the generation of sound. Such characteristics turn them into amusing sonic puzzles open to sensorial exploration. By the end of the workshop, apart from taking home an instrument of their own design, guaranteed to put and end to the neighbours' peace, participants will become familiar with basic knowledge of electronics and circuit building. Participants are asked to bring non-metallic objects, such as boxes, buckets, tupperwares, etc, to house their tactile noise machines. All levels of experience welcomed. -- _ (` ). http://www.andrecastro.info/ _( '`. .=(`( . ) .-- (( (..__.:'-' .+( ) `( ) ( . ) ` __.:' `-' '- --..,___.--,--'-,---..-.--+--.,,-,,... From hatam at drfz.de Thu May 17 12:18:15 2012 From: hatam at drfz.de (Farah Hatam) Date: Thu, 17 May 2012 18:18:15 +0200 Subject: [microsound-announce] Reinhold Friedl & Dirk Dresselhaus Concert May 18 Fri @ NK Berlin In-Reply-To: References: Message-ID: sorry for any x-postings Friday May 18 Doors 21:30 Concert 22:00 @ NK Elsenstr. 52 2HH 2Etage 12059 Berlin www.nkprojekt.de Reinhold Friedl on Inside-Piano with Dirk Dresselhaus on Electronics, Modular system and other devices processing the piano sounds through a system of effect loops. Reinhold Friedl Born in Baden-Baden, lives in Berlin. Studied piano in Stuttgart with Renate Werner and Paul Schwarz, in Berlin with Alan Marks and Alexander von Schlippenbach. Composition with Witold Szalonek and Mario Bertoncini. He also studied pure mathematics (set theory, logic and topology). Scolarships in Paris, Rome, Marseille, Amsterdam. Concerts in Europe, North-America, Australia and Japan. Numerous CDs and broadcasting recordings, as well as professional articles and radio features (WDR Cologne etc). Reinhold Friedl is founder and artistic director of zeitkratzer. As a composer he got commissions a.o. from the Berlin City, Wien Modern Vienna (Xenakis[a]live!), the BBC London (1st string quartet), Berliner Festspiele & ZKM Karlsruhe (?Neo-Bechstein?), the French State (2nd String Quartet). He developed new techniques of playing a grand-piano on the strings and invented for that the term ?Inside-Piano?. www.reinhold-friedl.de www.zeitkratzer.de Schneider TM / Dirk Dresselhaus ? short bio: Dirk Dresselhaus was born 1970 in Bielefeld, Germany. Since the late 80?s he is active in different musical fields. From 1989 until 1997 he played and sang in indie-noiserock- and pop-bands like Locust Fudge or Hip Young Things before he became more active in electronic music around 1997 with his project Schneider TM, which is responsible for a couple of experimental electro-freak-pop albums and mini-hits like ?Reality Check? or a coverversion of a song by The Smiths called ?The Light 3000? (w/ Kptmichigan). Next to many one-off projects like composing and recording music for movies (1. Mai, 66/67, Polnische Ostern etc.), theater (The Scorpionfish, Louis & Bebe w/ Joanna Dudly) or radioplays (Release, Hochhaus w/ Paul Plamper), he plays & records with freeform noise-projects like Angel (w/ Ilpo V?is?nen of Pan sonic), Mr. Schmuck?s Farm (w/ Hildur Gudnadottir of Lost In Hildurness / Mum etc.) and Real Time (w/ Reinhold Friedl of Zeitkratzer) on a regular basis. Since quite a while he frequently plays improv concerts on varying instruments like guitar, electronics, balaphon or using fieldrecordings, sometimes solo and other times together with Jochen Arbeit (of Einst?rzende Neubauten, Die Haut), Damo Suzuki (ex-Can), the japanese dancer Tomoko Nakasato and others. In 2007 Dirk Dresselhaus and Michael Beckett started their own (online-) label MirrorWorldMusic. www.schneidertm.net www.mirrorworldmusic.com From dfkettle at gmail.com Thu May 17 13:54:33 2012 From: dfkettle at gmail.com (David) Date: Thu, 17 May 2012 13:54:33 -0400 Subject: [microsound-announce] Compilation of the six COMPOSING WITH PROCESS intros Message-ID: Hi! Downloaded the zip file, but when I tried to open it, I got an error saying it was invalid format. Anyone else have the same problem? Or is it me? > Message: 2 > Date: Tue, 15 May 2012 18:17:36 +0200 > From: Radio Web MACBA > To: Microsound Announce > Subject: [microsound-announce] Compilation of the six COMPOSING WITH > ? ? ? ?PROCESS intros available so far > Message-ID: > ? ? ? ? > Content-Type: text/plain; charset="iso-8859-1" > > COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC is a > podcast series, curated by Mark Fell and Joe Gilmore, exploring generative > approaches (including algorithmic, system-based, formalised and procedural) > to composition and performance primarily in the context of experimental > technologies and music practices of the latter part of the twentieth > century and examines the use of determinacy and indeterminacy in music and > how these relate to issues around control, automation and artistic > intention. You can find the six episodes available so far here: > http://rwm.macba.cat/en/composingwithprocess_tag > > We compiled the six COMPOSING WITH PROCESS intros in a zip file for DJing > or whatever! ?http://rwm.macba.cat/uploads/twitter/cwp_intro.zip From yves_tk at gmx.net Fri May 18 03:57:53 2012 From: yves_tk at gmx.net (Yves@GMX) Date: Fri, 18 May 2012 09:57:53 +0200 Subject: [microsound-announce] Pierre Bastien, Seth Nehil & K11 live Message-ID: Fr. 25.05.2012, doors: 20.00h, first concert: 20.30h tickets: 10 eur aufabwegen presents: Geraeuschwelten #64 PIERRE BASTIEN (Toy instruments, Rephlex) & SETH NEHIL (Field recording compositions, USA) & K11/ PIETRO RIPARBELLI (sounds from old caves & catacombs) Black Box/cuba Achtermannstr. 12, 48143 Muenster Heute wird es verspielt in der Reihe Ger?uschwelten. Mit dem Franzosen Pierre Bastien kommt ein K?nstler nach M?nster, der experimentellen Entdeckergeist und Klangt?ftelei in die Clubs gebracht hat. Bastien frickelt mit selbstentworfenen kybernetischen Apparaturen und l?sst diese ihre eigenen Beats kl?ppeln. Mit diesem Ansatz hat er es bis auf das Label von Aphex Twin, Rephlex, geschafft! Kontrastreich stehen diesem Konzert zwei weitere Gigs zur Seite. Seth Nehil ist Theoretiker und Vordenker der Field Recordings Szene: er schafft eigene Kompositionen ausschlie?lich aus Ger?uschen der Umwelt, die er neuartig zusammensetzt und kombiniert. Der italienische K?nstler Pietro Riparbelli aka K11 erforscht die klanglichen Eigenschaften von Grotten, Katakomben und Kathedralen indem er in diesen R?umen extreme Frequenzen und elektronische Kl?nge abspielt und anschlie?en wieder aufnimmt. Ger?uschwelten wird gef?rdert durch das Kulturamt der Stadt M?nster, den Beauftragten der Bundesregierung f?r Kultur und Medien sowie durch den deutsch-franz?sischen Fond f?r zeitgen?ssische Musik / Impuls neue Musik. Info: www.aufabwegen.de www.blackbox-muenster.de www.pierrebastien.com www.sethnehil.artdocuments.org www.pt-r.com ++++++++++++ 25.05.2012: Geraeuschwelten #64 w/ Pierre Bastien, Seth Nehil, K11/Pietro Riparbelli live in Muenster 26.&27.05.2012: "hidden currents" concerts in total darkness at moers festival w/ John Duncan, Lasse-Marc Riek, Seth Nehil, K11/Pietro Riparbelli, Ronnie Sundin ++++++++++++ ---------------- a u f a b w e g e n | Till Kniola Lindenburger Allee 20 | 50931 Cologne | Germany label & magazine: http://www.aufabwegen.com mailorder: http://www.aufabwegen.de/catalog asmus tietchens: http://www.tietchens.de ----------------- From macumbista at googlemail.com Fri May 18 09:02:07 2012 From: macumbista at googlemail.com (Derek Holzer) Date: Fri, 18 May 2012 15:02:07 +0200 Subject: [microsound-announce] UPDATE: SoundBoxes Workshop Berlin Message-ID: <4FB6484F.60302@gmail.com> Hi folks, I wanted to inform you that there are still places in the Soundboxes workshop available, and that the public presentation will be held at O'Tannenbaum, near Hermannplatz in Berlin-Neukoelln on Sunday 27 May at 20:00. I will also play a short live set for DIY electronics, found objects and speakerbox. Hope to see you there! Best, Derek *** SOUNDBOXES WORKSHOP with DEREK HOLZER Workshop: May 26 & 27, 2012, Time 11-19 Workshop Venue: NK Projekt, Elsenstr. 52 2HH 2Etage, Berlin Neukoelln Presentation + live Macumbista set: Sunday May 27 2012, Time 20.00 Presentation Venue: O?Tannenbaum, Sonnenallee 27, Berlin Neukoelln Discover the hidden sonic qualities of objects from our everyday world in this workshop, combining the arts of electronics, noise, sculpture and collage. The basic elements we will employ are a wooden box, a speaker, a small audio amplifier, and a contact microphone. To this, brave box-builders will add their own found objects, graphics, images, memories and ideas to create a unique electroacoustic cabinet of curiosities. No previous electronics experience is necessary for this workshop. Each participant is required to bring several items to the workshop, please see below. TIMETABLE Day One: Introduction to simple noise/electroacoustic electronics, circuit soldering. Day Two: Box-building, decoration and collage, experimentation with found objects as sound sources. Final Presentation: All participants will present their finished soundboxes to the public at the end of the second day! WHAT TO BRING I will provide most of the tools and materials necessary for constructing the box, however there are a few things you should bring yourself: 1) A BOX: This should be made of thin wood or very strong cardboard. Plastic can be also used, but it doesn?t sound very good. And please, no metal! It is too difficult to cut and drill with the tools we will have. This box should be a minimum of 10x10x4cm, or bigger if you want to use a larger speaker or have more room to decorate and add objects. Cigar boxes, small suitcases, instrument cases or jewelry/silverware boxes are all good things to look for. At least one side of the box should be no more than 5mm thick, to allow the hardware to be mounted. 2) A SPEAKER (OPTIONAL): I will have a selection of speakers for participants to use. However, if you have something special please bring it along, but please make sure it fits in the box you have chosen! 3) FOUND OBJECTS: Please bring as many found objects as you can to decorate your soundbox or use as a sound source via the contact microphone. Bones, shells, small sticks, bells, strings, wires, springs (especially!) or anything else made out of solid yet resonant material make great sound sources. Photographs, cloth, leather, paper or any other kind of material can be useful for covering the box and making collages. Paint, markers and pens may also be useful. 4) EFFECTS PEDALS (OPTIONAL): Any kind of battery-powered effects pedals, such as distortions, filters or delays, can be very useful in creating more nonlinearities in the feedback loop. FURTHER INFO: The NK Projekt?s page for this workshop: http://www.nkprojekt.de/soundboxes-workshop-with-derek-holzer/ You can see videos and photos from previous SoundBoxes workshops here: http://macumbista.net/?page_id=1897 Or use the ?soundboxes? tag to see all posts related to SoundBoxes: http://macumbista.net/?tag=soundboxes ABOUT THE INSTRUCTOR: Derek Holzer (1972) is an American sound artist based in Berlin, whose current interests include DIY analog electronics, sound art, field recording and the meeting points of electroacoustic, noise, improv and extreme music. He has played live experimental sound, as well as taught workshops in noise art technology, across Europe, North America, Brazil and New Zealand. http://macumbista.net/ BASIC INFO: Fee: EUR 35 (participation) + EUR 10 (materials) Registration is required and can be done by sending an email to info at nkprojekt.de with the subject line ?SoundBoxes? Number of Participants: Minimum 6/Maximum 14 Location: NK Projekt Elsenstr. 52 2HH 2Etage 12059 Berlin +49(0)17620626386 -- derek holzer noise.art.technology http://macumbista.net From aspnews at astrangerparadise.com Fri May 18 09:07:01 2012 From: aspnews at astrangerparadise.com (A Stranger Paradise) Date: Fri, 18 May 2012 15:07:01 +0200 Subject: [microsound-announce] ASP : Transmission #17 Message-ID: <414e665df11a0565bcae851170d97c04@A Stranger Paradise> This email contains graphics, so if you don't see them, view it in your browser ( http://astrangerparadise.com/index.php?option=com_acymailing&ctrl=archive&task=view&mailid=22&key=da18b8a89cf412d452af99f67c92fbc0&subid=5339-1186e35c7c503426c478657d461f1276 ). Axys/News ( http://astrangerparadise.com/ ) | OFF/BRUMA ( http://astrangerparadise.com/off-bruma/ ) | Web.Radio ( http://astrangerparadise.com/strange-frequencies-radio ) | Web.TV ( http://astrangerparadise.com/tv ) | OMNICORN ( http://omnicorn.com ) | Airf'Auga ( http://omnicorn.com/airfauga ) offb029 Classwar Karaoke - Octa?dre Resonant ( http://astrangerparadise.com/index.php?option=com_k2&view=item&id=258:offb029-classwar-karaoke-octa?dre-resonant ) Read More ( http://astrangerparadise.com/index.php?option=com_k2&view=item&id=258:offb029-classwar-karaoke-octa?dre-resonant ) Recorded Live at Les Vo?tes - Paris - 21st April - Octa?dre Resonant - an octet in two movements for electro-acoustic instruments, guitars, bass, prepared chamber, effects pedals, machinery, electronics, tapes, monotron, goyamoog, kaossilator, objects, with Adrian Beentjes, Anton Mobin, Ayato, Colin... offb028 Ian Linter - Epsilonia ( http://astrangerparadise.com/index.php?option=com_k2&view=item&id=256:offb028-ian-linter-epsilonia ) Read More ( http://astrangerparadise.com/index.php?option=com_k2&view=item&id=256:offb028-ian-linter-epsilonia ) This recording was made on the 9th February 2012, during the live improvisation for the cult French underground radio program Epsilonia (Squadra Lumaca division) at Radio Libertaire studios, Paris. offb027 Tina Blue - 06 ( http://astrangerparadise.com/index.php?option=com_k2&view=item&id=254:offb027-tina-blue-06 ) Read More ( http://astrangerparadise.com/index.php?option=com_k2&view=item&id=254:offb027-tina-blue-06 ) The consecration concert of Tina Blue and her Big Band, celebrated on the 31st of October 2011, a rare occasion for her fans spread all over the world to share the myth of this all-time exponent of the Big Band Jazz. Video Classwar Karaoke - Octa?dre Resonant La Soci?t? de Curiosit?s, A Stranger Paradise et Classwar Karaoke pr?sentent OCTAEDRE RESONANT, un octuor en deux mouvements pour instruments ?lectro-acoustiques, guitares, basse, chambre pr?par?e, p?dales d'effets, machines, circuits ?lectroniques, cassettes, monotron, goyamoog, kaossilator, objets, avec ADRIAN BEENTJES, ANTON MOBIN/AYATO, COLIN JOHNCO, DAVID CUNLIFFE,HOPEK QUIRIN, IAN LINTER, MURMURISTS, THOMAS FERNIER Jos?phine Muller and Ian Linter - Live at La Miroiterie Jos?phine Muller & Ian Linter Live at La Miroiterie, Paris. 20th April 2012. Ian Linter - Live at Epsilonia Live improvisation for the cult French underground radio program Epsilonia (Squadra Lumaca division) at Radio Libertaire studios, Paris. 9th February 2012. Not interested any more? Unsubscribe ( http://astrangerparadise.com/index.php?option=com_acymailing&ctrl=user&task=optout&mailid=22&subid=5339&key=1186e35c7c503426c478657d461f1276 ) From ryan-jordan at hotmail.co.uk Fri May 18 09:38:47 2012 From: ryan-jordan at hotmail.co.uk (Ryan Jordan) Date: Fri, 18 May 2012 13:38:47 +0000 Subject: [microsound-announce] Oi! noise=noise TONIGHT Message-ID: tonight 6 or 7pm onwards donation ?5 ZBIGNIEW KARKOWSKI J-P CARON LEE GAMBLE RYAN JORDAN +++ loads of others Friday 18th May 2012 17:30-18:30 Panel discussion: noisecomposition (Zbigniew Karkowski, Ryan Jordan, J.-P. Caron, Inigo Wilkins and Richard Whitelaw) 19:00-late Concert (Zbigniew Karkowski & composing the Composer participants, Ryan Jordan, J.-P. Caron, Lee Gamble) http://nnnnn.org.uk/doku.php?id=composing_the_composer Unit 73a, Regent Studios, 8 Andrew's Road, E8 4QN -------------- next part -------------- An HTML attachment was scrubbed... URL: From maxbleu at yahoo.com Fri May 18 13:04:58 2012 From: maxbleu at yahoo.com (max tanguay) Date: Fri, 18 May 2012 10:04:58 -0700 (PDT) Subject: [microsound-announce] (no subject) Message-ID: <1337360698.83898.YahooMailNeo@web110701.mail.gq1.yahoo.com> hello! i just updated the pertin-nce blog.. (many free net releases, dub techno stuff) featuring releases and dj mixes by: ? dubloop (lp) michel plamondon (ep) miniatura (v/a compilation) bleep sequence (v/a compilation) deep in dub (v/a compilation) cyan (dj mix) hemiptera (live pa) bleupulp (live pa & dj mix) phonaut (dj mix) spag (dj mix) laminat (dj mix) dj x612 (dj mix) CLMNTL (dj mix) mon0 (ep) ? check out, stream & download : ? http://pertin-nce.blogspot.ca ? peace out! - max ? net label : pertin-nce.ca me : soundcloud.com/bleupulp -------------- next part -------------- An HTML attachment was scrubbed... URL: From incite at gmx.de Fri May 18 15:19:38 2012 From: incite at gmx.de (incite at gmx.de) Date: Fri, 18 May 2012 23:19:38 +0400 Subject: [microsound-announce] incite/ live in Moscow Message-ID: <58288E9B-99EC-475E-BE47-6EB6D14DFB0E@gmx.de> incite/ live @ PLUMS Festival Moscow Saturday, May 19th Artplay Centre of Design (ex Manometr Factory) 10 Nizhnyaya Siromyatnichyeskaya , Moscow http://artplay.ru/ other artists to perform: Paul Prudence (UK) and many russian artists to discover!! http://plumsfest.ru/people/ http://www.facebook.com/plumsfest !!! awarded at qwartz award 2012 !!! http://qwartz.fr/2012/04/02/qwartz-8-les-laureats-au-centquatre-a-paris-le-29-mars-2012/ --- incite/ eye-catching experimental audiovisual art dynamic distorted idm-beats criss-crossing art and club worlds immersive synaesthetic experience for ears and eyes http://www.incite.fragmentedmedia.org http://www.incite.fragmentedmedia.org/images/incite-infotext.pdf http://www.facebook.com/pages/incite/184807865948 http://vimeo.com/incitefm --- -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at mwsae.org Fri May 18 15:27:45 2012 From: info at mwsae.org (MSAE Admin) Date: Fri, 18 May 2012 14:27:45 -0500 Subject: [microsound-announce] The Global Composition - Early bird registration deadline extended until May 24, 2012! Message-ID: Dear Friends, I am passing on this announcement from the conference organizer... For the conference "The Global Composition" (July 25-28 in Darmstadt/Germany) the "Early Bird" registration deadline was extended until May 24. To take advantage of a reduced conference fee, participants have to register at the latest by May 24, 2012: http://www.the-global-composition-2012.org/registration.html All the best, Eric -- Eric Leonardson, President American Society for Acoustic Ecology Founder, Midwest Society for Acoustic Ecology Executive Director, World Listening Project Email: info at mwsae.org Web: http://mwsae.org FB: http://www.facebook.com/MidwestSociety.AcousticEcology Twitter: http://twitter.com/MidwestSocAE Skype: worldlistening Mobile: 773-342-5012 From philippe-petit at wanadoo.fr Sun May 20 05:50:48 2012 From: philippe-petit at wanadoo.fr (philippe petit) Date: Sun, 20 May 2012 11:50:48 +0200 Subject: [microsound-announce] tonight BiP_HOp Generation on Grenouille In-Reply-To: <4FAF6575.1060405@wanadoo.fr> References: <4F87062C.30706@wanadoo.fr> <4FAE0A70.1030203@wanadoo.fr> <4FAF6575.1060405@wanadoo.fr> Message-ID: <4FB8BE78.9010806@wanadoo.fr> hope that you are enjoying your sunday tonight in my radio show: BiP_HOp Generation on Radio Grenouille // 88.8 FM Sunday evenings : 21:00 - 22:00 PM (19:00 - 20:00 GMT) // Marseille // France http://ns35904.ovh.net:8080/live.m3u ARTIST : SONG "ALBUM" (label) MAY 20 Jody Redhage: paint box(composed by Anna Clyne) "Of Minutiae And Memory" (New Amsterdam) Dictaphone: maelbeek "Poems From A Rooftop" (Sonic Pieces) Lefdup, Lefdup & Lefdup feat. A. Ferrari & C. Cole: cannabis "VA. Objets Noirs Et Choses Carr?es. Nino Ferrer Revisited" (Optical Sound) L?ger: dracula's chauffeur wants more "Concrete Light" (Giradiscos) Katherine Young: some people say that she doesn't exist "Further Secret Origins" (Porter) The Jazzfakers: flower cacophony "Two" (PAS Records) PAS: telepathy rain race "Flanked By Women And Pumpkins" (Alrealon Musique) Black Saturn: minor affliction "Ned Jackson Is My Little Brother" (Alrealon Musique) BlueSausage Infant: radiant arc "Flight Of The Solstice Queens" (Zeromoon) Ember Schrag: houston "Sewing Room" (Single Girl/Married Girl) Philippe Petit & Friends: motion-pictured "Cordophony" (HomeNormal) Gregory Spears: kyle - libera me - lux aeterna "Requiem" (New Amsterdam) From murmer at murmerings.com Mon May 21 05:18:30 2012 From: murmer at murmerings.com (. m u r m e r .) Date: Mon, 21 May 2012 12:18:30 +0300 Subject: [microsound-announce] [playlist] framework radio #376: 2012.05.20 Message-ID: <4FBA0866.3070607@murmerings.com> framework radio phonography ::: field recording ::: the art of sound-hunting open your ears and listen! ------------------------- framework broadcasts: - sunday, 11pm, london, uk on resonance 104.4fm (http://www.resonancefm.com) - tuesday, 12:30pm, south devon, uk on soundartradio 102.5fm (http://www.soundartradio.org.uk) - wednesday, 2am, thessaloniki, gr on cooradio (http://www.cooradio.com) - wednesday, 3am, lisbon, pt on radio zero (http://www.radiozero.pt) - thursday, 7pm, lisbon, pt on radio zero (http://www.radiozero.pt) - thursday, 11pm, maribor, si on radio mar? 95.9fm (http://www.radiomars.si) - friday, 1am, brussels, be on radio campus 92.1fm (http://www.radiocampusbruxelles.org) - saturday, 11am, new york state, us on wgxc 90.7fm (http://www.wgxc.org) ~ time zone converter: http://www.timeanddate.com/worldclock/converter.html ~ for general info, playlists, podcasts, or to stream the latest edition at any time: http://www.frameworkradio.net **************************************************** SUPPORT FRAMEWORK! **************************************************** your contributions make framework possible. sign up as a regular donor, or make a one-time donation here: http://www.frameworkradio.net/donate. and as a thank-you for a donation of 18? or more, we'll send you the latest issue of our framework:seasonal cd series! ------------------------- #376: 2012.05.20 here it is, folks: our first shiny new we-have-entered-the-21st-century (albeit a little late) playlist mailing! we think we've got it all working now - automatic subscriptions forms are online at our website (at the bottom of the sidebar on each page) and on our facebook page (the 'email signup' button just below our profile picture). we imported our previous mailing list (as always, we only have addresses on our list that have explicitly opted in), but it's always possible we screwed it up, so if you're getting this and you're not meant to be, just let us know. likewise if you want it but you're not receiving it directly, just sign yourself up. you can also change your preferences via the links at the bottom, to receive a plaintext version, for example, or a mobile version. let us know what you think! so now on to the show: this edition of framework:afield has been produced in australia by jay-dea lopez. for more information see his website at http://soundslikenoise.wordpress.com. from jay-dea: The Menace of Sound "We often think of the sonic world in binary terms: beautiful verses ugly (sound verses noise). While there is some validity in these categories I would suggest that the two cannot exist in isolation from each other. There is a point at where the two extremes must meet, bleeding into an ambiguous domain that haunts the listener with its uncertainty. For me this domain is where the most interesting experiences can be found for both the artist and the audience. In this show the simple sounds of crickets, wind, wire, bridge cables, commercial spaces, and seals are recontextualised into a world which resonates with menace. It is to the artists' credit that they never resort to cheap theatrics, instead choosing to build tension through well-crafted layerings and juxtapositions of natural and industrial sounds." again, we are always looking for material for the show, whether raw field-recordings, field-recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated framework:afield series. send proposals or material, released or not, on any format, to the address at the bottom of this mail. if you have any questions, please don't hesitate to get in touch! ------------------------- (time / artist / track / label) 01:20-11:54 / Hildergard Westerkamp / Cricket Voice / empreintes DIGITALes 11:54-21:26 / Craig Vear / Cravasse Blue / Mille Plateau 21:26-22:31 / Robert Noone and Michael Paul / Seal Sounds (fragment - from the movie Encounters at the End of the World) / THINK Film 22:31-27:35 / Simon Wetham / Connections (fragment) / 3leaves 27:35-30:11 / The Wired Lab / Sputnik Wires (fragment) / http://wiredlab.org 30:11-35:10 / Philip Reeder / Sail Song / http://www.philipreeder.com 35:10-36:45 / David Burraston / Bee Hive / http://www.noyzelab.com 36:45-50:27 / Michael Trommer / Greyfields / Audio Gourmet 50:27-54:16 / James Wyness / The Bridge (fragment) / Green Field Recordings 54:16-56:20 / Robert Noone and Michael Paul / Seal Sounds (fragment - from the movie Encounters at the End of the World) / THINK Film ------------------------- framework intro submissions: 1) take yourself and an audio recorder to a location of your choice 2) record for AT LEAST 1 minute before you - 3) read aloud the following text (in english or translated): welcome to framework. framework is a show consecrated to field-recording, and its use in composition. field-recording, phonography, the art of sound hunting; open your ears and listen! 4) continue recording for AT LEAST 2 minutes after the text 5) post the recording to us on any format, or send us an mp3 ????????????????????????????????????????????? framework ????????????????????????????????????????????? :: http://www.frameworkradio.net :: info at frameworkradio.net :: :: http://www.facebook.com/frameworkradio :: http://www.frameworkradio.net/podcast :: http://www.frameworkradio.net/donate ????????????????????????????????????????????? :: tartu mnt 41 :: 63710 ahja :: p?lvamaa :: estonia ????????????????????????????????????????????? mailing list: http://eepurl.com/lQBOT From steiner at block4.com Mon May 21 10:24:53 2012 From: steiner at block4.com (Malte Steiner) Date: Mon, 21 May 2012 16:24:53 +0200 Subject: [microsound-announce] Pd-berlin meeting next tuesday, 22th May Message-ID: <4FBA5035.4000402@block4.com> Hello, next tuesday, 22th May 20:00, will be the next meeting of Pure Data users in Berlin at NK (http://www.nkprojekt.de/) - Elsenstr. 52, 2HH 2Etage. For more information, look up http://puredata.info/community/groups/pd-berlin/pd-berlin-users-group/ We also encourage you to take an active part, and put up suggestions for topics you want to talk about / topics you want to be talked about. Pd-Berlin Google group: You can join the open group http://groups.google.com/group/pd_berlin, and make questions to the users there. Doors are open from 20h-20h15. After that they'll be closed, and you will have to call someone from the Pd-meeting to get in. To get a telephone number to call or confirm assistance you can write to steiner AT block4 DOT com. Please, don?t call to the staff of NK to open the doors. They let us use the space but we have to take care about having the meeting without producing any disturbance to them, and to clean the space after the meeting. We would apreciate if you would send us a small mail to steiner AT block4 DOT com with your name, Pd experience and interests, so that we know how many people might be coming. Or put your name in the pd-berlin wiki page. We would like to thank the support and willingness of NK in the organization of these events. From info at rybn.org Mon May 21 14:21:34 2012 From: info at rybn.org (rybn) Date: Mon, 21 May 2012 20:21:34 +0200 Subject: [microsound-announce] =?windows-1252?q?SIGHT_=26_SOUND_=234_=7C_2?= =?windows-1252?q?3_=96_27/05/2012_=7C=A0Eastern_Bloc_-_Montreal?= Message-ID: <4FBA87AE.90106@rybn.org> (English below) SIGHT & SOUND #4 Art + Technologie 23 ? 27 mai 2012 Eastern Bloc - Montr?al, Canada http://sightandsoundfestival.ca/ Pour sa quatri?me ?dition, le festival Sight & Sound explore le th?me des Syst?mes sym?triques. L??v?nement propose des exp?riences esth?tiques et perceptuelles, intimistes et singuli?res ? travers la pr?sentation d?oeuvres ? l?intersection des arts et technologies de 15 artistes canadiens et internationaux, ?mergents ou ? mi carri?re. Le festival d?voile des cr?ations r?centes et ?tonnantes, en art audio et vid?o, qui investissent le num?rique et les technologies ainsi que leur pouvoir d?illusions ou leurs dysfonctionnements. Une douzaine d?installations et ?uvres performatives sont pr?sent?es, plusieurs pour la premi?re fois, avec des conf?rences et des ateliers ? Eastern Bloc. Artistes et collectifs invit?s: Thomas B?gin [CA] chdh [FR] Zach Gage [US] Carrie Gates & Jon Vaughn [CA] Robyn Moody [CA] Matthijs Munnik [NL] Nohista [FR] Thomas Ouellet Fredericks [CA] Phillip Stearns [US] A Tribe Called Red [CA] Valentina Vuksic [CH] Pavitra Wickramasinghe [CA] Artkillart [FR/DE] _ Programme: INSTALLATIONS Pr?sent?es dans le cadre de la Biennale Internationale d?art num?rique de Montr?al cr??e par l?ACREQ 23 - 27 / 05 | 12:00 ? 17:00 Matthijs Munnik [Citadels : Lightscape] Pavitra Wickramasinghe [51L3NC3 4ND L1GH7] Robyn Moody [Wave Interference] Zach Gage [A Performance for Visitors in 2012, Hit Counter, Self-Portrait Bot] PERFORMANCES 24/05 | 20:00 Chdh [?gregore] Thomas B?gin [See you in the next loop : Synth?tiseur harmonographique] Valentina Vuksic [Tripping Through Runtime] Matthijs Munnik [Citadels: Lightscape] 25/05 | 20:00 Carrie Gates & Jon Vaughn [Plenism] Nohista [Layers] Phillip Stearns [Apeiron | Peiras] Matthijs Munnik [Citadels: Lightscape] 26/05 | 20:00 Thomas B?gin [See you in the next loop : Guitare fractale] Phillip Stearns [Fluorescene] 26/05 | 22:00 ?V?NEMENT DE CL?TURE : A Tribe Called Red ATELIERS 26/05 | 13:00 ? 16:00 Thomas Ouellet Fredericks [Propellorstroy] 27/05 | 13:00 ? 16:00 Valentina Vuksic [Jam ?lectromagn?tique] CONF?RENCES 26/05 | 17:00 ? 19:00 Artkillart [Creative Production Systems of Asymetry] 27/05 | 17:00 ? 19:00 Projections : quels avenirs pour la performance A/V ? Conf?renciers : Yan Breuleux, Ryan Stec, Cyrille Henry, C?cile Martin Discussion mod?r?e par Nathalie Bachand _ L??v?nement est soutenu par le Conseil des Arts du Canada, le Bureau des festivals et des ?v?nements culturels de Montr?al, la fondation suisse pour la culture Prohelvetia, l?Office Franco-Qu?b?cois pour la Jeunesse, le Royaume des Pays-Bas. - Partenaires m?dias : Lavitrine.com, CAMUZ, Esse, Neural, MCD, DigitalArti, Magazine Maisonneuve. http://sightandsoundfestival.ca/ - SIGHT & SOUND FESTIVAL #4 Art + Technology 23 ? 27 may 2012 Eastern Bloc - Montreal, Canada http://sightandsoundfestival.ca/ For its fourth edition, Sight & Sound explores the theme: Systems of Symmetry. The festival presents a program of aesthetic and visceral works - intimate and singular in their approach at crossing art and technology - by over fifteen emerging and mid-career Canadian and international artists. Sight & Sound presents new and evocative works, which invest themselves in digital culture as well as its illusory, sometimes dysfunctional powers. Twelve audio/visual performances and installations are presented - many for the first time - with a program of conferences and workshops, all at Eastern Bloc. Invited artists and collectives: Artkillart (FR/DE) Thomas B?gin (CA) chdh (FR) Zach Gage (US) Carrie Gates (CA) Robyn Moody (CA) Matthijs Munnik (NL) Nohista (FR) Thomas Ouellet Fredericks (CA) Phillip Stearns (US) A Tribe Called Red (CA) Jon Vaughn (CA) Valentina Vuksic (CH) Pavitra Wickramasinghe (CA) Schedule: INSTALLATIONS Presented as part as the International Digital Arts Biennale of Montr?al created by ACREQ 23 - 27/05 | 12:00 ? 17:00 Matthijs Munnik [Citadels : Lightscape] Pavitra Wickramasinghe [51L3NC3 4ND L1GH7] Robyn Moody [Wave Interference] Zach Gage [A Performance for Visitors in 2012, Hit Counter, Self-Portrait Bot] PERFORMANCES 24/05 | 20:00 Chdh [?gregore] Thomas B?gin [See you in the next loop : Synth?tiseur harmonographique] Valentina Vuksic [Tripping Through Runtime] Matthijs Munnik [Citadels: Lightscape] 25/05 | 20:00 Carrie Gates & Jon Vaughn [Plenism] Nohista [Layers] Phillip Stearns [Apeiron | Peiras] Matthijs Munnik [Citadels: Lightscape] 26/05 | 20:00 Thomas B?gin [See you in the next loop : Guitare fractale] Phillip Stearns [Fluorescene] 26/05 | 22:00 CLOSING EVENT : A Tribe Called Red WORKSHOPS 26/05 | 13:00 ? 16:00 Thomas Ouellet Fredericks [Propellorstroy] 27/05 | 13:00 ? 16:00 Valentina Vuksic [Electromagnetic jam session] CONFERENCES 26/05 | 17:00 - 19:00 Artkillart [Creative Production Systems of Asymetry] 27/05 | 17:00 ? 19:00 Projections: What is the future of A/V performance? Panelists: Yan Breuleux, Ryan Stec, Cyrille Henry, C?cile Martin Discussion moderated by Nathalie Bachand _ The event is supported by Canada Council for the Arts, le Bureau des festivals et des ?v?nements culturels de Montr?al, Swiss Foundation for culture prohelvetia, l?Office Franco-Qu?b?cois pour la Jeunesse, the Kingdom of the Netherlands ? Media partners: Lavitrine.com, CAMUZ, Esse, Neural, MCD, DigitalArti, Magazine Maisonneuve. http://sightandsoundfestival.ca/ From yves_tk at gmx.net Mon May 21 15:16:27 2012 From: yves_tk at gmx.net (Yves@GMX) Date: Mon, 21 May 2012 21:16:27 +0200 Subject: [microsound-announce] John Duncan, Seth Nehil, Ronnie Sundin, K11, LM Riek live! Message-ID: 26. & 27.05.2012 both days from 17.30h ? 20.00h free! aufabwegen presents: ~ Hidden Currents ~ a series of performances in total darkness at moers festival 2012 20-minute concerts by: J O H N D U N C A N (USA/IT) S E T H N E H I L (USA) L A S S E - M A R C R I E K (D) K 1 1 / P I E T R O R I P A R B E L L I (IT) R O N N I E S U N D I N (SE) @ Studio/Schlosstheater Moers Kastell 6, 47411 Moers www.moers-festival.de www.aufabwegen.com a series of sound explorations executed in total darkness. expect the noises of bats made audible, tape hiss, dream recitals, big sounds from cathedrals and detailed field recordings. the entry is free! ++++++++++++ 25.05.2012: Geraeuschwelten #64 w/ Pierre Bastien, Seth Nehil, K11/Pietro Riparbelli live in Muenster 26.&27.05.2012: "hidden currents" concerts in total darkness at moers festival w/ John Duncan, Lasse-Marc Riek, Seth Nehil, K11/Pietro Riparbelli, Ronnie Sundin ++++++++++++ ---------------- a u f a b w e g e n | Till Kniola Lindenburger Allee 20 | 50931 Cologne | Germany label & magazine: http://www.aufabwegen.com mailorder: http://www.aufabwegen.de/catalog asmus tietchens: http://www.tietchens.de ----------------- From whiprwill at yahoo.com Mon May 21 15:26:57 2012 From: whiprwill at yahoo.com (will s.) Date: Mon, 21 May 2012 12:26:57 -0700 (PDT) Subject: [microsound-announce] =?iso-8859-1?q?Lloren=E7_Barber=2C_will_sod?= =?iso-8859-1?q?erberg_-_5/27_at_Altes_Finanzamt_=28Berlin=29?= Message-ID: <1337628417.48908.YahooMailNeo@web160302.mail.bf1.yahoo.com> Sunday, May 27 at 21:00 at Altes Finanzamt (Sch?nstedtstra?e 7 - EG Neuk?lln 12043 Berlin). http://altesfinanzamt.blogspot.com/ Lloren? Barber (Spain)? http://www.llorencbarber.com/ will soderberg -i will be using ios apps and korg kaoss pads to manipulate audio and video sources, including found civil defense films... ?sample of works in progress: http://youtu.be/gxUHzbTUHQM about Altes Finanzamt is project of a collective of 9 artists with a wide variety of artistic and academic backgrounds. It is located in Sch?nstedtstra?e 7, in Neuk?lln (Berlin), in what used to be the tax department of this district. This atelier is a space for experimentation of new formats, a platform for communication between different media, art forms and academic fields. It is a supportive mechanism for artists and thinkers to connect their work, create new platforms, interact with existing ones. ~will soderberg advisor za shiro bara nettowaa-ku 2o12 http://white-rose.net -------------- next part -------------- An HTML attachment was scrubbed... URL: From thanielionlee at gmail.com Mon May 21 21:10:13 2012 From: thanielionlee at gmail.com (Thaniel Lee) Date: Mon, 21 May 2012 21:10:13 -0400 Subject: [microsound-announce] help - USB microphone w/ logic express Message-ID: when i plug my USB microphone into my Mac ....i can record but i cannot hear or monitor anything...can someone help me -- ........................................ http://thanielionlee.com/ http://usedwheelchairsofcraigslist.tumblr.com/ https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=AG3JEL5LYXLDA -------------- next part -------------- An HTML attachment was scrubbed... URL: From rwm2008 at gmail.com Tue May 22 03:26:56 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Tue, 22 May 2012 09:26:56 +0200 Subject: [microsound-announce] Compilation of the six COMPOSING WITH PROCESS intros available so far In-Reply-To: References: Message-ID: There were some problems with the previous links. This one should work: http://rwm.macba.cat/uploads/twitter/cwpintros.zip ps- We compiled the six COMPOSING WITH PROCESS intros in a zip file for DJing or whatever! On Tue, May 15, 2012 at 6:17 PM, Radio Web MACBA wrote: > COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC is a > podcast series, curated by Mark Fell and Joe Gilmore, exploring generative > approaches (including algorithmic, system-based, formalised and procedural) > to composition and performance primarily in the context of experimental > technologies and music practices of the latter part of the twentieth > century and examines the use of determinacy and indeterminacy in music and > how these relate to issues around control, automation and artistic > intention. You can find the six episodes available so far here: > http://rwm.macba.cat/en/composingwithprocess_tag > > We compiled the six COMPOSING WITH PROCESS intros in a zip file for DJing > or whatever! http://rwm.macba.cat/uploads/twitter/cwp_intro.zip -------------- next part -------------- An HTML attachment was scrubbed... URL: From rwm2008 at gmail.com Tue May 22 03:40:57 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Tue, 22 May 2012 09:40:57 +0200 Subject: [microsound-announce] New podcast: MEMORABILIA. COLLECTING SOUNDS WITH... Ed Veenstra. Part II (Broken Music mix selection) Message-ID: *New podcast: MEMORABILIA. COLLECTING SOUNDS WITH... Ed Veenstra. Part II * A musical selection of some of the secret jewels found in Ed Veenstra's record collection, specialised in Broken Music: records and paramusical works produced by visual artists and other avant-garde creators. Link: http://bit.ly/JkfdCi MP3: http://bit.ly/JNcQuI Related info: http://bit.ly/K5aG9q *Music selected by Ed Veenstra. Mix produced by Gen?s Segarra * In the early sixties Milan Kn???k began experimenting with vinyl records by scratching, painting, burning or even breaking them. These fierce treatments affected not only radically the original compositions but also expanded the function of the records themselves. Because it was almost impossible to transfer the distorted sounds to standard sheet music, Kn???k considered the records with all their cuts, paint, punched holes, glue and scratches a new form of musical notation. Additionally the records became art objects. On February 18, 1988, Daadgalerie in Berlin opened its doors for Broken Music. The exhibition, curated by Ursula Block and Michael Glasmeier, featured objects, sleeves, and installations by visual artists with records as main source. Many of the exhibited works featured sound by visual artists. The exhibition catalogue containing theory, a historical overview and an extensive and illustrated discography is still influential and an asset for anyone interested in visual artists working with records as medium and/or sound. More than twenty years after the exhibition and the never reprinted catalogue the term Broken Music managed to survive as a genre although its definition seems to have narrowed down to just sound by visual artists. This audio-selection is mainly focused on visual artists for whom sound is an extension or component of their visual work. Some of the records you are about to hear were chosen because they are extraordinary rare. Some are here because they are. Ed Veenstra, 2011 *This show is a follow-up of the monograph on Ed Veenstra's sound collection. You can find the previous episode here: MEMORABILIA. COLLECTING SOUNDS WITH... Ed Veenstra. Part I *http://bit.ly/A7u1SG Follow us at http://twitter.com/Radio_Web_MACBA -------------- next part -------------- An HTML attachment was scrubbed... URL: From noisytoys at ntlworld.com Tue May 22 06:40:38 2012 From: noisytoys at ntlworld.com (Paul Rogers) Date: Tue, 22 May 2012 11:40:38 +0100 Subject: [microsound-announce] help - USB microphone w/ logic express In-Reply-To: References: Message-ID: <458077EE-0071-40B3-B48A-69EBE6F3850E@ntlworld.com> Thaniel, I don't use a USB mic but I can make a guess that it may be turning off the output in order to cancel feedback. You would need to monitor through headphones. Check System Preferences - Sounds - here you can turn on/off/adjust all inputs and outputs (assuming you are using the built in soundcard) (in Logic you will also need to set the channel strip to 'monitor on') good luck Paul . ..... .. . . On 22 May 2012, at 02:10, Thaniel Lee wrote: > when i plug my USB microphone into my Mac ....i can record but i cannot hear or monitor anything...can someone help me > > -- > ........................................ > http://thanielionlee.com/ > > http://usedwheelchairsofcraigslist.tumblr.com/ > > https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=AG3JEL5LYXLDA > > _______________________________________________ > microsound-announce mailing list > microsound-announce at microsound.org > http://or8.net/mailman/listinfo/microsound-announce -------------- next part -------------- An HTML attachment was scrubbed... URL: From falabala66 at gmail.com Tue May 22 09:21:12 2012 From: falabala66 at gmail.com (J) Date: Tue, 22 May 2012 14:21:12 +0100 Subject: [microsound-announce] Call & Response Message-ID: Hello to all, Call & Response, a sound art collective operating in London, UK, have been putting on events, exhibitions and workshops for the last year and a half. We are hoping to continue this coming year, with many events planned this year and next. Unfortunately, our model of funding our own events is highly unsustainable, and this year our progress has been severely curtailed. Please read more about us, what we do, our appeal for funding, and spread the word!: http://igg.me/p/55962?a=348792 Best Wishes, Jeremy of Call & Response -- www.callandresponse.org.uk -------------- next part -------------- An HTML attachment was scrubbed... URL: From steiner at block4.com Tue May 22 10:45:52 2012 From: steiner at block4.com (Malte Steiner) Date: Tue, 22 May 2012 16:45:52 +0200 Subject: [microsound-announce] location changed:Pd-berlin meeting next tuesday, 22th May Message-ID: <4FBBA6A0.7050603@block4.com> Attention: NK cant provide room for tonight so PD-Berlin meeting tonight going to be at In-Berlin: Lehrter Str. 53 10557 Berlin IN-Berlin = Individual Network Berlin e.V. http://www.in-berlin.de/ http://tinyurl.com/fb-in-berlin Internet Service Provider & Hackerspace http://hackerspaces.org/wiki/IN-Berlin http://tinyurl.com/in-berlin-de GoogleMaps http://osm.org/go/0MbFEoZH- OpenStreetMap From thanielionlee at gmail.com Tue May 22 17:01:32 2012 From: thanielionlee at gmail.com (Thaniel Lee) Date: Tue, 22 May 2012 17:01:32 -0400 Subject: [microsound-announce] all my bandcamp stuff is currently on sale Message-ID: all my bandcamp stuff is currently on sale http:// humanhoodrecordings.bandcamp.com/ all funds raised will go towards the pressing of my next EP t -- ........................................ http://thanielionlee.com/ http://usedwheelchairsofcraigslist.tumblr.com/ https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=AG3JEL5LYXLDA -------------- next part -------------- An HTML attachment was scrubbed... URL: From rwm2008 at gmail.com Wed May 23 08:14:46 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Wed, 23 May 2012 14:14:46 +0200 Subject: [microsound-announce] Kenneth Goldsmith's lecture "From a collector to an archivist: seven thoughts", for the MEMORABILIA. Collecting sounds with... Message-ID: We reproduce Kenneth Goldsmith's text for the *MEMORABILIA. Collecting sounds with... *lecture series, which took place on April 20th, 2012 at the MACBA. Link: http://bit.ly/MGpw8r PDF: http://bit.ly/LCN1ju *MEMORABILIA. Collecting sounds with...* at R?dio Web MACBA http://bit.ly/LqcIgM Follow us at http://twitter.com/Radio_Web_MACBA -------------- next part -------------- An HTML attachment was scrubbed... URL: From mis at artengine.ca Wed May 23 10:34:08 2012 From: mis at artengine.ca (Michal Seta) Date: Wed, 23 May 2012 10:34:08 -0400 Subject: [microsound-announce] =?utf-8?q?Comprovisations_=28Montr=C3=A9al?= =?utf-8?q?=29_=E2=80=93_Concerts_=26_Live_Stream=3A_May_24-27=2C_2?= =?utf-8?q?012?= In-Reply-To: References: Message-ID: *Comprovisations* ? Improvisation Technologies for the Performing ArtsResearch-Creation Workshop ? May 24-27, 2012 ? Hexagram Concordia & matralab, Concordia University Montr?al ?*COMPROVISATIONS - Improvisation Technologies for the Performing Arts* is a workshop during which leading researchers, artists and software developers from Europe, Asia and the Americas will discuss questions and artistic approaches in the emerging and fast-growing field of computer-assisted improvisation in Music, Theatre and Dance. As these technologies transform the aesthetics and practices of stage performance, they also engender new production modes and demand a new understanding from organizers and audiences as to what a "performance" is: a well-rehearsed repetition of a finished work where we admire the sensibility, skill and perfection of the performers ? Or is it something that happens once, just now, only for those present - where we also admire the presence of mind, the openness to context and the beauty of coincidence that lies at the bottom of all performance ? And how does the fact that computers can improvise, too, now, accompanying and guiding the live performers, change our perception of what happens in a performance ? Over 4 days, from May 24 to 27, 2012, the invited guests at "* Comprovisations*" will show their work, their research and their art to each other - and will engage in searching questions that will try to understand what improvisation and performance can mean in the digital age. In invitational workshop sessions as well as in five public events, we will explore and discuss the boundaries of performance, humanity and art with some of the most innovative research-creators around the globe. *Concerts *There will be 6 concerts over the 4 days. These concerts are open to the public and free of charge (limited seating). For more information visit the ?concerts page on the conference website. * **Live Video Stream* For those unable to be in Montreal, the presentations and performances will be ?live-streamed (audio / video) on the conference website. The first stream will begin on May 24th at 2pm. * Web Links *?http://matralab.hexagram.ca/comprovisations2012 ?Comprovisations - Live Stream ?Comprovisations - Concerts ?Comprovisations - Participants ?Comprovisations - Venues -------------- next part -------------- An HTML attachment was scrubbed... URL: From ryan-jordan at hotmail.co.uk Fri May 25 06:40:38 2012 From: ryan-jordan at hotmail.co.uk (Ryan Jordan) Date: Fri, 25 May 2012 10:40:38 +0000 Subject: [microsound-announce] noise=noise.theory | EVOL | Wilkins | Jordan | Monroe // 8th June Message-ID: noise=noise.theory an evening of discussion, presentation, and performance EVOL [computer music for hooligans] http://vivapunani.org/ Inigo Wilkins [EVOL conversation] Ryan Jordan [axon hillock & long-range runaway feedback] http://ryanjordan.org/ Alexei Monroe [dr. who and the death factory] http://pluralmachine.blogspot.co.uk/ http://nnnnn.org.uk/ Friday 8th June 2012 19:00-23:00 ?5 nnnnn, Unit 73a, Regent Studios 8 Andrew's Road, E8 4QN -------------- next part -------------- An HTML attachment was scrubbed... URL: From kim at anechoicmedia.com Fri May 25 10:41:45 2012 From: kim at anechoicmedia.com (Kim Cascone) Date: Fri, 25 May 2012 07:41:45 -0700 Subject: [microsound-announce] sun-moon-earth oscillator Message-ID: <4FBF9A29.3030702@anechoicmedia.com> a short excerpt from a patch I made in Pd for use in a workshop I'm conducting will be added to other layers of sound and used for meditation purposes download here: http://soundcloud.com/anechoic/sun-moon-earth-binaural-beats1 From danalogue at gmail.com Fri May 25 12:35:28 2012 From: danalogue at gmail.com (Dan Graham) Date: Fri, 25 May 2012 09:35:28 -0700 Subject: [microsound-announce] sun-moon-earth oscillator In-Reply-To: <4FBF9A29.3030702@anechoicmedia.com> References: <4FBF9A29.3030702@anechoicmedia.com> Message-ID: Cool. Now all it needs is a nice guitar track and some vocals...(just kidding) On Fri, May 25, 2012 at 7:41 AM, Kim Cascone wrote: > a short excerpt > from a patch I made in Pd > for use in a workshop I'm conducting > > will be added to other layers of sound > and used for meditation purposes > > download here: > http://soundcloud.com/**anechoic/sun-moon-earth-**binaural-beats1 > ______________________________**_________________ > microsound-announce mailing list > microsound-announce@**microsound.org > http://or8.net/mailman/**listinfo/microsound-announce > -------------- next part -------------- An HTML attachment was scrubbed... URL: From philippe-petit at wanadoo.fr Fri May 25 14:25:14 2012 From: philippe-petit at wanadoo.fr (philippe petit) Date: Fri, 25 May 2012 20:25:14 +0200 Subject: [microsound-announce] tonight my radio show on JET FM in Nantes In-Reply-To: <4FBFCE55.4050209@wanadoo.fr> References: <4F87062C.30706@wanadoo.fr> <4FAE0A70.1030203@wanadoo.fr> <4FBFCE55.4050209@wanadoo.fr> Message-ID: <4FBFCE8A.30906@wanadoo.fr> http://www.jetfm.asso.fr/site/Generation-Bip-HOp-vendredi-25-mai.html BiP_HOp Generation on JET FM // Nantes Friday evenings : 20:30 - 21:30 PM ARTIST : SONG "ALBUM" (label) MAY 25 Newspeak: brennschlusse (composed by Pat Muchmore) "Sweet Light Crude" (New Amsterdam) Hoodlum Shouts: 4000 kms "Young Man Old Man" (HelloSquare) Build: dissolve "Place" (New Amsterdam) Machinefabriek:brown "Colour Tones" (Fang Bomb) Matmos remix Chiara String Qt. # 2 "Jefferson Friedman Quartets (New Amsterdam) Philippe Petit & Friends: eugenia "Cordophony" (HomeNormal) Itsnotyouitsme: always look up (always look up) "Everybody's Pain Is Magnificent" (New Amsterdam) Matteo Uggeri/Luca Mauri/Francesco Giannico: 8:23 am "Pagetos" (Boring Machines) Duane Pitre: live at the stone (extract) "ED 09 For String Ensemble" (Basses Fr?quences) Fear Falls Burning: #1 (extract) "Disorder Of Roots" (Tonefloat) From hidari at gmx.net Fri May 25 14:29:42 2012 From: hidari at gmx.net (tomoroh hidari) Date: Fri, 25 May 2012 20:29:42 +0200 Subject: [microsound-announce] QUINOLINE YELLO (Skam, UK) & Tomoroh Hidari in Bratislava 26th In-Reply-To: <4FBF9A29.3030702@anechoicmedia.com> References: <4FBF9A29.3030702@anechoicmedia.com> Message-ID: <4FBFCF96.5080509@gmx.net> will be playing at fuga tomorrow. http://tomorohblog.blogspot.com/2012/05/live-in-bratislava-with-quinoline-yello.html -- #th# ~ http://tomoroh.com/ http://tomorohblog.blogspot.com/ http://tomorohhidari.bandcamp.com/ From philippe-petit at wanadoo.fr Sat May 26 03:01:14 2012 From: philippe-petit at wanadoo.fr (philippe petit) Date: Sat, 26 May 2012 09:01:14 +0200 Subject: [microsound-announce] tonight my radio show on Campus Grenoble In-Reply-To: <4FC07F3F.4040501@wanadoo.fr> References: <4F87062C.30706@wanadoo.fr> <4FAE0A70.1030203@wanadoo.fr> <4FC07F3F.4040501@wanadoo.fr> Message-ID: <4FC07FBA.3070403@wanadoo.fr> BiP_HOp Generation on RADIO CAMPUS // Grenoble - 90.8 FM Saturday evenings : 20:30 - 21:30 PM http://www.campusgrenoble.org/Generation-BiP_HOp,1445.html ARTIST : SONG "ALBUM" (label) MAY 26 Jody Redhage: paint box(composed by Anna Clyne) "Of Minutiae And Memory" (New Amsterdam) Dictaphone: maelbeek "Poems From A Rooftop" (Sonic Pieces) Lefdup, Lefdup & Lefdup feat. A. Ferrari & C. Cole: cannabis "VA. Objets Noirs Et Choses Carr?es. Nino Ferrer Revisited" (Optical Sound) L?ger: dracula's chauffeur wants more "Concrete Light" (Giradiscos) Katherine Young: some people say that she doesn't exist "Further Secret Origins" (Porter) The Jazzfakers: flower cacophony "Two" (PAS Records) PAS: telepathy rain race "Flanked By Women And Pumpkins" (Alrealon Musique) Black Saturn: minor affliction "Ned Jackson Is My Little Brother" (Alrealon Musique) BlueSausage Infant: radiant arc "Flight Of The Solstice Queens" (Zeromoon) Ember Schrag: houston "Sewing Room" (Single Girl/Married Girl) Philippe Petit & Friends: motion-pictured "Cordophony" (HomeNormal) Gregory Spears: kyle - libera me - lux aeterna "Requiem" (New Amsterdam) From gintaskr at takas.lt Sat May 26 10:00:00 2012 From: gintaskr at takas.lt (gintas k) Date: Sat, 26 May 2012 17:00:00 +0300 Subject: [microsound-announce] cassette Message-ID: <481F3FF95E62469AA2A6E5C31D60B439@6c981fb2fa5a492> new album Gintas K - Copy ForYour Records CFYRT03 44-minute audio cassette http://cfyre.co/rds/pgs/cfyrt03.html >live: at sound art event: S?sajos. Algoritmas Martins Rokis [LV], Rub?n Pati?o [NL], Antanas Dombrovskij ir Skaidra Jan?ait? [LT], Gintas K [LT] Artoteka, A. Strazdelio g.1, Vilnius June 2 19.00, LT http://sasajos.wordpress.com/2012/05/26/sasajos-algoritmas/ >live: at festival Noise and Fury 2012 The DOM Cultural Center Moscow, Bolshoi Ovchinnikovsky pereulok 24/4. Moscow 2012- 06-15 RU http://dom.com.ru/news/512/ best regrads, gintas k http://gintask.dar.lt -------------- next part -------------- An HTML attachment was scrubbed... URL: From philippe-petit at wanadoo.fr Sun May 27 10:58:28 2012 From: philippe-petit at wanadoo.fr (philippe petit) Date: Sun, 27 May 2012 16:58:28 +0200 Subject: [microsound-announce] tonight BiP_HOp Generation on Grenouille at 21PM + Ensemble Musiques Nouvelles & David Shea in Nonclassical at Midnight In-Reply-To: <4FC240D9.2080902@wanadoo.fr> References: <4F87062C.30706@wanadoo.fr> <4FAE0A70.1030203@wanadoo.fr> <4FAF6575.1060405@wanadoo.fr> <4FC240D9.2080902@wanadoo.fr> Message-ID: <4FC24114.3000307@wanadoo.fr> *hope that you are enjoying your WE as always both my radio shows tonight could be streamed there * http://ns35904.ovh.net:8080/live.m3u *at Midnight in Nonclassical I'll air :* David Shea & Ensemble Musique Nouvelles "Classical Works II" (Tzadik) * and a few hours before :* BiP_HOp Generation on Radio Grenouille // 88.8 FM Sunday evenings : 21:00 - 22:00 PM (19:00 - 20:00 GMT) // Marseille // France ARTIST : SONG "ALBUM" (label) MAY 27 Les Hauts De Plafond: alcina de j?sus "VA. Objets Noirs Et Choses Carr?es. Nino Ferrer Revisited" (Optical Sound) PAS: horreur noir on a sunny day "Flanked By Women And Pumpkins" (Alrealon Musique) Gareth Davis & Frances-Marie Uitti: detour "Gramercy" (Sonic Pieces) yMusic: daughter of the waves "Beautiful Mechanical" (New Amsterdam) Ebinger: gramo memo "VA. Gravity's Drop Out: Tracks For Non-Existing Movies" (Alrealon) Blue Sausage Infant: Gaylord awoke and realized where he was (extract) "Trance Warfare" (Intangible Arts) David Shea remix Ensemble Musique Nouvelles "Classical Works II" (Tzadik) -------------- next part -------------- An HTML attachment was scrubbed... URL: From maxinemaxmsp74 at gmail.com Mon May 28 01:11:44 2012 From: maxinemaxmsp74 at gmail.com (Maxine Maxteacher) Date: Mon, 28 May 2012 01:11:44 -0400 Subject: [microsound-announce] ONLINE MaxMSP Course for Beginners Message-ID: - 7 weeks of MaxMSP training and 1.5 college credit for only $555 through Massachusetts College of Art and Design (MassArt). - Starts July 16th and runs through August 31st. You do not need to be an enrolled MassArt student to take this course. Open to the public. - This ONLINE course can be taken from anywhere on earth, as long as you have Max on your computer. You may use either Max 6 or Max 5. - This course is for beginners in MaxMSP who want to create sound works. No previous experience with audio, music or MaxMSP is required. - FOR COMPLETE INFORMATION VISIT: http://www.jeweltone16.org/SoundWithMaxMSP -------------- next part -------------- An HTML attachment was scrubbed... URL: From murmer at murmerings.com Mon May 28 07:00:12 2012 From: murmer at murmerings.com (. m u r m e r .) Date: Mon, 28 May 2012 14:00:12 +0300 Subject: [microsound-announce] [playlist] framework radio #377: 2012.05.27 Message-ID: <4FC35ABC.9070508@murmerings.com> framework radio phonography ::: field recording ::: the art of sound-hunting open your ears and listen! ------------------------- framework broadcasts: - sunday, 11pm, london, uk on resonance 104.4fm (http://www.resonancefm.com) - tuesday, 12:30pm, south devon, uk on soundartradio 102.5fm (http://www.soundartradio.org.uk) - wednesday, 2am, thessaloniki, gr on cooradio (http://www.cooradio.com) - wednesday, 3am, lisbon, pt on radio zero (http://www.radiozero.pt) - thursday, 7pm, lisbon, pt on radio zero (http://www.radiozero.pt) - thursday, 11pm, maribor, si on radio mar? 95.9fm (http://www.radiomars.si) - friday, 1am, brussels, be on radio campus 92.1fm (http://www.radiocampusbruxelles.org) - saturday, 11am, new york state, us on wgxc 90.7fm (http://www.wgxc.org) ~ time zone converter: http://www.timeanddate.com/worldclock/converter.html ~ for general info, playlists, podcasts, or to stream the latest edition at any time: http://www.frameworkradio.net **************************************************** SUPPORT FRAMEWORK! **************************************************** your contributions make framework possible. sign up as a regular donor, or make a one-time donation here: http://www.frameworkradio.net/donate. and as a thank-you for a donation of 18? or more, we'll send you the latest issue of our framework:seasonal cd series! ------------------------- #377: 2012.05.27 a great collection this week - we were pretty overwhelmed by the beauty of emmanuel holterbach's collection of resonant recordings, not to mention the beauty of the accompanying book/packaging. we don't know how available these are, but if you can track one down, check it out. we also dipped back into the stack of jeph jerman releases we have waiting, inspired by the recent live performance video he sent out (we posted a link on our facebook page, if you missed it), this one a collection of vlf and weather recordings from 2008. a few new ears to our airwaves this week as well, in the form of some intriguing instrumental improvisations following field-recording scores by russian artist clay gold, and more sounds on the dragon's eye label from aelab. and all began with another intro (burning plastic - a sound so ubiquitous to an estonian's childhood that one of my estonian housemates identified it's (to me) totally alien strains from the next room) by erik illaste. we're running low on intros folks - record us one and send it in! again, we are always looking for material for the show, whether raw field-recordings, field-recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated framework:afield series. send proposals or material, released or not, on any format, to the address at the bottom of this mail. if you have any questions, please don't hesitate to get in touch! ------------------------- (time / artist / track / album / label) 00:00 - 03:23 / erik illaste / framework introduction http://soundcloud.com/rubadim-rubadam 02:06 - 05:12 / emmanuel holterbach / climatiseurs dans le parking / 23 panoramas de fr?quence / editions roger tator http://orbes.over-blog.com, http://www.rogertator.com 03:13 - 16:53 / jeph jerman / [track 1, excerpt 1] / space weather / aarc http://soundcloud.com/jeph-jerman 04:50 - 07:04 / clay gold / rainwork / the slow light down / [self-release] https://sites.google.com/site/claygoldrecording 06:22 - 10:24 / emmanuel holterbach / antenne sur un immeuble / 23 panoramas de fr?quence / editions roger tator http://orbes.over-blog.com, http://www.rogertator.com 08:31 - 14:53 / aelab / force tranquille / riding / dragon's eye http://www.aelab.com, http://www.dragonseyerecordings.com 14:39 - 23:34 / clay gold / roadwork / the slow light down / [self-release] https://sites.google.com/site/claygoldrecording 19:17 - 24:17 / emmanuel holterbach / vibration et resonances / 23 panoramas de fr?quence / editions roger tator http://orbes.over-blog.com, http://www.rogertator.com 20:21 - 38:42 / jeph jerman / [track 1, excerpt 2] / space weather / aarc http://soundcloud.com/jeph-jerman 25:52 - 28:44 / emmanuel holterbach / peripherique lyonnais / 23 panoramas de fr?quence / editions roger tator http://orbes.over-blog.com, http://www.rogertator.com 27:05 - 43:39 / aelab / whale tail / riding / dragon's eye http://www.aelab.com, http://www.dragonseyerecordings.com 38:15 - 43:39 / clay gold / 5 minutes & 52 seconds in lisbon / the slow light down / [self-release] https://sites.google.com/site/claygoldrecording 41:58 - 50:58 / aelab / 4 steel spaces / riding / dragon's eye http://www.aelab.com, http://www.dragonseyerecordings.com 44:15 - 48:19 / emmanuel holterbach / choer nocturne / 23 panoramas de fr?quence / editions roger tator http://orbes.over-blog.com, http://www.rogertator.com 45:24 - 56:00 / jeph jerman / [track 2] / space weather / aarc http://soundcloud.com/jeph-jerman 47:04 - 51:42 / emmanuel holterbach / l'autoroute a lorette / 23 panoramas de fr?quence / editions roger tator http://orbes.over-blog.com, http://www.rogertator.com 49:19 - 54:13 / emmanuel holterbach / resonance non-identifiee / 23 panoramas de fr?quence / editions roger tator http://orbes.over-blog.com, http://www.rogertator.com 54:16 - 57:00 / emmanuel holterbach / grenouilles / 23 panoramas de fr?quence / editions roger tator http://orbes.over-blog.com, http://www.rogertator.com ------------------------- framework intro submissions: 1) take yourself and an audio recorder to a location of your choice 2) record for AT LEAST 1 minute before you - 3) read aloud the following text (in english or translated): welcome to framework. framework is a show consecrated to field-recording, and its use in composition. field-recording, phonography, the art of sound hunting; open your ears and listen! 4) continue recording for AT LEAST 2 minutes after the text 5) post the recording to us on any format, or send us an mp3 ????????????????????????????????????????????? framework ????????????????????????????????????????????? :: http://www.frameworkradio.net :: info at frameworkradio.net :: :: http://www.facebook.com/frameworkradio :: http://www.frameworkradio.net/podcast :: http://www.frameworkradio.net/donate ????????????????????????????????????????????? :: tartu mnt 41 :: 63710 ahja :: p?lvamaa :: estonia ????????????????????????????????????????????? mailing list: http://eepurl.com/lQBOT From aposiopese at hotmail.com Mon May 28 10:10:33 2012 From: aposiopese at hotmail.com (Pierre Judon) Date: Mon, 28 May 2012 14:10:33 +0000 Subject: [microsound-announce] =?windows-1252?q?New_release_=3A_TOMOKO_SAU?= =?windows-1252?q?VAGE_-_OMBROPHILIA=2E_=28Lp=2E_/_Aposiop=E8se=2E_May_201?= =?windows-1252?q?2=2E_Vinyl_only=29?= Message-ID: TOMOKO SAUVAGE OMBROPHILIA Out now : Tomoko Sauvage "Ombrophilia" ? info : www.aposiopese.com ? listen : soundcloud OMBROPHILIA : Composed, recorded and mixed by Tomoko Sauvage ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Tomoko Sauvage : water, porcelain bowls, hydrophones, condenser microphones, metal wire and wood spoons. All rights reserved : Tomoko Miyata Sauvage. _ Tomoko Sauvage / Ombrophilia / Vinyl only ! (re-issue). Lp. Total time : 42:12 Aposiop?se : May / 2012. _ Tomoko Sauvage, Japanese musician and sound artist based in Paris, has developed a natural synthesizer, an electro-acoustic system using hydrophones (under-water microphones of Aquarian Audio) immersed in porcelain bowls of different sizes filled with water. She plays with water waves and drops resonating in the bowls, also with her new sonic exploration, audio feedback creating waving drones and natural overtones. Since her solo album, "Ombrophilia" was released from either/OAR (US) in 2009, she made performances in Europe, US and Japan, often in solo but also in collaboration with Momus, MC Schmidt (Matmos), Gilles Aubry, Andr? Gon?alves? In 2011, a new set of porcelain bowls was created during her residency at La Pommerie (FR) in collaboration with Ceramic Research Center of Limoges (CRAFT). 2012 "ombrophilia" re-issue / Aposiop?se. www.o-o-o-o.org ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? (c) tomoko miyata sauvage 2009 (p) aposiop?se 2012 Tomoko Sauvage first album / Aposiop?se 2012. Previously released by and/OAR cd 2009. Aposiop?se Lp. 2012. aposiop?se 07. Distribution : soundohm / a-musik / metamkine ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? Aposiop?se. www.aposiopese.com www.o-o-o-o.org soundcloud.com/aposiopese-music tomokosauvage/bandcamp.com twitter.com/#!/_aposiopese ? -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at lullcec.org Mon May 28 22:20:10 2012 From: info at lullcec.org (l'ull cec) Date: Tue, 29 May 2012 04:20:10 +0200 Subject: [microsound-announce] Monthly Barcelona SuperCollider users' meeting #02 Message-ID: <4FC4325A.7030904@lullcec.org> MONTHLY BARCELONA SUPERCOLLIDER USER'S MEETING #02 Gerard Roma will present the current state of SuperColliderAU, an AudioUnit wrapper that allows the embedding of a SuperCollider server in an AudioUnit host. The servers can then be controlled through OpenSoundControl, using SClang for example, or be packaged together with a synth definition and distributed as a standalone plugin. Martin Hug will demonstrate his wireless sensor platform and how to read data from these sensors with SuperCollider. Tuesday 29.05.2012, 19:00h Fabra i Coats. Sant Adri?, 20. Barcelona. Sant Andreu. Free admission [ http://lullcec.org/en/2012/lectures/trobada-dusuaris-de-supercollider-02/ ] ------------------------------------------------------------------------ soon: 18-20.06.2012 3-Day Seminar on Spatialization with Wave Field Synthesis (imparted by Arthur Sauer and Wouter Snoei) 18-20.06.2012 Wave Field Synthesis: lectures and spatialization concerts.. 13.06.2012 Workshop: Dirty Electronics [ http://dirtyelectronics.org ] TBA 13.06.2012 Pablo Rega / Dirty Electronics [ http://pablorega.blogspot.com.es/ ] TBA 21-29.06.2012 Residency #03: Morten Olsen + Rub?n Pati?o 2?.06.2012 Tetsuya Umeda [ http://siranami.com ] TBA 29.06.2012 Concert: Patterns in a Rudimentary Field (M.Olsen + Rub?n Pati?o) / Arnau Sala ------------------------------------------------------------------------ web: [ http://lullcec.org/ ] facebook: [ http://facebook.com/lullcec ] twitter: [ http://twitter.com/lullcec ] From info at lullcec.org Mon May 28 22:23:41 2012 From: info at lullcec.org (l'ull cec) Date: Tue, 29 May 2012 04:23:41 +0200 Subject: [microsound-announce] Lecture: The EyeHarp: A Gaze-Controlled Musical Instrument (Barcelona) Message-ID: <4FC4332D.4050608@lullcec.org> WEDNESDAY 30.05.2012 THE EYEHARP: A GAZE-CONTROLLED MUSICAL INSTRUMENT The main goal of the EyeHarp was to create the first gaze or head controlled musical instrument with similar expressive potentials to a traditional musical instrument. Zacharias Vamvakousis was inspired by the EyeWriter, a low-cost eye-tracking apparatus & custom software that allows graffiti writers and artists with paralysis resulting from Amyotrophic lateral sclerosis to draw using only their eyes. Interacting with other people through music or creating new musical compositions might not only improve the quality of life of people with disabilities, but also be part of a rehabilitation process. During this talk, the design of the interface and the construction of a low-cost Eye-Tracking device will be presented. Ideas for further development will be discussed, such as the possibility of an EEG-Eye tracking Hybrid system for musical performance. Wednesday 30.05.2012, 19:30h Fabra i Coats. Sant Adri? 20. Barcelona. Metro Sant Andreu. Entrada lliure / Entrada libre / Free admission +info: [ http://lullcec.org/en/2012/lectures/the-eyeharp-a-gaze-controlled-musical-instrument/ ] ------------------------------------------------------------------------ soon: 18-20.06.2012 3-Day Seminar on Spatialization with Wave Field Synthesis (imparted by Arthur Sauer and Wouter Snoei) 18-20.06.2012 Wave Field Synthesis: lectures and spatialization concerts.. 13.06.2012 Workshop: Dirty Electronics [ http://dirtyelectronics.org ] TBA 13.06.2012 Pablo Rega / Dirty Electronics [ http://pablorega.blogspot.com.es/ ] TBA 21-29.06.2012 Residency #03: Morten Olsen + Rub?n Pati?o 2?.06.2012 Tetsuya Umeda [ http://siranami.com ] TBA 29.06.2012 Concert: Patterns in a Rudimentary Field (M.Olsen + Rub?n Pati?o) / Arnau Sala ------------------------------------------------------------------------ web: [ http://lullcec.org/ ] facebook: [ http://facebook.com/lullcec ] twitter: [ http://twitter.com/lullcec ] From rwm2008 at gmail.com Tue May 29 11:45:45 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Tue, 29 May 2012 17:45:45 +0200 Subject: [microsound-announce] Podcast series: COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC, by Mark Fell and Joe Gilmore Message-ID: *COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC Curated by Mark Fell and Joe Gilmore* Generative music is a term used to describe music which has been composed using a set of rules or system. This series explores generative approaches (including algorithmic, systems-based, formalised and procedural) to composition and performance primarily in the context of experimental technologies and music practices of the latter part of the twentieth century and examines the use of determinacy and indeterminacy in music and how these relate to issues around control, automation and artistic intention. Each episode of the series is accompanied by an additional programme, entitled 'Exclusives', featuring exclusive or unpublished sound pieces by leading sound artists and composers working in the field. You can find all the episodes and transcripts here: http://rwm.macba.cat/en/composingwithprocess_tag COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #1.1. Continue http://bit.ly/pI7VJM Related info: http://bit.ly/97Mtzt Transcript: http://bit.ly/KoYgsv COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #1.2. Exclusives by Florian Hecker and Ryoji Ikeda http://bit.ly/JfwJrm Related info: http://bit.ly/92NJEv COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #2.1. Continue http://bit.ly/obh8bM Related info: http://bit.ly/csDGIk Transcript: http://bit.ly/MnYwrq COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #2.2. Exclusives by Marcus Schmickler and EVOL http://bit.ly/qFpDQZ Related info: COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #3.1. Determinacy and indeterminacy http://bit.ly/oXlNga Related info: http://bit.ly/gG9eU4 Transcript: http://bit.ly/MnYCiR COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #3.2. Yasunao Tone and Christophe Charles http://bit.ly/my7plB Related info: http://bit.ly/iyPgms COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #4.1. Time http://bit.ly/qk07ok Related info: http://bit.ly/q5j6d5 Transcript: http://bit.ly/JUCcGQ COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #4.2. Exclusives by Laurie Spiegel and Terre Thaemlitz http://bit.ly/nUPBwF Related info: http://bit.ly/nHwrOD COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #5.1. Duration http://bit.ly/u42R2q Related info: http://bit.ly/rG9Dut Transcript: http://bit.ly/JdeH82 COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #5.2. Exclusives by Ben Vida and THE HUB http://bit.ly/xQalKI Related info: http://bit.ly/wjgY0c COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #6.1. Space http://bit.ly/H0mCD6 Related info: http://bit.ly/JyxGyD Transcript: http://bit.ly/HHpLwN COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #6.2. Exclusives by Russell Haswell and Stephan Mathieu *http://bit.ly/JBr8eZ* Related info: http://bit.ly/IXWy0w Coming soon: episodes #7 and #8 Follow us at http://twitter.com/Radio_Web_MACBA -------------- next part -------------- An HTML attachment was scrubbed... URL: From philippe-petit at wanadoo.fr Wed May 30 00:47:37 2012 From: philippe-petit at wanadoo.fr (philippe petit) Date: Wed, 30 May 2012 06:47:37 +0200 Subject: [microsound-announce] =?iso-8859-1?q?New_vinyl=3A_EUg=E9nie_EP?= In-Reply-To: <4FC5A54C.9060205@wanadoo.fr> References: <4FA97FD7.6070405@wanadoo.fr> <4FA9899F.1050002@wanadoo.fr> <4FC4697F.80907@wanadoo.fr> <4FC5A54C.9060205@wanadoo.fr> Message-ID: <4FC5A669.6050606@wanadoo.fr> Good morning Hope that all is well with you I'm happy to announce the official release of my new vinyl: "Eug?nie EP" for my daughter and featuring her art on the cover... http://www.alrealon.co.uk/alrn029.html Side B "Magma from the aquarium", is solo playing amplified cymbalom + electric psalterion + electronics + kazooed-voices + some sampled vocals from Eug?nie here and there. http://soundcloud.com/philippepetit/magma-from-the-aquarium And on its flip I was helped by Friends: Bela Emerson (cello), Alexander Bruck (viola-strohviolin), Helen Money (cello), Els Vandeweyer (vibraphone), Monty Adkins (concrete soundscapes), Reinhold Friedl (prepaired piano), Herv? Vincenti (bass/guitar), Jenny Hames (violin) and Paul J. Rogers (guitar-melodica-broken zither) There is one of the 3 songs: http://soundcloud.com/alrealon-music/philippe-petit-pyramid-of-the These days Chandra from Erototox/Xambuca is actively prepairing our touring the West-Coast of the States end of October so those interested in having us perform please get in touch. http://erototoxdecodings.com/ Last but not least, I am getting ready for one of my most thrilling live experience, going onstage with 33 soloists in the European Contemporary Orchestra: reunion of the acclaimed Ensemble Musiques Nouvelles from Belgium, T?l?maque from France, and De Ereprijs from The Netherlands. On June 15, in National Ballet of Marseille + having an after-show party where Markus Detmer from Staubgold and I will DJ. http://ecosound.eu/en/about/ Needless to say that I can't wait... Enjoy your week philippe http://www.philippepetit.info/ From rwm2008 at gmail.com Wed May 30 06:11:29 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Wed, 30 May 2012 12:11:29 +0200 Subject: [microsound-announce] Compilation of the six COMPOSING WITH PROCESS intros In-Reply-To: References: Message-ID: David, try this link. it's a zip file containing the intros and it should work: http://rwm.macba.cat/uploads/twitter/cwp_intro_new.zip Let me know if it is still problematic! Best a On Thu, May 17, 2012 at 7:54 PM, David wrote: > Hi! Downloaded the zip file, but when I tried to open it, I got an > error saying it was invalid format. Anyone else have the same problem? > Or is it me? > > > Message: 2 > > Date: Tue, 15 May 2012 18:17:36 +0200 > > From: Radio Web MACBA > > To: Microsound Announce > > Subject: [microsound-announce] Compilation of the six COMPOSING WITH > > PROCESS intros available so far > > Message-ID: > > zWTBLGe5_MEzgn+PQ at mail.gmail.com> > > Content-Type: text/plain; charset="iso-8859-1" > > > > COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC is a > > podcast series, curated by Mark Fell and Joe Gilmore, exploring > generative > > approaches (including algorithmic, system-based, formalised and > procedural) > > to composition and performance primarily in the context of experimental > > technologies and music practices of the latter part of the twentieth > > century and examines the use of determinacy and indeterminacy in music > and > > how these relate to issues around control, automation and artistic > > intention. You can find the six episodes available so far here: > > http://rwm.macba.cat/en/composingwithprocess_tag > > > > We compiled the six COMPOSING WITH PROCESS intros in a zip file for DJing > > or whatever! http://rwm.macba.cat/uploads/twitter/cwp_intro.zip > -------------- next part -------------- An HTML attachment was scrubbed... URL: From rwm2008 at gmail.com Wed May 30 06:26:06 2012 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Wed, 30 May 2012 12:26:06 +0200 Subject: [microsound-announce] Transcript of a conversation between Tetsuo Kogawa and Yasunao Tone on radio art Message-ID: *LINES OF SIGHT* is a R?dio Web MACBA podcast series, curated by Barbara Held and Pilar Subir?, which takes its name from the interconnected points of the global resonant space created by radio and other wireless technologies. From out of the extraordinary array of music that plays on this world-wide stage, the series follows threads as diverse as musical notation and non-linear composition, and introduces artists who explore the ideas around transmission as a medium for creative expression. When Tetsuo Kagawa and Yasunao Tone were asked to produce a radio collaboration for LINES OF SIGHT #7, they decided to use an email exchange on radio art, vocalize the text, and then both of them play it live in performance. This is the transcript of their dialogue. Link: http://bit.ly/L24f8s PDF: http://bit.ly/JMBf5O You can also listen to the final episode here: http://bit.ly/L24f8s And you can find the complete LINES OF SIGHT podcast series: http://rwm.macba.cat/en/linesofsight-tag/ Follow us at http://twitter.com/Radio_Web_MACBA -------------- next part -------------- An HTML attachment was scrubbed... URL: From festivalbeam at gmail.com Wed May 30 08:53:29 2012 From: festivalbeam at gmail.com (BEAM Festival) Date: Wed, 30 May 2012 13:53:29 +0100 Subject: [microsound-announce] =?windows-1252?q?BEAM_Festival_-_22_=96_24_?= =?windows-1252?q?June_2012_-_Uxbridge?= Message-ID: BEAM FESTIVAL Brunel Electronic and Analogue Music Festival 22-24th June 2012, Brunel University, Uxbridge, UK http://www.beamfestival.com/ Live Performance: Carlos L?pez, Jana Winderen, Bruno Zamborlin and Ed Handley, Miha Ciglar, John Bowers, Julie Wilson-Bokowiec, Carol Robinson, Thomas Lehn, Frances-Marie Uitti, Sally Golding, Beno?t and the Mandelbrots, *Martin Howse, Ewa Justka, Michael Page, Lauren Sarah Hayes, Tychonas Michailidis, Rodrigo Constanzo, UUCMS (Radek Rudnicki & Enrico Bertelli), Porous Torsion (John Ferguson & Diana Salazar), Gregorio Fonten, Jack James, Martin Rille, Simon Katan, Richard Scott.* *Workshop:* *Marco Donnarumma, Ryan Jordan, Benoit & the Mandelbrots.* *Installation:* *Shirley Pegna, Alex Allmont, Mike Blow, Benjamin Carpenter, Sam Underwood & David Norton, Anthony Evans, Mike Cook, Lewis Sykes, Paul White, Stina Marie Hasse J?rgensen & Jeff Snyder, Raphael Arar, Ed Wright, Nick Rothwell, Scott McLoughlin, Adrian Gierakowski.* -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at lullcec.org Wed May 30 21:37:08 2012 From: info at lullcec.org (l'ull cec) Date: Thu, 31 May 2012 03:37:08 +0200 Subject: [microsound-announce] Seminar: Listening and Learning Systems for Composition and Live Performance (by Nick Collins) Message-ID: <4FC6CB44.3040906@lullcec.org> 8/9/10.06.2012 LISTENING AND LEARNING SYSTEMS FOR COMPOSITION AND LIVE PERFORMANCE (a 3-day seminar by Nick Collins) This seminar will explore practical machine listening and machine learning methods within the SuperCollider environment, alongside associated technical and musical issues. Applications for such techniques range from autonomous concert systems, through novel musical controllers, to sound analysis projects outside of realtime informing musical composition. We will investigate built-in and third party UGens and classes for listening and learning, including the SCMIR library for music information retrieval in SuperCollider. Level: intermediate Tutor: Nick Collins [ http://www.sussex.ac.uk/Users/nc81/ ] Nick Collins is a composer, performer and researcher in the field of computer music. He lectures at the University of Sussex, running the music informatics degree programmes and research group. Research interests include machine listening, interactive and generative music, and audiovisual performance. He co-edited the Cambridge Companion to Electronic Music (Cambridge University Press 2007) and The SuperCollider Book (MIT Press, 2011) and wrote the Introduction to Computer Music (Wiley 2009). iPhone apps include RISCy, TOPLAPapp, Concat, BBCut and PhotoNoise for iPad. Dates: Friday 08.06.2012, 18:00-22.00h. Saturday 09.06.2012, 11:00?14:00h, 16:00-19:00h Sunday 10.06.2012, 11:00?14:00h, 16:00-19:00h Location: Fabra i Coats ? F?brica de Creaci?. Sant Adri?, 20. Barcelona. Metro Sant Andreu. Price: 90? To sign up please send an email to info at lullcec.org. +info: [ http://lullcec.org/en/2012/workshops/sistemes-daudicio-i-aprenentatge-artificial-per-a-la-composicio-i-la-interpretacio-en-viu/ ] This activity is organized by l'ull cec with the collaboration of Consell Nacional de la Cultura i les Arts, Institut de Cultura de Barcelona and Fabra Coats ? F?brica de Creaci?. ------------------------------------------------------------------------ soon: 07.06.2012 Talk: Machine Listening and Learning for Musical Systems. Nick Collins. Universitat Pompeu Fabra. 13.06.2012 Workshop: Dirty Electronics [ http://dirtyelectronics.org ] 13.06.2012 Pablo Rega / Dirty Electronics TBA 18-20.06.2012 3-Day Seminar on Spatialization with Wave Field Synthesis (imparted by Arthur Sauer and Wouter Snoei) 18-20.06.2012 Wave Field Synthesis: lectures and concerts 21-29.06.2012 Residency #03: Morten Olsen + Rub?n Pati?o 2?.06.2012 Tetsuya Umeda [ http://siranami.com ] TBA 29.06.2012 Concert: Morten Olsen + Rub?n Pati?o / Arnau Sala ------------------------------------------------------------ web: [ http://lullcec.org ] facebook: [ http://facebook.com/lullcec ] twitter: [ http://twitter.com/lullcec ] From luca.babel at gmail.com Thu May 31 14:18:18 2012 From: luca.babel at gmail.com (=?utf-8?Q?Luca?=) Date: Thu, 31 May 2012 18:18:18 +0000 Subject: [microsound-announce] Luca is forwarding an email to you Message-ID: <0.1.14.556.1CD3F59C0E67756.0@mail122.us1.rsgsv.net> An HTML attachment was scrubbed... URL: