From devel at thesaddj.com Tue Feb 1 07:59:09 2011 From: devel at thesaddj.com (Marco Donnarumma) Date: Tue, 1 Feb 2011 12:59:09 +0000 Subject: [microsound-announce] Talk - Pure Data and Hacktive Behaviours, 3rd Feb, Edlug, Edinburgh Message-ID: (sorry for x-posting) Dear all, I'll be giving a talk and demo of PureData at the next Edinburgh Linux User Group Meeting on Thursday 3rd February. The meeting is held at the Edinburgh Conference and Training Centre, St Mary's Street Edinburgh (map at http://tinyurl.com/5r6ebgp ) and starts at 7:30pm. Tea, Coffee and biscuits are available free of charge. More information about the talk is available at http://www.scottish.lug.org.uk/wiki/EdLUG:2011-02-03. Thanks to Jan (Edlug) for organizing the event. Hope to see some of you there, Apologies for the short notice. Best wishes, -- Marco Donnarumma aka TheSAD Independent New Media Arts Professional, Performer, Teacher Ongoing MSc by Research, University of Edinburgh, UK PORTFOLIO: http://marcodonnarumma.com LAB: http://www.thesaddj.com | http://cntrl.sourceforge.net | http://www.flxer.net EVENT: http://www.liveperformersmeeting.net -------------- next part -------------- An HTML attachment was scrubbed... URL: From kim at anechoicmedia.com Tue Feb 1 19:30:20 2011 From: kim at anechoicmedia.com (Kim Cascone) Date: Tue, 01 Feb 2011 16:30:20 -0800 Subject: [microsound-announce] Spain spring 2011 Message-ID: <4D48A59C.1040106@anechoicmedia.com> tentative plans to be in Seville this May 13-14 for a concert -- any other opportunities in Spain around that time? contact me if you know of something From devel at thesaddj.com Wed Feb 2 05:30:52 2011 From: devel at thesaddj.com (Marco Donnarumma) Date: Wed, 2 Feb 2011 10:30:52 +0000 Subject: [microsound-announce] 3rd Pd Scots Users Meet Up, 4th February, Glasgow Message-ID: (sorry for x-posting) Hi all, here a little reminder. On Friday 4th February we'll be gathering for the 3rd Pure Data Scots User MeetUp. The meeting kicks off at 15.00 at the Electron room, CCA, Glasgow. Meeting is free, public and open to all practitioners, beginners, artists, programmers, musicians, passionates of digital arts and simply anybody who might be interested in spending few hours patching, talking, sharing ideas, making some noise, teach and learn. We encourage you to actively take part in our newborn community and propose presentations or talks for next meetings. Simply come over and show something you have been doing with Pd. The user group is a great chance to collect feedbacks about your patches and ideas. If you want to keep up to date with our activities, please subscribe to the Pd Scots User list at: http://lists.electronclub.org/cgi-bin/mailman/listinfo/pdusers The Pd Scots User Group and mailing list is kindly hosted by Electron Club. http://www.electronclub.org/doku.php http://www.cca-glasgow.com Hope to see you soon! -- Marco Donnarumma aka TheSAD Independent New Media Arts Professional, Performer, Teacher Ongoing MSc by Research, University of Edinburgh, UK PORTFOLIO: http://marcodonnarumma.com LAB: http://www.thesaddj.com | http://cntrl.sourceforge.net | http://www.flxer.net EVENT: http://www.liveperformersmeeting.net -------------- next part -------------- An HTML attachment was scrubbed... URL: From mark at cetilia.org Wed Feb 2 16:26:05 2011 From: mark at cetilia.org (Mark Cetilia) Date: Wed, 2 Feb 2011 16:26:05 -0500 Subject: [microsound-announce] Antimony EP available for free download Message-ID: <29D34577-B4E2-4498-B76E-7118966B8EE7@cetilia.org> Hello all, Just wanted to let you know that my "Antimony" EP is available for free download from the Iynges site: http://iynges.02909.com/iyn-018.html This release is the result of a series of improvisations, comprised solely of sounds derived from a single hi-hat in conjunction with realtime processing using Fraktur, custom performance software that I have developed over the past decade. Best wishes, Mark -- Mark Cetilia mark.cetilia.org | mem1.com | reduxproject.com P.O. Box 2456 | Providence RI | 02906 From jmmmpais at googlemail.com Fri Feb 4 05:06:49 2011 From: jmmmpais at googlemail.com (=?utf-8?Q?Jo=C3=A3o_Pais?=) Date: Fri, 04 Feb 2011 11:06:49 +0100 Subject: [microsound-announce] Pd-berlin meeting next tuesday, 8th February In-Reply-To: References: <558411.61509.qm@web23808.mail.ird.yahoo.com> Message-ID: Hello, next tuesday, 8th February, will be the next meeting of Pure Data users in Berlin at NK (http://www.nkprojekt.de/) - Elsenstr. 52, 2HH 2Etage. Besides normal Pd subjects, this reunion will be the first to prepare for the Berlin module of the Pd Convention (Weimar) in August. As the Pd community will be organising a weekend of events, we invite you to bring suggestions about these topics: - what kind of events to organise? Presentations, workshops, concerts? - how do you want to get involved with the organisation and participation? - suggestions to get support for the events - suggestions for venues - etc. For more information, look up http://puredata.info/community/organization/pd-berlin/pd-berlin-users-group. We also encourage you to take an active part, and put up suggestions for topics you want to talk about / topics you want to be talked about. Doors are open from 20h-20h15. After that they'll be closed, and you will have to call someone from the Pd-meeting to get in. To get a telephone number to call or confirm assistance you can write to info_at_minitronics.net. Please, don?t call to the staff of NK to open the doors. They let us use the space but we have to take care about having the meeting without producing any disturbance to them, and to clean the space after the meeting. We would apreciate if you would send us a small mail to info_at_minitronics.net with your name, Pd experience and interests, so that we know how many people might be coming. Or put your name in the pd-berlin wiki page. We would like to thank the support and willingness of NK in the organization of these events. Jo?o Pais -- Friedenstr. 58 10249 Berlin (Deutschland) Tel +49 30 42020091 | Mob +49 162 6843570 Studio +49 30 69509190 jmmmpais at googlemail.com | skype: jmmmpjmmmp From m at dekorder.com Fri Feb 4 09:23:38 2011 From: m at dekorder.com (Dekorder) Date: Fri, 4 Feb 2011 15:23:38 +0100 Subject: [microsound-announce] Dekorder News Feb. 2011 Message-ID: 1. Special Offers: SPECIAL OFFER *IELASI* Buy Giuseppe Ielasi's complete "Stunt" LP trilogy ("Stunt", "(another) Stunt", "(third) Stunt") for only EUR 30.00 (or EUR 40.00 including the "Aix" LP)! Shipping costs not included. SPECIAL OFFER *OLWDTW* Buy all 4 LP's by Campbell Kneale's Our Love Will Destroy The World project ("I Hate Even Numbers", "Stillborn Plague Angels", "Blue Eyes Are My Reward" and "Fucking Dracula Clouds") for only EUR 40.00! Shipping costs not included. http://www.dekorder.com/mailorder.html 2. Some cheap stuff on eBay (ending tomorrow!): http://shop.ebay.de/doktormarcuse/m.html 3. On Tour: OUR LOVE WILL DESTROY THE WORLD European Tour Campbell Kneale's post-Birchville Cat Motel Project 10/2 BOURNEMOUTH Bumbles 11/2 DUBLIN The Joinery 12/2 CORK Triskel Arts Centre 13/2 LIMERICK Raggle Taggle Consortium Studios 15/2 CAMBRIDGE The Portland 16/2 NOTTINGHAM The Chameleon 17/2 NEWCASTLE Northumberland Arms 18/2 EDINBURGH Banshee Labyrinth 19/2 GLASGOW Nice N Sleazy 20/2 CARDIFF Cardiff Arts Institute 21/2 MANCHESTER Islington Mill 22/2 TAMPERE Telakka 23/2 HELSINKI Semifinal 25/2 OSLO Bla 26/2 MALMO Singsang-studion 27/2 COPENHAGEN Mayhem 04/3 PARIS Les Voutes http://www.no-fi.org.uk/tours ALEXANDER RISHAUG Japanese Tour (w/ Phonophani and Sigbj?rn Apeland) Latest Dekorder signing from Norway 16/2 TOKYO Gift_lab 17/2 KYOTO Urbanguild 18/2 OSAKA Common Cafe 19/2 KOBE Guggenheim House 24/2 NARA Sample, White Room 25/2 NAGOYA K.D.Japon 26/2 TOKYO Soup 4. Forthcoming Releases: [048] HANNO LEICHTMANN "The African Twintower Suite" LP/CD [049] FELIX KUBIN & ENSEMBLE INT?GRALES "Echohaus" 2LP/CD These two releases will finally be released in February after some unexpected delays. [051] STEPHAN MATHIEU "To Describe George Washington Bridge" 10" [052] DATASHOCK "Pyramiden Von Giessen" 2LP [053] ALEXANDER RISHAUG "Shadow Of Events" LP/CD [054] KEITH FULLERTON WHITMAN / ALIEN RADIO Split-LP These should be out sometime in March. -- http://www.dekorder.com http://www.blacktocomm.org http://www.themalegarden.com From dave at mysterybear.net Sun Feb 6 14:29:48 2011 From: dave at mysterybear.net (Dave Seidel) Date: Sun, 06 Feb 2011 14:29:48 -0500 Subject: [microsound-announce] mysterybear: Following A Line Message-ID: <4D4EF6AC.3030502@mysterybear.net> Hi all, I have started a new netlabel called mysterybear for my improvisational electronic music: http://www.archive.org/details/mysterybear The first release is called Following A Line, and consists of two improvisations using Auduino, Buddha Machines (FM1, FM2, and FM3), MoogerFooger ring modulator, Deluxe Memory Man, and RC-2 looper. I recorded them live using a Zoom H4 recorder, and they are unedited except to clean up the beginnings and endings. http://www.archive.org/details/mb01-FollowingALine Both tracks were previously released (and are still available) on SoundCloud as "Following A Line" and "Following A Line, Part 2". Marc Weidenbaum of was kind enough to mention these tracks recently on Disquiet: http://disquiet.com/2011/01/14/live-improvisation-with-buddha-machine-zither-edition/ Hope you enjoy. Coming soon: a new release consisting of an earlier improvisation remixed by friends and colleagues (including Mystified, C. Reider, and many more)! - Dave Seidel http://mysterybear.net http://soundcloud.com/mysterybear From murmer at murmerings.com Mon Feb 7 04:23:33 2011 From: murmer at murmerings.com (. m u r m e r .) Date: Mon, 07 Feb 2011 11:23:33 +0200 Subject: [microsound-announce] [framework] playlist #317: 2011.02.06 Message-ID: <4D4FBA15.3060500@murmerings.com> /*framework*/ - phonography / field recording; contextual and decontextualized sound activity presented by patrick mcginley /*framework*/ broadcasts: - sunday, 10pm, london, ukon *resonance 104.4fm* (http://www.resonancefm.com) - wednesday, 1am, thessaloniki, gr on *cooradio* (http://www.cooradio.com) - wednesday, 3am,lisbon, pt on *radio zero* (http://www.radiozero.pt) - thursday, 7pm,lisbon, pt on *radio zero* (http://www.radiozero.pt) - friday, 1am, brussels, be on *radio campus 92.1fm* (http://www.radiocampusbruxelles.org) - saturday, 7am, new york state, us on *wgxc 90.7fm* (http://www.wgxc.org) - saturday, 5pm, south devon, uk on*soundartradio 102.5fm* (http://www.soundartradio.org.uk) ~ time zone converter: http://www.timeanddate.com/worldclock/converter.html ~ *for general info, playlists, podcasts, or to stream the latest edition at any time: http://www.frameworkradio.net * *framework is supported by /soundtransit/: http://www.soundtransit.nl * ******************************************************* */FRAMEWORK/ NEEDS YOUR SUPPORT!* ******************************************************* your subscriptions & donations help make the production of /*framework*/ possible. visit out website to find out how to become a regular donor, or make a one-time donation here: http://www.murmerings.com/donate.html. 25% of all donations go to *resonancefm*, without whom /*framework*/ would not exist. (if you would like to donate directly to *resonancefm* please visit their support page here: http://www.resonancefm.com/support.) * **PLUS, IN CELEBRATION OF FRAMEWORK'S 250TH EDITION, DONATE ?25 OR MORE AND RECEIVE ONE OF THE FRAMEWORK250 2CD COMPILATIONS, OR **?40 OR MORE AND RECEIVE BOTH**! * ------------------------------------------------------------------------ *#317: 2011.02.06 * *yannick dauby*'s beautifully packaged first release on his new taiwan-based imprint *atelier hui-kan* (in collaboration with his france-based *kalerne editions*) provided a froggy backbone for this edition, which also featured sounds by *michael northam* in collaboration with *jatin vidyarthi* produced during an extended residency in india, one final piece from *steve peter*'s /*the very rich hours*/, which we've been listening to slowly over the last several shows, and the first release from *richard garet'*s label *contour editions*, the compilation /*physical, absent, tangible*/. again, we are always looking for material for the show, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated /*framework:afield*/ series. send proposals or material, released or not, on any format, to the address below. if you have any questions, please don't hesitate to get in touch! framework tartu mnt 41 63710 ahja polvamaa estonia info at frameworkradio.net ------------------------------------------------------------------------ *(time / artist / track / album / label)* 00:00 - 04:40 / neil griffith / framework introduction http://www.myspace.com/transmissionasylum 02:00 - 06:25 / yannick dauby / kurixalus idiootocus - meintein temple treefrog / songs of the frogs of taiwan / kalerne, atelier hui-kan http://www.yannickdauby.net, http://www.kalerne.net, http://kalerne.net/hui-kan 03:51 - 09:52 / michael northam & jatin vidyarthi / shade walking / golden shadow / semper florens http://oro.preg.org, http://www.semperflorens.net 07:29 - 16:42 / steve peters / grasslands / the very rich hours / [self-release] http://steve-peters.blogspot.com, http://stevepeters.bandcamp.com 12:23 - 23:54 / i8u / rarefaction / physical, absent, tangible /[compilation]/ / contour editions http://www.i8u.com, http://www.contoureditions.com 16:57 - 20:47 / yannick dauby / babina adenopleura - olive frog / songs of the frogs of taiwan / kalerne, atelier hui-kan http://www.yannickdauby.net, http://www.kalerne.net, http://kalerne.net/hui-kan 18:51 - 24:19 / michael northam & jatin vidyarthi / digressing / golden shadow / semper florens http://oro.preg.org, http://www.semperflorens.net 21:30 - 32:30 / christopher delaurenti / nictating / physical, absent, tangible /[compilation]/ / contour editions http://www.delaurenti.net, http://www.contoureditions.com 24:37 - 31:35 / yannick dauby / rhacophorus taipeianus - taipei treefrog / songs of the frogs of taiwan / kalerne, atelier hui-kan http://www.yannickdauby.net, http://www.kalerne.net, http://kalerne.net/hui-kan 29:29 - 33:10 / gil sans?n / la monta?a se ha ido 2 / physical, absent, tangible /[compilation]/ / contour editions http://www.contoureditions.com 32:09 - 34:15 / michael northam & jatin vidyarthi / chandni chowk / golden shadow / semper florens http://oro.preg.org, http://www.semperflorens.net 33:49 - 39:13 / steve peters / grasslands / the very rich hours / [self-release] http://steve-peters.blogspot.com, http://stevepeters.bandcamp.com 36:55 - 40:53 / yannick dauby / microhyla fissipes - ornate ricefrog / songs of the frogs of taiwan / kalerne, atelier hui-kan http://www.yannickdauby.net, http://www.kalerne.net, http://kalerne.net/hui-kan 38:07 - 52:31 / brian mackern & gabriel galli / 34s56w / temporal de santa rosa / physical, absent, tangible /[compilation]/ / contour editions http://www.contoureditions.com 39:45 - 52:03 / michael northam & jatin vidyarthi / lotus contacting / golden shadow / semper florens http://oro.preg.org, http://www.semperflorens.net 50:05 - 57:00 / yannick dauby / rhacophorus moltrechti - moltrecht's treefrog / songs of the frogs of taiwan / kalerne, atelier hui-kan http://www.yannickdauby.net, http://www.kalerne.net, http://kalerne.net/hui-kan 50:33 - 54:53 / gil sans?n / la monta?a se ha ido 4 / physical, absent, tangible [compilation] / contour editions http://www.contoureditions.com ------------------------------------------------------------------------ framework intro submissions: 1) take yourself and an audio recorder to a location of your choice 2) record for /AT LEAST/ one minute before you - 3) read aloud the following text: *welcome to framework. framework is a show consecrated to field recording, and its use in composition. field recording, phonography, the art of sound hunting; open your ears and listen!* */[3b) please also feel free to translate this text into your native tongue!] /* 4) continue your recording for /AT LEAST/ two minutes after you have finished speaking 5) post the recording to us on any format, or send us an mp3 thanks! ------------------------------------------------------------------------ drop a note to info at frameworkradio.net to be added to or removed from this mailing list -------------- next part -------------- An HTML attachment was scrubbed... URL: From paquetehugo at gmail.com Mon Feb 7 16:47:40 2011 From: paquetehugo at gmail.com (paquetehugo at gmail.com) Date: Mon, 7 Feb 2011 21:47:40 GMT Subject: [microsound-announce] Hugo Paquete invites you to join My Opera Message-ID: <201102072147.p17Lle5v008651@f3.opera.com> Hi there, Hi there! Hugo Paquete invites you to join My Opera. At My Opera you can blog, share photos, keep up with friends and much more. Hugo Paquete says: "This is a great bowser. Thanks Stay in contact. " Join us at https://my.opera.com/community/signup?referrer=23a4ce4481703c3039f403ba6fa908bc Regards, Hugo Paquete http://my.opera.com/HugoPaquete -- My Opera -------------- next part -------------- An HTML attachment was scrubbed... URL: -------------- next part -------------- A non-text attachment was scrubbed... Name: avatar.jpeg Type: image/jpeg Size: 2195 bytes Desc: not available URL: From roger at eartrumpet.org Tue Feb 8 23:35:02 2011 From: roger at eartrumpet.org (Roger Mills) Date: Wed, 9 Feb 2011 15:35:02 +1100 Subject: [microsound-announce] New on Furthernoise.org Message-ID: Hi all, we have just uploaded a new issue of Furthernoise for your reading and listening pleasure. Also we have also just launched of our new net label release Explorations in Sound, Vol. 4, The sound of Live Performance, which includes contributions from a regular MS posters ! The release is free to download from http://www.furthernoise.org/netCD/EIS_vol4.zip As always we have loads of new reviews and our audio player is once again stocked with new sounds from featured noise makers. Enjoy !!! "Explorations in Sound, Vol. 4 The Sound of Live Performance - Various Artists" (feature) The live sound and music performance is like no other medium for expression and unpredictability, frequently yielding interesting sonic results, both on, and off stage. Sound checks, sound failures, the misassigned patch, unintended playing outcomes, FX overloads / calibrations and pinnacles of performative exploration can all create sources for eclectic new material. http://www.furthernoise.org/page.php?ID=383 feature by Roger Mills "Chance Reconstruction - M. Ostermeier" (review) M. Ostermeier's piano-based compositions inhabit a similar wistful sound world to other post-classical artists, but his electronics provide more of an irregular ambiance for the piano rather than commenting on the delicate melodies directly. Chance Reconstruction is the first full-length album from an artist with an eclectic background in post-rock and independent music in Minneapolis. http://www.furthernoise.org/page.php?ID=382 review by Caleb Deupree "Edward Rizo ? Soundscapes I" (review) Volume One of Edward Rizo's Soundscapes is constructed from smooth and serene electronics that creates its own sense of place. Deep bass and sounds mysteriously appearing from nowhere suggest a subaquatic environment, isolated and reverberant. http://www.furthernoise.org/page.php?ID=380 review by Caleb Deupree "Fragments" (review) Steve Roberts takes parts of his past, arranging them to create new pieces, the resulting Fragments essentially remixes of tracks from three previous Amongst Myselves albums. In many places single musical sounds get a refresh through re-setting them against field recordings; their deployment throughout serves to render Fragments a flowing whole. http://www.furthernoise.org/page.php?ID=376 review by Alan Lockett "Music In Four Movements" (review) Talvihorros deploys an array of instruments to touch various musical bases on Music In Four Movements, which dwells on the emotional dynamic of a suicidal impetus. An ostensibly bleak theme, but it presages no doom-laden death ambient suite; a more ambiguous tenor presides, at times hymnal, amid the murk and midden in an evolving involving suite. http://www.furthernoise.org/page.php?ID=379 review by Alan Lockett "Out and About" (review) On Out and About Herion's melding of post-classical sonorities with an expansive remit issues in a kind of spatial chamber music with shifting cadences which might be designated 'post-ambient'. Marzorati?s piano motifs, mixed with Coniglio?s melodica, harmonica, and treated guitar, all commingle sonorously in Errante?s settings. http://www.furthernoise.org/page.php?ID=378 review by Alan Lockett "Over Pass" (review) The latest release on Gears Of Sand from Montreal's Skinwell sits well in the label's collection of works, in the corner where post- industrial and ambient consort. Of 50-plus exhibits in GoS?s exhibition halls, the contents of Over Pass are among the most densely layered sound sheets hammered out in Delaware or anywhere you care's foundries. http://www.furthernoise.org/page.php?ID=381 review by Alan Lockett Roger Mills Editor, Furthernoise to unsubscribe please go to http://www.furthernoise.org/unsubscribe.php?u=1&ID=1267 -- Roger Mills http://www.eartrumpet.org http://www.furthernoise.org http://ethernetorchestra.netpraxis.net M: 0403 414495 -------------- next part -------------- An HTML attachment was scrubbed... URL: From jef at econtact.ca Wed Feb 9 10:54:45 2011 From: jef at econtact.ca (CEC jef chippewa) Date: Wed, 9 Feb 2011 16:54:45 +0100 Subject: [microsound-announce] =?iso-8859-1?q?Fwd=3A_=5BCALL=5D_ZKM_-_EURO?= =?iso-8859-1?q?PE_=AD_A_SOUND_PANORAMA?= Message-ID: more details / plus d'infos (english, fran?ais, deutsch) http://vm-musik.zkm.de/klangpanorama/formular.php >APPEL ? PROJETS PROROG? au 15.03.2011 >Le Goethe-Institut de Belgrade, le ZKM | >Institut de Musique et d?Acoustique Karlsruhe, >G?tz Naleppa (producteur et artiste m?dia), le >Troisi?me Programme de Radio Belgrad, le Groupe >Ars Acustica de l?Union Europ?enne de >Radio-T?l?vision et Deutschlandradio Kultur vous >invitent cordialement ? participer au projet >suivant: > >EUROPA ? UN PANORAMA SONORE >Les artistes europ?ens d?art sonore sont invit?s >? composer une oeuvre traduisant sous une forme >artistique les impressions acoustiques d?un lieu >ou d?un paysage de leur choix en Europe. Les >contributions ne doivent pas durer plus de 5 >minutes. Le but est de produire une composition >d?art sonore refl?tant les particularit?s des >diverses composantes de l?Europe. > >**************************************************************************** > >CALL FOR ENTRIES EXTENDED till 15.03.2011 The >Goethe-Institut of Belgrade, the ZKM | Institute >for Music and Acoustics Karlsruhe, G?tz Naleppa >(producer and media artist), Programme 3 of >Radio Belgrade, the European Broadcasting >Union?s Ars Acustica Group and Deutschlandradio >Kultur warmly invite you to take part in the >following project: > >EUROPE ? A SOUND PANORAMA >This is a call to all European sound artists to >compose a contribution made up of acoustic >impressions of a European venue or landscape >selected by them and rendered in artistic form. >No contribution should exceed five minutes in >duration. The aim of this project is to produce >a sound composition which conveys an impression >of the particularities of different parts of >Europe. -- Communaut? ?lectroacoustique canadienne (CEC) Canadian Electroacoustic Community eContact! 12.4 Perspectives... http://cec.concordia.ca/econtact/12_4 Jeu de temps / Times Play CEC + ACMA http://cec.concordia.ca/jttp/2010 http://econtact.ca | http://sonus.ca | http://cec.concordia.ca/jttp http://facebook.com/cec.sonus From expe at madicoinc.com Wed Feb 9 13:30:58 2011 From: expe at madicoinc.com (Max & Mark) Date: Wed, 09 Feb 2011 13:30:58 -0500 Subject: [microsound-announce] [pertin-nce_036] r.audiard - tokyo (free) Message-ID: <59A61E5C3E0B4E359A009B5751A6C96F@madico.com> A new release! : label : pertin_nce cat. number : pertin-nce_036 artists : r.audiard title : tokyo track listing : 1- tokyo (original) 2- tokyo (textural being remix) 3- tokyo (bleupulp stripped down remix) sounds like : dub techno, duby house, digital dub download & stream (v/a formats) : http://www.archive.org/details/pertin-nce_036 http://www.pertin-nce.blogspot.com enjoy! From roger at eartrumpet.org Wed Feb 9 18:09:35 2011 From: roger at eartrumpet.org (Roger Mills) Date: Thu, 10 Feb 2011 10:09:35 +1100 Subject: [microsound-announce] Furthernoise issue February 2011 Message-ID: <10F915F5-59FF-4A9A-806D-68C2BC6FAAC2@eartrumpet.org> Hi All I just wanted to flag up the new issue of Furthernoise, which features a new Explorations in Sound release, featuring works based on the serendipitous outcomes of live performance. The release is free to download from http://www.furthernoise.org/netCD/EIS_vol4.zip We also have loads of new reviews and our audio player is once again stocked with new sounds from featured noise makers. Enjoy !!! Furthernoise issue February 2011 http://www.furthernoise.org/index.php?iss=90 "Explorations in Sound, Vol. 4 The Sound of Live Performance - Various Artists" (feature) The live sound and music performance is like no other medium for expression and unpredictability, frequently yielding interesting sonic results, both on, and off stage. Sound checks, sound failures, the misassigned patch, unintended playing outcomes, FX overloads / calibrations and pinnacles of performative exploration can all create sources for eclectic new material. http://www.furthernoise.org/page.php?ID=383 feature by Roger Mills "Chance Reconstruction - M. Ostermeier" (review) M. Ostermeier's piano-based compositions inhabit a similar wistful sound world to other post-classical artists, but his electronics provide more of an irregular ambiance for the piano rather than commenting on the delicate melodies directly. Chance Reconstruction is the first full-length album from an artist with an eclectic background in post-rock and independent music in Minneapolis. http://www.furthernoise.org/page.php?ID=382 review by Caleb Deupree "Edward Rizo ? Soundscapes I" (review) Volume One of Edward Rizo's Soundscapes is constructed from smooth and serene electronics that creates its own sense of place. Deep bass and sounds mysteriously appearing from nowhere suggest a subaquatic environment, isolated and reverberant. http://www.furthernoise.org/page.php?ID=380 review by Caleb Deupree "Fragments" (review) Steve Roberts takes parts of his past, arranging them to create new pieces, the resulting Fragments essentially remixes of tracks from three previous Amongst Myselves albums. In many places single musical sounds get a refresh through re-setting them against field recordings; their deployment throughout serves to render Fragments a flowing whole. http://www.furthernoise.org/page.php?ID=376 review by Alan Lockett "Music In Four Movements" (review) Talvihorros deploys an array of instruments to touch various musical bases on Music In Four Movements, which dwells on the emotional dynamic of a suicidal impetus. An ostensibly bleak theme, but it presages no doom-laden death ambient suite; a more ambiguous tenor presides, at times hymnal, amid the murk and midden in an evolving involving suite. http://www.furthernoise.org/page.php?ID=379 review by Alan Lockett "Out and About" (review) On Out and About Herion's melding of post-classical sonorities with an expansive remit issues in a kind of spatial chamber music with shifting cadences which might be designated 'post-ambient'. Marzorati?s piano motifs, mixed with Coniglio?s melodica, harmonica, and treated guitar, all commingle sonorously in Errante?s settings. http://www.furthernoise.org/page.php?ID=378 review by Alan Lockett "Over Pass" (review) The latest release on Gears Of Sand from Montreal's Skinwell sits well in the label's collection of works, in the corner where post- industrial and ambient consort. Of 50-plus exhibits in GoS?s exhibition halls, the contents of Over Pass are among the most densely layered sound sheets hammered out in Delaware or anywhere you care's foundries. http://www.furthernoise.org/page.php?ID=381 review by Alan Lockett Roger Mills Editor, Furthernoise -------------- next part -------------- An HTML attachment was scrubbed... URL: From 11 at sin-s.com Thu Feb 10 03:46:13 2011 From: 11 at sin-s.com (11) Date: Thu, 10 Feb 2011 09:46:13 +0100 Subject: [microsound-announce] 11.02.2011 Message-ID: An HTML attachment was scrubbed... URL: From hars7 at hotmail.com Thu Feb 10 07:55:19 2011 From: hars7 at hotmail.com (HarS' Sound Chronicles) Date: Thu, 10 Feb 2011 13:55:19 +0100 Subject: [microsound-announce] SB :: Did Captain Beefheart sell Filter Queens? Message-ID: SoundBlog, Feb. 10th, 2011 [#402] * Esther et Pierre * Did Captain Beefheart sell Filter Queens? * Why the Bells in Maastricht did not Ring this winter * Esther will sell me Anything I want * A QR Code * The Unbearable Fleeting of Time * The Best Things in Life are Utterly UselessAll this and more no-news & strange rumours in the 11th edition of the SoundBlog's Tweet Digest [ permalink: http://www.harsmedia.com/SoundBlog/Archief/00761.php ] Meanwhile, my 10-seconds-a-day audio diary for the prime year 2011 is well into its 6th week. Each sunday the Seventy Seconds of the week past can be heard on the Dutch web daily hard//hoofd, together with a short (Dutch) text taken from my personal diaries and a picture made by photographer Pieter van Wynsberge at a corresponding hour on one of the 7 days ... [ http://hardhoofd.com/2011/02/06/seventy-seconds-552/ ] Follow http://twitter.com/soundblog cheers,Harold Schellinx -------------- next part -------------- An HTML attachment was scrubbed... URL: From kim at anechoicmedia.com Thu Feb 10 12:40:38 2011 From: kim at anechoicmedia.com (Kim Cascone) Date: Thu, 10 Feb 2011 09:40:38 -0800 Subject: [microsound-announce] 4sale: 5 copies of 'Pharmacie: Red&Green' ltd ed Message-ID: <4D542316.5060004@anechoicmedia.com> I unearthed 5 copies of 'Pharmacie: Red and Green' CD in my studio the other day. Packaged in an industrial black felt pouch with multicolor iridescent stitching, comes with a 4 color poster with liner notes, three buttons - 2 with images of apothecary jars and 1 with the anechoic logo and of course a CDr with a 4 color label...$25 USD ea. includes shipping internationally - contact me if you want one. From theelectricyouth at yahoo.com Thu Feb 10 15:10:02 2011 From: theelectricyouth at yahoo.com (theelectricyouth) Date: Thu, 10 Feb 2011 12:10:02 -0800 (PST) Subject: [microsound-announce] Truna con One Man Nation on tour in March/April Message-ID: <516029.23069.qm@web161602.mail.bf1.yahoo.com> Dear All, Singaporean experimental artist One Man Nation will be teaming up with Valencian mad scientist Dr Truna and will be hitting the road with their new project OMN + Truna. This is subliminal semi-improv stuff, part Pierre Bastien part early industrial. They're planning some concerts in Spain, France and Portugal and are currently still looking for more concerts. Here is a link to their performance - http://www.vimeo.com/18220745 Please write me back if you're interested in organizing something for them. Kind Regards, Tey ____________________________________________________________________________________ We won't tell. Get more on shows you hate to love (and love to hate): Yahoo! TV's Guilty Pleasures list. http://tv.yahoo.com/collections/265 -------------- next part -------------- An HTML attachment was scrubbed... URL: From kim at anechoicmedia.com Fri Feb 11 12:19:29 2011 From: kim at anechoicmedia.com (Kim Cascone) Date: Fri, 11 Feb 2011 09:19:29 -0800 Subject: [microsound-announce] Call: Dark Atmospheric Soundscapes Message-ID: <4D556FA1.3010308@anechoicmedia.com> An HTML attachment was scrubbed... URL: From philippe-petit at wanadoo.fr Sat Feb 12 01:42:03 2011 From: philippe-petit at wanadoo.fr (Philippe Petit) Date: Sat, 12 Feb 2011 07:42:03 +0100 Subject: [microsound-announce] on Sunday in my Nonclassical radio show Simon Fisher Turner + playlist for the BiP_HOp Generation In-Reply-To: References: <2B8E2590-3795-4D09-8382-1ECB69865732@wanadoo.fr> <3E2BDB76-EA6F-4E81-B262-5743A423903C@wanadoo.fr> <9D185461-F054-467A-8B78-6A27293382C9@wanadoo.fr> <81A0FE6C-FE46-4529-A4AD-57947E2EAA46@wanadoo.fr> <1B99338F-4F74-459D-96E0-5C7484C41728@wanadoo.fr> <33A41826-E2EE-4221-9C70-4932E965F819@wanadoo.fr> Message-ID: <69ACAD11-6C0B-4112-8A37-42A5C70D37AC@wanadoo.fr> Hello, allow me to announce that On Sunday - in NONClassical - I'll be airing: Simon Fisher Turner : swift. 20 pieces of music, film & silence (Mute) and earlier on from 9 to 10 PM: BiP_HOp Generation on Radio Grenouille // 88.8 FM Sunday evenings : 21:00 - 22:00 PM (19:00 - 20:00 GMT) // Marseille // France http://ns35904.ovh.net:8080/live.m3u http://www.grenouille888.org ARTIST : SONG "ALBUM" (label) FEB 13 Tristeza : missoula ? Paisajes ? (Sanity Muffin) Joy As A Toy : valparaiso ? Valparaiso ? (Cheap Satanism) Okie Dokie :ooga booga ? s/t ? (Aagoo) Ron Geesin : ? Roncycle 1 : The Journey Of A Melody ? (Tonefloat) Ron Geesin : ? Roncycle 1 : The Journey Of A Melody ? (Tonefloat) Ron Geesin : ? Roncycle 1 : The Journey Of A Melody ? (Tonefloat) Les Fragments De La Nuit : allegra alternae ? Demain C?Etait Hier ? (Equilibrium Music) Vieo Abiungo : in a wash or haze ? Blood Memory ? (Lost Tribe Sound) Nadja + Ovo : drowned in coffee ? The Life And Death Of A Wasp ? (Bar La Muerte) Tormenta : ubris ? La Ligne ?pre ? (Africantape) Crabe : des trains ? Ero Gaki ? (Signed By Force) Faust : la sole dor?e ? Something Dirty ? (Bureau B) -------------- next part -------------- An HTML attachment was scrubbed... URL: From info at mwsae.org Sat Feb 12 22:27:59 2011 From: info at mwsae.org (Eric Leonardson) Date: Sat, 12 Feb 2011 21:27:59 -0600 Subject: [microsound-announce] Jay Needham at The (New) Corpse, Friday Feb 18 Message-ID: <4D574FBF.6000203@mwsae.org> I hope you will join me at *7PM this Friday evening, Feb. 18* for a special presentation by sound and media artist *Jay Needham*, at *The (New) Corpse *, 1511 N. Milwaukee Avenue, 2nd floor. Jay will present selections from recent works in a lecture titled */Ars Memoria: Several Alternate Histories of Place/.* Jay will be finishing a chapter on the sounds of Mashinima and planning an evening of radio art and surround sound works for the April 2011 *Out of the Box Contemporary Music Festival* in Carbondale, Illinois. Jay is an Associate Professor in the Communications Department at *Southern Illinois University *, and a member of the *Midwest Society for Acoustic Ecology * (MSAE). Jay's media art engages the ecology, memory, and narratives of place in diverse environments such as Antarctica, the U.S. Department of Energy's Hanford Site, and the Panama Canal Zone. He has an extensive history of international exhibitions and broadcasts employing film, video, sound installations, and works for radio. Listen and watch examples of Jay's fascinating work at http://www.wavespace.org/ Please enter *The (New) Corpse* via the black door next to the Singer Sewing Machine shop. (Following our meeting, walk up the street and catch the 9PM concert at Enemy , 1550 N. Milwaukee Ave., 3rd floor. Performing: *Robert Turman, Olivia Block * with *Lou Mallozzi, *and*Startless.*) Jay Needham's presentation is free and open to the public, the second in a series of monthly meetings organized by the *Midwest Society for Acoustic Ecology* and *World Listening Project*. To learn more about our efforts http://mwsae.org, and http://www.worldlisteningproject.org. The MSAE also has a Facebook page at http://www.facebook.com/pages/Midwest-Society-for-Acoustic-Ecology/118813283125 *Coming up in March, Viv Corringham* comes to Chicago to talk about her /Shadow-walks project/ /. /Please check back on the MSAE website for updates, as we add soundwalks, workshops, and other public events to our Spring and Summer 2011 schedule. My apologies if you've received this message more than once. Sincerely, Eric -- Eric Leonardson, President American Society for Acoustic Ecology Founder, Midwest Society for Acoustic Ecology Executive Director, World Listening Project Email:info at mwsae.org Web:http://mwsae.org Skype: worldlistening Mobile: 773-342-5012 From murmer at murmerings.com Mon Feb 14 03:52:45 2011 From: murmer at murmerings.com (. m u r m e r .) Date: Mon, 14 Feb 2011 10:52:45 +0200 Subject: [microsound-announce] [framework] playlist #318: 2011.02.13 Message-ID: <4D58ED5D.2060705@murmerings.com> /*framework*/ - phonography / field recording; contextual and decontextualized sound activity presented by patrick mcginley /*framework*/ broadcasts: - sunday, 10pm, london, ukon *resonance 104.4fm* (http://www.resonancefm.com) - wednesday, 1am, thessaloniki, gr on *cooradio* (http://www.cooradio.com) - wednesday, 3am,lisbon, pt on *radio zero* (http://www.radiozero.pt) - thursday, 7pm,lisbon, pt on *radio zero* (http://www.radiozero.pt) - friday, 1am, brussels, be on *radio campus 92.1fm* (http://www.radiocampusbruxelles.org) - saturday, 7am, new york state, us on *wgxc 90.7fm* (http://www.wgxc.org) - saturday, 5pm, south devon, uk on*soundartradio 102.5fm* (http://www.soundartradio.org.uk) ~ time zone converter: http://www.timeanddate.com/worldclock/converter.html ~ *for general info, playlists, podcasts, or to stream the latest edition at any time: http://www.frameworkradio.net * *framework is supported by /soundtransit/: http://www.soundtransit.nl * ******************************************************* */FRAMEWORK/ NEEDS YOUR SUPPORT!* ******************************************************* your subscriptions & donations help make the production of /*framework*/ possible. visit out website to find out how to become a regular donor, or make a one-time donation here: http://www.murmerings.com/donate.html. 25% of all donations go to *resonancefm*, without whom /*framework*/ would not exist. (if you would like to donate directly to *resonancefm* please visit their support page here: http://www.resonancefm.com/support.) * **PLUS, IN CELEBRATION OF FRAMEWORK'S 250TH EDITION, DONATE ?25 OR MORE AND RECEIVE ONE OF THE FRAMEWORK250 2CD COMPILATIONS, OR **?40 OR MORE AND RECEIVE BOTH**! * ------------------------------------------------------------------------ *#318: 2011.02.13 * this edition of /*framework:afield*/, entitled /*begin_if_(2)*/, has been produced in berlin, germany by *christoph limbach*. get in touch for artist contact information. more info: /*begin_ if _(2) */ (2) is the second release of a series of soundworks under the name begin_ if _ . mixed and mastered 2010 @ emitter19 in Berlin artists: Sarah Pitsulala Reaburn (vocals) Bajba (vocals) for begin_ if _(1) go to http://www.contoureditions.com again, we are always looking for material for the show, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated /*framework:afield*/ series. send proposals or material, released or not, on any format, to the address below. if you have any questions, please don't hesitate to get in touch! framework tartu mnt 41 63710 ahja polvamaa estonia info at frameworkradio.net ------------------------------------------------------------------------ framework intro submissions: 1) take yourself and an audio recorder to a location of your choice 2) record for /AT LEAST/ one minute before you - 3) read aloud the following text: *welcome to framework. framework is a show consecrated to field recording, and its use in composition. field recording, phonography, the art of sound hunting; open your ears and listen!* */[3b) please also feel free to translate this text into your native tongue!] /* 4) continue your recording for /AT LEAST/ two minutes after you have finished speaking 5) post the recording to us on any format, or send us an mp3 thanks! ------------------------------------------------------------------------ drop a note to info at frameworkradio.net to be added to or removed from this mailing list -------------- next part -------------- An HTML attachment was scrubbed... URL: From kim at anechoicmedia.com Mon Feb 14 14:40:51 2011 From: kim at anechoicmedia.com (Kim Cascone) Date: Mon, 14 Feb 2011 11:40:51 -0800 Subject: [microsound-announce] Fwd: [LAA] Harrison Mixbus ... now available on Linux! Message-ID: <4D598543.6040600@anechoicmedia.com> An HTML attachment was scrubbed... URL: From kim at anechoicmedia.com Mon Feb 14 14:41:10 2011 From: kim at anechoicmedia.com (Kim Cascone) Date: Mon, 14 Feb 2011 11:41:10 -0800 Subject: [microsound-announce] Fwd: [LAA] Harrison Mixbus ... now available on Linux! Message-ID: <4D598556.6030000@anechoicmedia.com> -------- Original Message -------- Subject: [LAA] Harrison Mixbus ... now available on Linux! Date: Fri, 11 Feb 2011 16:18:34 -0600 From: Ben Loftis Reply-To: ben at harrisonconsoles.com Organization: Harrison Consoles To: linux-audio-announce at lists.linuxaudio.org, linux-audio-user-request at lists.linuxaudio.org Harrison Consoles, manufacturer of the world's finest mixing consoles, is proud to announce that Mixbus is now available for the Linux platform. Mixbus(tm) extends Ardour ( the well-known Digital Audio Workstation ) with Harrison's world-renowned sound and features in a knob-per-function interface. Now cross-platform on both Linux and OSX, Mixbus provides a solution for engineers and mixers who need a recorder, editor and mixing system with world-class sound and features. -------------------------- Mixbus Features: * Straightforward ?knob per function? mixer layout based on Harrison's renowned 32-series and MR-series music consoles. * Precision DSP algorithms for EQ, Filter, Compression, Analog Tape Saturation, and Summing based on Harrison's world-renowned large format analog and digital mixing consoles. * Unlimited stereo or mono input channels (based on available CPU power) featuring High-pass Filter, EQ, Compression, and 4 Mix Bus sends on every c channel. * 4 Stereo Mix Buses (can be used for groups or auxes) featuring Tone controls, Compression, Sidechaining, and Analog Tape Saturation. * Stereo Master Bus that features Tone controls, Analog Tape Saturation, K-meter, and Limiting to help you make polished mixes. * Automatic delay compensation for any routing combinations of Tracks to Mixbuses and/or Master Bus. This allows for parallel paths with different plugins that remain time-aligned to the output. * Comprehensive "at-a-glance" metering with peak, peak hold, and compressor gain reduction visible on every track and bus. * Extensive DAW features via the Ardour Digital Audio Workstation. * Uses any sound I/O supported by ALSA and/or JACK on Linux * Supports LADSPA and LV2 plugins on Linux ------------------------ The development of Mixbus is the culmination of a multi-year collaboration between Harrison and the Ardour development team. Mixbus is available at an introductory price of only $79. Purchase Mixbus now at: http://mixbus.harrisonconsoles.com Purchasers of Mixbus are also able to take advantage of a LinuxDSP plugin "bundle" at a dramatically reduced price. The included plugins ( channelstrip with gate, fully parametric EQ, multiband compressor, and reverb) extend Mixbus to provide a full-featured editing, mixing and mastering package at a great price. Best Regards, Ben Loftis Harrison Consoles _______________________________________________ Linux-audio-announce mailing list Linux-audio-announce at lists.linuxaudio.org http://lists.linuxaudio.org/listinfo/linux-audio-announce From rwm2008 at gmail.com Tue Feb 15 11:05:24 2011 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Tue, 15 Feb 2011 17:05:24 +0100 Subject: [microsound-announce] =?iso-8859-1?q?INTERRUPTIONS_=233=2E_Deutsc?= =?iso-8859-1?q?he_Kassettent=E4ter=2E_The_rise_of_the_German_home-?= =?iso-8859-1?q?recording_tape_scene_=231=2C_by_Felix_Kubin?= Message-ID: *"Deutsche Kassettent?ter. The rise of the German homerecording tape scene, part #1", a podcast by Felix Kubin* Link: http://rwm.macba.cat/en/curatorial?id_capsula=790 In the late 1970s, the German music scene was shaken up by a virtual explosion of new bands that sounded radically different to anything that had come before. They played music that was experimental, playful, absurd, minimalist and astute, with lyrics that were sung ? or more commonly screamed ? exclusively in German. Appalled rather than enthralled by this new expressionism, the record industry initially showed no interest in these groups, so new platforms had to be set up in order to spread the virus. Small companies like ZickZack and Ata Tak started to release records by these young artists who were springing up like mushrooms. The independent record label was born. The spirit of this new movement ? later branded Neue Deutsche Welle ? emerged from a collision between the self-confident attitude of punk, the legacy of Germany's electronic avant-garde and a belief in the imminence of an atomic apocalypse. In his book "Als die Welt noch unterging" (When the world was still going to end), Frank Apunkt Schneider describes this despair as a joyful dance on the edge of the volcano, which is what underlies the unusual music that you will hear in this programme. Link: http://rwm.macba.cat/en/curatorial?id_capsula=790 MP3: http://rwm.macba.cat/uploads/interruptions/03_deutschekassetentaeter_part1.mp3 Related info: http://rwm.macba.cat/uploads/20110204/03Interruptions_eng_PDF.pdf Follow us at http://twitter.com/Radio_Web_MACBA -------------- next part -------------- An HTML attachment was scrubbed... URL: From philippe-petit at wanadoo.fr Tue Feb 15 16:29:44 2011 From: philippe-petit at wanadoo.fr (Philippe Petit) Date: Tue, 15 Feb 2011 22:29:44 +0100 Subject: [microsound-announce] on Sunday in my Nonclassical radio show Neil Rolnick + playlist for the BiP_HOp Generation In-Reply-To: <69ACAD11-6C0B-4112-8A37-42A5C70D37AC@wanadoo.fr> References: <2B8E2590-3795-4D09-8382-1ECB69865732@wanadoo.fr> <3E2BDB76-EA6F-4E81-B262-5743A423903C@wanadoo.fr> <9D185461-F054-467A-8B78-6A27293382C9@wanadoo.fr> <81A0FE6C-FE46-4529-A4AD-57947E2EAA46@wanadoo.fr> <1B99338F-4F74-459D-96E0-5C7484C41728@wanadoo.fr> <33A41826-E2EE-4221-9C70-4932E965F819@wanadoo.fr> <69ACAD11-6C0B-4112-8A37-42A5C70D37AC@wanadoo.fr> Message-ID: Hello, as I'll be away until next Monday allow me to announce that On Sunday - in NONClassical - I'll be airing: Neil Rolnick ? Hammer & Hair ? - ? Uptown Jump ? - ? Real Time ? (Innova) and earlier on from 9 to 10 PM: BiP_HOp Generation on Radio Grenouille // 88.8 FM Sunday evenings : 21:00 - 22:00 PM (19:00 - 20:00 GMT) // Marseille // France http://ns35904.ovh.net:8080/live.m3u http://www.grenouille888.org ARTIST : SONG "ALBUM" (label) FEB 20 Life?s Decay : swanics ? Torture Garden ? (Shinto) Keiki : lottie johl ? Waltham Holy Cross ? (Cheap Satanism) ?Alos : taglio ? Yomi ? L?Oscura Terra Dei Morti ? (Bar La Muerte) Jazz Fakers : seven ? s/t ? (PAS) Tristeza : l?accident heureux ? Paisajes ? (Sanity Muffin) Faust : herbststimmung ? Something Dirty ? (Bureau B) Lissom : forage ? Nest Of Iterations ? (Dragon?s Eye) Jason Adasiewicz : life ? Sun Rooms ? (Delmark) Max Richter : infra 5 ? Infra ? (130701/FatCat) Hauschka :snow ? Foreign Landscapes ? (130701/FatCat) Joy As A Toy : deep in your ass ? Valparaiso ? (Cheap Satanism) Part Timer : taken along quietly ? Real To Reel ? 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URL: From lists at sdfphd.net Wed Feb 16 09:21:22 2011 From: lists at sdfphd.net (Sam Freeman) Date: Wed, 16 Feb 2011 14:21:22 +0000 Subject: [microsound-announce] the Audio Podcast Message-ID: introducing a new weekly podcast about audio technology and technique: http://www.theaudiopodcast.co.uk @theaudiopodcast From jeffreymelton at gmail.com Wed Feb 16 11:11:22 2011 From: jeffreymelton at gmail.com (Jeffrey Melton) Date: Wed, 16 Feb 2011 11:11:22 -0500 Subject: [microsound-announce] Two new releases of ambient, freeform and microsound compositions In-Reply-To: References: Message-ID: I wanted to let you know about two recent releases of ambient, freeform and microsound compositions: *melton.granular.01* (http://nofi.bandcamp.com/album/granular-01) and * melton.granular.02* (http://nofi.bandcamp.com/album/granular-02) collect my recent work in microsound-scapes, featuring granular and pulsar synthesis, freeform rhythms and tone colors. Tracks can also be streamed at http://soundcloud.com/nofi/sets/microsound-1/ Production Notes All sounds were created with Density GS and Pulsaret instruments (both the standalone apps and Max for Live versions). Arrangement, mixing and mastering was done with Ableton Suite. Processing effects were limited to resonant filters, grain delay, reverb and EQ. Concepts & Aesthetics Taking John Cage's statement "There is no noise, only sound" as a starting point, these compositions explore the hinterlands of microsound particles and drones, non-sequenced rhythms and the diversity of organic and synthetic timbres. Rather than drone, each piece evolves with components that swell and recede, resonate, percolate, pulsate, shimmer, flutter, meander and migrate. Sample sources include: strings; flute; toy piano, bells and cymbals; vinyl records; elementary sound waveforms. Track listings *melton.granular.01* 1. Angularity v.01 - 04m00s 2. The Chymist v.01 - 23m31s 3. Coronal Mass v.01 - 09m14s 4. Dressmaker v.01 - 03m44s *melton.granular.02* 1. Tetrad v.01, pt.2 - 09m16s 2. A Froward Mass v.01 - 24m26s 3. Penumbra v.01 - 06m07s 4. Promises v.02 - 12m38s Photos and artwork http://www.nofi.org/bits/2011/jeffrey.melton.mugshot.jpg (64KB JPEG) http://www.nofi.org/bits/2011/melton.granular.01.jpg (132KB JPEG) http://www.nofi.org/bits/2011/melton.granular.02.jpg (170KB JPEG) Tags ambient, conceptual, Density, drone, experimental, freeform, granular, organic, non-sequenced, pulsar, Pulsaret, sampling, space, synthetic, synthesis, timbre Biography I have composed experimental and synthesized music for more than 20 years, beginning in the late 1980s with tape collage and reel-to-reel loop experiments. I moved on to computer-based sequencing, with a series of cassettes under the name Biotek during the mid 1990s and CD-Rs using the name Nofi beginning in 1997. Since 1999, I have maintained the website nofi dot org (http://www.nofi.org/) as a blog and showcase for my media arts work. Recent computer-based ambient/freeform/microsound compositions as well as sequenced work can be previewed at http://soundcloud.com/nofi. Resources Density GS and Pulsaret: http://www.densitygs.com/ Ableton Suite: http://www.ableton.com/suite-8 Max for Live: http://cycling74.com/products/maxforlive/ Microsound overview: http://en.wikipedia.org/wiki/Microsound ### If you do not wish to receive updates, reply and I will remove you. Please forward this message to others you know who may be interested. Thank you for your time and consideration. Cheers, -- Jeffrey Melton -------------- next part -------------- An HTML attachment was scrubbed... URL: From tobiasreber at sunrise.ch Wed Feb 16 14:15:17 2011 From: tobiasreber at sunrise.ch (Tobias Reber) Date: Wed, 16 Feb 2011 20:15:17 +0100 Subject: [microsound-announce] centrozoon looking for multiple album mixer / looking for gigs In-Reply-To: References: Message-ID: dear microsounders, we are centrozoon, a trio of improvised electronic music. we invite you to mix our new album, "boner", due to be released in 2011. we are also looking for opportunities to play live. please refer to www.centrozoon.de for further info and to listen to our previous work, and don't hesitate to get in touch if you're up for the album mix or if you have a suggestion where to play a concert. markus, bernhard and tobias --- Tobias Reber Freiburgstrasse 32 2503 Biel Switzerland mobile: ++41 (0)79 573 11 69 email: tobiasreber at sunrise.ch www.tobiasreber.com From ml at robmunro.net Wed Feb 16 19:56:00 2011 From: ml at robmunro.net (Robert Munro) Date: Thu, 17 Feb 2011 00:56:00 +0000 Subject: [microsound-announce] OpenNight and FLOSS Hackday - Sunday 27th Feb @ the Others. Message-ID: The next openlab hackday and opennight next Sunday 27th Feb @ the Others ( http://www.theothers.uk.com). This is Android and general open-source multi-media salon where people can come along and hack, present works or generally cross-pollenate ideas. So people developing musical/video/graphics/tech art/etc apps can get together and have ideas, intents, providers, broadcasts ... The event in the evening is a freeform event comprising of basically any music/video/art you can make using at least some open-source software/ Android app. So the idea is that you can hack away on some instrument/app during the day and perform with it at night - if you so desire.. Anyone is welcome to come along and present their projects, or ideas and information as well as work/hack with yours or other projects. So if it sounds as good to you as it does to me then maybe you should consider putting ur name up on the WIKI: http://www.pawfal.org/openlabwiki/index.php?page=OpenNight ** *12-7 pm: FLOSS & Android Hackday* The plan at the moment is: About 12-1p: People who want to can get up and give a brief... outline what they are working on / looking for. Then in the rest of the time we can intersperse hacking with presentations and discussions as and when people are ready. We could fix a time but i think it might be good to have different breaks during the day. ** *6 or 7pm - 11pm : OpenNight* Confirmed so far : Rob Munro Phil Jones Ryan Jordan More to come ... or just send me a message... venue website: http://www.theothers.uk.com/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From expe at madicoinc.com Thu Feb 17 08:19:33 2011 From: expe at madicoinc.com (Max & Mark) Date: Thu, 17 Feb 2011 08:19:33 -0500 Subject: [microsound-announce] this trippy track i made (soundcloud) Message-ID: <309EB805346C4382A5655347324CB4C5@madico.com> Hello I just wanted to share this track I made. Kinda slow, trippy, deep.. The main synth melody was made by 'galerie stratique' (http://www.galerie-stratique.com/) Listen and download at : http://soundcloud.com/bleupulp/sem-dub-feat-galerie-stratique peace out max From djitter at gmail.com Thu Feb 17 10:19:49 2011 From: djitter at gmail.com (=?utf-8?Q?Dar=C3=ADo_Moratilla?=) Date: Thu, 17 Feb 2011 16:19:49 +0100 Subject: [microsound-announce] Fwd: Djitter (Dario Moratilla) podcast for Sonm References: Message-ID: <3C5142CD-561A-474F-B750-20674F6ADA56@gmail.com> > Hi > Now you can listen my last podcast > For Sonm. > All info here: > http://www.grainsize.blogspot.com > http://www.sonm.es > Hope you enjoy From sirrpauloraposo at gmail.com Fri Feb 18 06:28:35 2011 From: sirrpauloraposo at gmail.com (paulo raposo) Date: Fri, 18 Feb 2011 11:28:35 +0000 Subject: [microsound-announce] Hz: Hertz LIVE STREAMING | OPEN CALL FOR PARTICIPATION Message-ID: ----- HZ: OPEN CALL FOR PARTICIPATION (deadline is today) Radio Zero is has the pleasure to invite you to a collaborative streaming event in celebration of Heinrich Hertz birthday next February 22. Hertz experiments with electromagnetic waves were in the very basis that led to the to the development of the radio. And his name became the term used for radio and electrical frequencies: hertz (Hz), as in kilohertz (kHz) or megahertz (MHz). Radio Zero will organize a multiple stream session and invites you to join in and ?choose to perform within one of these 5 frequency ranges : 80-200 hz ? 200-500 ? 500-800 ? 800-2000 ? 2000-20000. Each frequency slot will have a length of 15m. The live streaming will happen February 22, 20:00 gmt 0 (same as London). Extended Deadline for confirmation: 18 February (today) send email to pauloraposo at radiozero.pt http://www.radiozero.pt/hertz_celebration/ http://www.radiozero.pt From devel at thesaddj.com Fri Feb 18 07:16:36 2011 From: devel at thesaddj.com (Marco Donnarumma) Date: Fri, 18 Feb 2011 12:16:36 +0000 Subject: [microsound-announce] Live Media Updates February 2011 Message-ID: (sorry for x-posting) Dear all, The new issue of thesaddj.com news aggregator is now on-line. Issue #23: news, articles, calls and events around open source culture, sonic research, new media art and shared knowledge. Tags: festival, piksel report, sonification, xth sense, biotechnology, censorship, wearable DIY, scotland, workshops, LAC2011, data visualization. + upcoming 2011 events. Read it here http://www.thesaddj.com/newsletter/feb11/index.html Best wishes, -- Marco Donnarumma Independent New Media and Sonic Arts Professional, Performer, Instructor ACE, Sound Design MSc by Research (ongoing) The University of Edinburgh, UK ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Portfolio: http://marcodonnarumma.com Lab: http://www.thesaddj.com | http://cntrl.sourceforge.net | http://www.flxer.net Event: http://www.liveperformersmeeting.net -------------- next part -------------- An HTML attachment was scrubbed... URL: From matt.dixon.music at gmail.com Fri Feb 18 14:37:39 2011 From: matt.dixon.music at gmail.com (Matt Dixon) Date: Fri, 18 Feb 2011 12:37:39 -0700 Subject: [microsound-announce] New Recording of Electro-acoustic Version of Terry Riely's In C Message-ID: I'm pleased to announce that my new ensemble's debut recording of Terry Riley's *In C* is now complete and available to the public. American Record Guide calls the recording "the most important addition to the*In C *discography since the original 1964 recording." The recording is based on a live performance of the score by six laptop performers. Acoustic percussion and piano was then overdubbed over the next month. The ensemble has made the recording temporarily available for free streaming on their Facebook page: http://www.facebook.com/pages/Salt-Lake-Electric-Ensemble/116184285066794 The ensemble is currently considering partnerships with record labels and planning a tour of colleges, universities, and other venues for September and October of 2011. Interested parties can contact the ensemble's founder via email at matt.dixon.music at gmail.com. The recording is available on Amazon.com, the major digital download marketplaces, and the ensemble's website, http://sleearts.com/. -------------- next part -------------- An HTML attachment was scrubbed... URL: From thom at musclefish.com Fri Feb 18 18:33:16 2011 From: thom at musclefish.com (Thom Blum) Date: Fri, 18 Feb 2011 15:33:16 -0800 Subject: [microsound-announce] Logos Tetrahedron Concert - March 3, 2011 In-Reply-To: References: Message-ID: <4D5F01BC.2090706@musclefish.com> On Thursday, March 3, 2011, at 8:00 PM, The Logos Tetrahedron Theater concert series, New Media, will present works by Marko Timlin, Pete Stollery, and Thom Blum. Logos Tetrahedron Theater is located at Bomastraat 26-28, 9000 Ghent, Belgium. For tickets, as well as information about this concert please see http://www.logosfoundation.org/concerts/concerts.html. For information about the Tetrahedron Theater see http://www.logosfoundation.org/architecture/tetrhall.html. -------------- next part -------------- An HTML attachment was scrubbed... URL: From jmmmpais at googlemail.com Sat Feb 19 08:10:06 2011 From: jmmmpais at googlemail.com (=?utf-8?Q?Jo=C3=A3o_Pais?=) Date: Sat, 19 Feb 2011 13:10:06 -0000 Subject: [microsound-announce] Pd-berlin meeting next tuesday, 22nd February In-Reply-To: References: <558411.61509.qm@web23808.mail.ird.yahoo.com> Message-ID: Hello, next tuesday, 22nd February, will be the next meeting of Pure Data users in Berlin at NK (http://www.nkprojekt.de/) - Elsenstr. 52, 2HH 2Etage. Besides normal Pd subjects, this reunion will be the first to prepare for the Berlin module of the Pd Convention (Weimar) in August. As the Berlin Pd community will be organising a weekend of events, we invite you to bring suggestions about these topics: - what kind of events to organise? Presentations, workshops, concerts? - how do you want to get involved with the organisation and participation? - suggestions to get support for the events - suggestions for venues - etc. For more information, look up http://puredata.info/community/organization/pd-berlin/pd-berlin-users-group. We also encourage you to take an active part, and put up suggestions for topics you want to talk about / topics you want to be talked about. Doors are open from 20h-20h15. After that they'll be closed, and you will have to call someone from the Pd-meeting to get in. To get a telephone number to call or confirm assistance you can write to info_at_minitronics.net. Please, don?t call to the staff of NK to open the doors. They let us use the space but we have to take care about having the meeting without producing any disturbance to them, and to clean the space after the meeting. We would apreciate if you would send us a small mail to info_at_minitronics.net with your name, Pd experience and interests, so that we know how many people might be coming. Or put your name in the pd-berlin wiki page. We would like to thank the support and willingness of NK in the organization of these events. Jo?o Pais From dave at mysterybear.net Sat Feb 19 23:35:38 2011 From: dave at mysterybear.net (Dave Seidel) Date: Sat, 19 Feb 2011 23:35:38 -0500 Subject: [microsound-announce] new release: garage drone + remixes Message-ID: <4D609A1A.8090108@mysterybear.net> An industrial drone improvisation by mysterybear (Dave Seidel), remixed by (in naive alphabetical order): Alan Morse Davies, C. Reider, c.cu, David Nemeth, J?r?me Poirier, Jim Butler, M. Peck, mdsmithson, mysterybear, Mystified, Ricardo Webbens, Savaran, and Tim Risher. http://mysterybear.net/netlabel/55/garage-drone-remixes-2011-mb00 http://www.archive.org/details/mb00-GarageDronePlusRemixes FLACs are up now, MP3s are coming very soon. Hope you enjoy it. - Dave http://mysterybear.net/netlabel http://www.archive.org/details/mysterybear From dwnewman at clara.co.uk Sun Feb 20 13:32:11 2011 From: dwnewman at clara.co.uk (David Newman) Date: Sun, 20 Feb 2011 18:32:11 -0000 Subject: [microsound-announce] Audiobulb Ambient - used in film Message-ID: Sound Design: LISN uses 90% of Audiobulb's Ambient in teaser audio for Sucker Punch film - http://vimeo.com/19963472 http://www.audiobulb.com/create/Ambient/AB-Ambient.htm David Newman http://www.audiomoves.com | Audiomoves > Digital audio solutions http://www.audiobulb.com | Audiobulb Records > Exploratory music -------------- next part -------------- An HTML attachment was scrubbed... URL: From jef at econtact.ca Sun Feb 20 21:28:23 2011 From: jef at econtact.ca (CEC jef chippewa) Date: Mon, 21 Feb 2011 03:28:23 +0100 Subject: [microsound-announce] [Acma-l] Online Radio In-Reply-To: <1A0620A9-6448-489A-800C-17C240FC7212@moso.com.au> References: <1A0620A9-6448-489A-800C-17C240FC7212@moso.com.au> Message-ID: hi andrew, an update to this document, originally published in "eContact! 8.4 -- Ressources ?ducatives / Educational Resources" (Sept 2006) has been made and will be published in a few weeks... stay tuned. http://cec.concordia.ca/econtact/8_4/online_radio.html >I've been getting a little carried away with >internet radio recently - mp3 streams. > >I'm hoping that people on this list might be >willing to offer up some of their favourite >internet radio stations. Particularly >experimental stations - electronic, acoustic or >electroacoustic. -- Communaut? ?lectroacoustique canadienne (CEC) Canadian Electroacoustic Community eContact! 12.4 Perspectives... http://cec.concordia.ca/econtact/12_4 Jeu de temps / Times Play CEC + ACMA http://cec.concordia.ca/jttp/2010 http://econtact.ca | http://sonus.ca | http://cec.concordia.ca/jttp http://facebook.com/cec.sonus From murmer at murmerings.com Mon Feb 21 04:20:36 2011 From: murmer at murmerings.com (. m u r m e r .) Date: Mon, 21 Feb 2011 11:20:36 +0200 Subject: [microsound-announce] [framework] playlist #319: 2011.02.20 Message-ID: <4D622E64.1090704@murmerings.com> /*framework*/ - phonography / field recording; contextual and decontextualized sound activity presented by patrick mcginley /*framework*/ broadcasts: - sunday, 10pm, london, ukon *resonance 104.4fm* (http://www.resonancefm.com) - wednesday, 1am, thessaloniki, gr on *cooradio* (http://www.cooradio.com) - wednesday, 3am,lisbon, pt on *radio zero* (http://www.radiozero.pt) - thursday, 7pm,lisbon, pt on *radio zero* (http://www.radiozero.pt) - friday, 1am, brussels, be on *radio campus 92.1fm* (http://www.radiocampusbruxelles.org) - saturday, 7am, new york state, us on *wgxc 90.7fm* (http://www.wgxc.org) - saturday, 5pm, south devon, uk on*soundartradio 102.5fm* (http://www.soundartradio.org.uk) ~ time zone converter: http://www.timeanddate.com/worldclock/converter.html ~ *for general info, playlists, podcasts, or to stream the latest edition at any time: http://www.frameworkradio.net * *framework is supported by /soundtransit/: http://www.soundtransit.nl * ******************************************************* */FRAMEWORK/ NEEDS YOUR SUPPORT!* ******************************************************* your subscriptions & donations help make the production of /*framework*/ possible. visit out website to find out how to become a regular donor, or make a one-time donation here: http://www.murmerings.com/donate.html. 25% of all donations go to *resonancefm*, without whom /*framework*/ would not exist. (if you would like to donate directly to *resonancefm* please visit their support page here: http://www.resonancefm.com/support.) * **PLUS, IN CELEBRATION OF FRAMEWORK'S 250TH EDITION, DONATE ?25 OR MORE AND RECEIVE ONE OF THE FRAMEWORK250 2CD COMPILATIONS, OR **?40 OR MORE AND RECEIVE BOTH**! * ------------------------------------------------------------------------ *#319: 2011.02.20 * the show started off this week with a particularly composed introduction by *anton mobin* - not exactly the intro remit, but we liked it a lot, and thought we'd show how willing we are to break the rules. we also heard from several familiar names, but in rather disguised form: *j?palla k??pio* is a collaborative project of our good friends *hitoshi kojo* (who we've played over the years both under his own name and as spiracle) and his wife *carole kojo*. meanwhile, the latvian project *bernu rits* throws a very wide net: curated, lets say, by *maksims shentelevs*, this particular incarnation also features *jez riley french*, *john grzinich*, *antireality*, *simon whetham* and *sound meccano*, and is edited from a live performance on riga's *radio naba* in 2009. *jeph jerman*'s contribution to this show, /*vinyl*/, is, unexpectedly, released on cd, but consists of 'collaged recordings of old vinyl records being played with cactus needles and dried agave leaves.' *dan warburton* gives us another location recording collage, and *wyndel hunt* sneaks in a difficult-to-identify disc of textural drone (which we discovered later is constructed entirely from guitar, but you won't tell anyone, will you?). again, we are always looking for material for the show, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated /*framework:afield*/ series. send proposals or material, released or not, on any format, to the address below. if you have any questions, please don't hesitate to get in touch! framework tartu mnt 41 63710 ahja polvamaa estonia info at frameworkradio.net ------------------------------------------------------------------------ *(time / artist / track / album / label)* 00:00 - 04:47 / anton mobin / framework introduction http://antonmobin.blogspot.com 03:34 - 07:39 / bernu rits / /[track 1]/ / ab hoc et ab hac / molmika http://www.bernurits.com 04:58 - 11:05 / jeph jerman / /[track 1]/ / vinyl / easy discs http://www.jerman.littleenjoyer.com, http://easydiscs.blogspot.com 08:00 - 27:30 / dan warburton / a walk chez j / a walk chez j / homophoni http://www.paristransatlantic.com/warburton, http://homophoni.com 11:16 - 15:21 / wyndel hunt / sumud / sunshine noir / dragon's eye recordings http://www.dragonseyerecordings.com 13:24 - 20:16 / j?ppala k??pi? / rainbow mask / rainbow mask / omnimemento http://www.omnimemento.com/juppalakaapio, http://www.omnimemento.com 23:08 - 37:29 / bernu rits / /[track 4]/ / ab hoc et ab hac / molmika http://www.bernurits.com 26:30 - 54:58 / jeph jerman / /[track 2]/ / vinyl / easy discs http://www.jerman.littleenjoyer.com, http://easydiscs.blogspot.com 34:06 - 40:35 / wyndel hunt / invisible hand revealed: iron fist / sunshine noir / dragon's eye recordings http://www.dragonseyerecordings.com 35:33 - 54:11 / j?ppala k??pi? / masked rainbow / rainbow mask / omnimemento http://www.omnimemento.com/juppalakaapio, http://www.omnimemento.com 42:30 - 51:39 / bernu rits / /[track 4]/ / ab hoc et ab hac / molmika http://www.bernurits.com 45:33 - 54:02 / wyndel hunt / sunshine noir / sunshine noir / dragon's eye recordings http://www.dragonseyerecordings.com 49:44 - 55:46 / jeph jerman / /[track 4]/ / vinyl / easy discs http://www.jerman.littleenjoyer.com, http://easydiscs.blogspot.com 50:03 - 57:00 / bernu rits / /[track 3]/ / ab hoc et ab hac / molmika http://www.bernurits.com ------------------------------------------------------------------------ framework intro submissions: 1) take yourself and an audio recorder to a location of your choice 2) record for /AT LEAST/ one minute before you - 3) read aloud the following text: *welcome to framework. framework is a show consecrated to field recording, and its use in composition. field recording, phonography, the art of sound hunting; open your ears and listen!* */[3b) please also feel free to translate this text into your native tongue!] /* 4) continue your recording for /AT LEAST/ two minutes after you have finished speaking 5) post the recording to us on any format, or send us an mp3 thanks! ------------------------------------------------------------------------ drop a note to info at frameworkradio.net to be added to or removed from this mailing list -------------- next part -------------- An HTML attachment was scrubbed... URL: From idrioema at gmail.com Mon Feb 21 10:25:50 2011 From: idrioema at gmail.com (idrioema at gmail.com) Date: Mon, 21 Feb 2011 15:25:50 +0000 Subject: [microsound-announce] idrioema - acornea Message-ID: <0015174bde1898fe26049ccc7a82@google.com> Hello ! We would like to inform you of a new audio-visual composition called ''acorne a'' now diponible for watching: http://vimeo.com/20152261 and listening: http://soundcloud.com/?idrioema/? idrioema-acornea www.idrioema.tk Thank You ! -------------- next part -------------- An HTML attachment was scrubbed... URL: From neil.wiernik at gmail.com Mon Feb 21 13:58:17 2011 From: neil.wiernik at gmail.com (Neil Wiernik) Date: Mon, 21 Feb 2011 13:58:17 -0500 Subject: [microsound-announce] Announcing VT Audio Editions 06 Message-ID: Just in case any of you have been following the newest VagueTerrain project Audio Editions we have launched the newest edition this morning featuring Montreal's own turner of wheels http://vagueterrain.net/audio-editions enjoy Neil -------------- next part -------------- An HTML attachment was scrubbed... URL: From herrickalan at yahoo.com Mon Feb 21 15:13:38 2011 From: herrickalan at yahoo.com (Alan Herrick) Date: Mon, 21 Feb 2011 12:13:38 -0800 (PST) Subject: [microsound-announce] (dis)PERSE Dispatch #9 on DFM RTV Message-ID: <522781.32647.qm@web83605.mail.sp1.yahoo.com> (dis)PERSE Dispatch is a weekly broadcast on DFM RTV, Netherlands (http://dfm.nu) produced and hosted by Alan Herrick of Auricular Records. Offerings include ambient, experimental, noise, soundart, microsound, glitch, dub, electronic and difficult music with a large focus on explorations of some of the latest offerings from netlabels and unreleased audio. Occasionally we present rare archival material, live in-studio performances and interviews as well. Information, playlists and archived streams available online at http://auricular.com/blog/?p=396 (dis)PERSE Dispatch broadcasts Friday at 12noon-2PM (Pacific) on DFM RTV International, Netherlands Playlist for (dis)PERSE Dispatch #9 : Broadcast February 18, 2011 stream archive on mixcloud.com: http://tinyurl.com/4nxeos7 ARTIST / TITLE / TIME Trial Of The Bow / Alizee / 6:28 Cult of the Hidden Nerve / Malfunction Ward/ 5:20 Grain Gnome / Nodeflow / 7:49 Entertainment For The Braindead / Sirens 2 / 2:54 Uniform Motion / The Pen Fallacy / 3:58 ?e / ?pik-Oort Cloud / 7:42 Meccanica Ferma / Part VII: bleak metal / 3:24 Uniform Motion / Fathers Of Our Homeland / 4:21 Nz / Pressure / 0:23 Philippe Lamy / Not Mine, But Yours / 3:23 XTC / River Of Orchids / 5:53 Vincent Gallo / Drowning in Brown / 2:20 Widesky / A Torpid Memoir/ 4:45 UAU / Sacode / 5:48 No-xygen / Surrounded By Solitude / 6:58 Moljebka Pvlse / Dunkla / 8:30 Chief Warrant Officer / Dangerously Close To Madness / 4:53 Pimp/ The Devil Art / 5:30 Esquivel! / Brazil / 6:07 Gino Niemiz / Adriano/ 5:43 wAgAwAgA / Mephedrone / 7:12 Angelo Badalamenti / Bloody Boy - Neon reprise / 5:51 Claudio Nu?ez / Bailando Sobre Arquitectura Again / 9:35 If you are a sound artists or musician and feel your project fits our style and would like your music considered for airplay: * use our SOUNDCLOUD drop box to upload files for consideration (Send me your track) * contact info at auricular.com * mail materials to: (dis)PERSE ? 208 Mendocino Way, Redwood City, CA 94065 -------------- next part -------------- An HTML attachment was scrubbed... URL: From azimuths at auralterrains.com Tue Feb 22 06:18:53 2011 From: azimuths at auralterrains.com (Thanos Chrysakis) Date: Tue, 22 Feb 2011 11:18:53 -0000 Subject: [microsound-announce] New 'Aural Terrains' Release Message-ID: Hello everybody, OUT NOW: ******************* PARALLAXIS ******************* THANOS CHRYSAKIS / WADE MATTHEWS / DARIO BERNAL-VILLEGAS Duration 48.25 | Released January 2011 Parallaxis was recorded in Madrid, April 2010. Sound-synthesis + field recordings + percussion. ******************* _,.-:*'``'*:-.,_,.-:*'``'*:-.,_,.-:*'``'*:-.,_ .-:*'``'*:-._ http://www.auralterrains.com/releases/14 http://www.auralterrains.com/listening-room Very Best Regards, Thanos From rinusfiles at gmail.com Tue Feb 22 06:28:24 2011 From: rinusfiles at gmail.com (rinus van alebeek) Date: Tue, 22 Feb 2011 12:28:24 +0100 Subject: [microsound-announce] concert, releases, downloads, writnings Message-ID: Hello All, In this mail an announcement for a concert, two releases, links to new available downloads and to a selection of my writings *concert* 25 february at h?rbar, Hamburg - Germany http://tinyurl.com/69apm5n *releases* THE BBC SESSIONS - split with tzii, four live concerts on C80 tape http://tinyurl.com/5r69jhh* *Liebe, Neurose, Christliche Moral/Day by Day, split with Anton Mobin on C70 tape http://tinyurl.com/2unodw3* downloads* Some lost and gone releases now available on zeromoon for free download complete collection -> http://zeromoon.com/artists/rinus-van-alebeek/ *writings* * *Food for thought in articles I wrote over the last five years, a few of them with references to sound art and field recordings http://rinusvanalebeek.wordpress.com/index/ thanks for your time, and maybe i meet some of you in Hamburg, coming friday, greetings from sparkling cold Berlin, Rinus -- new new new twitter.com/rinusnews with the latest news -------------- next part -------------- An HTML attachment was scrubbed... URL: From julian.percy at gmx.de Tue Feb 22 09:15:10 2011 From: julian.percy at gmx.de (julian percy) Date: Tue, 22 Feb 2011 15:15:10 +0100 Subject: [microsound-announce] Workshop Sonic Shuffle by Domenico Sciajno Message-ID: <20110222141510.86060@gmx.net> March 21, 23, & 24 2011, 3 Day Workshop Workshop Sonic Shuffle by Domenico Sciajno Real time composition and performance for a conducted laptop Orchestra Anticipated Participants: This workshop is open to all those who handle, capture, generate, mix and process sounds and music through a laptop computer. Genre and styles are not an issue: each participant can have any background (e.i. academic, non academic?), any approach (e.i. experimental, conventional?) and any field of application (e.i. composition, field recordings, sound design, dj?). Minimum number of participants is 3, maximum is 24. A reasonable range is 6-12 participants. Workshop description: This workshop is based on Sonic Shuffle by Domenico Sciajno, a conducted graphic score based on a specially designed cards deck for an ensemble of laptop computer or other portable electronic/digital equipment. The core of the workshop consists on developing an awareness in each player of being himself a complex system within a bigger system (the orchestra-ensemble) through the interpretation of essential tasks and processes. Regardless to the interpreter operative field (background, style, approach etc. ), the processes and tasks involved won?t limit his personal creative approach nor his choice of tools and softwares. In this workshop/score the aim is to avoid the interpreter?s frustration that may occur due to a restrictive set of instructions/software/tools that could also limit his creativity. Central point is in fact to maintain the personality of each interpreter and the peculiarity of his instrument (in term of softwares and tools used), allowing him to give an active and creative contribution (rather than a functional and actuative one) and at the same time a simple system to freely develop processes in a playful, non frustrating way. Assumed Knowledge for participants: Participants can be musicians, composers, sound designers, dj or any kind of activity related to digital audio, the only assumed knowledge requested is a basic ability to use his own laptop, with his own softwares and controllers to handle, capture, generate, mix and process sounds and music preferably in real time (deferred time is also possible). About the Conductor : Double bass player and composer of acoustic and electronic music. His interest for improvisation and the influence of academic education, bring his research to the creative possibilities given by the interaction between acoustic instruments, indeterminacy factors and their live processing by electronic devices or computers. >From 1992 he has been present in some of the most important festival as musician improviser or composer in the contemporary and experimental music scene and some of his work is documented by worldwide independent labels of experimental and electronic music. The wide spectrum of his experiences brings him very close to the concept of performance, where he use texts and electronics in combination with a choreographic use of the scene space and the projection of visuals made by himself. More at www.sciajno.net What to bring: Participants must bring their own laptop or other portable electronic/digital equipment with just line output (no acoustic audible sounds must be emitted) and his own headphones to hear his output. Beside hearing himself through headphones he has to send a copy of his output (with his own cables of a minimum length of 6 meters) as a mono or stereo line out to a main mixer. Registration: Pre-registration is required and can be done by sending an email to info at nkprojekt.de DATES: 3 day workshop 14-17 March 21 14-17 March 23 19-22 March 24, including final performance FEE: EUR 75 with a deposit of EUR 25 to be paid beforehand. LOCATION: NK, Elsenstr. 52/2.Hinterhaus Etage 2, 12059 Berlin -- NK PROJEKT http://www.nkprojekt.de/ Elsenstr. 52/ 2.Hinterhaus Etage 2 12059 Berlin Neuk?lln 0049(0)17620626385 JULIAN PERCY http://www.myspace.com/ratbag_ http://www.myspace.com/lastdominionlost GMX DSL Doppel-Flat ab 19,99 Euro/mtl.! Jetzt mit gratis Handy-Flat! http://portal.gmx.net/de/go/dsl From recyclingrecords at gmail.com Tue Feb 22 10:38:57 2011 From: recyclingrecords at gmail.com (Recycling Records) Date: Tue, 22 Feb 2011 16:38:57 +0100 Subject: [microsound-announce] New release: Perry Ferya Band - Back Out In-Reply-To: References: Message-ID: We're happy to present you new album in our catalogue: "Back Out" of Perry Ferya Band lead by Robert Roger Demidziuk - collages build with samples of their older recordings and instrumental improvisations. DOWNLOAD @ Archive.org -> http://www.archive.org/compress/rr011 LISTEN @ Bandcamp -> http://recyclingrecords.bandcamp.com/album/back-out> To order CD please write to: contact at recyclingrecords.com More info about the release at www.recyclingrecords.com/en/rr011 -- Mateusz Krawczyk www.recyclingrecords.com -------------- next part -------------- An HTML attachment was scrubbed... URL: From rwm2008 at gmail.com Tue Feb 22 12:12:09 2011 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Tue, 22 Feb 2011 18:12:09 +0100 Subject: [microsound-announce] "THE MALADY OF WRITING. Modernism You Can Dance To", a podcast by Kenneth Goldsmith Message-ID: *"THE MALADY OF WRITING. Modernism You Can Dance To", a podcast by Kenneth Goldsmith* Link: http://bit.ly/evpby0 Related info: http://bit.ly/aW3935 MP3: http://bit.ly/bYieIX Transcript: http://bit.ly/feGu9k *Summary* Mark Klienberg's proposition: "Could there be someone capable of writing a science-fiction thriller based on the intention of presenting an alternative interpretation of modernist art that is readable and appreciated by the wider public?" has actually been answered affirmatively in a certain undercurrent of artist's audio production over the past century; let's call it an unofficial unofficial history of modernism (doubly unofficial since artist's audio production has been viewed as secondary to the their plastic / marketable production). Who knew, for example, that Jean Dubuffet released several albums of musique concrete? Or that Alfred Jarry wrote and performed bawdy drinking songs? Or that Salvador Dal? recorded an homage to money that was used as an advertisement for a commercial bank? Or that Joseph Beuys fronted a New Wave band and belted out pop songs against nuclear power? All of these artifacts are remarkably easy to love: the problem is that the general public never knew about them. I'd like to propose an audio companion to [url]The Malady of Writing t[/url]hat actualizes Klienberg's proposition in sound; one that presents a pleasurable, humorous and fun version of modernism: call it "modernism you can dance to." But this is serious business. If we can seize upon the notion of guilty pleasures in midst of modernism ? a place which disdained such gestures ? we may be able to unfurl a secret thread which may help to shed a new light on contemporary gestures. Somehow, if we understand how The Beatles detourned Stockhausen's tape music into "Revolution No. 9," we might be get a glimpse into what Sue Tompkins was thinking when she sings the chorus of The Beach Boys "God Only Knows" again and again for ten minutes straight; or why Seth Price would string together hours of New Jack Swing ? a genre of music so unloved that it's practically been written out of the history books. Guilty pleasures, reclamation, resurrection and recontextualization are key to understanding these phenomena. But why now? One of the first things that struck me about Napster was how impure (read: eclectic) people's tastes were. Whilst browsing another user's files, I was stunned to find John Cage MP3s snuggled up next to, say, Mariah Carey files in the same directory. Everyone has guilty pleasures, however, never before have they been so exposed ? and celebrated. Impurity and guilty pleasures, as viewed through the lens of the historic avant-garde: If there's one thing that recent revisionist history has done, it's been to bring historically marginalized figures into front and center. One of the best examples of this might be the resurrected reputation of filmmaker Jack Smith, who, upon his death in 1989, was deemed "eccentric," "queer," and "frivolous." Today, of course, Smith occupies a central position in the cultural discourse on so many levels. It's this sort of transmigration I'm interested in: work that challenges its received histories and genres, and by doing so, speaks directly to our sense of the present, ruled by the constructive chaos of decentralized horizontal media, as well as the celebration of notions like "incorrectness" and "uncreativity," the rise of the "outsider", the canonization of the underdog. And humor. And narrative. Remember that Gertrude Stein, for all her kudos went ? and continues to go ? pretty much unread. Her high modernist writing is great to talk about but nearly impossible to read. What made Gertrude Stein a household name? It wasn't her poetry. It was her wildly readable memoir of her fascinating life, The Autobiography of Alice B. Toklass. Had Stein not written pleasurably, today most of us would never know who she is. There may be something to this after all... http://rwm.macba.cat Follow us on Twitter http://twitter.com/Radio_Web_MACBA -------------- next part -------------- An HTML attachment was scrubbed... URL: From kim at anechoicmedia.com Tue Feb 22 16:01:01 2011 From: kim at anechoicmedia.com (Kim Cascone) Date: Tue, 22 Feb 2011 13:01:01 -0800 Subject: [microsound-announce] Call: Broken, Bent and Mutilated Message-ID: <4D64240D.7000101@anechoicmedia.com> An HTML attachment was scrubbed... URL: From bbrace at eskimo.com Tue Feb 22 16:03:56 2011 From: bbrace at eskimo.com ({ brad brace }) Date: Tue, 22 Feb 2011 13:03:56 -0800 (PST) Subject: [microsound-announce] Hello from Hateruma Island (Japan); fifth excerpt Message-ID: editing [u1311-3] ... out for another walk... bought more food: another refill bag of Maxim instant coffee (Y700), roasted black sesame seeds (that's what was on the rice in the 'special lunch'; Y120), green seaweed sheets (Y160; three packages, for wrapping around rice perhaps I can take some rice in that manner to the breakwater), another package of the yellow discs (Y220), three curious stacked little containers of a white pudding-like substance with three minuscule rectangular containers with red tops, of a brown liquid (Y220; will have to wait for an 'eating day' to try them)... went back out to record a sugarcane field: couldn't find a good sound until I tried an open clearing near the 'singing' microwave tower: unfortunately only got 28 minutes, and missed including the 5 o'clock tune, because the batteries were weak... found a possibly good recording location in the red-tile roofing construction site, (made a little film)... there are a few chickens and a rabbit in a pen, well-screened, behind the preschool... another family tomb decorated with a red banner, empty sake bottle, umbrella and silver gift-box... world memory challenge on TV... relocated the tomb I'd like to use for my erotic warm night film and discovered a newly cleared path to another utaki (worth recording?): this one very quiet with quite large coral stone structures -- older tombs perhaps... hoping someone will bring by some more vegetables; they're growing very rapidly in the plots around town... no rain forecast for tomorrow so may try the breakwater; pinhole out... this morning: another pot of rice with chilis, roasted black sesame seeds, miso, seaweed, last of the vegetables (chopped), few pieces of leek; instant coffee with black sugar; hoping for sun but can't see a single star... Sizzle writes: I'm sorry that you missed my performance. I've been to Yellow Knife in Northwest Teritory for my concert a few years ago. Hope to see you there some other time. Have a nice trip.... historic trains in the early TV montage... editing [2611-1: first childrens' concert disc: still too much wind noise may try augmenting with red-tile roof construction]... Pacific Air only permits one checked bag. Honiara guesthouses: xxx at solomon.com.sb, xxx at solomon.com.sb... once the morning tune starts I keep hearing it in my head so I'm not exactly sure when to end the recording; no Tapan on Sundays... tried to pretend that it might be warm and sunny today but it just wasn't happening... did an ass-over-tea-kettle on very slick slime on the breakwater: rough landing as I was holding my camera in one hand, and it had to be protected; at least I didn't land in the water... turned out a few nice watercolours though (and mostly watched other people not catch fish --- too windy)-> on the way home, while struggling with two big cans of SS and two bottles of peanuts (Y180x2,Y310x2=Y980) in a ripped newspaper bag, the Sizzle-cafe-owner introduced herself (all of a sudden some people seem to speak a little, as opposed to no, English... )... maybe a few more cans... got some (good this time) 5 p.m. sashimi and possibly repeated the idea of visiting the observatory (with translation) to M who happened to be there buying tofu... nice little dog in the shop until at some point he started barking, someone said, because he heard English(? is that possible)... finally finished editing/first-pass the childrens' discs (3) but wonder if it's worth all the additional adjustments... just listened to [u11411-2: sublime!!] editing [u11411-1]... cold outside this morning; editing [u11511-1; this is the third utaki: the one next to the 'temple': these have a little wind noise: impossible to delete cleanly as the pitch of wind varies]... Valentine's Day: wonder if it's as big a deal as in Nicaragua; it has rained... editing [21211: sugarcane field recording (just barely hear the singing tower in the background); red-tile roofers; accidental -wrong disc- morning-tune; ~45 min space left]... oops! just noticed that I bought awamori from the sisters' shop instead of saki: similar bottle, same price (Y1600); wonder if it's good heated(?)... morning tune and Tapan... at about 8:15 every morning the wifi signal drifts in-and-out, making it impossible to suspend/put-to-sleep the laptop; may bid on the used Pismo with expansion-bay drive on eBay... intended to head straight for the Utaki site but noticed that the red-tile roofers were almost finished, so, anticipating the lovely ceramic clinking sound I filled-up the childrens' concert discs for future editing, mailed two postcards and admired the postmaster's shisha (it was sitting next to some piggy-banks and I had thought it was for sale)... the utaki was not where I thought I remembered it being, but down the road by the singing-tower and after passing the goat family, behind the tombs to the right... photographed the adjacent tombs again thinking they'd make great resolutely grey lithos or drawings (and was reminded of cement-aries on Corn Island GIP 5.0)... the immediate entranceway to houses here feature a family shrine (photos, incense, banners, candles).... found another utaki to record (behind the ancient/sacred 'no-go' house and other tombs near the cement plant... I'll have seen every square foot of this island in time, unlike the restricted-dangerous areas on Big Corn Island; there sure are a lot of tombs, some older ones just a jumble of coral... will retrieve the 4th and probably last recording-disc at 5:20 p.m. (I can walk there in 20 minutes. It feels pretty safe leaving the equipment unattended and the bird song is likely to be better with no one around.)... I'm wondering if a fine mesh strainer, or perhaps a light-tent, would make a good windscreen, as I frequently place the mics on the ground (?)... chatted with the Victoria couple (he works with computers/databases for B.C. gov't), they said the bags of unrefrigerated white eggs are only Y200 (but I said as usual, they have little nutrient value; still, I might give those a try)... I gave them a GIP wooden coin and card; (wonder about their son always being carried)...Mae-san was there and brought me lots of leafy vegetables and daikon... editing [u21411-1: too much gain, I think, some of the nearby-sounds are a little distorted... soon be out of discs (and I'm only halfway through my stay); have gone through 10 lithium AA batteries, although I don't think they're fully discharged: enough juice left for the flashlights, (must get more on eBay for my Solomon Islands trip)... a long announcement a little after 7 p.m. -- couldn't get the recorder set up... editing [u21411-2: it was a _very gusty day but still too many wind edits: at one point a crow pecks at the mic -- the villagers hang crow carcasses over their gardens]... Pinhole, Morning-Tune, Tapan: PMT... tuna-tofu-seaweed burger recipe on TV... well, the red-tile roofing recording is a bust, perhaps the torrential rains forecast for Thursday will yield something better... (finally) wired-up a stereo mic to the inner window screen... the little white-pudding cups (probably rice-based with a caramel-like topping), were unremarkable... kinda wish I'd packed the portable speakers (maybe for the Sols; I always think I'll be too preoccupied listening to what's here)... walked down to Nishi and the port (NP) and took some pics in the grocery store on the way back (one advantage of not speaking the language is that few people are going to bother telling you what you mustn't-do: in an analogous manner you should of course avoid conversing with cops/ceo-s/curators: just regard them as hostile cretins from another planet)... but I digress: bought some un-refrigerated eggs (6 for Y160, an apple Y200, and little cute package of crackers again Y90)... just boiled-up a few eggs: I have to say, they taste pretty good... I must ask the English-Japanese couple if they watch Tapan and see how much of it I think I might understand... just realized that my portable baggage-scale, which I often regret not bringing for the return-scrutiny-home also has a measuring tape... is it just my imagination or do Japanese people have an unusual amount of facial blemishes/growths and bad teeth (no flouride); but I haven't (yet) seen the usual island 'lazy eye' condition (where one eye doesn't focus properly) here... editing [u21411-3: torture! many dozens of edits: not sure when to 'save' material at the expense of choppiness (took out 20 minutes from 80! obviously no expensive gear here)... can't believe how perfectly the first utaki set went: 6 discs in the wind without scarcely missing a beat... ] another town broadcast, incomprehensible message at night that doesn't sound like trivial social matter: the same four notes (V might know what they were;) always signal an end to the pronouncement: (bling bling ding bling)... weather forecasts vary widely from day to day; was expecting today to be sunny but apparently not; but that's likely wrong too... editing [u21411-4] [u11511-3]... permanently setting-up the mic behind the window-screen was a very good idea: much easier/better to record the morning tune, and who knows what else... TV retail story: you can try-on different virtual clothes/colours/fit on a life-sized LCD self-portrait... PMT... walked out to the observatory; cloudy evenings forecast for all this week ;( (there are some Y1000 T-shirts for sale and there appears to be a souvenir rubber-stamping station that I'll have to use on my books of postcards), and Pemuchi beach... photographed a bowing-man figure from a construction sign that I may use a part of a GIP folio icon... then back home as the sun started to occasionally break through the clouds: down to the breakwater with my fishing and watercolour gear: painted some excellent work which is taking-on a calligraphic nature: oddly-enough the paintings can look more representational; "the water," as the otherwise silent, sullen, morning yoga practitioner (on my preferred sunbathing-dock) in Belize said, "is alive today" ... listened to AGP music on the Cowan mp3 player (its radio auto-scanned to the correct position of the NHK-FM 87.0 Mhz station but I couldn't hear anything)... saw some divers going out/returning and a small, possibly private plane; could only hear one source of the noon-day tune: quite windy... odd that the port building doesn't sell cans of beer: I checked; it's a long way to carry them... old barefoot lady sitting in a roadside garden picking bugs off her lettuce... boiling the daikon now (tastes a lot like radish; I had partially cooked some with the rice but it was too chewy)... I'll need to buy some more turquoise and lighter blue watercolours and maybe get different sizes of the travel brush... on the way back, I bought canned pineapple (Y200) and shekwasha drink (Y130) in preparation for inventing/photographing my Global-Islands-Project-cocktail (#7)... Shekwasha: Citrus depressa, in English sometimes called Taiwan tangerine, flat lemon, hirami lemon, or thin-skinned flat lemon, is a small, green citrus fruit rich in flavonoids and native to Taiwan and Okinawa, Japan. Very sour, it is often used like lemon or lime to garnish dishes, but is also used to make a yellow juice, which can be thinned or sweetened. Its name is occasionally translated into English as kalamans, but strictly speaking this is a different fruit... sat outside behind my cottage for a bit reading The Flood, watching the goat and catching the last few rays... editing [u11511-2]... excited about the forecast clear skies today... making the usual rice + vegetable dish... just ordered $187 worth of watercolour supplies from Dick Blick (many items back-ordered and not shipped as late as mid-March; two more travel brushes, size 2 & 10, masking liquid, oxgall medium, cheap w/c field set (which I'll empty-out and use for my new colours:) cobalt turquoise light, green gold, perm magenta, antwerp blue, cadmium lemon, cerln blue, cobalt vlt, french ultramarine, indnthrn blu, indigo, cobalt green, winsor blue green shade, cobalt turquoise, winsor green blue shade, winsor green yellow shade, manganese blue, rose madder genuine)... goat is tangled-up again; was a little late bringing the pinhole in: last frame on roll; new roll in camera (so glad Fuji did away with that horrid-tasting, adhesive seal)... Island 6.0 is now available online! ==================================== http://bbrace.net/islands/island6/island6.html http://bradbrace.net/islands/island6/island6.html Global Islands Project -- ongoing series of multi-media pdf-ebooks/field-recordings -- a pastoral, pictorial and phonic elicitation of island parameters. An intensive examination of small islands and their paradigmatic solutions to globalism. Your (Art)world is based on mutual relief at your common corruption. Maybe some cultures are based on even worse. But that wouldn't change the bad faith of it and as years go by, you wake at night in terror of your whole life being an act of bad faith, where everything is self-interest and nothing more, where every human interaction is driven by a silent, even subconscious calculation of some ulterior motive, to the point that a sea of bad faith has taken over your whole life, there's no small island left from which you can even try to build a bridge of good faith, because even that effort becomes suspect, even good faith is nothing but self-interested, even altruism is nothing but solipsistic, even your professed agonizing right here right now is nothing but a gesture, made to the conscience in order to assure it that it exists. http://bradbrace.net/id.html http://bbrace.net/id.html Island 1.0 is Ambergris Caye, Belize Island 2.0 is Koh Si Chang, Thailand Island 3.0 is Lamu, Kenya Island 4.0 is Narikel Jingira, Bangladesh Island 5.0 is Isla Mais, Nicaragua Island 6.0 are The Grenadines, West Indies Global Islands Project: Island 1.0 -> http://bbrace.net/islands/island1/island1.html or http://bradbrace.net/islands/island1/island1.html -- over 800 images and hour-long audiotrack -- 69mb -- (acrobat 6) Island 2.0 -> http://bbrace.net/islands/island2/island2.html or http://bradbrace.net/islands/island2/island2.html -- over 535 images and hour-long audiotrack -- 78mb -- (acrobat 6) *** http://www.archive.org/details/global_islands_project_island_1.0 http://www.archive.org/details/global_islands_project_island_2.0 http://www.archive.org/details/global_islands_project_island_3.0 http://www.archive.org/details/global_islands_project_island_4.0 http://www.archive.org/details/global_islands_project_island_5.0 http://www.archive.org/details/global_islands_project_island_6.0 *** Global Islands Project -- ongoing series of multi-media pdf-books -- a pastoral, pictorial and phonic elicitation of island parameters... Vientos del pueblo me llevan Vientos del pueblo me arrastran Me eparcen mi corazon Ye me aventan la garganta http://www.bbrace.net/id.html http://bradbrace.net/id.html bbs: brad brace sound http://69.64.229.114:8000 http://www.bbrace.net/undisclosed.html Waters Colours: http://bradbrace.net/webgallerywc/wc.html Eroticized Japanese/Malaysian Snack Foods: http://bradbrace.net/greenscreen.html Additional GIP texts/blog: http://bbrace.net/wordpress/ http://bradbrace.net/wordpress/ 12 mailing list: You cannot politically defy the institutions when all you really wanted was to be clasped to their bosoms and hope in time to be cherished under the very framework of oppressive values you are thinking of overcoming. That would be co-optation, revolution only in the sense of a circulation of elites rather than the extirpation of the very impulses of elitism. To subscribe to 12-list, simply send a message with the word "subscribe" in the Subject: field to 12-list-request at eskimo.com /:b From idrioema at gmail.com Tue Feb 22 17:52:02 2011 From: idrioema at gmail.com (idrioema at gmail.com) Date: Tue, 22 Feb 2011 22:52:02 +0000 Subject: [microsound-announce] idrioema - acornea In-Reply-To: <0015174bde1898fe26049ccc7a82@google.com> Message-ID: <20cf304345482abfec049ce6d4a4@google.com> Hello ! We would like to inform you of a new audio-visual composition called ''acorne a'' now diponible for watching: http://vimeo.com/20152261 and listening: http://soundcloud.com/?idrioema/? idrioema-acornea www.idrioema.tk Thank You ! -------------- next part -------------- An HTML attachment was scrubbed... URL: From ryan-jordan at hotmail.co.uk Wed Feb 23 05:54:13 2011 From: ryan-jordan at hotmail.co.uk (Ryan Jordan) Date: Wed, 23 Feb 2011 10:54:13 +0000 Subject: [microsound-announce] School Of Meat Cutting - Meat Controllers Workshop - UK, March Message-ID: please forward to your networks >.>>>..> School of Meat Cutting Workshop A workshop in low life circuit bending, blasting, and building. Using the circuits from various electronic detritus and building your own circuitry, you will learn to create and construct psychotic synthesisers and noise machines. In the workshop you will use raw flesh or rotting meat as a resistor (vegan Tofu option available) for the creation of hybrid and mutated noise machines for use in live performances. By the end of the workshop you will have learnt how to circuit bend, blast, and build; rewire basic electronics; build noise machines with 555's and CMOS chips; integrate unconventional, everyday objects into your circuits; and be adept at soldering. All participants will also take part in a public performance at the end of the workshop. Workshop participants take away what they've made with them at the end. Capacity: Workshop is limited to 20 participants maximum. Time and location: Saturday 12th March 1pm ? 5pm Fabrika Independant Arts Centre 68-70 Humberstone Gate Leicester Tuesday 15th March 4pm ? 8pm CSV Media Club House 120 Princes Street, Ipswich, Suffolk, IP1 1RS. 12midday - 6pm ]performancespace[ 6 Hamlet Industrial Estate, White Post Lane, London E9 5EN Cost: ?15 Unemployed/JSA/Student/etc (ID required) ?20 Employed (London workshop is ?20/?25) This cost covers all components which the workshop participant will take away with them at the end. Booking and Info: To book a place on the workshop or if you require further information please contact ryan-jordan at hotmail.co.uk Workshop leaders: Andy Bolus http://schoolofmeatcutting.free.fr/ Andy Bolus (aka Evil Moisture) makes modified electronic toys, rewiring circuits such as those found inside children's talking computers and other electronic detritus, using the aleatoric sounds generated as source material for hi-speed cutup sound, as well as making installations. In addition he produces a catalogue selling these alien objects, and has exhibited them several times, most notably in Spiral Garden (Aoyama, Japan) in 1998, treesaresospecial (tokyo japan) & honsono (osaka japan) in 2005. They are also sold in shops such as Bimbo Tower (Paris), Los Apson (Tokyo) and Kurara Audio Arts (Tokyo). He has performed 100s of times in Japan and Europe under the name Evil Moisture since 1991, as well as releasing dozens of cassettes, 4 vinyl LPs, several cds and cdrs on numerous noise labels. He has worked with artists such as Yamantaka EyE (Hanatarash, XoX, Boredoms), Hironori Murakami (Vomit Lunchs), Erik Minkinnen (as Intertecsupabrainbeatzroomboyz) Andrew Sharpley (as AA) Noel Akchote (as Lenny Kravitz U.K), John Weise, Howard Stelzer, Rudolf Eb.er (Runzelstirn & gurgelstock), as well as manufacturing modified toys for Luc Ferrari's last recordings, and making headphone equipment for "le placard" festival. He has conducted interviews for "Bananafish" magazine (USA) and written reviews for others such as as E.S.T. (UK), and his graphic works have been published by Le Dernier Cri (France). He also runs the label School Of Meat Cutting. Ryan Jordan http://ryanjordan.org/ Ryan Jordan (born Ipswich, 1983) is a UK based electronic artist working with self made instruments and tools for live interactive performance. His work is focused on movement and the physicality in live electronic performance, noise and underground music, hypnosis and trance states, D.i.Y culture, FLOSSArt, and multimodal perception and illusion. He has performed and presented his work internationally in a wide range of venues from art and academic institutions to derelict warehouses and squats. In 2006 he started noise=noise, a sporadic experimental performance event, which has showcased many artists, academics, hackers, dancers, and performers ranging from the internationally acclaimed to the underground lurker. Ryan has collaborated with various people on various performances and projects including Martin Howse, John Bowers, Jonathan Kemp, Z'EV, Julien Ottavi, Geraldine McEwan, and Mick Grierson. He directed A10Lab in 2010 which was an experimental audiovisual performance laboratory exploring free and open-source soft and hardware. Ryan has a BA Sonic Arts from Middlesex Unitversity (2007) and a Distinction in MFA Computational Studio Arts from Goldsmiths (2009). He is currently director of Modus Arts Lab and undertaking a PhD at the Music Technology and Innovation Research Centre at De Montfort University, Leicester. John Richards and Helena Goldwater are his supervisors. http://ryanjordan.org/ "these practitioners practice dark hypnosis in psychoactive hyperventilation clubs" -------------- next part -------------- An HTML attachment was scrubbed... URL: From mail at blakecarrington.com Wed Feb 23 12:00:20 2011 From: mail at blakecarrington.com (Blake Carrington) Date: Wed, 23 Feb 2011 12:00:20 -0500 Subject: [microsound-announce] "Cathedral Scan" at Old St. Patrick's NYC March 3 Message-ID: <39AC00D6-F0AE-4010-B6EA-C979D2A71D58@blakecarrington.com> Blake Carrington "Cathedral Scan" CD Release Concert Basilica of St. Patrick's Old Cathedral 263 Mulberry St, New York NY (btw Prince & Houston, enter on Mott Street) Thursday March 3, 7pm-9:30pm $7 Suggested Donation Also featuring special audiovisual performances by Mark Cetilia (of Mem1) and Kamran Sadeghi (a.k.a. Son of Rose). Description: CD release concert for artist/musician Blake Carrington's "Cathedral Scan", a project that uses the architectural plans of Gothic cathedrals as open-ended music scores. The concert at St. Patrick's Old Cathedral will feature large-scale projection and electronic sound performed specifically for the venue's impressive acoustics, and is supported by the New York State Council on the Arts, a state agency. Album published by Dragon's Eye Recordings. More details and video/audio excerpts at http://www.blakecarrington.com/CScanConcert.php -------------- next part -------------- An HTML attachment was scrubbed... URL: From kim at anechoicmedia.com Wed Feb 23 14:08:20 2011 From: kim at anechoicmedia.com (Kim Cascone) Date: Wed, 23 Feb 2011 11:08:20 -0800 Subject: [microsound-announce] Call for papers: A Sonic Geography Message-ID: <4D655B24.9000008@anechoicmedia.com> An HTML attachment was scrubbed... URL: From kim at anechoicmedia.com Wed Feb 23 14:15:14 2011 From: kim at anechoicmedia.com (Kim Cascone) Date: Wed, 23 Feb 2011 11:15:14 -0800 Subject: [microsound-announce] Call for papers: A Sonic Geography Message-ID: <4D655CC2.4070404@anechoicmedia.com> http://www.interferencejournal.com/submissions From EphraimWegner at gmx.de Wed Feb 23 14:36:38 2011 From: EphraimWegner at gmx.de (Ephraim Wegner) Date: Wed, 23 Feb 2011 20:36:38 +0100 Subject: [microsound-announce] 1st of March 2011 SCHWELLENKREISE @ KHM Message-ID: <20110223193638.210370@gmx.net> Yi-Ling Lam (Piano / Electronic) + Ephraim Wegner (Electronic) 1st of March 2011 7.00pm : Installation 7.30pm : Concert Aula der Kunsthochschule f?r Medien K?ln Filzgraben 2 50676 K?ln SCHWELLENKREISE begins as a static, in itsself rotating sound installation introducing the piano as a resonance body for electronics. Using Exciter and a loudspeaker placed inside the piano, the body and strings of the instrument are stimulated digitally. Over several loudspeakers the thereby generated sounds are moving across the room. During the performance different circular movements develop between the instrument and the digital sound production. Oscillations in sound, time and space thematically draw a link between installation and concert. -- EphraimWegner Lungengasse 31 50676 Koeln Tel. 0221 30254498 www.cronicaelectronica.org www.last.fm/music/Ephraim+Wegner www.anti-matter-plant.org From rwm2008 at gmail.com Thu Feb 24 12:19:13 2011 From: rwm2008 at gmail.com (Radio Web MACBA) Date: Thu, 24 Feb 2011 18:19:13 +0100 Subject: [microsound-announce] Ariella Azoulay (Bar-Ilian University, Israel) talks about her work and the recent revolution in Egypt. Message-ID: Link: http://j.mp/f4vv4Q MP3: http://bit.ly/g0iRJe Ariella Azoulay, a senior lecturer in the Hermeneutics and Cultural Studies program at Bar-Ilian university in Israel, is also the author of numerous publications, including "Death's Showcase: The Power of Image in Contemporary Democracy" and "Once Upon A Time: Photography Following Walter Benjamin". Her work examines the relationships between photography, citizenship, power and civil responsibility within disaster contexts. Son(i)a talks to Ariella Azoulay about these issues and their links to the recent revolution in Egypt. More at: http://rwm.macba.cat/ Follow us on: http://twitter.com/Radio_Web_MACBA -------------- next part -------------- An HTML attachment was scrubbed... URL: From kim at anechoicmedia.com Thu Feb 24 16:37:00 2011 From: kim at anechoicmedia.com (Kim Cascone) Date: Thu, 24 Feb 2011 13:37:00 -0800 Subject: [microsound-announce] Pi Day 2011 project Message-ID: <4D66CF7C.8040002@anechoicmedia.com> ladies and gentlemen, the annual Pi Day .microsound celebration rules: ====== - the piece must make use of the mathematical constant known as Pi = 3.14159 in some way - each piece should be EXACTLY 3 minutes and 14 seconds in length - file format is mp3 and ALL ID3 TAGS MUST BE CORRECTLY ENTERED or the piece will be deleted from the server ========================== deadline: =========== ***Friday March 11 2011*** ========================== server info: ============= http://www.microsound.org/repository/ you must log into the project server using the SAME email address you are sub'd to this list with if you experience difficulties gaining access then ask someone on the list for assistance happy calculations and computations, kim From kim at anechoicmedia.com Thu Feb 24 17:24:37 2011 From: kim at anechoicmedia.com (Kim Cascone) Date: Thu, 24 Feb 2011 14:24:37 -0800 Subject: [microsound-announce] Call: Broken, Bent and Mutilated Message-ID: <4D66DAA5.9050806@anechoicmedia.com> Call: Broken, Bent and Mutilated I'm curating and mixing a 20 minute program to be 'diffused' at the Storung Festival in Barcelona, Spain this spring. The format of presentation is called 'diffusion', and is often used by acousmatic composers to present tape pieces but has also been adopted by many laptop musicians. Google will reveal more if you are interested in learning more about sound diffusion http://ow.ly/1s25bB My goal is to assemble a twenty minute mix of broken, bent, mangled, destroyed, entropic circuits circling the drain, giving up the ghost, kicking the bucket, so forth and so on. This mix will be diffused one evening of the festival. Aesthetics: =========== I'm looking for twisted, broken, bent , all of the above, works around 2 - 3 minutes in length that have not been previously released. Tags include: mangled field recordings, circuit bending, glitch, failure, entropica etc. Think: HAL, from 2001. dumping a massive firehose of data to an immense RAID of hard drives on the verge of crashing and as the vast number of heads fuse with the plates it lets out it final death screams secretly siphoned off on to a stowaways portable data recorder. Technical: ========== The pieces must be delivered as stereo 24bit /44kHz wav files -- no mp3 or flac for this please. ***Do not attach files to email. Use 'sendthisfile.com' or a similar web based file sharing service.*** The producer/composer of the selected titles will be contacted by email. There is no budget or remuneration for inclusion but your name and website will be printed in the Storung Festival materials. Feel free to contact me with questions or comments but please put 'Broken, Bent Mutilated ' in the email subject heading! Deadline for submissions: March 15 2011 Kim Cascone, San Francisco, Feb 22 2011 contact email: ======================= anechoicmedia at gmail.com From jef at econtact.ca Thu Feb 24 20:33:14 2011 From: jef at econtact.ca (CEC jef chippewa) Date: Fri, 25 Feb 2011 02:33:14 +0100 Subject: [microsound-announce] [CALL] JTTP 2011 -- Call for Works / Appel d'oeuvres Message-ID: COMMUNIQU? DE PRESSE / PRESS RELEASE For Immediate Release / Pour diffusion imm?diate 25-ii-2011 JTTP 2011 -- Jeu de temps / Times Play Communaut? ?lectroacoustique canadienne (CEC) Canadian Electroacoustic Community http://cec.concordia.ca/jttp [E] Call for New Works from Young and / or Emerging Sound Artists / Composers The deadline for submission to the annual JTTP competition is 1 May 2011. More information on how to submit your work and eligibility is found at the following web address: http://cec.concordia.ca/jttp/call.html As of the 2010 edition, multichannel submissions and videomusic works may be submitted to JTTP. [F] Appel d'?uvres aux compositeurs(trices) et artistes sonores, jeunes ou ?mergents La date limite pour les soumissions ? ce concours annuel est le 1er juin, 2011. Pour plus d'informations ? propos des soumissions et votre ?ligibilit?, voir le lien suivant. http://cec.concordia.ca/jttp/call_fr.html Nous acceptons maintenant aussi les soumissions d'?uvres en format multicanal et les vid?omusiques. jef chippewa & Yves Gigon, CEC Contact: jttp at econtact.ca -30- -- Communaut? ?lectroacoustique canadienne (CEC) Canadian Electroacoustic Community eContact! 12.4 Perspectives... http://cec.concordia.ca/econtact/12_4 Jeu de temps / Times Play CEC + ACMA http://cec.concordia.ca/jttp/2010 http://econtact.ca | http://sonus.ca | http://cec.concordia.ca/jttp http://facebook.com/cec.sonus -------------- next part -------------- An HTML attachment was scrubbed... URL: From EphraimWegner at gmx.de Fri Feb 25 06:44:47 2011 From: EphraimWegner at gmx.de (Ephraim Wegner) Date: Fri, 25 Feb 2011 12:44:47 +0100 Subject: [microsound-announce] 1st of March 2011 SCHWELLENKREISE @ KHM Message-ID: <20110225114447.265580@gmx.net> Yi-Ling Lam (Piano / Electronic) + Ephraim Wegner (Electronic) 1st of March 2011 7.00pm : Installation 7.30pm : Concert Aula der Kunsthochschule f?r Medien K?ln Filzgraben 2 50676 K?ln SCHWELLENKREISE begins as a static, in itsself rotating sound installation introducing the piano as a resonance body for electronics. Using Exciter and a loudspeaker placed inside the piano, the body and strings of the instrument are stimulated digitally. Over several loudspeakers the thereby generated sounds are moving across the room. During the performance different circular movements develop between the instrument and the digital sound production. Oscillations in sound, time and space thematically draw a link between installation and concert. -- www.cronicaelectronica.org www.last.fm/music/Ephraim+Wegner www.anti-matter-plant.org From Philippe-Petit at wanadoo.fr Fri Feb 25 10:26:45 2011 From: Philippe-Petit at wanadoo.fr (Philippe Petit) Date: Fri, 25 Feb 2011 16:26:45 +0100 Subject: [microsound-announce] on Sunday in my Nonclassical radio show Hannis Brown + playlist for the BiP_HOp Generation In-Reply-To: References: <2B8E2590-3795-4D09-8382-1ECB69865732@wanadoo.fr> <3E2BDB76-EA6F-4E81-B262-5743A423903C@wanadoo.fr> <9D185461-F054-467A-8B78-6A27293382C9@wanadoo.fr> <81A0FE6C-FE46-4529-A4AD-57947E2EAA46@wanadoo.fr> <1B99338F-4F74-459D-96E0-5C7484C41728@wanadoo.fr> <33A41826-E2EE-4221-9C70-4932E965F819@wanadoo.fr> <69ACAD11-6C0B-4112-8A37-42A5C70D37AC@wanadoo.fr> Message-ID: <88D5185B-D9AB-4C97-B843-0EE810A88875@wanadoo.fr> Hello, allow me to announce that On Sunday at Midnight - in NONClassical - I'll be airing: Hannis Brown : severe insomnia (Lumberton Trading Co.) and earlier on from 9 to 10 PM: BiP_HOp Generation on Radio Grenouille // 88.8 FM Sunday evenings : 21:00 - 22:00 PM (19:00 - 20:00 GMT) // Marseille // France http://ns35904.ovh.net:8080/live.m3u http://www.grenouille888.org ARTIST : SONG "ALBUM" (label) FEB 27 Charles-Eric Charrier : 12 from ? Silver ? (Experimedia) Colin Stetson : red horse (judges II) ? New History Warfare Vol.2: Judges ? (Constellation) Cercueil : slave wave ? Erostrate ? (Le Son Du Maquis) Fanu & Bill Laswell : bloodline ? Lodge ? (Karl Records) Aucan : red minoga ? Black Rainbow ? (Africantape) Aucan : sound pressure level ? Black Rainbow ? (Africantape) What?s Wrong With Us ?: swimming pool ? Cat?s Claw ? (Urgence Disks) What?s Wrong With Us ?: daddy: ? Cat?s Claw ? (Urgence Disks) Lydia Lunch : suicide ocean ? 13 13 ? (Le Son Du Maquis) Hannis Brown : furies ? Severe Insomnia ? (Lumberton Trading Co.) David Grubbs : to know a veil ? Strade Trasparenti ? (Staubgold) -------------- next part -------------- An HTML attachment was scrubbed... URL: From kim at anechoicmedia.com Fri Feb 25 21:40:13 2011 From: kim at anechoicmedia.com (Kim Cascone) Date: Fri, 25 Feb 2011 18:40:13 -0800 Subject: [microsound-announce] Pi Day 2011 project - plain text Message-ID: <4D68680D.9020709@anechoicmedia.com> ladies and gentlemen, the annual Pi Day .microsound celebration rules: ====== - the piece must make use of the mathematical constant known as Pi = 3.14159 in some way - each piece should be EXACTLY 3 minutes and 14 seconds in length - file format is mp3 and ALL ID3 TAGS MUST BE CORRECTLY ENTERED or the piece will be deleted from the server ========================== deadline: =========== ***Friday March 11 2011*** ========================== server info: ============= http://www.microsound.org/repository/ you must log into the project server using the SAME email address you are sub'd to this list with if you experience difficulties gaining access then ask someone on the list for assistance happy calculations and computations, kim From ml at robmunro.net Sat Feb 26 18:11:58 2011 From: ml at robmunro.net (Robert Munro) Date: Sat, 26 Feb 2011 23:11:58 +0000 Subject: [microsound-announce] URGENT: OpenNight and FLOSS Hackday change - Sunday 27th Feb @ the Others. Message-ID: There has been a double booking during the day @ the others - the Hackday CANNOT go ahead. I am very sorry, just rang up today to find out when we can get in and it appears there was some misunderstanding (multiple people at the venue involved). The OpenNight will go ahead as planned from 6pm. If you still want to to a presentation, we can do them at the start before the performances. So DONT go to the other at 12pm - go there at 6pm. regards, Rob On Thu, Feb 17, 2011 at 12:56 AM, Robert Munro wrote: > The next openlab hackday and opennight next Sunday 27th Feb @ the Others ( > http://www.theothers.uk.com). > > This is Android and general open-source multi-media salon where people can > come along and hack, present works or generally cross-pollenate ideas. So > people developing musical/video/graphics/tech art/etc apps can get together > and have ideas, intents, providers, broadcasts ... > > The event in the evening is a freeform event comprising of basically any > music/video/art you can make using at least some open-source software/ > Android app. > > So the idea is that you can hack away on some instrument/app during the day > and perform with it at night - if you so desire.. Anyone is welcome to come > along and present their projects, or ideas and information as well as > work/hack with yours or other projects. > > So if it sounds as good to you as it does to me then maybe you should > consider putting ur name up on the WIKI: > http://www.pawfal.org/openlabwiki/index.php?page=OpenNight > > ** *12-7 pm: FLOSS & Android Hackday* > > The plan at the moment is: > > About 12-1p: People who want to can get up and give a brief... outline what > they are working on / looking for. > > Then in the rest of the time we can intersperse hacking with presentations > and discussions as and when people are ready. We could fix a time but i > think it might be good to have different breaks during the day. > > ** *6 or 7pm - 11pm : OpenNight* > Confirmed so far : > Rob Munro > Phil Jones > Ryan Jordan > More to come ... > > or just send me a message... > > venue website: > http://www.theothers.uk.com/ -------------- next part -------------- An HTML attachment was scrubbed... URL: From dave at mysterybear.net Sat Feb 26 19:41:04 2011 From: dave at mysterybear.net (Dave Seidel) Date: Sat, 26 Feb 2011 19:41:04 -0500 Subject: [microsound-announce] new release: Complex Silence 12 (mysterybear) Message-ID: <4D699DA0.6060304@mysterybear.net> Out today, two previously unreleased tracks of binaural drone music, #12 in the Complex Silence series curated by Philip Wilkerson on the Treetrunk netlabel. This music was made with Csound and blue. From the liner notes: "These pieces both employ the technique of binaural beating, and are thus most effective if you listen with headphones. Gyre II is made with nothing but sine waves, and is dedicated to ELEH. It was premiered as part of the "Disruptive Stillness" exhibition that took place at Jean Paul Slusser Gallery of the University of Michigan School of Art & Design in Ann Arbor, January 2011. The concept behind Ylem is the emergence of sound from the creative void - starting simply, growing in complexity, and finally returning to the void from whence it came." Complex Silence release page: http://complexsilence.wordpress.com/2011/02/26/released-cs12-by-mysterybear/ Treetrunk release page: http://treetrunkrecords.wordpress.com/2011/02/26/mysterybear-complex-silence-12-treetrunk-133/ Downloads: http://www.archive.org/details/Complex_Silence_12 Hope you enjoy! - Dave Seidel http://mysterybear.net http://soundcloud.com/mysterybear.net http://archive.org/details/mysterybear From dwnewman at clara.co.uk Sun Feb 27 04:02:15 2011 From: dwnewman at clara.co.uk (David Newman) Date: Sun, 27 Feb 2011 09:02:15 -0000 Subject: [microsound-announce] Monty Adkins - Featured in Best Videos @ Silent Ballet Message-ID: Exciting news! A big congratulations to Monty Adkins & Oli Jones (Director) whose work has been highlighted in Silent Ballet in their best music videos feature. In many ways the image above is innocuous - but this video unfolds beautifully. Monty's album fragile.flicker.fragment is due to be released on audiobulb in April 2011. You can check out their video and read Richard Allen's critique here. http://thesilentballet.com/dnn/Home/tabid/36/ctl/Details/mid/367/ItemID/3919 /Default.aspx There are many great works on show in the feature and it makes for a compelling Sunday morning viewing. Best wishes David Newman http://www.audiomoves.com | Audiomoves > Digital audio solutions http://www.audiobulb.com | Audiobulb Records > Exploratory music -------------- next part -------------- An HTML attachment was scrubbed... URL: From murmer at murmerings.com Mon Feb 28 05:31:44 2011 From: murmer at murmerings.com (. m u r m e r .) Date: Mon, 28 Feb 2011 12:31:44 +0200 Subject: [microsound-announce] [framework] playlist #320: 2011.02.27 Message-ID: <4D6B7990.2010900@murmerings.com> /*framework*/ - phonography / field recording; contextual and decontextualized sound activity presented by patrick mcginley /*framework*/ broadcasts: - sunday, 10pm, london, ukon *resonance 104.4fm* (http://www.resonancefm.com) - wednesday, 1am, thessaloniki, gr on *cooradio* (http://www.cooradio.com) - wednesday, 3am,lisbon, pt on *radio zero* (http://www.radiozero.pt) - thursday, 7pm,lisbon, pt on *radio zero* (http://www.radiozero.pt) - friday, 1am, brussels, be on *radio campus 92.1fm* (http://www.radiocampusbruxelles.org) - saturday, 7am, new york state, us on *wgxc 90.7fm* (http://www.wgxc.org) - saturday, 5pm, south devon, uk on*soundartradio 102.5fm* (http://www.soundartradio.org.uk) ~ time zone converter: http://www.timeanddate.com/worldclock/converter.html ~ *for general info, playlists, podcasts, or to stream the latest edition at any time: http://www.frameworkradio.net * *framework is supported by /soundtransit/: http://www.soundtransit.nl * ******************************************************* */FRAMEWORK/ NEEDS YOUR SUPPORT!* ******************************************************* your subscriptions & donations help make the production of /*framework*/ possible. visit out website to find out how to become a regular donor, or make a one-time donation here: http://www.murmerings.com/donate.html. 25% of all donations go to *resonancefm*, without whom /*framework*/ would not exist. (if you would like to donate directly to *resonancefm* please visit their support page here: http://www.resonancefm.com/support.) * **PLUS, IN CELEBRATION OF FRAMEWORK'S 250TH EDITION, DONATE ?25 OR MORE AND RECEIVE ONE OF THE FRAMEWORK250 2CD COMPILATIONS, OR **?40 OR MORE AND RECEIVE BOTH**! * ------------------------------------------------------------------------ *#320: 2011.02.27 * this edition of /*framework:afield*/ has been produced in scotland by *mark vernon*. the work, entitled /*static cinema*/, is an extended version of an audiovisual installation originally produced in 2009: A vacant stall at a Dusseldorf flea market re-imagined as a theatre set... the attic of a derelict building, infested with pigeons... a dank, concrete basement in an atelier in Norway... Static Cinema is an exploration of three evocative spaces captured and interrogated for meaning through the microphone and the camera lens. Each of the locations function as spontaneous mise-en-sc?ne waiting in suspense for an event yet to occur, or an actor still to make their entrance. Through a composed soundscape of field recordings and improvised music, a fictitious narrative develops between these seemingly disparate locales. This is a cinema of the still. The staging of a micro cinema and the projection of the photographs as slides sets up an expectation of motion which is frustrated by the frozen images. However the rigid meaning of those images is compromised, complicated and expanded by the complex, constantly evolving soundtrack. Comprising recordings made in a variety of locations including those represented in the images, the sometimes frantic nature of these sounds work in contrast to the serenity of the images while simultaneously serving as a sonic suture to the incongruence of the visuals. The meaning of each image and the relationships between them become contingent on their juxtaposition with the soundtrack at any given moment. Sound becomes the medium through which narrative is modulated, dissonance and consonance co-exist. again, we are always looking for material for the show, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated /*framework:afield*/ series. send proposals or material, released or not, on any format, to the address below. if you have any questions, please don't hesitate to get in touch! framework tartu mnt 41 63710 ahja polvamaa estonia info at frameworkradio.net ------------------------------------------------------------------------ framework intro submissions: 1) take yourself and an audio recorder to a location of your choice 2) record for /AT LEAST/ one minute before you - 3) read aloud the following text: *welcome to framework. framework is a show consecrated to field recording, and its use in composition. field recording, phonography, the art of sound hunting; open your ears and listen!* */[3b) please also feel free to translate this text into your native tongue!] /* 4) continue your recording for /AT LEAST/ two minutes after you have finished speaking 5) post the recording to us on any format, or send us an mp3 thanks! ------------------------------------------------------------------------ drop a note to info at frameworkradio.net to be added to or removed from this mailing list -------------- next part -------------- An HTML attachment was scrubbed... URL: From theelectricyouth at yahoo.com Mon Feb 28 14:49:17 2011 From: theelectricyouth at yahoo.com (theelectricyouth) Date: Mon, 28 Feb 2011 11:49:17 -0800 (PST) Subject: [microsound-announce] The Unifiedfield Booking Proposals Spring / Autumn 2011 Message-ID: <873774.28286.qm@web161604.mail.bf1.yahoo.com> Dear Friends and Collegues, We are presently looking for dates for the following projects: One Man Nation (Singapore/Spain) European Tour: May 2011/ Sep-Nov 2011 ?Chia?s artistic identity is one that defies the artificial borders and boundaries of the modern nation state ... bypasses the need for approval and instead subscribes to the independent nature that characterises folk ? the resistance to a canon.? ? June Yap (The Wire #318)One Man Nation needs little introduction to those that have already had the privilege of seeing him live on one of his many extensive international tours, one of the most exciting live performers around today creating collective experiences rather than just sound or music. New LP out now on Moozak TRUNA + O.M.N (Singapore/Spain) European Tour: May 2011 / Autumn2011 An explosive and potent structured improv duo consisting of Valencian mad scientist Dr Truna (Antorcha Amable) on cello and electronics and One Man Nation on electronics. Industrial cabaret at its bleeding edge best. Shaun Sankaran w/ Preet Kaur (Singapore) European Tour: Autumn 2011 The polemic sounds of this unpredictable entity from the island state of Singapore pierces from the harshest alienated explosions to the quietest ambient sojourns, exposing different psychological perceptions through sonic and visual explorations. Simply one of the key exponents of Asian experimental arts. The Future Sounds Of Folk (Indonesia) European Tour: Autumn / Winter2011 ?The Future Sounds Of Folk is not ethnomusicology for the faint-hearted; rather it is a journey to experience and rediscover the history and tradition of folk, not as the past, but one with a future, and one that would appear well worth waiting for.? ? June Yap, The Wire (#318) A collaborative project between The Unifiedfield and STEIM featuring strange brews of traditional/folk Indonesian music with experimental approaches to composition and performance. If you are interested in booking any of the above artists (most of our artists are available throughout the year on request), please let us know. Warmest Regards, Marta Moreno The Unifiedfield: Experimental | Art | Space Mail: 15 Carrera Del Darro, Planta 2 derecha, 18010 Granada, SPAIN Email: booking at theunifiedfield.org Web: www.theunifiedfield.org Phone: +34 6336 151 36 -------------- next part -------------- An HTML attachment was scrubbed... URL: From kim at anechoicmedia.com Mon Feb 28 20:53:02 2011 From: kim at anechoicmedia.com (Kim Cascone) Date: Mon, 28 Feb 2011 17:53:02 -0800 Subject: [microsound-announce] great LV2 plugin Message-ID: <4D6C517E.4040906@anechoicmedia.com> An HTML attachment was scrubbed... URL: From kim at anechoicmedia.com Mon Feb 28 20:53:28 2011 From: kim at anechoicmedia.com (Kim Cascone) Date: Mon, 28 Feb 2011 17:53:28 -0800 Subject: [microsound-announce] great LV2 plugin Message-ID: <4D6C5198.9050807@anechoicmedia.com> http://factorial.hu/plugins/lv2/ir Linux Audio only! donate a some money if you end up using this wonderful conv plug! I have been using it a lot lately enjoy! kim