From sakrecoer at gmail.com Tue Apr 1 08:41:57 2008 From: sakrecoer at gmail.com (reSet Sakrecoer) Date: Tue, 01 Apr 2008 14:41:57 +0200 Subject: [Microsound-announce] emergency situation Message-ID: <47F22D95.9080402@gmail.com> Dear Readers, First of all, my sincere apologies for this fully off-topic e-mail. There is no show, no new releases nor any poems to be found in this mail. Being brutally kicked out of our flat in Barcelona by our land-lords for unjustified reasons, my companion and I are looking for any type of flat or housing solution in Barcelona or nearby, STARTING TODAY. Preferably a double room, but two separated ones could make it as well, since this is an EMERGENCY SITUATION. We are both clean and happy people, on-time payers, but most of all: we mind keeping business clear and upfront. you can contact me on +34 697 903 606 or sakrecoer at gmail.com Carpe Diem, Set Hallstr?m AKA reSet Sakrecoer. From recyclingrecords at gmail.com Tue Apr 1 03:49:46 2008 From: recyclingrecords at gmail.com (Recycling Records) Date: Tue, 1 Apr 2008 08:49:46 +0100 Subject: [Microsound-announce] Recycling Records Newsletter #7: The Best Of Polish Smooth Jazz ...Ever! Message-ID: *Recycling Records presents: The Best Of Polish Smooth Jazz ...Ever!* * *[en] * *Our fifth release is now available. "The Best Of Polish Smooth Jazz ...Ever!" is 20 top polish hits performed by 20 artists. They prefer to stay anonymous to keep you focused on these great tracks that are presented in modern versions to reveal their hidden beauty. They sometimes differ a lot from original versions what for many conservative listeners may come as a shock but it's still an essential collection for every music lover. You can get it as a CD in nice digipack or just download MP3 files - but would you miss that awesome extra track video clip included as bonus on CD? You choose. Full info -> www.recyclingrecords.com/en/rr005 Download -> http://www.archive.org/compress/rr005 Buy cd -> www.recyclingrecords.com/en/cds Review from www.musicemissions.com : (...) There hasn't been much lately in electronic music that has really made me stand at attention until this release peaked my interest in a huge way. The entire album plays on a downbeat mood. I feel like much more time and effort was spent on artistic value within the album rather than trying to make an album that people want to dance to. Thus, a very intelligent album was created in *"The Best of Polish Smooth Jazz ...Ever!"* I found myself becoming extremely relaxed while listening to the tracks and didn't feel overwhelmed with a multitude of sampling complexity. Though I'm sure much of what they've done is complex, it never feels like you need to rack your brain for answers. Most of the songs start off vamping on a single note or interval that resonates throughout the entire song while subtle melodies play in the background accompanied by clever drum fills. The complexity of the album is in what is sampled rather than the album's actual sound. Recycling Records actually deconstructs songs such as a pop-rock ballad and from those deconstructed files, he creates the ambient sounds that you hear on the record. The mood of the album is also extremely unique to any electronic album I've ever given my attention to. Though other artists such as Bonobo or Amon Tobin have a lot of slow-paced songs of their own, especially the former of the two, neither of them pay as much attention to the ambient noise like Recycling Records does. If you're into electronic music, *"The Best of Polish Smooth Jazz ...Ever!"* is definitely a must-have in your music collection. It would even be interesting for a pop-rock fan to get their hands on to try and figure out what songs have been deconstructed. Recycling Records truly has done something entirely unique with *"The Best of Polish Smooth Jazz ...Ever!"*and for once the listeners are able to feel the difference rather than having to listen intently for it.(...) John Berry [pl] Nasze pi?te wydawnictwo ju? dost?pne. "The Best Of Polish Smooth Jazz ...Ever!" to 20 polskich artyst?w wykonuj?cych 20 z najwi?kszych polskich przeboj?w. Wol? pozosta? anonimowi by nie odwraca? uwagi od zawartych na p?ycie wspania?ych piosenek, kt?re zagrane i zaaran?owane zosta?y na wsp??czesn? mod??. Czasami r??ni? si? do?? znacznie od wykona? oryginalnych, co mo?e by? sporym szokiem dla konserwatywnych s?uchaczy, ale mimo to jest to wci?? obowi?zkowa pozycja dla ka?dego szanuj?cego si? mi?o?nika muzyki. Mo?esz dosta? CD w ?adnym digipacku albo po prostu pobra? MP3-ki - ale czy przegapisz niesamowite video do dodatkowego utworu do??czone jako bonus na p?ycie? Ty wybierasz. Pe?ne info -> www.recyclingrecords.com/pl/rr005 Pobierz -> http://www.archive.org/compress/rr005 Kup p?yt? -> www.recyclingrecords.com/en/cds Recenzja albumu z www.musicemissions.com :* * (...) There hasn't been much lately in electronic music that has really made me stand at attention until this release peaked my interest in a huge way. The entire album plays on a downbeat mood. I feel like much more time and effort was spent on artistic value within the album rather than trying to make an album that people want to dance to. Thus, a very intelligent album was created in *"The Best of Polish Smooth Jazz ...Ever!"* I found myself becoming extremely relaxed while listening to the tracks and didn't feel overwhelmed with a multitude of sampling complexity. Though I'm sure much of what they've done is complex, it never feels like you need to rack your brain for answers. Most of the songs start off vamping on a single note or interval that resonates throughout the entire song while subtle melodies play in the background accompanied by clever drum fills. The complexity of the album is in what is sampled rather than the album's actual sound. Recycling Records actually deconstructs songs such as a pop-rock ballad and from those deconstructed files, he creates the ambient sounds that you hear on the record. The mood of the album is also extremely unique to any electronic album I've ever given my attention to. Though other artists such as Bonobo or Amon Tobin have a lot of slow-paced songs of their own, especially the former of the two, neither of them pay as much attention to the ambient noise like Recycling Records does. If you're into electronic music, *"The Best of Polish Smooth Jazz ...Ever!"* is definitely a must-have in your music collection. It would even be interesting for a pop-rock fan to get their hands on to try and figure out what songs have been deconstructed. Recycling Records truly has done something entirely unique with *"The Best of Polish Smooth Jazz ...Ever!"*and for once the listeners are able to feel the difference rather than having to listen intently for it.(...) John Berry Recycled greetings | Zrecyklowane pozdrowienia -- Mateusz Krawczyk www.recyclingrecords.com www.myspace.com/recyclingrecords www.last.fm/label/Recycling+Records -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080401/6bb02390/attachment.htm From murmer at talk21.com Tue Apr 1 09:27:25 2008 From: murmer at talk21.com (. m u r m e r .) Date: Tue, 01 Apr 2008 15:27:25 +0200 Subject: [Microsound-announce] [playlist] framework - 30.03.08 Message-ID: <47F2383D.2080301@talk21.com> /*framework*/ broadcasts sundays on *resonance104.4fm* in london (uk) or worldwide on http://www.resonancefm.com from 10-11pm gmt next edtion: *06.04.08* ~ time zone converter: http://thesaturnv.com/converter.html ~ *for general info, playlists, podcasts, or to stream the latest edition: http://www.resonancefm.com/framework * *framework is supported by /soundtransit/: http://www.soundtransit.nl * RESONANCE FM'S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE HELP US TO CONTINUE BY MAKING A DONATION. CHECK OUT OUR WEBSITE TO FIND OUT HOW YOU CAN HELP K EEP RESONANCE ON THE AIR: HTTP://WWW.RESONANCEFM.COM. THANK YOU! ------------------------------------------------------------------------ /*framework*/ - phonography / field recording; contextual and decontextualized sound activity presented by patrick mcginley this edition of /*framework:afield*/ has been produced in birmingham, england, by *martin clarke*. it will be available online for streaming or podcast until 06.04.08. for more information see http://www.rockscottage.net. martin says: "This is a collection of sounds recorded in the Shetland Islands: from singing seals on a still summer's day to gale force winds blowing through fences in dark winter." again, we are always looking for material for the show, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated series. send proposals or material, released or not, on any format, to the address below. if you have any questions, please don't hesitate to get in touch! framework 354 rue de l'andelle 27910 perruel france framework at talk21.com ------------------------------------------------------------------------ framework intro submissions: 1) take yourself and a recording device to a location of your choice 2) record for AT LEAST one minute before you - 3) read aloud the following text: *welcome to framework.* *framework is a show consecrated to field recording, and its use in composition. field recording, phonography, the art of sound hunting; open your ears and listen!* 4) continue your recording for AT LEAST two minutes after you have finished speaking 5) send the recording on any format to the above address, or as an mp3 via email thanks! -- ||| www.murmerings.com ||| -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080401/7543de11/attachment.htm From gary at meterpool.com Tue Apr 1 18:25:11 2008 From: gary at meterpool.com (Gary R. Weisberg) Date: Tue, 1 Apr 2008 18:25:11 -0400 Subject: [Microsound-announce] nohrhythm update Message-ID: Dear microsounders, 2 new pieces uploaded today to the Noh Rhythm Project website: Homage for Pierre Waves for Lou Check them out: http://www.nohrhythm.com Gary R. Weisberg www.meterpool.com www.nohrhythm.com -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080401/cf39a2f5/attachment.htm From philippe-petit at wanadoo.fr Wed Apr 2 08:56:32 2008 From: philippe-petit at wanadoo.fr (Philippe Petit) Date: Wed, 2 Apr 2008 14:56:32 +0200 Subject: [Microsound-announce] BiP_HOp Generation Radio show ::: March 2008 Playlist Message-ID: <5D7AD6AF-28B0-4D44-B463-83247A4A5536@wanadoo.fr> BiP_HOp Generation on Radio Grenouille // 88.8 FM Sunday evenings : 19:30 - 21:00 PM // Marseille // France March 2008 Playlist ARTIST ALBUM label Guapo : elixirs (Neurot) Pamelia Kurstin : thinking out loud (Tzadik) Ocean : here where nothing grows (Important) Seven That Spells : the men from dystopia (Beta Lactam Ring) The Drift : memory drawings (Temporary Residence) Tom Heasley : desert triptych (Farfield) Klangwart : stadtlandfluss (Staubgold) Xbxrx : sounds (Important) Why? : alopecia (Tomlab) Heaven And : sweeter as the years roll by (Staubgold) Envy : abyssal (Rock Action) Rien : there can't be any prediction without future (L'Amicale Underground) Hick et Nunc : the wolves in the waves (autoprod) LSD March : nikutai no tubomi (Beta Lactam Ring) Men Killing Men : freundschaft durch konsum (Interstellar) My Cat Is An Alien : cosmic light of the third millenium (Important) Errors : salut france (Rock Action) XXL : spicchiology? (Important) Gigi's Gogos : live at alter schl8hof wels (Zach) William Hooker : the seasons fire (Important) Warehouse : escape plan foiled (Darenne) Davor Mikan : tauschung (Cronica) Sarah Peebles : walking through tokyo (Post Concr?te) Jonah : monotype (Rude Awakening) Venture Lift : futuretoreal (Mind Expansion) Jasmina Maschina : the demolition series (Staubgold) F?licia Atkinson & Sylvain Chauveau : roman anglais (O Rosa) Otto Von Schirach : maxipad detention (Ipecac) Raz Mesinai's Badawi : unit of resistance (Roir) Meta Lyc?e : s/t (Interstellar) Anla Courtis / Seiichi Yamamoto / Yoshimi : live at kanadian (Public Eyesore) Stefano Pilia : action silence prayers (Die Schachtel) Shelf Life : concerning the absence of floors (Friends & Relatives) VA. a mind expansion compilation (Mind Expansion) AGF : words are missing (Poem Producer) Fessenden : v1.1 (Other Electricities) Dr Das : emergency basslines (Roir) Moira Stewart : sweetness, yes! (Distraction) From roger at eartrumpet.org Wed Apr 2 17:54:21 2008 From: roger at eartrumpet.org (Roger Mills) Date: Thu, 3 Apr 2008 08:54:21 +1100 Subject: [Microsound-announce] April 08 issue of Furthernoise.org. Message-ID: <802B8119-F8EB-487E-9FCC-127A5AE9AAFE@eartrumpet.org> April 08 issue of Furthernoise.org. Along with a host of new reviews, we bring you news of upcoming events and performances as well as an audio player stacked with all the best tracks of the issue. I hope you enjoy the issue and as always welcome all comments and proposals. Furthernoise issue April 2008 http://www.furthernoise.org/index.php?iss=67 "David Tagg - Waist Deep Seas of Milk" (review) New York musician, David Tagg, has seen The Future of Modern Guitar. And this sonic seer's astral projections are sumptuously spread across the ambient expanses of Waist Deep Seas of Milk, though all trace of twang, pluck and strum is dissolved in FX haze and spun out in endless echo returns. http://www.furthernoise.org/page.php?ID=233 review by Alan Lockett "Favourite Places" (review) Everyone has a favourite place, whether cosy internal retreat or cherished patch of Great Outdoors. Forest, bathtub, museum and alley find common cause on this audio-document from Audiobulb, compiling ten pieces representing selected artists' Favourite Places. Captured field recordings blend with musical treatments to make mementoes enfolding inspiring source within inspired composition. http://www.furthernoise.org/page.php?ID=231 review by Alan Lockett "Hectic Tenuous - Chic Nerve" (review) Starting with flanged, panned scratching (ala fingernails, not decks), this solo CDR from The Caution Curves laptop lady Rebecca Mills, is an eleven track melange of textures, echoes, drones, processed field recordings and even the occasional bit of singing! http://www.furthernoise.org/page.php?ID=237 review by Mark Francombe "La Ciutat Ets Tu - Tomasz Krakowiak" (review) La Ciutat Et Tu surrounds the listener with evolving percussive transformations in timbre. The compositions have a circular unwinding quality, never abrasive and utterly hypnotic. Tomasz Krakowiak is a Polish-born percussionist now living in Toronto, Canada. Having collaborated with the likes of Kaffe Matthews, John Oswald, Phil Minton, Otomo Yoshihide, Gert-Jan Prins among others http://www.furthernoise.org/page.php?ID=235 review by Derek Morton "Love City by Dsic" (review) Dsic, also known as Greg Godwin, is a Bristol-based noise artist that employs a wide range of influences and sound sources. Love City and the miniDsic EP, both released through Lf Records, weave their way through noise, drone, glitch, ambient and microsound. http://www.furthernoise.org/page.php?ID=238 review by Alex Young "Nelson Foltz and Tom Lynn - Still Life (series)" (review) The internally themed Rothko-esque cover art of the Still Life series could stand as a semiotic of Nelson Foltz and Tom Lynn?s sound, with its slow-shifting tones that spread across a spartan canvas - ostensibly static swathes that reveal micro-variativity on deeper insertion. http://www.furthernoise.org/page.php?ID=232 review by Alan Lockett "Of Memory & Dreams - Bill Thompson" (review) There is a trajectory that many improvised electro acoustic performances reach, which although unique in every given context, often manage to take you to a zen like point where you become one with the signal and phase in and out of listening to the development of structure or dynamic of the work. http://www.furthernoise.org/page.php?ID=234 review by Roger Mills "Three Rooms - Steve Peters" (review) Sound artist Steve Peters' recent CD, Three Rooms documents three of his site-specific installations. The three pieces succeed without reference to the installations for which the pieces were originally composed, capturing the quiet reflection of the original locations. http://www.furthernoise.org/page.php?ID=236 review by Caleb Deupree Roger Mills Editor http://www.furthernoise.org -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080403/efe618f7/attachment.htm From dkl37 at juno.com Wed Apr 2 22:08:25 2008 From: dkl37 at juno.com (dkl37 at juno.com) Date: Wed, 2 Apr 2008 19:08:25 -0700 Subject: [Microsound-announce] another spamtastic and/OAR update Message-ID: <20080402.190826.3988.9.dkl37@juno.com> Happy Spring! artist: ARSENIJE JOVANOVIC title: Galiola, Works For Radio 1967-2000 format: CD links: www.and-oar.org/pop_and_all2.html http://foarm.artdocuments.org/ http://www.alluvialrecordings.com/ At long last, after a split release with composer Ivana Stefanovic in 1993 (on ORF), and a first solo release on Eric La Casa's La L?gende Des Voix label in 1994, and/OAR (in collaboration with FO A RM Publications and Alluvial Recordings) is simply elated to release a second solo CD of previously unreleased work by Serbian composer/film, television and theatre director Arsenije Jovanovic! Two samples from this release are now available on the a/O Radio page and on the a/O MySpace page. The info page for the release only has one sample at this time. http://www.and-oar.org/and_oar_radio.html http://www.myspace.com/andoar >From what sound like theatrical Fellini Satyricon-like extravaganzas (although predating Satyricon by two years), haunting phantasmic dronescapes, to near pastoral epiphanies of childhood and the imagination of innocence, the dynamic range and mood of the work presented here is impressive, and it's well apparent that he's drawn upon his experience with directing for film, television and theatre; however Jovanovic's mastery of composition, weaving field recordings, concrete sounds, voices and instruments is still nothing short of astonishing. When presented with this work for a possible joint release by Seth Nehil of FO A RM Publications, it was hard to fathom how it had gone unreleased over the past 30 years. With the exception of one track ("Prophecy Of The Village Kremma" which was used in the film "The Thin Red Line"), the only way that people could hear this work were if they had just happened to catch a rare radio broadcast in Serbia (former Yugoslavia), France or Italy, for which the works were created (hence the title), or if they attended a festival where the music may have been played. And so it is my hope to open people's minds and expose Arsa Jovanovic's work to a much larger audience of which it truly deserves. Copies of his first solo release are still available in the and/OAR Diffusion shop, so if you are not yet acquainted with Arsa's work, now would be a great time to immerse yourself in two collections of his work while copies are still available, and at and/OAR prices. Thanks very much for your time! and/OAR: http://www.and-oar.org/ NEW: ARSENIJE JOVANOVIC: Galiola NEW: oSONE: Passerelle NEW: MOU, LIPS! : Untree (mOAR CD release) NEW: YUI ONODERA: Suisei -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080402/dfc10086/attachment.htm From yannick.dauby at free.fr Thu Apr 3 03:39:24 2008 From: yannick.dauby at free.fr (Yannick Dauby) Date: Thu, 03 Apr 2008 09:39:24 +0200 Subject: [Microsound-announce] [Kalerne Editions] New CD : CHANTS OF FROZEN LAKES by Marc Namblard Message-ID: <47F489AC.90108@free.fr> (sorry for cross-posting) [KALERNE EDITIONS] *** new CD publication *** CHANTS OF FROZEN LAKES by Marc Namblard April 2008 more info and sound extracts : http://www.kalerne.net Marc Namblard, sound artist and naturalist living in the northeast of France, has spent several years listening to and recording an acoustic phenomenon occuring in the winter time. The tiniest crackles inside the ice of frozen lakes produce mechanical vibrations. Under specific atmospheric conditions, these impulses propagate in the ice, whose tension makes it similar to the skin of a drum. The acoustic result is an unbelievable blend of drumming sounds and etheral resonances. This CD retraces the whole phenomena : in 55 minutes, one can discover the different steps of what happened at Lac de Pierre Perc?e (a lake close to Marc's village) on the 16th of January 2006. It began with the frost falling on the vegetation accompanied by birds in the distance. The first brief percussive sounds announced the ice beginning its work under the first sunrays. A little bit later, the ice started to crackle : sounds became longer and more intense. At the end of the session, ice was breaking everywhere, the lake was singing. The phenomenon vanished with the appearance of a slight breeze. This soundwork gathers some of the most beautiful moments of hours and hours of Marc's recordings into a whole piece, but there was no processing or overdub in the production of this publication : the aim is to propose to the listener an experience of what he would expect in the front of the lake (with the exception of the temperature). Marc's recording technique is based on ORTF stereo configuration using condenser microphones and high-end preamplifiers. ?Chants Of Frozen Lakes? can easily be classified in the domains of Naturalism, since it is based on straight observation of natural events, and in the field of Sound Art as it proposes a very intense listening experience. Therefore, this CD should delight listeners of nature sound recording, experimental music as well as electronica. Audio CD published by Kalerne.net and Atelier Hui-Kan. Released in Taiwan, in April 2008. www.kalerne.net www.hui-kan.com From yves_tk at gmx.net Thu Apr 3 03:46:04 2008 From: yves_tk at gmx.net (Yves@GMX) Date: Thu, 3 Apr 2008 09:46:04 +0200 Subject: [Microsound-announce] illusion of safety + if, bwana + mecha/orga live Message-ID: concert announcement So. 06.04.2008 doors: 20.00h, first show starts: 20.30h aufabwegen presents: <<>> ILLUSION OF SAFETY (USA, found sounds, objects, broken rhythms, 25th anniversary tour!) & IF, BWANA (USA, between sound poetry and electroacoustics) & mecha/orga (psycho-acoustic drones from Athens/Greece) studio 672 @ Stadtgarten Venloer Str. 40, 50672 Koeln tickets: 10 euros info: http://www.geraeuschwelten.de http://www.aufabwegen.com http://www.stadtgarten.de ------------------- Informationen Illusion Of Safety Illusion Of Safety intrepidly charts the terra incognita where sound, silence, noise, and music intersect. Using conventional instruments, sound generating devices and random objects, IOS hews sonic sculptures to deliberately provoke, mesmerize, and affront. Illusion Of Safety has been the ongoing project of Dan Burke since 1983, working with numerous individuals in various combinations of one to ten members. Their work has been continually evolving, never settling into an easy niche. Each collaborator has brought their own unique perspective to the project. Since 1991 IOS have released 20 CDs on various labels such as: Die Stadt, Silent, OddSize, Staalplaat, Soleilmoon, Manifold, Tesco, Ossosnossos, and Complacency. At times their work has been called ambient, post-industrial, electro-acoustic, electronica, noise, sound collage, improvisation, and power electronics. Unable to contain their work within one genre, each release, live performance, and sometimes individual piece can shift abruptly from one musical atmosphere to another. Dan Burke is currently working with electronic synthesis, computer composition, and manipulation of historical musical references and highly amplified handled objects. Burke uses semi-recognizable preexisting structural elements and rearrangements of the ?language of error? to convey external stimuli and personal internal context. The results are destroyed music, broken sound, disturbed ambience and the quest for the sublime. DAN BURKE'S ARTIST STATEMENT: The work represents not only my internal world but the world as I perceive it. I work toward truth and often use brutal honesty in mirroring my own state of mind and what I experience of society and civilization. The work represents my interest in the dualities, contradictions, and ironies of the world, the human condition, and myself. I explore my fascination with the necessities of balance and the nature of dichotomy: chaos vs. tranquility, sacred vs. profane, subtleties vs. obviousness, and the ugly vs. an all pervasive beauty. My hope is that other people can relate to the work on an emotional and intuitve level, while appreciating my aesthetic interest in exploring the inneffible. I attempt to illiustrate and illuminate psychological processes and personal/interpersonal relationships. I strive to activate to facilitate a direct access of emotion, the psyche, and the infinite. transcendence HISTORICAL EXTRACTS Burke has been experimenting with sound since 1981 being inspired by seeing the final two performances of Throbbing Gristle. He began working with Mitch Enderle soon after The original formation of IOS began in 1983 when Burke began working with the avant-rock group Dot Dot Dot (Thymme Jones, Chris Block, Jef Bek, Rross Feller). This incarnation was based on free form improvisation. The first live performance of IOS was June 17, 1983. In 1985 Burke also began to work with Mark Klein and Mark Sorensen. In 1986 Burke and Jones founded their Complacency label in order to release the work of IOS and Cheer-Accident (Jones' rock group, and solo music project). The same year, "Its A Dead Dog", the first of 12 IOS cassettes was released on Complacency. In 1988, in association with RRRecords, IOS released their first vinyl LP "More Violence and Geography" on Complacency. In mid 1988 Jim O'Rourke began working with IOS. After the late 1980s, live performers have fluctuated show to show, while tours have been primarily Burke solo or paired with one other member. The recordings have always varied from solo work to full group participation. In October of 1992 Burke and O'Rourke recorded "Probe" for release by Staaplaat, as well as completing the first European IOS tour. During 1993 Burke & Jones began rehearsing for and embarked on the first U.S. east coast tour by documented by the Complacency release ?From Nothing To Less?. During 1995-96 performances were given in Chicago with new collaborators including Kevin Drumm, Ben Vida, Darren Gray, and Jeb Bishop, many of these characterized by subtle improvisation and quiet passages. On October 8 1997, Burke returned to the bay area for a performance/lecture at Mills College in Oakland, followed by four performances with Thomas Dimuzio, which were later edited and released on the Sonoris label in France as "Hz". Since 2001 there have been several new tours of Europe, and a number of new releases including limited edition 7" records featuring new IOS compositions, the re-issue of "More Violence And Geography" as a CD and the beautifully packaged "In Opposition to Our Acceleration" all on the Die Stadt label. The 20th IOS CD entitled "Time Remaining" (OssosNossos, UK) was released to coincide with the 20th anniversary performance on May 24th 2003, presented by the Lampo organization in Chicago. The newest recorded works since 2003 are "In Session", a CD to be released by the label Waystyx of Moscow in January 2008 and a 10" vinyl co-release between C.I.P. and Complacency titled "Sedation & Quell" (due for release in December 2007). Dan Burke & Thomas Dimuzio's second release "Upcoming Events" is scheduled to be released February 2008 on the No Fun label of Brooklyn N.Y.C. Dan is also currently working on an IOS/Cheer-accident collaboration, an improvisational trio with Bill Horist & Dave Abramson of Seattle, and new video works (one example of which can be seen on www.myspace.com/illusionsofsafety) and European & U.S. tours for the 25th anniversary of IOS during 2008. www.illusionofsafety.com. If, Bwana / Al Margolis Al Margolis Composer, Musician, Raconteur Received Meet the Composer grant for performance at Generator in N.Y.C., 1989 Included on Tellus Compilation # 13 Received write-ups and reviews in The New York Times, Keyboard, The Wire, The Village Voice and New York Press among others Founded Sound of Pig Music in 1984, a cassette only label with over 300 releases Co-founded Pogus Productions in 1989, a record/CD label with releases by AMM, Rune Lindblad, Robert Rutman, Morphogenesis, Pauline Oliveros, David Rosenboom, Kenneth Gaburo, Ross Bolleter, among others Composed music for one soundtrack and contributed music for two other films by Lorraine Lamas Participated in French - U.S. simultaneous live music broadcast on WNYC-FM Toured the United States, Canada and U.K. with various projects including If, Bwana, Styrene's, and Bwana Dog, among others. www.pogus.com MECHA/ORGA Since 2003, Yiorgis Sakellariou has been using the recording name Mecha/Orga. So far, he has released 2 CDs and 3 CD-Rs and has performed, using his laptop, in Greece, The Netherlands, the U.K., France and Germany. Mecha/Orga is interested in sustained sounds, either harmonic or noisy, produced by tone generators, acoustic instruments, feedback or field recordings. He is very actively involved in the contemporary and experimental music scene in Greece by running the CD-R label ?Echo Music?, being a member of the Centre Of Contemporary Music Research and the Hellenic Electroacoustic Composers Assosiation and writing articles about music. PAST MAJOR PERFORMANCES ? Salon Bruit (Berlin) October 2007 (also participated: Droise, Minn Minn Lights) ? The Red Rose Club (London) November 2006 (also participated: Ilios, Filter Feeder, Phil Julian/Luke Younger/Bill Kouligas, Entr'acte) ? Blitzkrieg over Xanthi at the Folk Museum (Xanthi) May 2006 (also participated: Aux, SFX) ? La Rotonde De Choc at Espace Jemmapes (Paris) March 2006 ? Worm (Rotterdam) October 2005 (also participated: Lady Cleaners) ? AudioScoop at the Intro in Situ (Maastricht) October 2005 (also participated: Noizbleed) ? Synch Festival at the Technological and Science Park (Laurio) July 2005 ? Masynergy II at the Polytechnic School (Athens) March 2005 (also participated: Frans De Waard, PS Stamps Back Vs Anal Vissi a.o.) ? Electrograph 05 at the Benaki Museum (Athens) January 2005 (also participated: MSBR, Carl Michael Von Hausswolf a.o.) ? 2:13 Festival at the Small Music Theatre (Athens) December 2004 (also participated: David Toop, Taku Unami, Jean Pallandre a.o.) DISCOGRAPHY ALBUMS ? 56:24 Absurd (CD), February 2007 ? Holder Absurd / a question of re_entry (CD-R), March 2006 ? From A Piner Lab for Electroacoustic Media (CD), October 2005 ? A Man Behind The Door echomusic (CD-R), June 2005 ? Float echomusic (CD-R), October 2004 COMPILATIONS ? Yuria Pop Art, February 2006 ? Urban Folk Songs 1000+1 TiLt Recordings, November 2005 ? Civil Cinder Regalia Tobruk Recs / Ektopia, November 2004 ? Mechanorgy 1000+1 TiLt Recordings, September 2004 ? Loopsmooth - Chapter One Loopsnoo Records, December 2002 www.mecha-orga.com ----------------- a u f a b w e g e n p.o.box 100152 50441 cologne germany http://www.aufabwegen.com ----------------- From sidhartha1 at hotmail.com Thu Apr 3 06:18:11 2008 From: sidhartha1 at hotmail.com (a k) Date: Thu, 3 Apr 2008 17:18:11 +0700 Subject: [Microsound-announce] new release out now on Nexsound Message-ID: Comrades! We have a new release out now on Nexsound! NOLE PLASTIQUE - ESCAPERHEADCD NEXSOUND PQPNSP03 After having a succesful net-release by Russian band Nole Plastique "Sourire En Souriant [ns48]" and a great performance on Detali Zvuku festival in Kyiv / 2007, Nexsound is very happy to release their first full lenght CD called "Escaperhead". Nole Plastique was initially the project of Roman Kutnov, who lives in Kazan (Russia) and now it's Aleksei Belousov who joined the project in 2007. During the last few years since 2004, Nole Plastique has produced several releases that one could call "romantic noise". Nevertheless at the moment Nole Plastique is strongly attracted by songs and rather acoustic sound. Their music revealed softness of musical forms in an endless sound flow along the lines of the contemporary forms of psychedelic folk music. Nole Plastique write about ESCAPERHEAD:"We are very proud to entroduce you our first full-lenght cd released on wonderful ukranian Nexsound. The album is called Escaperhead. So, be careful not to mix up its name with famous David Lynch's movie, haha. In fact, they may have something in commonconcerning the madness and other stuff...:)It took us over a year to write, record and produce everything, rearranging, rewriting and reproducing the whole thing for several times... It was a hard work but the result is surprisingly easy, light and bright.Escaperhead is a collection of strange songs and tunes with the flavor of 60-ies psychedelia, acid trips, lo-fi electronics, experimental sound design,improv-rock and other "sounds of the outer space" stuff in it. Too much may be, but that's the way we see the world sometimes, haha.The main idea of the album was to write some songs instead of experimental instrumentals more common for previous Nole Plastique releases. Unusual songs with our usual approach, you know...:)The second thing was to make a unique sound atmosphere. The sound of old psychedelic-rock records. Unmastered, hissy, detuned and very raw, with a bit of lo-fi in it. Yeah! :) " http://www.nexsound.org/nsp03.html Listen-n-chant! http://www.nexsound.org _________________________________________________________________ Explore the seven wonders of the world http://search.msn.com/results.aspx?q=7+wonders+world&mkt=en-US&form=QBRE -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080403/8a236d61/attachment.htm From bbrace at eskimo.com Fri Apr 4 15:19:33 2008 From: bbrace at eskimo.com ({ brad brace }) Date: Fri, 4 Apr 2008 12:19:33 -0700 (PDT) Subject: [Microsound-announce] Antarctic Ocean hydrophone streams In-Reply-To: <5f8806df0804041143m260838cav709fcc299b201d83@mail.gmail.com> References: <9C1302B5-BC8B-4078-997D-755CD828E5C4@anechoicmedia.com> <5f8806df0804041143m260838cav709fcc299b201d83@mail.gmail.com> Message-ID: can someone please throw a few pebbles in the pond? not hearing much this morning ;)) (or is that microsound ;) lots of whales and calfing-icebergs yesterday (gosh I wish I had my outdoor froglogging microphone...) /:b --- Global Islands Project -- ongoing series of multi-media pdf-ebooks/field-recordings -- a pastoral, pictorial and phonic elicitation of island parameters. Your (Art)world is based on mutual relief at your common corruption. Maybe some cultures are based on even worse. But that wouldn't change the bad faith of it and as years go by, you wake at night in terror of your whole life being an act of bad faith, where everything is self-interest and nothing more, where every human interaction is driven by a silent, even subconscious calculation of some ulterior motive, to the point that a sea of bad faith has taken over your whole life, there's no small island left from which you can even try to build a bridge of good faith, because even that effort becomes suspect, even good faith is nothing but self-interested, even altruism is nothing but solipsistic, even your professed agonizing right here right now is nothing but a gesture, made to the conscience in order to assure it that it exists. http://bbrace.laughingsquid.net/id.html http://bbrace.net/id.html Island 1.0 is Ambergris Caye, Belize Island 2.0 is Koh Si Chang, Thailand Island 3.0 is Lamu, Kenya Island 4.0 is Narikel Jingira, Bangladesh Island 5.0 is Isla Mais, Nicaragua Global Islands Project: Island 1.0 -> http://bbrace.net/islands/island1/island1.html or http://bbrace.laughingsquid.net/islands/island1/island1.html -- over 800 images and hour-long audiotrack -- 69mb -- (acrobat 6) Island 2.0 -> http://bbrace.net/islands/island2/island2.html or http://bbrace.laughingsquid.net/islands/island2/island2.html -- over 535 images and hour-long audiotrack -- 78mb -- (acrobat 6) -- http://www.archive.org/details/global_islands_project_island_1.0 http://www.archive.org/details/global_islands_project_island_2.0 http://www.archive.org/details/global_islands_project_island_3.0 http://www.archive.org/details/global_islands_project_island_4.0 http://www.archive.org/details/global_islands_project_island_5.0 Global Islands Project -- ongoing series of multi-media pdf-books -- a pastoral, pictorial and phonic elicitation of island parameters... http://www.bbrace.net/id.html http://bbrace.laughingsquid.net/id.html bbs: brad brace sound http://69.64.229.114:8000 http://www.bbrace.net/undisclosed.html From tazberry_docs at yahoo.ca Fri Apr 4 01:44:48 2008 From: tazberry_docs at yahoo.ca (Eldad Tsabary) Date: Fri, 04 Apr 2008 01:44:48 -0400 Subject: [Microsound-announce] =?windows-1252?q?Deadline_extension=3A_A_Ca?= =?windows-1252?q?ll_for_works_/_Appel_d=92oeuvres_-_Canadian_60x60_=2815_?= =?windows-1252?q?April=29?= Message-ID: <47F5C050.6040906@yahoo.ca> Hello list The submission deadline for the Canadian 60x60 has been extended to 15 April. Vox Novus, in collaboration with the Canadian Electroacoustic Community (CEC), is inviting composers to submit recorded works 60 seconds or less in duration to be included in the first Canadian version of the annual 60x60 project. For submissions consult our website at http://www.60x60.yaeldad.com Questions: email 60x60 at yaeldad.com More information can be found at: http://www.voxnovus.com/60x60.htm (International 60x60) http://cec.concordia.ca (Canadian Electroacoustic Community) http://sonus.ca (SONUS, the CEC's online electroacoustic Jukebox) From jef at econtact.ca Sat Apr 5 08:13:05 2008 From: jef at econtact.ca (CEC jef chippewa) Date: Sat, 5 Apr 2008 14:13:05 +0200 Subject: [Microsound-announce] JTTP 2008 call for works (1 may) [rappel/reminder] Message-ID: SVP ? afficher et diffuser. / Please post and forward at large. JTTP 2008 -- Jeu de temps / Times Play Communaut? ?lectroacoustique canadienne (CEC) Canadian Electroacoustic Community http://cec.concordia.ca/jttp [F] La date limite pour les soumissions ? ce concours annuel est le 1er mai, 2008. Pour plus d'informations ? propos des soumissions et votre ?ligibilit?, voir les liens suivants. NB : Depuis 2008, il n'y a plus de dur?e maximum pour les pi?ces soumises. -- [E] The deadline for submission to the annual JTTP competition is May 1, 2008. More information on how to submit your work and eligibility is found at the following web addresses. NB: As of the 2008 edition there is no longer a maximum duration for submissions. Bien ? vous, jef chippewa co-Directeur administrative de la CEC ----------------------------------------------------------- JTTP 2008 -- Appel d'oeuvres / Call for Works http://cec.concordia.ca/jttp/call.html Information d?taill? sur le projet / Detailed information about the project http://cec.concordia.ca/jttp/info.html -- Communaut? ?lectroacoustique canadienne (CEC) Canadian Electroacoustic Community http://cec.concordia.ca | RECENT: http://cec.concordia.ca/jttp JTTP 2008 [1 May] http://econtact.ca EA journal | http://sonus.ca EA Jukebox http://cec.concordia.ca/jttp Project for young/emerging sound artists -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080405/99c386a5/attachment.htm From info at lullcec.org Fri Apr 4 08:49:19 2008 From: info at lullcec.org (l'ull cec) Date: Fri, 4 Apr 2008 14:49:19 +0200 Subject: [Microsound-announce] =?windows-1252?q?=5Bl=27ull_cec=5D_concert_?= =?windows-1252?q?Zbigniew_Karkowski_=26_Tetsuo_Furudate_+_Evol=2C_?= =?windows-1252?q?dimarts_8/4_=40_Sala_Apolo=5B2=5D_=28presentaci?= =?windows-1252?q?=F3_cap_sembrat_IV=29?= Message-ID: [ reenvieu a discreci? | reenviad a discreci?n | forward at own discretion ] --------------------------------------- ZBIGNIEW KARKOWSKI & TETSUO FURUDATE [ http://www.tetsuofurudate.info/World_as_Will/ ] + EVOL [ http://vivapunani.org ] dimarts, 8 d'abril del 2008, 21:00 hrs. Sala Apolo[2] C/ Carrer Nou de la Rambla, 111 Barcelona, metro Paral?lel 9 ? (al tractar-se d'una col?laboraci?, en aquest concert no ser? v?lid el descompte habitual) --------------------------------------- Segona nit de presentaci? de la quarta edici? del festival Cap Sembrat, que per segona vegada ortanitzen Ozono Kids i l'ull cec conjuntament. L'edici? d'aquest any tindr? lloc els dies 23, 24 i 25 de maig a diversos espais de Barcelona. Segunda noche de presentaci?n de la cuarta edici?n del festival Cap Sembrat, que por segunda vez organizan conjuntamente Ozono Kids y l'ull cec. La edici?n de este a?o tendr? lugar los d?as 23, 24 y 25 de mayo en diversos espacios de Barcelona. Second presentation night of the Cap Sembrat festival, organized by Ozonokids and l'ull cec for the second time around. This year's Cap Sembrat will take place on May 23rd, 24th and 25th at different venues in Barcelona. [ http://capsembrat.info/ ] [ http://ozonokids.com/ ] [ http://lullcec.org/ ] --------------------------------------- ZBIGNIEW KARKOWSKI & TETSUO FURUDATE Zbigniew Karkowski y Tetsuo Furudate presentan la tercera entrega de su trilog?a World as Will, un proyecto que - inspirados por la filosof?a de Schopenhauer - iniciaron por all? en 1998 y que se encuentra a caballo entre lo que algunos denominar?an m?sica contempor?nea y el ruidismo. Este ?ltimo trabajo ser? publicado en breve por el sello SubRosa (http://www.subrosa.net/). Zbigniew Karkowski and Tetsuo Furudate will be presenting the last installment of the trilogy World as Will. Inspired by Schopenhauer's philosphy, this project started in 1998 combines noise music with what some would call contemporary music. This last work is soon to be published on SubRosa's label (http://www.subrosa.net/). [ http://www.tetsuofurudate.info/World_as_Will/ ] [ http://www.discogs.com/artist/Zbigniew+Karkowski ] [ http://tetsuofurudate.info/ ] [ http://www.myspace.com/tetsuofurudate/ ] --------------------------------------- Tetsuo Furudate va n?ixer a Tokyo i va ser all? on l'any 1981 va comen?ar la seva carrera en el camp del videoart i el cinema experimental. Des de mitjans dels '80 i a partir de les perfomances, va volcar-se gradualment cap a la m?sica, contribuint al desenvolupament del noise japon?s juntament amb pioners com Merzbow. Des de 1998, les seves activitats s'estenen per Europa amb concerts i edicions de CDs, col?laborant amb gent com Zbigniew Karkowski, Kasper T. Toeplitz i Leif Elggren. --------------------------------------- Tetsuo Furudate naci? en Tokio y all? comenz? su carrera en el campo del videoarte y el cine experimental en 1981. Desde mediados de los '80 fue volc?ndose gradualmente hacia la m?sica a partir de performances, contribuyendo al desarrollo de la m?sica noise japonesa en su etapa temprana junto a otros pioneros como Merzbow. Extiende sus actividades por Europa desde 1998, con conciertos y ediciones de CDs, colaborando con gente como Zbigniew Karkowski, Kasper T. Toeplitz y Leif Elggren. --------------------------------------- Tetsuo Furudate was born in Tokyo. There he began his career in video arts and experimental cinema in 1981. Since mid 80s he gradually got involved with music through performances, contributing to the development of the early Japanese noise together with pioneer artists like Merzbow. Since 1998 his activities extend to Europe with concerts and CD editions collaborating with Zbigniew Karkowski, Kasper T. Toeplitz and Leif Elggren. --------------------------------------- EVOL EVOL ?s una c?l?lula de computer music creada el 1996 per en Roc Jim?nez de Cisneros, m?sic i compositor resident a Barcelona. El col?lectiu integra col?laboradors de diversos pa?sos i disciplines, i la seva obra ha esta publicada en segells de fama internacional. Aquesta ser? la presentaci? a Barcelona del seu darrer treball, "Punani Rubberist", publicat al segell londinenc Entr'acte. --------------------------------------- EVOL es una c?lula de computer music creada en 1996 por Roc Jim?nez de Cisneros, m?sico y compositor residente en Barcelona. El colectivo integra colaboradores de distintos pa?ses y disciplinas, y su obra ha sido publicada en sellos discogr?ficos de fama internacional. Esta ser? la presentaci?n en Barcelona de su ?ltimo trabajo, "Punani Rubberist", publicado en el sello londinense Entr'acte. --------------------------------------- EVOL is a computer music cell started in 1996 by Catalan musician and composer Roc Jim?nez de Cisneros. This collective is formed by other artists from different countries and diverse practices. Evol's work has been published in internationally known labels. 2003 saw the birth of a series of electroacoustic pieces entitled Punani, which addresses some of the main aspects of EVOL's work, namely: algorithmic composition, noise, diverse synthesis techniques, spectro-morphology and the musical application of fractal geometry and other mathematical phenomena. This will be the presentation of Evol's last work, "Punani Rubberist", published by London label Entr'acte. [ http://vivapunani.org/ ] --------------------------------------- properament / pr?ximamente / soon: 23.04.2008 ... 21hrs ... Feltro (Andr? Gon?alves) @ [ http://lanticteatre.com] 26.04.2008 ... 20 hrs ... Kanta Horio, acte 5 al Nivell Zero [ http://fundaciosunol.org ] 05.05.2008 ... 21 hrs ... Jozef van Wissem & James Blackshaw [ http://lanticteatre.com ] 22-25.04.2008 ... [ http://capsembrat.info ] --------------------------------------- Si vols subscriure't o deixar de rebre informaci? sobre futures activitats, escriu a: Si quieres suscribirte o dejar de recibir informaci?n sobre futuras actividades, escribe a: If you would like to suscribe or stop receiving information about future events, please write to: info at lullcec.org -------------- next part -------------- A non-text attachment was scrubbed... Name: 25032008-08042008-flyer_presentacio_cap_sembrat4-web.jpg Type: image/jpeg Size: 70326 bytes Desc: not available Url : http://or8.net/pipermail/microsound-announce/attachments/20080404/6463cbe9/attachment.jpg -------------- next part -------------- A non-text attachment was scrubbed... Name: tetsuo-karkowski-web.jpg Type: image/jpeg Size: 60595 bytes Desc: not available Url : http://or8.net/pipermail/microsound-announce/attachments/20080404/6463cbe9/attachment-0001.jpg From chartier at 3particles.com Thu Apr 3 13:08:17 2008 From: chartier at 3particles.com (RICHARD CHARTIER) Date: Thu, 3 Apr 2008 13:08:17 -0400 Subject: [Microsound-announce] RICHARD CHARTIER > 04.08 > news/event/release update. Message-ID: hello, back from the beautiful city of chicago and well 37 feels just like 36 so far... except leaves are finally on our japanese maple out the window of the studio. : ) hope you are all well, r - - NEW +RECENT RELEASES - - a limited number of these & other releases are available via the 3particles online paypal SHOP: CD . "Fabrication" collaboration with the legendary Asmus Tietchens. (first 500 copies come with a bonus cd of material) [ Die Stadt, Germany ]. EDITION CD . "Absence" [ 3particles, US ] special limited edition of 50 signed and numbered cds on lettepressed insert, released in conjunction with the opening of the show "Absence/Presence". CD . William Basinski + Richard Chartier "untitled 1-3" [ LINE, US ] special reissue of the long out of print spekk cd now with 2 new exclusive compositions. also back in stock: INCIDENCE (Raster-Noton) + RETRIEVAL 1-5 (ERS) almost out of print: LEVELS(INVERTED) 3 copies remaining, TWO LOCATIONS 4 copies remaining, OF SURFACES 2 remaining, AIRPORT SYMPHONY 2 copies remaining - - CURRENT EVENTS + FUTURE RELEASES, EVENTS, ETC - - ITUNES + EMUSIC + OTHERS . LINE back catalog including out of print releases - LINE_031, 029, 028, 027, 025, 024, 023 - available now! with links directly to them for your convenience. EXHIBIT . Coccyx Crystalization (installation with Evelina Domnitch + Dmitry Gelfand) @ Media Lab [ Enschede, Netherlands ] April 23-27, 2008 LIVE . Jauna Muzika Festival @ Contemporary Art Center [ Vilnius, Lithuania ] April 29, 2008 http://www.lks.lt/fest_jaunamuzika_about.php CD . Further Materials [ LINE, USA ] this will collect all compilation recordings from 2002-2005 (including collaborative works with Taylor Deupree) Spring 2008 10x7" BOX SET . Recovery [ Random Records, UK ] . limited edition of 500 numbered copies. Essay by Kamal Ackarie on the notion of covers and tributes. Artists doing covers include: Ryoji Ikeda, Carsten Nicolai, Christian Fennesz, Mika Vanio, Johaan Johaanson, Monolake, b j nilsen, Susan Stenger, :zoviet*france, People Like Us & Ergo Phizmiz, J.G.Thirlwell, Chris Carter + Cosey Fanni Tutti, snd, Momus and Gremlin, Matmos , Nicebox (Richard Chartier & CoH), Paradise Island (Jenny Hoyston), Donna Summer/Jason Forrest, Robert Lippok, Mouse on Mars. CoH and I are covering "bleak is my favourite clich?" by Soft Cell. my first foray into POP music... and I actually do vocals. DVD. Colorfield Variations. with works by: Frank Bretschneider, Alan Callander, Chris Carter + Cosey Fanni Tutti (Chris&Cosey / Throbbing Gristle), Sue Costabile, Evelina Domnitch + Dmitry Gelfand, Mark Fell (SND/Blir) + Ernest Edmonds, Tina Frank + General Magic, Ryoichi Kurokawa, Stephan Mathieu, Steve Roden, Sawako, and Bas Van Koolwijk. curated by Richard Chartier. [ LINE, US ] NTSC. 2008. SCREENING/CURATORIAL: Colorfield Variations [ San Francisco + Los Angeles, US ] location to be confirmed 2008. www.volumeprojects.org DESIGN PUBLICATION . LINE packaging series 3: Best of Disk Art ? Innovation in CD, DVDor Vinyl Design & Packaging by Charlotte Rivers [ Rotovision, UK ] 2008 DESIGN PUBLICATION . LINE packaging series 3: 1000 Supreme CDs [ Mao Mao, Spain ] 2008 SCREENING/CURATORIAL: Colorfield Variations. Avmotional [ Bucharest, Romania ] TBC 2008 CD . Recurrent (titled TBC) [ NVO, Austria ] 2008 LIVE . [ Poland ] TBC Fall 2008 LIVE . Carraffa Museum of Art [ Cordoba, Argentina ] 2008 LIVE . Buenos Aires (MAMBA) (Museum Modern Art Buenos Aires) [ Buenos Aires, Argentina ] 2008 CURATORIAL . I have been asked to curate a large scale sound/video installation exhibit at the Art Gallery of the University of Maryland [ USA ] date to be confirmed. 2009. tentatively titled "Data Waves / Audio Lines" COLLABORATION . Asmus Tietchens and I have begun production on the next collaborative recording together. Starting from a strange new work that was very unusual for me (at parts sounding like an homage to my friend CoH)... we shall see where this new direction leads us. EXHIBIT . collaborative installation work with artist Linn Meyers. 2008. www.linnmeyers.com R I C H A R D C H A R T I E R http://www.3particles.com chartier at 3particles.com From richard at sonicartsnetwork.org Sat Apr 5 10:21:21 2008 From: richard at sonicartsnetwork.org (richard at sonicartsnetwork.org) Date: Sat, 5 Apr 2008 07:21:21 -0700 (PDT) Subject: [Microsound-announce] New Sonic Arts Network Podcast Series Message-ID: <49233.86.136.245.160.1207405281.squirrel@webmail.sonicartsnetwork.org> Something to enjoy over the weekend... Sonic Arts Network presents the first in a series of six episodes for the Sonic Arts Network podcast series. SAN explores the outer edges of sound and music, from artists working within the fields of sound art, noise, electronic music, modern composition, field recordings, drone music and anything else that straddles the term sonic art. We will also present work that connects to the live, education and publishing work of the organisation. Presented by Jonathan Webb podcast.sonicartsnetwork.org From music at ambientglitch.net Sat Apr 5 15:53:16 2008 From: music at ambientglitch.net (music) Date: Sat, 05 Apr 2008 20:53:16 +0100 Subject: [Microsound-announce] eBay // Arovane // Deepchord // 12k // Type Records // William Basinski Message-ID: <47F7D8AC.60107@ambientglitch.net> Greetings, I have listed 119 items on eBay at the moment. Two-thirds CD, one-third vinyl. 80% IDM/ambient/glitch but also a few post-rock, dubstep and 1970s dub. Artists: 65daysofstatic, Arovane, Arvo Part, Bola, Burial, Carbon Based Lifeforms, cvc313, Deepchord, Digitonal, EU, Funckarma, The Green Kingdom, Grouper, Hauschka, John Beltran, Juan Atkins, King Tubby, Maps & Diagrams, Machinefabriek, Mitchell Akiyama, Murcof, Off the Sky, Remote, Red Sparowes, Rod Modell, Scanner, Signer, Shuttle 358, Vessel, William Basinski, Windy & Carl Labels: 12k, Apestaartje, Anticipate, Benbecula, Blood & Fire, Cactus Island, City Centre Offices, Databloem, DiN, Expanding, Infraction, intr_version, Kranky, Meanwhile, Merck, Moteer, Miasmah, n5md, Neo Ouija, Ninja Tune, Preservation, Raster Noton, Rephlex, Skam, Smallfish, Toytronic, Type Records, Ultimae, Warp, Western Vinyl http://search.ebay.co.uk/_W0QQfgtpZ1QQfrppZ25QQsassZaquisse All in very good condition. Auctions end: 10-Apr-08 20:51:01 BST Thanks ~aquisse From ondasonoraradio at yahoo.es Sun Apr 6 16:28:57 2008 From: ondasonoraradio at yahoo.es (Onda Sonora Radio) Date: Sun, 6 Apr 2008 20:28:57 +0000 (GMT) Subject: [Microsound-announce] CONTENTS ONDA SONORA RADIO 02/09-04-08 Message-ID: <429518.35171.qm@web25611.mail.ukl.yahoo.com> An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080406/7ae88b9d/attachment.htm From anatacloc at gmail.com Mon Apr 7 21:02:15 2008 From: anatacloc at gmail.com (mo) Date: Mon, 7 Apr 2008 21:02:15 -0400 Subject: [Microsound-announce] ********* new album Message-ID: ***************** new album ***************** I have finally completed my first album and a net-label (Sinewaves.it) has graciously agreed to publish it for me. If you are interested you can download the 6 pieces and the album cover from the label's website. It is free. Here is the link where you can find the album: http://www.sinewaves.it/s3p046.htm Or if you like you can visit myspace at www.myspace.com/massissam Well, I hope you like the sounds and if you care to let me know what you think (honestly) it would be great. If you don't like it you can still browse the label's archive for other music ? who knows you may find something that you like. Ohh, to download you need to right click on the song's title and click on "save target as" massi -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080407/f11dae86/attachment.htm From gregorybuettner at gmx.de Tue Apr 8 11:43:40 2008 From: gregorybuettner at gmx.de (gregory buettner) Date: Tue, 08 Apr 2008 17:43:40 +0200 Subject: [Microsound-announce] blurred edges 2008, festival in hamburg, germany Message-ID: Hello, On Thuesday starts the blurred edges festival for New Music, improvisation, sound art and the avant garde in hamburg germany. http://www.vamh.de , (sorry mostly in german) So if you in Town, come along.... All the best, Gregory blurred edges 2008 18 Tage aktuelle Musik in Hamburg Donnertstag, 10. bis Sonntag, 27. April 2008 blurred edges ist ein Festival f?r aktuelle Musik in Hamburg, vom Verband f?r aktuelle Musik Hamburg? im Jahr 2006 ins Leben gerufen, findet es dieses Jahr zum dritten Mal statt. Noch nie gab es in Hamburg? ein Festival mit aktueller Musik in dieser Gr??enordnung und ?ber so viele Orte und Szenen in der? gesamten Stadt verteilt wie blurred edges 2008: vom Westwerk bis Schauspielhaus, von Astrastube bis? Musikhochschule, von fleestreet bis Christianskirche, von golden pudel club bis Galerie D?rrie?/?Priess,? vom h7-club bis Kampnagel, vom Jenischhaus bis H?rbar: mit ?ber 40 Veranstaltungen mit Konzerten? komponierter, improvisierter, elektronischer Musik, soundart, Klanginstallationen, lectures, Filmen und? Vermittlungsprojekten.?http://www.vamh.de Der Verband f?r aktuelle Musik Hamburg (VAMH) ?bernimmt bei blurred edges ausschlie?lich die Koordination f?r die? Bewerbung und Pressearbeit der Veranstaltungen. Inhaltlich und organisatorisch gestalten die jeweiligen Veranstalter und? Musiker alle Konzerte selbst. PROGRAMM: Do, 10. 04. 2008, 19:00 - 0:00 Uhr blurred edges - Brownout ?brownout? von Serge Baghdassarians & Boris Baltschun beide aus Berlin. Die ganz ohne Elektronik? auskommende?Klanginstallation aus 100 Luftballons ver?ndert sich in Klang und Ausehen in einem? stetigen Prozess von 5 Stunden. Ort: Atelier J?rgen Albrecht, Admiralit?tstra?e 71, 20459 Hamburg Do, 10. 04. 2008, ab 19:30 Uhr blurred edges - PR?SENTATION IX: Christian Wolff, New York Vortragsreihe des VAMH zu verschiedenen Positionen aktueller Musik. Diesmal mit Christian Wolff (New York).? Der US-amerikanischer Komponist (geb. 1934) geh?rt zur New York School um John Cage, Pollock, Feldman,? Rothko u.a.?Ort: Galerie D?rrie?/?Priess, Admiralit?tstra?e 71, 20459 Hamburg Do, 10. 04. 2008, ab 21:30 Uhr blurred edges - ?Von Wavedateien und Bandmaschinen Altes und Aktuelles aus der experimentellen elektronischen Musik (stereo und quadrophonisch) in einer? Raumsituation von Viola Kiefner, vorgestellt von der Projektgruppe aktuelle Musik. Ort: Fleetstreet, Admiralit?tstra?e 71, 20459 Hamburg www.fleetstreet-hamburg.de Fr, 11. 04. 2008, 20:00 Uhr blurred edges - Tribute to Christian Wolff Christian Wolff (NY) ist zu Gast im Forum Neue Musik. Der Nelly Boyd-Kreis spielt Werke von Christian Wolff? u.a., zusammen mit Christian Wolff und dem TonArt-Ensemble sein neues St?ck ?Metal and Breath?. Ort: Forum Neue Musik in der Christianskirche, Klopstockplatz 2, 22765 www.kirche-ottensen.de/forum-neue-musik Sa, 12.04.2008, 19:00 Uhr blurred edges - Schwebungen Klanginstallation von Dodo Schielein und Susanne Reizlein? (und So, 12. bis Mo, 14. April 15-19 Uhr). Ort: Blinzelbar, Grosse Bergstra?e 158, 22767 www.hierunda.de/blinzelbar Sa, 12.04.2008, 20:00 Uhr blurred edges - Christian Wolff /?John Tilbury Werke von Christian Wolff f?r 1 oder 2 Klaviere. Christian Wolff (Piano) /?John Tilbury (Piano). ?Piano Duet? (1959), ?Two Pianists? (1994), ?For prepared Piano? (1951), ?For Pianist? (1957),? ?Or 4 People? (1994), + UA. Ort: Forum Neue Musik in der Christianskirche, Klopstockplatz 2, 22765 Sa, 12.04.2008, 21:00 Uhr blurred edges - gegen den strom Improvisationsabend der ?ensemble Int?grales?- Mitglieder: Sascha Demand (E-Gitarre) und? Burkhard Friedrich (Saxophone) und den G?sten aus London und Berlin: Roger Turner (Schlagzeug)? und Ignaz Schick (Turntables). Ort: KulturForum Altona, Jessenstra?e 10, 22767 Sa, 12.04.2008, 21:00 Uhr Radio Gagarin meets H?rbar Illusion Of Safety (USA): unique post-industrial since 1983 // Onde (Belgien): ExMembers of Noise-Maker's Fifes? // Marcel T?rkowsky (Berlin) tapemanipulator.improviser.experimenter. H?rbar, Brigittenstr. 5, Hinterhof, (St. Pauli) www.hoerbar-ev.de So, 13.04.2008, 16:00 Uhr blurred edges - Bunkerrauschen: Das wohlgenerierte Clavier 1 Musik f?r Cembalo und gesampeltes Cembalo von J.S. Bach, Steve Reich und Michael Petermann. Michael Petermann (Cembalo und MIDI-Sequencing) Ort: Weisser Rausch im Medienbunker, Feldstra?e 66, 20359 www.weisserrausch.de So, 13.04.2008, 21:00 Uhr blurred edges - Konzert Trike + Notstandskomitee Trike aus Vancouver vermischen experimentelles mit elektronischem Pop, Tanz- und Stra?enmusik.? Notstandskomitee,?aka Malte Steiner aus Hamburg verbindet seit ?91 elektronische Industrial Musik? und 3D Animationen in Echtzeit.? Ort: Astra-Stube, Max-Brauer-Allee 200, 22769 www.trikeaband.com / www.block4.com So, 13.04.2008, ab 22:00 Uhr blurred edges - ?MFOC Pr?sentiert: MIWON Electronica und Knitterbeats, Live: MIWON? (City Center Offices/ Kohvi - Berlin) + DJ Thaddi Herrmann? (City Center Offices/ De:Bug - Berlin) + ?DJ Springintgut (City Center Offices/ Pingipung - L?neburg). Ort: Golden Pudel Club, Am St. Pauli Fischmarkt 27, 20359 Hamburg www.mfoc.de Di, 15.04.2008, 20:00 Uhr blurred edges - Bach reloaded Das wohlgenerierte Clavier 2 - Michael Petermann verbindet in seiner Bachmaschine vielstimmigen Kontrapunkt? mit DJ-Techniken. Hierf?r hat er die Arp-Schnitger-Orgel in der Hamburger Hauptkirche St. Jacobi gesampelt. Ort: Hauptkirche St. Jacobi, Jakobikirchhof 22, 20095 Hamburg www.weisserrausch.de Di, 15.04.2008, 20:00 Uhr blurred edges - Freeman Etudes von John Cage J?nos N?gyesy (Violine) spielt die gesamten ?Freeman Etudes? von John Cage. Ein, nach einhelliger? Meinung der?Fachwelt, unspielbares Werk. Trotzdem! Ort: Forum Neue Musik in der Christianskirche, Klopstockplatz 2, 22765 www.kirche-ottensen.de/forum-neue-musik Mi, 16.04.2008, 20:00 Uhr blurred edges - ensemble Int?grales: The Link to today?s music ?...wie die Zeit vergeht? Werke von Karlheinz Stockhausen, Giacinto Scelsi, Matthew Burtner (UA)? und Roberto Garret?n (UA), Einf?hrungsveranstaltung 18.45 Uhr Ort: Opera Stabile, Ecke Kleine Theaterstra?e?/?Kalkhof, 20354 Hamburg www.ensemble-integrales.com Mi, 16.04.2008, 21:00 Uhr blurred edges - Robert Klammer & Gunnar Lettow Ein Improvisations-Duo der besonderen Art?- Elektronische Kl?nge und mikroskopische Sounds:? Robert Klammer (analoge Synths, electronics, div. Klang- und Ger?uscherzeuger) & Gunnar Lettow? (pr?parierter E-Bass, electronics). Ort: Kulturhaus III&70, Schulterblatt 73, 20357 Hamburg www.dreiundsiebzig.de Do, 17.04.2008, 20:00 Uhr blurred edges - Nelly Boyd Kreis ?Drohne 5? von Robert Engelbrecht (2000/ rev 2007), ?Quartett III? von Jan Feddersen (2004/06),? ?Mind The Gap? von Jens R?hm (2005), ?6? von Peter Imig (2006), ?Expressis Verbis? von Nikolaus Gerszewski? (f?r Nelly Boyd, 2007) . Ort: Forum Neue Musik in der Christianskirche, Klopstockplatz 2, 22765 Hamburg www.myspace.com/nellyboyd Do, 17.04.2008, 21:00 Uhr blurred edges - Barbara L?neburg & Marko Ciciliani Ein Abend mit St?cken, die f?r Barbara L?neburg (Amsterdam / Violine, E-Violine) geschrieben wurden.? Sie tritt dabei gemeinsam mit Marko Ciciliani (Amsterdam / No-input mixer, Elektronik, Licht,?Laser) auf. Ort: Westwerk, Admiralitaetstrasse 74, 20459 Hamburg www.barbara-lueneburg.com Do, 18.04.2008, 20:00 Uhr blurred edges - Stones & Sticks Y-Ton-G (Elektronik) und Corinna Eikmeyer (Cello) spielen zwei St?cke aus der ?Prose-collection? von Christan Wolff. Ort: Forum Neue Musik in der Christianskirche, Klopstockplatz 2, 22765 Hamburg www.kirche-ottensen.de/forum-neue-musik Fr, 18.04.2008, 20:30 Uhr blurred edges - (e)lectric vs. (a)coustic (e) phase~in: Gunnar Lettow (e-bass-electr) + Sylvia Necker (raumstation) (a) acoustic trio: Joachim L?tzow (sax) Frank Konstabel (sax) Achilles Kougioumtzis (tp) Ort: freitagsmusik, Kleiner Sch?ferkamp 46, 20357 Hamburg www.freitagsmusik.de Fr, 18.04.2008, 21:00 Uhr blurred edges - Im Schlauch: TonArt-Ensemble Konzert Das 8 k?pfige TonArt-Ensemble bespielt mehrere ineinander ?bergehende Kellerr?ume mit besonderem? Instrumentarium,?wie Schl?uchen (Tentacle Tubes), pr?parierten Instrumenten und Elektronik.? Ort: KuBaSta, Repsoldstra?e 45, 20097 Hamburg www.tonart-hamburg.de Sa, 19.04.2008, 15:00 Uhr blurred edges - Lost In Meta Hughes / Scherzberg / Wiese Trio: Meta-Jazz, Akustik-Improvisation und elektroakustische live-Autoaggression Fuo: Ziselierter Meta-Rock; ohne Popstruktur oder Gesang Meta c?est Moi und Marc Matter: Inputfreier Meta-Ambient aus R?ckkopplungsloops Ort: Michelle Record Store, Gertrudenkirchhof 10, 20095 Hamburg www.fuofuo.net ? ??????? www.myspace.com/triohsw Sa, 19.04.2008, 18:00 Uhr blurred edges - Heinschke, Sprenger, Hirt Improvisationskonzert auf der Grundlage der Musik von Gerhard Heinschke (1940 - 2007). R?diger Hirt (*1952)? und Sebastian Sprenger (*1972). Ort: St. Nicolaus Kirche in Alsterdorf, Sengelmannstra?e?/?Ecke Dorothea-Kasten-Stra?e, Hamburg Sa, 19.04.2008, 20:00 Uhr blurred edges - Intones Quartet Eine Hommage an die geistigen M?tter und V?ter der Spontaneit?t, der Freiheit des Gedankens und der Rede. Tobias Netta (trumpet), Gernot Borreck (saxes), Joachim Kamps (piano), Hinnerk K B?rnsen (spacedrums) Ort: Emil-Krause-Gymnasium, Krausestra?e 53, 22049 Hamburg intones.spacedrums.de Sa, 19.04.2008, 20:00 Uhr blurred edges - Cello en Vogue am Musenhof ? Anna Amalias B?cher Cello en Vogue: Anne Krickeberg ? K?ln, Marei Seuthe ? K?ln, Corinna Eikmeier ? Hannover, Krischa Weber ?? Hamburg, Isabel Eichenlaub ? Landau, Schauspiel: ?Angela Metzler ? K?ln Ort: Jenisch Haus - Baron-Voght-Stra?e 50, 22609 Hamburg www.cello-en-vogue.de So, 20.04.2008, 11:00 Uhr blurred edges - Abschlusskonzert des Projektes ?Reise in die Musik des 21. Jahrhunderts? In diesem Projekt wird Sch?lerInnen die M?glichkeit gegeben, auf kreative und produktive Weise mit ungewohnter,? neuer Musik Erfahrungen zu machen und kompositorische Prozesse und Arbeitsweisen zu begreifen und zu lernen. Ort: Deutsches Schauspielhaus Hamburg, Kirchenallee 39, 20099 Hamburg www.landesmusikrat-hamburg.de So, 20.04.2008, 12:00 Uhr blurred edges - Matinee: futureduck ?futureduck? ist ein Toy-Projekt von Peter Kastner und Robert Klammer. Improvisation gespielt auf und mit Toys,? Elektroniks und anderem Spielkram. Ort: Atelier Ritter, Kleine Rainstr. 30, Hinterhaus, 22765 Hamburg So, 20.04.2008, 16:00 Uhr blurred edges - Bunkerrauschen Neue und gebrauchte Werke f?r Cembalo, Zither und Fl?te von Leopold Hurt und Wolfgang Knuth mit Formation Weisser Rausch: Martin Gonschorek (Fl?te), ?Leopold Hurt (Zither), Michael Petermann (Cembalo) Ort: Weisser Rausch im Medienbunker, Feldstra?e 66, 20359 Hamburg www.weisserrausch.de So, 20.04.2008, 17:00 Uhr blurred edges - a blossom bright Das Trio ?pro:Fusion?: Marcia Lemke-Kern (Stimme) Marion Ferm? (Blockfl?ten, Stimme) und Jennifer Hymer? (Klavier, Toy Piano) spielen die Musik von Cage, Berio, Webern, Ives, Hajdu, Lemke, interpoliert mit der Musik des Mittelalters. Ort: GEDOK Austellungsraum, Lange Reihe 75, ?20099 Hamburg So, 20.04.2008, 20:00 Uhr blurred edges - Demand, Wienert, Reier, Hall Sascha Demand (e-git), Hannes Wienert (reeds), ?Sebastian Reier (vulkanogitarre), J?rgen Hall (computer und synth.) Ort: KuBaSta, Repsoldstra?e 45, 20097 Hamburg www.kubasta.de Mo, 21.04.2008, (Uhrzeit wird noch bekannt gegeben) blurred edges - Filmportrait ?Alfred Schnittke Pr?sentation biografischer Filmdokumente in Gegenwart von Irina?&?Andrei Schnittke. Moderation: Alexander Ivashkin (UK) Ort: MusikseminarKonzertsaal in der Max-Brauer-Allee 24, 22765 Hamburg www.musik-seminar.eu Di, 22.04.2008, 20:00 Uhr blurred edges - The Hispaniola Eine web-Radio Komposition von Christopher Williams (aus Barcelona) Ort: Forum Neue Musik in der Christianskirche, Klopstockplatz 2, 22765 www.kirche-ottensen.de/forum-neue-musik Do, 24.04.2008, 20:00 Uhr blurred edges - New York sur_ ?Johannes S. Sistermanns ?New York sur_? (f?r Stimme, Akkordeon, Stretchfolie, 4 Lautsprecher?/?Zuspiel) ?Intuition Raum 2008? (f?r Stretchfolie, electronics, Membran-Technik, Kirchenraum) Ort: Forum Neue Musik in der Christianskirche, Klopstockplatz 2, 22765 Do, 24.04.2008, 21:00 Uhr blurred edges - f?r diesen abend / Asmus Tietchens 2 Konzerte abstrakter Elektronik, projizierten Prozessen und grau schattigen Ger?uschzellern... mit: Asmus Tietchens ?/ ?f?r diesen abend? (Stefan Funck, Gregory B?ttner) + Overheadprojektionen von Katrin Bethge Ort: SKAM, Beim Trichter 1, 20359 Hamburg www.tietchens.de ???????www.1000fussler.com/fda Fr, 25.04.2008, 20:30 Uhr blurred edges - Passierzettel Thomas Piesbergen-voc, electronics; Thomas Siebert-git, key; Martin Pozdrowicz-dr, electronics; Laurent Vianes-b;? Lothar Meid (AmonD??l, Doldinger)-b, voc; Charlie Sch?ppner-perc. ?- groovig, psychedelektronisch, krautig - . Ort: Bambi Galore, ?jendorfer Weg 30 a, 22119 Hamburg www.passierzettel.de Fr, 25.04.2008, 21:00 Uhr blurred edges - h7-club @ blurred edges 2008 Improvisationskonzert mit Christine Sehnaoui - saxofon (Paris/Beirut)| Sharif Sehnaoui - gitarre (Paris/Beirut)|? Heiner Metzger - soundtable | Nordzucker: Birgit Ulher - trompete | Lars Scherzberg - saxofon | Michael Maierhof - cello Ort: Blinzelbar, Grosse Bergstra?e 158, 22767 Hamburg www.hierunda.de/h7-club.html Fr, 25.04.2008, 21:30 Uhr blurred edges - un?berh?rbar Johannes S. Sistermanns: ?Die Befragung des Echos?. Eine Komposition aus dem Echo beabsichtigter wie unbeabsichtigter? Klangimpulse, wie aus dem Echo allt?glicher, beil?ufiger wie absichtlich gesetzter Impulse. // Rainer Deutschmann und seine? Freunde. Noise als Therapie. Ort: H?rbar, Brigittenstr. 5 (Hinterhof), 20359 Hamburg www.hoerbar-ev.de Sa, 26.04.2008, 21:00 Uhr blurred edges - PGAM: Komponierte, elektronische und improvisierte Musik Helena Gough (UK), Christine & Sharif Sehnaoui (Paris/Beirut), Pe Lang & Zimoun (Bern),? Trio Nexus (Berlin) spielt Kompositionen von:?Nicolaus A. Huber, Michael Maierhof, Dodo Schielein und Hauke Harder.? Zusammengestellt von der Projektgruppe Aktuelle Musik. Ort: Westwerk, Admiralit?tstrasse 74, 20459 Hamburg www.westwerk.org So, 27.04.2008, 16:00 Uhr blurred edges - Bunkerrauschen Formation Weisser Rausch (Martin Gonschorek, Fl?te - Stefan Matthewes, Klavier) spielt Werke von Komponisten,? die das Koordinatensystem heutiger Musik ma?geblich gepr?gt haben: Bartok, Hindemith, Messiaen, Yun, Ligeti. Ort: Weisser Rausch im Medienbunker, Feldstra?e 66, 20359 Hamburg www.weisserrausch.de So, 27.04.2008, 18:00 Uhr blurred edges - On the Fringe Der Masterstudiengang Multimediale Komposition pr?sentiert seine Arbeiten. Mitwirkende: Alexander Schubert,? Moxi Beidenegl, Birgit Ulher & Jacob Sello, Sascha Lino Lemke, Sergio Vasquez, Konstantina Orlandatou. Ort: Hochschule f?r Musik und Theater, Harvestehuder Weg 12 (Eingang: Milchstra?e), 20148 Hamburg mmm.hfmt-hamburg.de So, 27.04.2008, 21:00 Uhr blurred edges - PGAM: Morton Feldman Morton Feldman ?Crippled Symmetry? (1983) Fl?te/Bassfl?te, Klavier/Celesta und Vibraphon/Glockenspiel, 90 min.? Trio Nexus (Berlin): Erik Drescher (Fl?te), Pascale Berthelot (Klavier), Claudia Sgarbi (Schlagzeug) Ort: Westwerk, Admiralit?tstrasse 74, 20459 Hamburg www.westwerk.org blurred edges auf Radio FSK: Sa, 5.04.2008, 20:00 - 23:00 UHR ? blurred edges - Redaktion f?r b?rgerliche Kunstmusik mit 2 st?ndigen Special ?ber blurred edges mit Live-Mitschnitten vergangener Jahre sowie Hinweisen und Prehears. fsk 93,0?/?101,4 mhz Fr, 18.04.2008, 22:00 - 0:00 UHR ??? blurred edges - feature bei klingding mit Live-Mitschnitten sowie Hinweisen und Prehears f?r die Konzerte der 2. H?lfte des blurred edges Festivals fsk 93,0?/?101,4 mhz Sa, 26.04.2008, 23:00 - 1:00 UHR ??? blurred edges - klingklong special Sondersendung zum blurred edges Festivals. fsk 93,0?/?101,4 mhz ------ End of Forwarded Message From incite at gmx.de Tue Apr 8 16:09:28 2008 From: incite at gmx.de (incite at gmx.de) Date: Tue, 8 Apr 2008 22:09:28 +0200 Subject: [Microsound-announce] IoS + If,Bwana in Hamburg! Message-ID: <788C9073-6855-4681-9BBB-B5D5BB22F8E1@gmx.de> Hello! Hoerbar and Radio Gagarin present: Illusion of Safety If, Bwana Ondine Saturday, April 12th 21:00 Hoerbar at B-Movie Hamburg St.Pauli http://www.hoerbar-ev.de best wishes, Kera + Andre --- incite/ eye-catching experimental audiovisual art dynamic distorted idm-beats criss-crossing art and club worlds creating intense experiences for ears and eyes http://www.incite.fragmentedmedia.org http://www.fragmentedmedia.org/fm-incite.html http://w -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080408/dc34e18c/attachment.htm From murmer at talk21.com Wed Apr 9 08:07:10 2008 From: murmer at talk21.com (. m u r m e r .) Date: Wed, 09 Apr 2008 14:07:10 +0200 Subject: [Microsound-announce] [playlist] framework - 06.04.08 Message-ID: <47FCB16E.9060407@talk21.com> /*framework*/ broadcasts sundays on *resonance104.4fm* in london (uk) or worldwide on http://www.resonancefm.com from 10-11pm gmt next edtion: *13.04.08* ~ time zone converter: http://thesaturnv.com/converter.html ~ *for general info, playlists, podcasts, or to stream the latest edition: http://www.resonancefm.com/framework * *framework is supported by /soundtransit/: http://www.soundtransit.nl * RESONANCE FM'S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE HELP US TO CONTINUE BY MAKING A DONATION. CHECK OUT OUR WEBSITE TO FIND OUT HOW YOU CAN HELP K EEP RESONANCE ON THE AIR: HTTP://WWW.RESONANCEFM.COM. THANK YOU! ------------------------------------------------------------------------ /*framework*/ - phonography / field recording; contextual and decontextualized sound activity presented by patrick mcginley a look at a label new to us here at /framework/ this week: france's *fiss?r* label, first conceived to release the (excellent) works of it's founder, *t?* (*thomas tilly*), and now branching out for the first time as well with a disc by long-time framework favorite *jeph jerman*. we also heard a few recent releases from *heribert friedl*'s *nonvisual objects* label (including *tomas phillips*' reworking of, ahem, 'field recordings' - there, that justified playing that one - of everyone's favorite old dc hardcore album by *rites of spring*. remember them?), a very limited vinyl only release by *moljebka pvlse*'s *mathias josefson*, and a series of unreleased recordings from the everglades national park in florida by *joshua manchester* (who, despite my feeble brain's repeated attempts to convince me otherwise, is not from manchester, england or rhode island). this all began with a /framework/ introduction recorded for us in a snowstorm in tartu, estonia, by *laura paju* and *sven vabar* (lots of writings on sven's website - but only if you read estonian, i'm afraid). again, we are always looking for material for the show, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated series. send proposals or material, released or not, on any format, to the address below. if you have any questions, please don't hesitate to get in touch! framework 354 rue de l'andelle 27910 perruel france framework at talk21.com ------------------------------------------------------------------------ *06.04.08* *(this edition will be available online until 13.04.08)* *(start - finish / artist / track / album / label)* 00:00 - 05:29 / laura paju & sven vabar / framework intro http://my.tele2.ee/svenvabar 02:50 - 23:57 / t? / memory of(f) / memory of(f) / fiss?r http://www.fissur.com 06:48 - 16:43 / joshua manchester / in the tent, midway / nature in florida / - http://www.joshuamanchester.com 12:30 - 26:23 / mathias josefson / /[side b] // suihkul?hde / isoramara http://www.mathiasjosefson.com, http://isoramara.com 20:58 - 26:26 / joshua manchester / walking / nature in florida / - http://www.joshuamanchester.com 26:26 - 31:41 / ignaz schick & dawid szczesny / three / the view underneath / nvo http://www.zangimusic.de, http://www.myspace.com/dawidszczesny, http://www.nonvisualobjects.com 27:51 - 46:49 / jeph jerman / metal drift / metal drift / fiss?r http://www.jerman.littleenjoyer.com, http://www.fissur.com 31:28 - 32:19 / joshua manchester / birds 2 / nature in florida / - http://www.joshuamanchester.com 32:14 - 41:06 / joshua manchester / truck passing / nature in florida / - http://www.joshuamanchester.com 33:55 - 42:46 / tomas phillips / in silence_words away /[excerpt 1] // drink_deep / nvo http://www.incursion.org/phillips 41:23 - 47:22 / ignaz schick & dawid szczesny / five / the view underneath / nvo http://www.zangimusic.de, http://www.myspace.com/dawidszczesny, http://www.nonvisualobjects.com 45:47 - 53:36 / tomas phillips / in silence_words away /[excerpt 2] // drink_deep / nvo http://www.incursion.org/phillips/ 50:28 - 56:40 / t? / le crock st laurent / mandorla autumn soundscapes / mandorla http://www.fissur.com 55:12 - 58:44 / ignaz schick & dawid szczesny / four / the view underneath / nvo http://www.zangimusic.de, http://www.myspace.com/dawidszczesny, http://www.nonvisualobjects.com 58:44 - 59:30 / joshua manchester / night / nature in florida / - http://www.joshuamanchester.com ------------------------------------------------------------------------ framework intro submissions: 1) take yourself and a recording device to a location of your choice 2) record for AT LEAST one minute before you - 3) read aloud the following text: *welcome to framework.* *framework is a show consecrated to field recording, and its use in composition. field recording, phonography, the art of sound hunting; open your ears and listen!* 4) continue your recording for AT LEAST two minutes after you have finished speaking 5) send the recording on any format to the above address, or as an mp3 via email thanks! -- ||| www.murmerings.com ||| -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080409/9729a438/attachment.htm From vibri at internet.com.uy Wed Apr 9 14:12:22 2008 From: vibri at internet.com.uy (| ||| ||||| || | ||| |||||) Date: Wed, 09 Apr 2008 15:12:22 -0300 Subject: [Microsound-announce] Soundtoys Remixed [1996/2008] / 11-apr 18:30hs / Napoles [it] In-Reply-To: <788C9073-6855-4681-9BBB-B5D5BB22F8E1@gmx.de> References: <788C9073-6855-4681-9BBB-B5D5BB22F8E1@gmx.de> Message-ID: <20080409151222.xhda6xzsy044oks4@webmail.tecnet.com.uy> -- .startOfMessage \|/ ?`?.??.???`?.??.????`?? | | __+__netart.org.uy__________ ----- Original Message ----- +--- 11th april 2008 Museo d'Arte Contemporanea Donna Regina - Napoli http://www.museomadre.it/ Brian Mackern in Concert Soundtoys Remixed [1996/2008] http://netart.org.uy/diagram.html Curador: Vito Campanelli MUSEO MADRE Via Settembrini 79 Napoli, Italy -- .endOfMessage \|/ ?`?.??.???`?.??.????`?? | | __+__netart.org.uy__________ ----- Original Message ----- From vibri at internet.com.uy Wed Apr 9 15:00:00 2008 From: vibri at internet.com.uy (| ||| ||||| || | ||| |||||) Date: Wed, 09 Apr 2008 16:00:00 -0300 Subject: [Microsound-announce] Soundtoys Remixed [1996/2008] / 11-apr 18:30hs / Napoles [it] Message-ID: <20080409160000.f03cktjaosoocssk@webmail.tecnet.com.uy> -- .startOfMessage \|/ ?`?.??.???`?.??.????`?? | | __+__netart.org.uy__________ ----- Original Message -----a +--- 11th april 2008 Museo d'Arte Contemporanea Donna Regina - Napoli http://www.museomadre.it/ Brian Mackern in Concert Soundtoys Remixed [1996/2008] http://netart.org.uy/diagram.html Curador: Vito Campanelli MUSEO MADRE Via Settembrini 79 Napoli, Italy -- .endOfMessage \|/ ?`?.??.???`?.??.????`?? | | __+__netart.org.uy__________ ----- Original Message ----- From mikamartini at yahoo.com Wed Apr 9 17:20:38 2008 From: mikamartini at yahoo.com (Mika Martini) Date: Wed, 9 Apr 2008 16:20:38 -0500 (CDT) Subject: [Microsound-announce] Qwartz Awards Winner! Message-ID: <75076.21127.qm@web51612.mail.re2.yahoo.com> "el disco triple 50 a?os de M?sica Electroac?stica en Chile (2006, Pueblo Nuevo / LAIM / Cech) hab?a sido nominado en la cuarta edici?n de los Premios Qwartz, Prix des musiques nouvelles, un prestigioso festival franc?s que promueve el desarrollo de m?sica electr?nica en sus m?s diversas facetas. Pues bien, el encuentro, que cont? con la presencia de compositores, mesas redondas, actuaciones en vivo de Fennesz y Blixa Bargeld, termin? el s?bado 5 de abril con la premiaci?n en las distintas categor?as, entre ellas "Mejor compilaci?n"." http://super45.cl/2008/04/07/pueblo-nuevo-gano-premios-qwartz/ "Pas? un a?o y cinco meses desde el d?a en que fue lanzado, pero hoy es oficial: un disco chileno, la completa antolog?a 50 a?os de m?sica electroac?stica en Chile (1956-2006), fue premiado el s?bado 4 de abril reci?n pasado en el festival Qwartz, una muestra de m?sica contempor?nea con sede en Francia, como la mejor compilaci?n de m?sica electr?nica a nivel internacional." http://www.emol.com/noticias/musica/detalle/detallenoticias.asp?idnoticia=299603 Agradecimientos a todos quienes nos apoyaron con su voto y un cari?oso saludos a los demas seleccionados. Mika Martini. Pueblo Nuevo Netlabel + + + + + + + + + + + + + [M!M] [CHILE] [www.pueblonuevo.cl] --------------------------------- ?Capacidad ilimitada de almacenamiento en tu correo! No te preocupes m?s por el espacio de tu cuenta con Correo Yahoo!: http://correo.espanol.yahoo.com/ -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080409/9b28e38a/attachment.htm From paulorcbarros at uol.com.br Wed Apr 9 23:14:50 2008 From: paulorcbarros at uol.com.br (Paulo R. C. Barros) Date: Thu, 10 Apr 2008 00:14:50 -0300 Subject: [Microsound-announce] "Spaceglass" Sci-Fi VideoArt on Outcasting Message-ID: http://www.outcasting.org/ All the best, Paulo From testtube at monocromatica.com Thu Apr 10 17:40:07 2008 From: testtube at monocromatica.com (test tube news ) Date: Thu, 10 Apr 2008 14:40:07 -0700 Subject: [Microsound-announce] test tube news ~ 015 ~ apr 2008 (we're back!) Message-ID: <20080410214017.F3884A312F@coyote.dreamhost.com> * if you can read this, go here: http://www.monocromatica.com/netlabel/newsletter/newsletter_015_apr2008.html * test tube news ~ #015 ~ apr 2008 test tube news ~ #015 ~ apr 2008 WE'RE BACK Hello again! This newsletter was being difficult to put out... I had lots of stuff to do lately, apart from the tight release schedule which is always first priority around here. But here it is, a small update about what's cooking at test tube's: We're rapidly approaching our fourth year as a netlabel. July 09 is the birthday and we're trying to put together a small (as in 'really small') festival here in Lisbon with some live acts and dj sets by some of our artists and friends. We'll keep you posted as this festivel thing gains shape... We're also missing with the 4XT download ranking, but we'll come back as soon as possible. Another thing we've been working on is the second volume of our well succeeded DVD. Yes, that soon. The first volume came out last year somewhere around April, so... it's nearly a year later and we already have sufficient audio data to fill up another plastic disc. The artwork will be once more selected from century old scientific illustrations, this time aquatic species are the chosen ones. They're almost ready - all 10 of them - and maybe next week we'll give you a sneek peak :o) also, if you haven't noticed already, we changed your cover template design - again - starting from tube110. I feel the new design is more up-to-date. Sure, it might just be a light case of designer paranoia but what the heck, I like it! ^___^ As for future releases, we have something interesting in our bag: tube123 - d'incise's new album 'Les Restes du Festin' - will also be available in very limited numbers as a handmade CDr release. But more on that when it's due. Meanwhile, enjoy our most recent releases. Until our next newsletter, enjoy! Peace, '| ALL RELEASES SINCE JANUARY As you can see... there's a whole bunch of good stuff to update your test tube release collection! Visit our release page right now! '| top (cc) 2004-08 '| test tube [m?c] " code and design aeriola::behaviour ................................................................ This email should only be sent to those who have asked to receive it. To unsubscribe, return to the web form where you first subscribed and click the "unsubscribe" button, or contact the owner of the website. -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080410/141dd0fe/attachment.htm From lists at asquare.org Fri Apr 11 10:56:49 2008 From: lists at asquare.org (Garrett Lynch) Date: Fri, 11 Apr 2008 15:56:49 +0100 Subject: [Microsound-announce] Open Ear in Cardiff - Open Call for Works Message-ID: <251853F3-0105-4916-832C-0894A7123F69@asquare.org> :: Open Ear :: Open Ear (http://openear.wordpress.com/) is a loose collaborative group formed in 2006 by Paul Adams, Garrett Lynch and Matt Wright with the purpose of creating audio-visual art and organising live events within club, gallery, open air or site-specific venues. :: Open Ear - Cardiff 13/06/08, open call for works :: On June 13th 2008, Open Ear will host a free one night only event of experimental work in the ATRiuM Theatre at the University of Glamorgan's newly built ATRiuM, Cardiff School of Creative & Cultural Industries, Cardiff, Wales (http://cci.glam.ac.uk/). Curated by Garrett Lynch (http://www.asquare.org/) the event will present a series of interdisciplinary performances and projections by various artists. Sound and visual artists / groups working across the areas of art, music, media and new technologies within live performance / projected contexts are invited to contribute to this event under an open theme. What does this mean? There is no imposed theme instead we want to present a selection of time-based work by artists based on their themes, their continuing research, as an event which will explore the diverse and interdisciplinary nature of audio-visual arts. Proposed performances / projected works can be new or pre-existing works, improvised, dynamically generated (such as software art) or pre- composed, abstract or figurative, individual or collaborative, experimental, site specific and much, much more. All proposals are required to be: 1. time-based (remember this is a audience based event in a theatre) 2. and ether audio-visual, audio only or visual only work (selection preference will be given to works which are audio-visual) Works should aim to be a maximum of 30 minutes each however this is flexible. As the event is free we are unable to offer individual payment to artists however we will provide access to reasonable requests for equipment (please include a list of requirements in your proposal and we will attempt to cater for this) at the venue and of course the opportunity to present work in one of Cardiff's newest cutting edge venues. Proposals should take the form of a word / pdf / rtf / txt document (two pages maximum) with: 1. A description of the work (500 words maximum). 2. Images to give us an idea of the proposed work. 3. A full list of required equipment (please note that the event will host several performers so complex configurations involving lengthy set-up times will not be catered for). 4. Urls to previous examples of work online (videos or sound files online are particularly useful). 5. A short bio (200 words maximum). 6. Artist(s) / group / performer(s) name and full contact details. Please email proposals as compressed attachments (.zip / .dmg / .sit / .sitx / tar.gz / .tgz) to Garrett Lynch (garrett [at] asquare dot org) no later than 12pm (GMT), Friday 16/05/08. To get an idea of the type of events we organise please see our website (http://openear.wordpress.com/) for full details of all past events and our YouTube account (http://ie.youtube.com/openeargroup) for videos of pasts events. :: The Venue :: The University of Glamorgan's newly built ATRiuM in Cardiff, Wales opened in 2007 and houses the Cardiff School of Creative & Cultural Industries which comprises of Art & Design, Media & Communication and Drama & Music. Situated in central Cardiff, Wales, this specially- designed building contains cutting edge technology and facilities including industry-standard studios, a theatre and cinema. Address: ATRiuM Theatre, Adam Street, Cardiff, Wales, CF24 2FN Detailed information on how to get here can be found on the university website (http://www.glam.ac.uk/visiting#atrium). Open Ear, audio-visual events and performances are supported by The University of Glamorgan, ATRiuM, Cardiff School of Creative & Cultural Industries, Cardiff, Wales. a+ gar _________________ Garrett at asquare.org http://www.asquare.org/ http://www.asquare.org/networkresearch/ -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080411/6919c035/attachment.htm From yoko.karu at baskaru.com Fri Apr 11 13:50:41 2008 From: yoko.karu at baskaru.com (Yoko Karu) Date: Fri, 11 Apr 2008 19:50:41 +0200 Subject: [Microsound-announce] Yoshio Machida - New CD out now ! Message-ID: <011501c89bfc$94565990$2a27fea9@Pcpebesnard> Baskaru is proud to announce its new cd release from Japanese sound artist Yoshio Machida. Artist: Yoshio Machida Title: Hypernatural #3 Catalogue #: karu:10 8 tracks CD album packaged in a deluxe digipak Finally, the conclusion of the Hypernatural electroacoustic trilogy... Six years after the release of "Hypernatural #2", Yoshio Machida is rounding up his magnificent trilogy of electroacoustic collages with "Hypernatural #3". A unique and highly personal work, the Hypernatural series has made of Machida a world-class sound artist. Assemblages of field recordings and treated instrumental sounds, the music on "Hypernatural #3" evokes simultaneously the universal and the intimate, Mankind and Nature. Yoshio Machida has been working on this series since 1997. The first volume was self-released in 1999 and had for theme memory in Eastern Asia ; Volume 2, released by Softl Music in 2001, focused on transparency, unconsciousness and invisible existence. "Hypernatural #3", the last instalment in this triptych, is about oblivion. Machida explains: "Oblivion is characteristic of the correlation between matter and time. Oblivion has a positive aspect: it appears as a natural phenomenon in the passage of time and becomes a factor in creating new worlds. Nature consists of a myriad of different memory-oblivion cycles". Born in 1967, Japanese artist Yoshio Machida studied minimalist art. While working for international cooperation, he had the opportunity to travel and make field recordings. Since then, he has been using these field recordings, combining them to the treated sounds of real instruments, including gongs and steel drums (the latter instrument playing a non-negligeable role on "Hypernatural #3"). Machida has performed at music festivals, including ISEA2004 and Maerz Musik. David Toop has introduced his music in his book "Haunted Weather", and a track from "Hypernatural #2" was featured in a commercial on French television. He also runs his own Amorfon label. More info and audio samples at http://www.baskaru.com/karu10.htm :: Selected press quotes :: Some beautiful segments that inspire real moments of wonder. [Cyclic Defrost] The effect is invariably impressive: all eight pieces proving to be hypnotizing surreal ambient meditations of the utmost quality. [Quiet Noise, translated from German] Machida actually emerges with something that's not only worth hearing, but is also exceptionally compelling and beautiful. [The Sound Projector] "Hypernatural #3" is a sentimental ending to the series, many of its pieces coming across as yearning meditations on things beyond our control. [Tokafi] Un concentr? d'intelligence et de raffinement. [Tapage Nocturne] :: Distribution :: COD&S, http://www.coddistribution.com/ (France, Belgium, The Netherlands) A-Musik, http://www.a-musik.com/ (Germany) P*Dis, http://www.inpartmaint.com/pdis/ (Japan) Believe, http://www.believedigital.com/labels/1467,baskaru.html (Digital) Baskaru, http://www.baskaru.com/shop.htm (Online) :: Thank you for reading. :: Baskaru E-mail: hello at baskaru.com Web site: http://www.baskaru.com Last.FM: http://www.last.fm/label/baskaru MySpace: http://www.myspace.com/baskaru :: -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080411/f2d20f79/attachment.htm From rafal at zapala.com.pl Sat Apr 12 13:03:35 2008 From: rafal at zapala.com.pl (=?windows-1250?Q?rafa=B3_zapa=B3a?=) Date: Sat, 12 Apr 2008 19:03:35 +0200 Subject: [Microsound-announce] (no subject) Message-ID: <000c01c89cbf$2b6e61c0$0a01a8c0@miyabi> .: www.zapala.com.pl +48506050417 rafal at zapala.com.pl :. -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080412/215231f2/attachment.htm From jef at econtact.ca Sun Apr 13 10:13:53 2008 From: jef at econtact.ca (CEC jef chippewa) Date: Sun, 13 Apr 2008 16:13:53 +0200 Subject: [Microsound-announce] the definitive list of EA genres Message-ID: si vous aviez ? d?finir une fois pour tout quels sont les genres **les plus communs** en EA dans une liste concise et compr?hensible, qu'est-ce que vous ajouteriez / supprimeriez / ajusteriez dans la liste suivante? avec la possibilit? de laisser une case "autre" pour les vraiment rares cas... if you had to define a concise list of the **most common** genres in EA, what would you add / remove / change in the following list? leaving an "other" checkbox for those really rare cases... cheers, jef -- acousmatic music / acousmatique audio art / art audio computer music / musique par ordinateur electroacoustic (music) / ?lectroacoustique field recording / enregistrement en ext?rieur film soundtrack / musique de film idm / idm instrument(s) and live electronics / instrument(s) et temps-r?el instrument(s) and pre-recorded sound / pi?ce mixte pour instrument(s) et bande laptop improvisation / improvisation -- portable live electronics / musique ?lectronique live lowercase / lowercase microsound / microsound radio art / art radiophonique radiophonics / radiophonique sonic art / art sonore sound art / installation sonore sound installation / paysage sonore, environnement sonore soundscape / exploration sonore soundwalk / marche sonore, d?ambulation sonore OTHER... / AUTRE... _____________________ -- Communaut? ?lectroacoustique canadienne (CEC) Canadian Electroacoustic Community http://cec.concordia.ca | RECENT: http://cec.concordia.ca/jttp JTTP 2008 [1 May] http://econtact.ca EA journal | http://sonus.ca EA Jukebox http://cec.concordia.ca/jttp Project for young/emerging sound artists From benmowen at gmail.com Sun Apr 13 12:06:37 2008 From: benmowen at gmail.com (ben owen) Date: Sun, 13 Apr 2008 12:06:37 -0400 Subject: [Microsound-announce] the definitive list of EA genres In-Reply-To: References: Message-ID: ea has many meanings, one line drawn in definition, leaves two to follow, existence forthright, http://ruccas.org/wiki.pl/EA ben 2008/4/13 CEC jef chippewa : > > si vous aviez ? d?finir une fois pour tout quels > sont les genres **les plus communs** en EA dans > une liste concise et compr?hensible, qu'est-ce > que vous ajouteriez / supprimeriez / ajusteriez > dans la liste suivante? avec la possibilit? de > laisser une case "autre" pour les vraiment rares > cas... > > if you had to define a concise list of the **most > common** genres in EA, what would you add / > remove / change in the following list? leaving > an "other" checkbox for those really rare cases... > > cheers, > jef > > -- > > acousmatic music / acousmatique > audio art / art audio > computer music / musique par ordinateur > electroacoustic (music) / ?lectroacoustique > field recording / enregistrement en ext?rieur > film soundtrack / musique de film > idm / idm > instrument(s) and live electronics / instrument(s) et temps-r?el > instrument(s) and pre-recorded sound / pi?ce mixte pour instrument(s) et bande > laptop improvisation / improvisation -- portable > live electronics / musique ?lectronique live > lowercase / lowercase > microsound / microsound > radio art / art radiophonique > radiophonics / radiophonique > sonic art / art sonore > sound art / installation sonore > sound installation / paysage sonore, environnement sonore > soundscape / exploration sonore > soundwalk / marche sonore, d?ambulation sonore > OTHER... / AUTRE... _____________________ > > -- > > Communaut? ?lectroacoustique canadienne (CEC) > Canadian Electroacoustic Community > http://cec.concordia.ca | RECENT: > http://cec.concordia.ca/jttp JTTP 2008 [1 May] > http://econtact.ca EA journal | http://sonus.ca EA Jukebox > http://cec.concordia.ca/jttp Project for young/emerging sound artists > > _______________________________________________ > Microsound-announce mailing list > Microsound-announce at microsound.nexthop.net > http://or8.net/mailman/listinfo/microsound-announce > -- http://benowen.org From analog_life at hotmail.com Sun Apr 13 17:58:36 2008 From: analog_life at hotmail.com (stephen r.) Date: Sun, 13 Apr 2008 14:58:36 -0700 Subject: [Microsound-announce] Architects & Heroes Podcast #2 In-Reply-To: <000c01c89cbf$2b6e61c0$0a01a8c0@miyabi> References: <000c01c89cbf$2b6e61c0$0a01a8c0@miyabi> Message-ID: Maybe more macro than micro, but great music all around. ARCHITECTS & HEROES > #2 http://overlap.org/2008/04/09/architects-and-heroes-podcast-2-2/ YT - England Story Flying Lotus - Dance Floor Stalker Players Association - Hustlin Jet Black Crayon - Lost in the Fog Brandy - Wanna be Down (Norrit Remix) Flairs - Truckers Delight (original) Central Booking - Stunna Shades (remix) Sydney Confirm - Miss TK (No Biters RMX) Sufjan Stevens - Year of the Monkey Czerwone - ?? (Copped from lovefingers) K-os - Sunday Morning General Elekriks - Death of an 80's Limo (feature Beans) Piana - Early in Summer -- Stephen R. :: Pixel Pusher / Sound Wrangler --------------------------------------------------------------- http://www.myspace.com/djstephenr http://architectheroes.blogspot.com/ http://www.myspace.com/zygote --------------------------------------------------------------- -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080413/932a948d/attachment.htm From mikamartini at yahoo.com Sun Apr 13 22:48:15 2008 From: mikamartini at yahoo.com (pueblo nuevo netlabel) Date: Sun, 13 Apr 2008 22:48:15 -0400 Subject: [Microsound-announce] carabosse||qwartz||pueblo-nuevo||13.04.08|| Message-ID: <1208126884bcd23b60523c1273308e5dd970cc60fd@yahoo.com> carabosse||qwartz||pueblo-nuevo||13.04.08|| ----------------------------------------------------------------------- Hola Microsound (english version please scroll down) Pueblo Nuevo Netlabel se complace en presentar "Carabosse", del musico electronico frances residente en Barcelona ORL. ORL produce el disco "Carabosse" durante el a?o 2007. Esta serie de composiciones son interpretadas en directo en las instalaciones de fuego de la compa?ia francesa del mismo nombre (http://www.ciecarabosse.fr), en una gira internacional que ha abarcado diversos paises (Rumania, Holanda, Canada, Alemania, Inglaterra, Luxemburgo, Francia). Muestras sonoras captadas de lo cotidiano (alimentos, aparatos de telecomunicacion, instrumentos de todo tipo, ambientes de lugares encontrados...), voces del mundo sobre tremolos de guitarras y celulas ritmicas "click n'cut", de todo esto se compone el universo musical de ORL. Para Pueblo Nuevo es un placer volver a encontrarnos con el talento musical de ORL, a quien conocimos durante su permanencia en el colectivo de performances interactivas "Matekemata" por alla por el a?o 2004, y desde esa fecha, nuestras ganas de contar con su musica estuvieron siempre presentes. Ahora podemos disfrutar de esta coleccion de sonidos multiculturales con toda la calma y tranquilidad que nos provocan. Con la llegada de ORL, junto a Tanox y Equipo (el precursor), el "Comando BCN" de Pueblo Nuevo ya se conforma como una unidad creativa de calidad y una verdadera avanzada en el viejo continente... ----------------------------------------------------------------------- Track List: 01. Vol 00G1 (01:02) 02. Dshambukware (04:44) 03. Vol 00D2 (00:40) 04. Bai phu thuy (03:30) 05. Vol 00C1 (00:32) 06. Kargyraa (06:36) 07. Vol 00A2 ( 00:31) 08. Avaz (04:18) 09. Vol 00C2 (00:12) 10. Qasida mursala (05:10) 11. Vol 00E1 (00:23) 12. Ratsi rope (06:31) 13. Vol 00D1 (00:36) 14. Bidad (04:51) 15. Vol 00A1 (00:23) 16. Tayuk )05:52) 17. Vol 00Z (00:52) ----------------------------------------------------------------------- 46:36 min / 86.4 MB (todos los tracks + caratula zip) ----------------------------------------------------------------------- Estilo: downtempo. ----------------------------------------------------------------------- Baja gratuitamente "Carabosse" en: http://www.pueblonuevo.cl/carabosse.htm Informacion: Lanzamiento "[pn028] Carabosse", 04.2008. Copyright: Licenciado para el publico bajo Creative Commons: Reconocimiento - No Comercial - Sin Obras Derivadas - 3.0 http://creativecommons.org/licenses/by-nc-nd/3.0/ Musica creada por ORL, Barcelona 2008. http://www.myspace.com/orl1 orelien.orl at gmail.com Mastering: Karlos Osinaga, Irun, Euskal Herria. Fotografia & Dise?o de caratula: Guillaume Caron. Dise?o adaptado: Mika Martini (mikamartini at yahoo.com) Version en ingles: Gerardo Figueroa. (figueroa.numbernine at gmail.com). Link relacionado: http://www.ciecarabosse.fr ----------------------------------------------------------------------- http://www.pueblonuevo.cl/images/pn028_485.jpg ----------------------------------------------------------------------- Hi Microsound Pueblo Nuevo Netlabel proudly presents "Carabosse", from Barcelona-based french electronic musician ORL. "ORL prepared "Carabosse" - a series of compositions performed live as an accompaniment to the French company of the same name and their fire installations (http://www.ciecarabosse.fr) - all along 2007. They have presented this show in Romania, Holland, Canada, Germany, UK, Luxembourg and France. ORL musical universe is made of everyday life recordings (foods, telecommunication devices, assorted instruments, found ambiances); voices of the world that sing over guitar tremolos and "clicks n'cuts" rhythm cells... Pueblo Nuevo is proud to meet ORL and his musical talent - we met him in early 2004, while he was working with European interactive performances collective "Matekemata", and almost immediately we became interested in having his material in our catalog. Now we are able to enjoy this multicultural sounds collection in a format that invites to peaceful and quiet moods. ORL, Tanox and Equipo are what we could call Pueblo Nuevo's "Comando BCN" - a highly creative group representing us in European lands... ----------------------------------------------------------------------- Track List: 01. Vol 00G1 (01:02) 02. Dshambukware (04:44) 03. Vol 00D2 (00:40) 04. Bai phu thuy (03:30) 05. Vol 00C1 (00:32) 06. Kargyraa (06:36) 07. Vol 00A2 ( 00:31) 08. Avaz (04:18) 09. Vol 00C2 (00:12) 10. Qasida mursala (05:10) 11. Vol 00E1 (00:23) 12. Ratsi rope (06:31) 13. Vol 00D1 (00:36) 14. Bidad (04:51) 15. Vol 00A1 (00:23) 16. Tayuk )05:52) 17. Vol 00Z (00:52) ----------------------------------------------------------------------- 46:36 min / 86.4 MB (all tracks + cd covers zip) ----------------------------------------------------------------------- Styles: downtempo. ----------------------------------------------------------------------- Download for free "Carabosse" at: http://www.pueblonuevo.cl/carabosse.htm Information: Release "[pn028] Carabosse", 04.2008. Copyright: Licensed to the public under Creative Commons: Attribution - Non Commercial - No Derivs - 3.0 http://creativecommons.org/licenses/by-nc-nd/3.0/ Music created by ORL, Barcelona 2008. http://www.myspace.com/orl1 orelien.orl at gmail.com Mastering: Karlos Osinaga, Irun, Euskal Herria. Cover Photo & Artwork: Guillaume Caron. Artwork interventions / adaptations: Mika Martini (mikamartini at yahoo.com) English version: Gerardo Figueroa. (figueroa.numbernine at gmail.com) Ralated links: http://www.ciecarabosse.fr ----------------------------------------------------------------------- QWARTZ 4 AWARDS WINNER / LAUREATS / GANAMOS PREMIO QWARTZ http://www.qwartz.org/index.php?option=com_content&task= view&id=248&Itemid=91 Este lunes 14 de Abril empezamos las celebraciones por el gran honor de haber obtenido el premio QWARTZ a la mejor compilacion, otorgado al disco triple "50 a?os de musica electroacustica en Chile" (Laim / FonMus / Pueblo Nuevo). Agradecemos a todos los amigos alrededor del mundo que votaron por este disco y que han hecho de Pueblo Nuevo una plataforma real para la difusion de la creacion electronica de amplio espectro. 1) Programa "Perdidos en el Espacio", Lunes 14 de abril, 22:00 hrs., 102.5 FM Radio Universidad de Chile. Conduccion y produccion: Jaime Baeza. Bitacora lunes 14: Premiados y sin premio. Electroacusticos y acusticos electrificados. Afiebrados y descongelados. Mas info en: http://www.perdidos.cl Para escuchar online: http://www.radio.uchile.cl/escuchenos.aspx 2) Programa "Siglo XX", Lunes 14 de abril, 23:00 hrs, 96.5 FM Radio Beethoven. Conduccion y Produccion: Jose Oplustil. Seleccion del disco 50 A?os de Musica Electroacustica en Chile que acaba de ganar uno de los premios Qwarzt en Francia: Cristian Morales-Ossio - Relief III (2001) (11.45) Juan Amenabar - Cantigas en el umbral (1997) (6.25) Jose Vicente Asuar - Variaciones espectrales (1959) (12.55) Jorge Arriagada - Etude (1972) (9.15) Alejandro Albornoz - Ciento veinte millones (2005) (10.45) Para escuchar online: http://www.beethovenfm.cl QWARZT PRESS NOTES / NOTAS DE PRENSA: - http://www.emol.com/noticias/musica/detalle/detallenoticias.asp?idnoticia=299603 - http://super45.cl/2008/04/07/pueblo-nuevo-gano-premios-qwartz/ ----------------------------------------------------------------------- Revisa nuestra cartelera completa de presentaciones en / all Live_Act info at: http://www.pueblonuevo.cl ----------------------------------------------------------------------- Hasta la proxima, saludos! Mika Martini & Pueblo Nuevo Crew para mas informacion visita / more info visit: http://www.pueblonuevo.cl Si no quieres recibir mas info responde NO+ Si quieres comprar una polera responde T-SHIRT. From yatra_arts at hotmail.com Sun Apr 13 22:47:21 2008 From: yatra_arts at hotmail.com (yatra_arts) Date: Sun, 13 Apr 2008 22:47:21 -0400 Subject: [Microsound-announce] TANSO presents SOUNDEYE Message-ID: From: Praveer Baijal / Siya Chen & Yan Wu LOOK, LISTEN and EXPLORE! TANSO (which is Mandarin for 'Discover'), a new organization set up to spotlight new & modern music from China is proud to present SOUNDEYE from April 25 - 27. A Free 3 day screening event of Documentaries, Films, Music Videos, Live Performance and Talk about the vibrant new Chinese Music Scene This three day screening event at U of T's Hart House will explore the vibrant new music scene in China. We will show rare, unseen & exciting footage from a diverse range of artists, covering a variety of musical genres: from Punk, Electronica, Experimental Noise, sound art, Post Wave to New Folk and Rock. Two feature length documentaries will provide a concise overview of the cutting edge musical movements in Hong Kong & Mainland China. We are also screening a variety of music videos, which should interest artists, die-hard music followers, casual music fans or simply those with an interest in anything Chinese. SOUNDEYE will spotlight the coolest Indie labels from all over China, such as Shenzhen's WE PLAY (run by Zen Lu), Beijing's Shansui, Hong Kong's NoiseAsia (founded by the multi-faceted Dickson Dee), and the well known Beijing imprint Subjam (run by the prolific Yan Jun). These names are unfamiliar in the West, but they are the future of Chinese new music - an emerging movement of new and innovative artists. TANSO wishes to highlight all aspects of the exciting new music scene from East Asia - including the Chinese mainland, Hong Kong, Taiwan, Malaysia and Singapore. SOUNDEYE is the first event in a series that will open Canadians' doors to a world of creativity that few have yet to discover. We are committed to bringing the best of China's various independent music scenes, artists working in new media & sound art. TANSO is a non-profit organization whose mandate is to build a bridge between Canada and China by facilitating cultural exchange via music and art. Join us at our inaugural event as we welcome Spring with some aural & visual stimulation. FREE ADMISSION Time: April 25, 26, 27, 2008 Location: The Hart House, East Common Room, U of T Downtown Campus For more information or press inquiry, go to www.TANSO.ca Or contact us at info at TANSO.ca -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080413/8358ad59/attachment.htm From bigsnog at hotmail.com Mon Apr 14 23:40:22 2008 From: bigsnog at hotmail.com (kate carr) Date: Tue, 15 Apr 2008 03:40:22 +0000 Subject: [Microsound-announce] New release on Retinascan In-Reply-To: References: Message-ID: hey people, just thought i'd do a wee bit of shameless self-promotion and say i've got a CD-R out on Retinascan label... here's the blurb: "First Day Back" is the debut of Kate Carr from New South Wales, Australia, and it's a perfect grower. Definitely not a dance album, this is of a quiet, elegant quality, that is comparable to the appeal of Oval or Microstoria, though the tools used to create the atmosphere are completely different, rather macromolecular than grainy, rather acoustic than electronic, but in the same way innovative and melodious, never forgetting about the certain pop appeal music of all kinds should have. We're proud to have her on the label and hope this hasn't been the last sign from her. Rounded up by the expressive artwork of Chicagos Terry Plumming affiliate Randall C. Bailey and a specially designed box, this should not only please the listeners. and here is the link: http://www.retinascan.de/ _________________________________________________________________ Are you paid what you're worth? Find out: SEEK Salary Centre http://a.ninemsn.com.au/b.aspx?URL=http%3A%2F%2Fninemsn%2Eseek%2Ecom%2Eau%2Fcareer%2Dresources%2Fsalary%2Dcentre%2F%3Ftracking%3Dsk%3Ahet%3Asc%3Anine%3A0%3Ahot%3Atext&_t=764565661&_r=OCT07_endtext_salary&_m=EXT -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080415/1a11eee3/attachment.htm From bruce at skeletonhome.com Tue Apr 15 10:51:42 2008 From: bruce at skeletonhome.com (Bruce Tovsky) Date: Tue, 15 Apr 2008 10:51:42 -0400 Subject: [Microsound-announce] shortwave show @ 106BLDG30 Message-ID: <17AEDEE3-757F-442D-AE67-ECAE0CECBB4F@skeletonhome.com> greetings sunday april 20 is 106BLDG30's first event of 2008. it's a day-long celebration of Shortwave, with an installation by Kim Cascone from 12 - 7 and live performances by Richard Garet, Anthony Ptak, Sawako, Zach Layton, Seth Cluett, Bruce Tovsky, Michael V. Farley, Christine Bard, Radio Ruido and Gill Arno. The live show begins at 8pm. There will be two sets with a possible ending free-for-all and after show q & a. Admission is $5. go here to see the announcement poster: http://www.skeletonhome.com/ShortwavePoster.jpg Building 30 is located at 63 Flushing Avenue, in the Brooklyn Navy Yard. It is the second building on the right just inside the Cumberland St. entrance. The Brooklyn Navy Yard is a gated facility; you will need to tell the guard that you're going to nycreative, Suite 106, Building 30. On weekends, the only entrance open to visitors is the Clinton Ave entrance at Clinton and Flushing, a few blocks east of Cumberland. Building 30 is a short walk from the gate. The guards will direct you. If you're driving, there is ample parking at the building. for more information and directions go to: http://www.skeletonhome.com/bldg30.htm mouse over "how" for more info and a map go to www.building30.com -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080415/11bcc039/attachment.htm From murmer at talk21.com Tue Apr 15 11:15:14 2008 From: murmer at talk21.com (. m u r m e r .) Date: Tue, 15 Apr 2008 17:15:14 +0200 Subject: [Microsound-announce] [playlist] framework - 13.04.08 Message-ID: <4804C682.7090108@talk21.com> /*framework*/ broadcasts sundays on *resonance104.4fm* in london (uk) or worldwide on http://www.resonancefm.com from 10-11pm gmt next edtion: *20.04.08* ~ time zone converter: http://thesaturnv.com/converter.html ~ *for general info, playlists, podcasts, or to stream the latest edition: http://www.resonancefm.com/framework * *framework is supported by /soundtransit/: http://www.soundtransit.nl * RESONANCE FM'S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE HELP US TO CONTINUE BY MAKING A DONATION. CHECK OUT OUR WEBSITE TO FIND OUT HOW YOU CAN HELP K EEP RESONANCE ON THE AIR: HTTP://WWW.RESONANCEFM.COM. THANK YOU! ------------------------------------------------------------------------ /*framework*/ - phonography / field recording; contextual and decontextualized sound activity presented by patrick mcginley this edition of/* framework:afield*/ has been produced in porto, portugal by *cr**?**nica electronica*. for more information see http://www.cronicaelectronica.org. "A Chronicle of Cr?nica, around 5 years of it. Mixed by Pedro Tudela and Miguel Carvalhais in February and March 2008. We started Cr?nica in 2003. Originally intending to release both our work and that of a relatively close group of friends and artists, we have since produced and released work from artists a bit from all over the world. Along the way, we have been finding unexpected points of contact between the work of all those that have thus far collaborated with Cr?nica and what was once perhaps a small group has now grown to a much larger collective. The mix we produced for this broadcast presents music that Cr?nica has released or is about to release, looking back to the first five years and simultaneously ahead to what we can only hope is a much longer time." again, we are always looking for material for the show, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated series. send proposals or material, released or not, on any format, to the address below. if you have any questions, please don't hesitate to get in touch! framework 354 rue de l'andelle 27910 perruel france framework at talk21.com ------------------------------------------------------------------------ *13.04.08* *(this edition will be available online until 20.04.08) *01 00:00/28:25 Gilles Aubry (ch/de) "Berlin Backyards" in Berlin Backyards Cr?nica 036~2008 TBR 02 02:00/11:13 Paulo Raposo (pt) "A Bag of Water" in Mus*****ic Cr?nica 032~2008 03 04:08/10:02 o.blaat (usa/jp) "one morning" (w/ Kaffe Matthews) in Two Novels: Gaze / In the Cochlea Cr?nica 012~2004 04 06:10/15:16 Pigeons in my street recorded by MCarvalhais 05 10:49/15:56 Lawrence English (au) "Relocated (UTC)" in Happiness Will Befall Cr?nica 022~2005 06 12:57/18:22 PT's cats recorded by PTudela 07 16:19/17:47 Gintas K (lt) track 8 from "Lovely Banalities" Cr?nica 040~2008 TBR 08 17:19/23:47 @c (pt) "18" (with Manuel Mota and Jo?o Hora) in v3 Cr?nica 010~2004 09 20:57/21:59 Recorded live (1:02:026) by PTudela 10 21:22/27:42 The Beautiful Schizophonic (pt) "Music for Lonely People" in Mus*****c Cr?nica 032~2008 11 23:09/27:04 @c + Vitor Joaquim (pt) "Ouvert?re" in De-Tour Feld 005 / 2007 12 25:20/42:19 @c (pt) "Blues" in Cr?nicast 016 recorded live May 19 2006 13 27:57/30:14 ?kos Garai (hu) "To Bjeller" in Essays on Radio Cr?nica 020~2005 14 29:19/31:40 Boca Raton (nl) "Circle '4" in Product 05 Cr?nica 019~2005 15 31:18/34:09 James Eck Rippie (usa) "Black Transmission" in Mus*****ic Cr?nica 032~2008 16 32:39/36:37 "01.1 - 01.4" (work in progress files) by PT 17 35:08/39:14 Ran Slavin (il) "DAT Beats" in The Wayward Regional Transmissions Cr?nica 028~2007 18 37:33/41:48 Cem G?ney (tr) "A Phonetics Theme" in Praxis Cr?nica 034~2008 TBR 19 40:23/41:23 Stephan Mathieu & Janek Schaefer (de/uk) "Maori Love Song" in Hidden Name Cr?nica 027~2006 20 41:00/41:59 Davor Mikan (at) "Animal" in T?uschung Cr?nica 030~2007 21 41:44/43:31 Autodigest (pt) "Expansion" in A Compressed History of Everything Ever Recorded, Vol. 1 Cr?nica 006~2003 22 42:01/44:13 Davor Mikan (at) "Der Eisverk?ufer explodiert einfach" in T?uschung Cr?nica 030~2007 23 42:18/45:28 Freiband (nl) "De Kabale Brug" in Leise Cr?nica 026~2006 24 44:00/46:45 The Beautiful Schizophonic (pt) "La Lectrice" (avec Colleen) in Musicamorosa Cr?nica 029~2007 25 45:12/49:47 o.blaat (usa/jp) "Nightvision" in Two Novels: Gaze / In the Cochlea Cr?nica 012~2004 26 46:11/47:17 Tilia (de) "...and coming back" in vous r?vez/ vous ne r?vez pas Cr?nica 015~2004 27 46:20/54:45 Feltro (Andr? Gon?alves) (pt) Cr?nicast 021 28 47:41/54:53 Sonega, Alentejo, Portugal Recorded by PTudela 29 50:07/52:20 @c (pt) "56E1" in Compilatorio #2 Alg-a / 2006 30 52:14/56:59 Pal (pt) live at Passos Manuel, 22 December 2007 31 53:09/56:59 [des]integra??o (pt) "4to" in On Paper Cr?nica 005~2003 32 56:34/57:00 Karlheinz Stockhausen (de) "...on sound" ------------------------------------------------------------------------ framework intro submissions: 1) take yourself and a recording device to a location of your choice 2) record for AT LEAST one minute before you - 3) read aloud the following text: *welcome to framework.* *framework is a show consecrated to field recording, and its use in composition. field recording, phonography, the art of sound hunting; open your ears and listen!* 4) continue your recording for AT LEAST two minutes after you have finished speaking 5) send the recording on any format to the above address, or as an mp3 via email thanks! -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080415/ccfc8ec6/attachment.htm From indiscipline2 at msn.com Tue Apr 15 22:37:32 2008 From: indiscipline2 at msn.com (=?iso-8859-1?Q?Javier_Areal_V=E9lez?=) Date: Tue, 15 Apr 2008 23:37:32 -0300 Subject: [Microsound-announce] Radiohead Remixed Message-ID: Hi there fellowmicrosoundannouncers... I've made a remix to Radiohead's Nude, from In Rainbows. it's made using bits and pieces of the original tracks arranged in a smooth glitchy mood... give it a listen here: http://www.radioheadremix.com/remix/?id=1555 and if you like it, please vote for it! bye javier -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080415/3e4be439/attachment.htm From a.detapol at free.fr Wed Apr 16 04:50:07 2008 From: a.detapol at free.fr (a.detapol at free.fr) Date: Wed, 16 Apr 2008 10:50:07 +0200 Subject: [Microsound-announce] NEW YORK/FLAT Message-ID: <1208335807.4805bdbf413c3@imp.free.fr> hi microsounders I am going to new york on the 20 may to the 29 may I am looking for a place where i can sleep and also performing& So if any body get a coach or an idea you can contact me here: m_estrante_8 at hotmail.com ALL THE BEST Aymeric de Tapol France ============================================================================== ====website http://a.detapol.free.fr/ ====ORIGAMI 2007/LP http://www.tsukuboshi.com http://www.laptitemaison.com ====CALL FROM OUTSIDE A WINDOW /2008/LP/MAISON 22/ANGTSROM MASTERING ====LAND ELEC 2006/2007 LP MAISON 06/ANGTSROM MASTERING ====TRANSPORT COMPILATION VOL 1 http://www.vibrofiles.com ====CITIZEN BAND, VIBRO n ?2 http://www.myspace.com/aymericdetapol http://www.myspace.com/router2 From info at lullcec.org Wed Apr 16 12:00:38 2008 From: info at lullcec.org (l'ull cec) Date: Wed, 16 Apr 2008 18:00:38 +0200 Subject: [Microsound-announce] =?windows-1252?q?=5Bl=27ull_cec=5D_concert_?= =?windows-1252?q?Andr=E9_Gon=E7alves_=40_l=27Antic_Teatre_=2823/4?= =?windows-1252?q?=29?= Message-ID: [ reenvieu a discreci? | reenviad a discreci?n | forward at own discretion ] --------------------------------------- FELTRO / ANDR? GON?ALVES ( laptop + analog synth + video ) dimecres, 23 d'abril del 2008, 21:00h L'Antic Teatre C/ Verdaguer I Call?s 12 Barcelona, metro Urquinaona mapa: http://tinyurl.com/2wevnn 6 ? (5? amb l'entrada del concert anterior: David Daniell) --------------------------------------- Guardonat amb el premi d'art interm?dia experimental 'Ernesto de Sousa Fellowship', Andr? Gon?alves ha realitzat diversos projectes amb aproximacions sonores ben distintes. Principalment 'ok.suitcase', 'etch', 'stapletape', 'ltthwhasp', 'iodo' i 'gigantiq'. Des de finals dels 90 ha treballat en diferents ?mbits art?stics com les arts visuals, la m?sica, el v?deo i la performance i m?s recentment ha realitzat diverses instal?lacions amb so i llum com 'pRe-production', '8 steps', 'quiet not safe' i 'fake environment. Essent un programador autodidacta, Andr? Gon?alves ha desenvolupat aplicacions d'audio i v?deo en max-msp, flash, java i processing que han estat presentades en mostres multim?dia, galeries on-line, revistes, performances i que ell mateix utilitza per realitzar la seva pr?pia obra. La seva discografia ha estat publicada en els segells Grain of Sound i Cr?nica Electr?nica (pt), Sirr (pt), Stasisfield (usa), Efervescence (fr), Cherry Music (jp) i Antmanuv (can). [ http://undotw.org/ ] --------------------------------------- Galardonado con el premio de arte intermedia experimental 'Ernesto de Sousa Fellowship', Andr? Gon?alves ha realizado diversos proyectos con aproximaciones sonoras bien distintas. Principalmente 'ok.suitcase', 'etch', 'stapletape', 'ltthwhasp', 'iodo' y 'gigantiq'. Desde finales de los 90 ha trabajado en diferentes ?mbitos art?sticos como las artes visuales, la m?sica, el v?deo y la performance y m?s recientemente ha realizado varias instalaciones con audio y luz como 'pRe-production', '8 steps', 'quiet not safe' y 'fake environment Siendo un programador autodidacta, Andr? Gon?alves ha desarrollado aplicaciones para audio y v?deo en max-msp, flash, java y processing que han sido presentadas en muestras multimedia, galer?as on-line, revistas, performances y que ?l mismo usa para realizar su propia obra. Su discograf?a ha sido publicada en los sellos Grain of Sound y Cr?nica Electr?nica (pt), Sirr (pt), Stasisfield (usa), Efervescence (fr), Cherry Music (jp) y Antmanuv (can). [ http://undotw.org/ ] --------------------------------------- FELTRO / Andr? Gon?alves ( laptop + analog synth + video ) Since 2000 Andr? Gon?alves has created several projects with diferent sound approaches namely 'ok.suitcase', 'etch', 'stapletape', 'ltthwhasp', 'iodo' and 'gigantiq'. Recently, Andr? Gon?alves also created audio-light installations like 'pRe-production', '8 steps', 'quiet not safe' and 'fake environment'. In 2004 he was granted with the 'Ernesto de Sousa Fellowship' for experimental intermedia art. A self-educated programmer, Andr? Gon?alves has been developing several audio-video applications in max-msp, flash, java and processing presented in multimedia showcases, online galleries or magazines, in performances and, most of all, in his day work for developing all his graphic, video and sound works. His discography includes releases on the labels Grain of Sound and Cr?nica Electr?nica (pt), Sirr (pt), Stasisfield (usa), Efervescence (fr), Cherry Music (jp) and Antmanuv (can). [ http://undotw.org/ ] --------------------------------------- properament / pr?ximamente / soon: 26.04.2008 ... 20h ... Kanta Horio, acte 5 al Nivell Zero [http://fundaciosunol.org ] 05.05.2008 ... 21h ... Brethrem of the Free Spirit (Jozef van Wissem & James Blackshaw) [ http://lanticteatre.com ] 22-25.04.2008 ... [ http://capsembrat.info ] --------------------------------------- Si vols subscriure't o deixar de rebre informaci? sobre futures activitats, escriu a: Si quieres suscribirte o dejar de recibir informaci?n sobre futuras actividades, escribe a: If you would like to suscribe or stop receiving information about future events, please write to: info at lullcec.org From ondasonoraradio at yahoo.es Thu Apr 17 07:53:49 2008 From: ondasonoraradio at yahoo.es (Onda Sonora Radio) Date: Thu, 17 Apr 2008 04:53:49 -0700 (PDT) Subject: [Microsound-announce] CONTENTS ONDA SONORA RADIO 16-04-08 Message-ID: <231475.29305.qm@web25607.mail.ukl.yahoo.com> An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080417/8e885edd/attachment.htm From staalplaat_store at yahoo.com Thu Apr 17 13:08:10 2008 From: staalplaat_store at yahoo.com (Staalplaat Store) Date: Thu, 17 Apr 2008 12:08:10 -0500 (CDT) Subject: [Microsound-announce] (no subject) Message-ID: <955820.93429.qm@web45810.mail.sp1.yahoo.com> Tomorrow Friday, April 18th in Berlin, Germany Live: -Evol (Mego/Editions Mego, Alku) home: http://vivapunani.org -Spastic Dementia (drums, vocal, deer blood and dead fetuses) home: http://www.myspace.com/marceloaguirre + DJ: Pato home: http://www.myspace.com/patooo Venue: Studio23, Holzmarktstr. 11, first floor left 21:00 ____________________________________________________________________________________ Be a better friend, newshound, and know-it-all with Yahoo! Mobile. Try it now. http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080417/553fdcd9/attachment.htm From hellomynameisphil+mcrsnd at gmail.com Thu Apr 17 23:29:34 2008 From: hellomynameisphil+mcrsnd at gmail.com (Phil Thomson) Date: Thu, 17 Apr 2008 20:29:34 -0700 Subject: [Microsound-announce] Call for Submissions: Soundscape Radio Show, Vancouver Co-op Radio, CFRO 102.7 FM In-Reply-To: References: Message-ID: Hi all, The Soundscape show on CFRO 102.7 FM, Vancouver Co-operative Radio (broadcasting online at http://www.coopradio.org/), is calling for submissions of experimental sound art suitable for radio, as well as field recordings and other sound materials suitable for use by the show programmers for use in on-air sound collages and mixes. We especially encourage submissions of completed pieces from Canadian artists. Soundscape is a one-hour radio show on CFRO devoted to experimental sound and radio art, phonography, soundscape composition, and other related genres. Show formats vary from free-form radio collages to more conventionally programmed shows featuring individual pieces with spoken introductions. Submissions may be in the following formats: CD, minidisc (though this format is not preferred), or links to sound files online. Submissions may be of any length up to an hour (though due to Canadian content requirements, only Canadian submissions may be a full hour in length). Submitters should indicate whether they are submitting completed pieces or raw material for live manipulation by the show programmers. Keep in mind the technical limitations of FM radio. Submissions featuring large amounts of static, noise, or distortion; silence or extremes of loud and soft; and extreme high and low frequencies are unlikely to be broadcast. Reply off-list for the mailing address to which submissions should be sent. The programmers of Soundscape are looking (and listening) forward to you submissions. ~pt -- ~~~~~~~~~~~~~~~~~~~~~~~~~ ~ Phil Thomson ~ http://philthomson.ca/ ~~~~~~~~~~~~~~~~~~~~~~~~~ -- ~~~~~~~~~~~~~~~~~~~~~~~~~ ~ Phil Thomson ~ http://philthomson.ca/ ~~~~~~~~~~~~~~~~~~~~~~~~~ From jef at econtact.ca Thu Apr 17 19:34:04 2008 From: jef at econtact.ca (CEC jef chippewa) Date: Fri, 18 Apr 2008 01:34:04 +0200 Subject: [Microsound-announce] JTTP 2008 call for works (1 may) [rappel/reminder] Message-ID: SVP ? afficher et diffuser. / Please post and forward at large. JTTP 2008 -- Jeu de temps / Times Play Communaut? ?lectroacoustique canadienne (CEC) Canadian Electroacoustic Community http://cec.concordia.ca/jttp [F] La date limite pour les soumissions ? ce concours annuel est le 1er mai, 2008. Pour plus d'informations ? propos des soumissions et votre ?ligibilit?, voir les liens suivants. NB : Depuis 2008, il n'y a plus de dur?e maximum pour les pi?ces soumises. -- [E] The deadline for submission to the annual JTTP competition is May 1, 2008. More information on how to submit your work and eligibility is found at the following web addresses. NB: As of the 2008 edition there is no longer a maximum duration for submissions. Bien ? vous, jef chippewa co-Directeur administrative de la CEC ----------------------------------------------------------- JTTP 2008 -- Appel d'oeuvres / Call for Works http://cec.concordia.ca/jttp/call.html Information d?taill? sur le projet / Detailed information about the project http://cec.concordia.ca/jttp/info.html -- Communaut? ?lectroacoustique canadienne (CEC) Canadian Electroacoustic Community http://cec.concordia.ca | RECENT: http://cec.concordia.ca/jttp JTTP 2008 [1 May] http://econtact.ca EA journal | http://sonus.ca EA Jukebox http://cec.concordia.ca/jttp Project for young/emerging sound artists -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080418/e446c9fb/attachment.htm From info at lullcec.org Thu Apr 17 23:33:29 2008 From: info at lullcec.org (l'ull cec) Date: Fri, 18 Apr 2008 05:33:29 +0200 Subject: [Microsound-announce] =?iso-8859-1?q?=5Bl=27ull_cec=5D_exposici?= =?iso-8859-1?q?=F3_+_performance_Kanta_Horio_=28=2Ejp=29_=40_Nivel?= =?iso-8859-1?q?l_Zero_=2826/04=29?= Message-ID: [ reenvieu a discreci? | reenviad a discreci?n | forward at own discretion ] La Fundaci? Su?ol i l'ull cec presenten: Acte 5: KANTA HORIO [ http://www.fundaciosunol.org/correo/acte5/ ] dissabte, 26 d'abril del 2008 convocat?ria a la Fundaci? Su?ol a les 19h. (visita guiada a l'exposici?) actuaci? al Nivell Zero a les 20:15 hrs. Fundaci? Su?ol Passeig de Gr?cia 98 Nivell Zero C/ Rossell?, 240 Metro Diagonal mapa: http://tinyurl.com/3y2pao entrada combinada (visita guiada a l'exposici? + concert): 6 euros entrada redu?da: 4 euros -------------------------------------- KANTA HORIO [ http://www.media.t-kougei.ac.jp/~horio/ ] Kanta Horio (Hiroshima, 1978) ?s un artista japon?s resident a T?quio que combina la programaci? inform?tica amb objectes cin?tics, aparells electr?nics i interf?cies musicals que ell mateix construeix. Consistent principalment en instal?lacions i performances audiovisuals, la seva obra - d'aspecte senzill i minimalista, per? amb una forma i estructura molt delicada i cuidada - s'inspira en fen?mens f?sics i utilitza motors, electroimants, micr?fons de contacte, mecanismes d'equilibratge, c?meres de v?deo i objectes diversos. [ http://www.media.t-kougei.ac.jp/~horio/ ] --------------------------------------- Kanta Horio (Hiroshima, 1978) es un artista japon?s que combina la programaci?n inform?tica con objectos cin?ticos, aparatos electr?nicos e interfaces musicales que ?l mismo construye. Consistente principalmente en instalaciones y performances audiovisuales, su obra - de aspecto sencillo y minimalista, pero con una estructura muy delicada y cuidada - se inspira en fen?menos f?sicos y utilza motores, electroimanes, micr?fonos de contacto, mecanismos de equilibraje, c?maras de v?deo y objetos diversos. [ http://www.media.t-kougei.ac.jp/~horio/ ] --------------------------------------- / produeix: l'ull cec / / aquesta actuaci? ha comptat amb el suport t?cnic de la Fundaci? Phonos / --------------------------------------- properament / pr?ximamente / soon: 23.04.2008 ... 21 hrs ... Andr? Gon?alves, l'Antic Teatre [ http://lanticteatre.com ] 05.05.2008 ... 21 hrs ... Jozef van Wissem & James Blackshaw [ http://lanticteatre.com ] 22-25.04.2008 ... [ http://capsembrat.info ] --------------------------------------- Si vols subscriure't o deixar de rebre informaci? sobre futures activitats, escriu a: Si quieres suscribirte o dejar de recibir informaci?n sobre futuras actividades, escribe a: If you would like to suscribe or stop receiving information about future events, please write to: info at lullcec.org -------------- next part -------------- A non-text attachment was scrubbed... Name: acte5-web.jpg Type: image/jpeg Size: 54325 bytes Desc: not available Url : http://or8.net/pipermail/microsound-announce/attachments/20080418/c67200e2/attachment.jpg From martinrobinson_mail at yahoo.co.uk Sat Apr 19 03:18:41 2008 From: martinrobinson_mail at yahoo.co.uk (Martin Robinson) Date: Sat, 19 Apr 2008 08:18:41 +0100 Subject: [Microsound-announce] coda symposium in Bristol, UK Message-ID: <8ADE94D3-E38B-4B7A-8FD5-4D9521B09CF6@yahoo.co.uk> Apologies for crossposting (I hope there is a genuine interest in this!). coda symposium Exploring software for music and audio: Cutting edge techniques and enabling technologies. Saturday 31 May 2008 10.00 - 16.00 FREE ENTRY More info and register: http://www.uwe.ac.uk/cems/mt/ Guest speakers include: Julian Storer (JUCE, Tracktion), John Eacott (Loose Tubes, generative music), Nick Rothwell (www.cassiel.com), Apple Pro Audio. More info on speakers: http://www.uwe.ac.uk/cems/mt/experts.html -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080419/b934ae0a/attachment.htm From hars7 at hotmail.com Sat Apr 19 04:07:34 2008 From: hars7 at hotmail.com (HarS' Sound Chronicles) Date: Sat, 19 Apr 2008 10:07:34 +0200 Subject: [Microsound-announce] SB :: Mythical Beasts, Corsets and Kites Message-ID: SOUNDBLOG April 18, 2008 =============================== As a sonic environment for Yvonne Oerlemans' _Mythical Beasts_ installation (to be visited still, daily from 12h till 17h, until the end of the first week of may, in the Visitor's Center of the Amsterdamse Bos - Bosbaanweg 5, Amstelveen, the Netherlands), I composed an hour-long soundtrack, endlessly repeating. It is called: _Where are you, Wolf?_ ... On the occasion of the show's opening, on sunday march 2nd, we went for a walk to discover and record the sounds of this 'Amsterdam Forest': an isle of artificial green, cut in the middle by a busy highway like a pie by a chainsaw, enveloped in the distant low-ish drone of busy life in the dutch capital, and whipped by the roar of airliners soaring onto the adjacent Schiphol airport every other minute or so ... [ permalink: http://www.harsmedia.com/SoundBlog/Archief/00632.php ] cheers, HarS _________________________________________________________________ Recevez tous vos e-mails sur un seul compte ! Cr?ez une adresse Hotmail ! http://www.windowslive.fr/hotmail/default.asp From incite at gmx.de Sat Apr 19 12:42:51 2008 From: incite at gmx.de (incite at gmx.de) Date: Sat, 19 Apr 2008 18:42:51 +0200 Subject: [Microsound-announce] Hoerbar Concert in April Message-ID: <52191A9D-FDF6-4FA6-8500-B327D67714B9@gmx.de> Here?s the upcoming Hoerbar Concert in April: Hoerbar Hamburg presents Johannes S. Sistermanns Rainer Deutschmann und seine Freunde Friday, April 25, 21:00 Hoerbar@ B-Movie Brigittenstr. 5 Hamburg St. Pauli http://www.hoerbar-ev.de http://www.myspace.com/hoerbarhamburg have fun! Kera + Andr? --- incite/ eye-catching experimental audiovisual art dynamic distorted idm-beats criss-crossing art and club worlds creating intense experiences for ears and eyes http://www.incite.fragmentedmedia.org http://www.fragmentedmedia.org/fm-incite.html http://www.myspace.com/incitefm --- -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080419/646e58e0/attachment.htm From jules.rawlinson at gmail.com Sat Apr 19 14:07:10 2008 From: jules.rawlinson at gmail.com (Jules Rawlinson) Date: Sat, 19 Apr 2008 19:07:10 +0100 Subject: [Microsound-announce] Pixelmechanic @ Spectrum Festival 20/4 (Edinburgh UK) Message-ID: Dear Microsounders I'm gonna be playing a closing set in the Queen's Hall (bar area mezzanine) at the annual Spectrum Festival tomorrow night at if you are somewhere in the central belt... I'll be on about 10ish with Monome 40h, joystick & Wacom plus msp toys. I'd also recommend The Laurel Tree... ?6 for the whole day! Cheers Jules http://www.myspace.com/spectrumfest http://www.pixelmechanics.com/sonic From kim at anechoicmedia.com Sun Apr 20 03:36:13 2008 From: kim at anechoicmedia.com (Kim Cascone) Date: Sun, 20 Apr 2008 00:36:13 -0700 Subject: [Microsound-announce] new release on anechoic Message-ID: Title: ?Pharmacie: Red & Green? Artist: Kim Cascone Label: Anechoic Catalog#: a008 Length: 31:00 Format: CDR in handmade packaging Limited edition of 31 copies ? [only one copy per customer] A reworking of field recordings gathered from tour stops in Europe and San Francisco from 2006 ? 2008. Inspired by a readymade of the same title by Marcel Duchamp, ?Pharmacie? is woven from everyday sounds such as Belgian church bells, the Paris Metro and hydrophone recordings of an underwater stream at the Sutro Baths in San Francisco to name a few. The CDR comes tucked inside a handmade slip-cover made of black felt along with three pins and a four-color poster. This is a limited edition release of only 31 copies and will go on sale. Sunday April 20th and end on Monday May 5th [only the first 31 orders via Paypal will be filled] see: for ordering info -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080420/1e741482/attachment.htm From douglas at benfo.demon.co.uk Mon Apr 21 19:14:30 2008 From: douglas at benfo.demon.co.uk (douglas benford) Date: Mon, 21 Apr 2008 23:14:30 +0000 Subject: [Microsound-announce] London - Sprawl: April News Message-ID: ------------------------------------------------------------------- S P R A W L April 2008 bulletin ------------------------------------------------------------------- ---------------------------------------------------------------- Next month: tickets already selling fast. ---------------------------------------------------------------- ** SONICRECYCLER4 A night of reinvented sounds... 2008 edition! A packed evening of radical sounds in this lovely Thame-side venue again. - Think: Reduce, Re-use, Recycle Saturday May 10th, 4pm to 11.30pm live: BLEVIN BLECTUM DAVID TOOP SEAN O'HAGAN (High Llamas/Microdisney) ALEKS KOLKOWSKI (Recording Angels) SIMON BOOKISH (Tomlab/Leafcutter John collaborator) DJs LAETITIA SADIER (Stereolab/Monade) JANEK SCHAEFER (rummages the Oxfam box as DJ Dedication) IRIS GARRELFS + demos/installations: Aleks Kolkowski - live CD recycling demo Dithernoise + Simon Storey - pedal-powered installation ** bring your old CDs/cdrs/dvds to be recycled into vinyl records or for the Oxfam box...** * In the gallery: Brentford Biopsy from 1-5pm by Christian Nold. stalls + restaurant and River Terrace Bar. Admission: Tickets ?10 (Conc ?8) from Box Office or online at http://www.wegottickets.com/event/28432 (Foyer/bar area free admission) Venue: Watermans Art Centre 40 High Street Brentford, London, TW8 0DS Box Office 020 8232 1010 http://www.watermans.org.uk Getting there: Watermans in is West London, Zone 4, the other side of the river to Kew Gardens (but don't use Kew Gardens stn, you'll be miles away; Kew Bridge stn is best) . You can go... By Tube: Gunnersbury* (District line) - then 237/267 bus or South Ealing* (Piccadilly line) - then 65 bus By Overground: Gunnersbury * (cost ?1 from east london with osytercrd!) By Train: Kew Bridge stn (20 mins from Waterloo) By Bus: 65, 237, 267 buses or N9 all stop outside Watermans By Car: free car parking available * or walking from these stations takes appx 15 mins. For updates, sample sounds, movies, full stall list http://www.myspace.com/sonicrecycler flyer: http://farm3.static.flickr.com/2411/2418054285_c7da8bc3c5_o.jpg http://farm4.static.flickr.com/3126/2418871566_d81e18691e_o.jpg **There is a special Clear Spot hour show on Resonance FM, 'SonicRecycling' discussing the event, 9th May, 8pm see http://resonancefm.com/schedule on 104.4 FM in London and streamed on http://resonancefm.com/ ---------------------------------------------------------------- upcoming in JULY ---------------------------------------------------------------- ** Horatio Oratorio A concert & sound installation by Recording Angels - Aleks Kolkowski and Stephan Mathieu. July 11th & 12th, 2008 Horatio Oratorio is an exploration through the history of recorded sound. The earliest recording and plackback technologies and rare mechanical-acoustic string instruments are combined with vintage and state-of-the-art electronics. A magnificent array of acoustic horns and custom-built loudspeakers project sound from historic wax cylinder phonographs, gramophones and stroh violins, layered and transformed by live digital sound processing. The Shunt Vaults, Joiner Street, London Bridge tube station, London SE1 Funded by PRSF Live Connections ---------------------------------------------------------------- other UPCOMING PERFORMANCES etc ---------------------------------------------------------------- MAY 23/24 IRIS GARRELFS installation/presenation EVOLUTION 2008 with Murcof, Mira Calix, Peter Cusack and more Leeds, UK http://www.lumen.org.uk/evolution http://www.leedsconcertseason.com MAY 27 IRIS GARRELFS residency Museum of Modern Art, Celje, Slovenia JULY 5 IRIS GARRELFS live Sonic Arts Network Expo, Brighton UK 14 Jun 2008 IRIS GARRELFS soundwalks/peformance Camberwell Arts Festival, London, UK JULY 29 IRIS GARRELFS residency with Urbania Grizedale Art, Coniston, Cumbria, UK SI-CUT.DB / d. benford * news, downloads etc at http://blog.myspace.com/sicutdb * douglas benford album due on 12x50 / carbon series * Join the Sprawl Facebook group * ---------------------------------------------------------------- best wishes Iris Garrelfs http://www.irisgarrelfs.com http://www.myspace.com/irisgarrelfs si-cut.db [d.benford] http://www.douglasbenford.co.uk http://www.myspace.com/sicutdb from SPRAWL http://www.sprawl.org.uk E-MAIL -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080421/fdd2963f/attachment.htm From yves_tk at gmx.net Tue Apr 22 03:39:10 2008 From: yves_tk at gmx.net (Yves@GMX) Date: Tue, 22 Apr 2008 09:39:10 +0200 Subject: [Microsound-announce] aufabwegen news Message-ID: some news from aa hq: .release. .concerts/dj events. .mailorder. .new release just out now: CARL MICHAEL VON HAUSSWOLFF: Perhaps I Arrive - music for Atatuerk Airport, Istanbul 2xCD double cd, full colour digipak, photography by CMvH, design by Akifumi Nakajima (Aube). aatp25, ltd. 500 copies 18,00 euros plus postage wholesale requests welcome One disc contains sounds that were originally conceived as an installation at the airport but were neglected due to their disturbing nature. the seciond disc contains the nice version of sounds that were eventually used in the installation. .aufabwegen is doing two festivals in muenster in the geraeuschwelten series: 17.5.2008 josef suchy (staubgold, entenpfuhl, sonig) - guitar solo t - bone macina (aka paul hubweber) - tbn, harmonizer, echolette, tubescreamer, octaver michael northam - subtle field recordings ah cama-sotz - special dark ambient set 06.06.2008 anemone tube - between noise and headaches fetisch park - first perormance in many years inade - exoterric ambience both festivals take place at black box/cuba cultur achtermannstr. 12 48143 muenster germany info http://www.geraeuschwelten.de dj zipo [aufabwegen] is playing records at the folowing occasions 24.04.2008 20.30h AIDS WOLF (USA) + dj zipo [aufabwegen] Kulturbunker Muelheim, Berliner Str. 20, 51063 Koeln, Germany http://www.kulturbunker-muelheim.de 27.04.2008, 20.00h (h)ear#2 CHACHA (NL) noise performance dj zipo [aufabwegen] - electronic bricolage kuS (kunstencentrum/artcentre Signe), Heerlen, Netherlands www.kunstencentrumsigne.nl .mailorder there are plenty of new things in our mailorder catalogue by aube, zeni geva, marc behrens, asmus tietchens, cccc, and many more,. check it out at http://www.geraeuschwelten.de thanks for your time. ----------------- a u f a b w e g e n p.o.box 100152 50441 cologne germany http://www.aufabwegen.com ----------------- From incite at gmx.de Tue Apr 22 14:57:48 2008 From: incite at gmx.de (incite at gmx.de) Date: Tue, 22 Apr 2008 20:57:48 +0200 Subject: [Microsound-announce] incite/ AV-live at EMAF 2008 Message-ID: <32B6652B-DD84-454F-BD4C-6EECD9058E99@gmx.de> EMAF2008 European Media Art Festival presents: incite/ - live-AV Friday, April 25, 22:30 Haus der Jugend Osnabrueck, Germany eye-catching experimental audiovisual art dynamic distorted idm-beats criss-crossing art and club worlds creating intense experiences for ears and eyes http;//www.emaf.de --- incite/ http://www.incite.fragmentedmedia.org http://www.fragmentedmedia.org/fm-incite.html http://www.myspace.com/incitefm --- -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080422/f5dcbcc0/attachment.htm From derek at umatic.nl Tue Apr 22 15:24:41 2008 From: derek at umatic.nl (Derek Holzer) Date: Tue, 22 Apr 2008 21:24:41 +0200 Subject: [Microsound-announce] xxxxx_workshop_44 Berlin: PD sensor input part II Message-ID: <480E3B79.5080809@umatic.nl> April 26th 2PM: AVR/HID Sensor Input into Pure Data with Derek Holzer & Martin Howse We will continue last month's investigation of quick and cheap ways of getting sensor input into the Pure Data programming environment, using either USB game controllers or ATmega8 microcontrollers and the HID (Human Interface Device) protocol. Participants should bring the AVR/HID boards and/or hacked joysticks from the previous workshop. Those who did not attend the previous workshop are welcome, and ready made sensor boards can be purchased as part of the participation fee. Please RSVP to if you plan to attend, and indicate whether you will need a sensor input board for Saturday. A few (!) sample sensors will be provided, but participants are encouraged to bring their own sensors (light, pressure, motion, etc...) for experimentation. The Pure Data programming environment will be used to get the sensor information into the computer and map it to different parameters, ranging from MIDI to direct control of audio or video. Windows users should be aware that the possibilities for input on their systems may be more restricted. GNU/Linux and Mac OS X users should not expect any problems. Some links for those interested: http://1010.co.uk/avrhid.html (AVR/HID board documentation) http://puredata.info/downloads (install PD-Extended 0.39 from here!) http://www.sensorwiki.org/index.php/Main_Page (comprehensive list of sensors for musical use) ---What to bring: Essential: 1) Laptop running Linux, OS X or Windows (be advised that Windows users may have fewer possibilities) 2) Pure Data Extended 0.39 installed from: http://puredata.info/downloads (please mind that it is Extended and 0.39!!!!) 3) Soundcard (internal or external, quality a non-issue) 4) Headphones 5) EUR 10 participation fee (+ 8 euros if you need a sensor board) Recommended/Suggested: 1) Sensors of any kind 2) USB game controller of any kind 3) Microphones or other sound inputs 4) Your own project ideas for discussion ---About the Teachers Derek Holzer [USA 1972] began working with Pure Data in 2001. Since then, he has taught and performed with the program across Europe, North America, Brazil and New Zealand. His work focuses on field recording, networked collaboration strategies, experiments in improvisational sound and the use of free software such as Pure-Data. He is currently writing a beginner's manual for Pure Data. http://www.umatic.nl/info_derek.html http://www.umatic.nl/workshops.html http://flossmanuals.net/puredata Martin Howse operates within the fields of discourse, speculative hardware (environmental data in open physical systems), code (an examination of layers of abstraction), free software and the situational (performances and interventions). http://1010.co.uk ---_______ xxxxx_workshops A (more-or-less) weekly series of constructivist workshops emphasising making and connection within the field of the existent. Forthcoming matter: May 3rd: Ephemeral Exposures//Instant Imagery with Alice Miceli And Kathrin Guenter Kirlian photography, radio telescopy, data forensics, EVP/ITC, scrying boards, KiCad PCB design, CMOS audio synthesis, GStreamer framework ... contact if you're interested in leading a related workshop. //<------------------------------------------------- Background: Workshops led by field-expert practitioners extend over realms of code and embedded code, environmental code, noise, transmission and reception, and electromysticism. Workshops solely utilise free software and GNU toolbase. Practitioners have included Martin Kuentz (prd at scrying.org), Julian Oliver (http://selectparks.net/), Derek Holzer (http://soundtransit.nl), Jeff Mann (http://jeffmann.com), Martin Howse (http://1010.co.uk), Fredrik Olofsson (http://www.fredrikolofsson.com/), Florian Cramer (http://cramer.plaintext.cc:70/), Brendan Howell, , jo FRGMNT grys(http://tob.de.vu/), mikomikona http://www.zuviel.tv/mikomikona.html xxxxx, pickledfeet, Linienstrasse 54, Berlin 10119 U2, Rosa-Luxemburg-Pl. U8, Rosenthaler Pl. Telephone: 3050187482. http://1010.co.uk/workshop.html http://1010.co.uk/xxxxx_research_institute.html http://pickledfeet.com From hars7 at hotmail.com Tue Apr 22 16:03:24 2008 From: hars7 at hotmail.com (HarS' Sound Chronicles) Date: Tue, 22 Apr 2008 22:03:24 +0200 Subject: [Microsound-announce] =?iso-8859-1?q?Saskatoon_-_=E0_demain_=28to?= =?iso-8859-1?q?t_morgen=29?= Message-ID: 'Tot Morgen (? demain) is the final of the four part 'Simulcast 1.0b : Saskatoon', a month-long audio transmission event curated by Emmanuel Madan, webcast by free103point9 every night from sunset to sunrise, as observed in Saskatoon, Canada. In 'Tot Morgen' only one chord sounds. It consists in two tritones that overlap each other by a semitone. Between sunset and sunrise, the chord sounds 140 times forwards, and 140 times backwards. The unlawful sequence of its sounding is a sonic palindrome, identical to its time-reversal. Were it not for the _flies_, it might have been 'time-less' ... 'Tot Morgen (? demain)' is a night piece. It draws a bare but predetermined path of irregular repetitions of one single sound, that is stretching out beyond the 'void' of night ... 'until, again, the roar of dawn' ... (In the first measure of Stockhausen's Klavierstueck IX the same chord is played 140 times in an evenly spaced decrescendo during 48 seconds.) Read more : http://www.harsmedia.com/SoundBlog/Archief/00633.php Webstream april 21st - april 28th, every night from sunset to sunrise, Saskatoon-time : http://comm.free103point9.org:8000/TransmissionArts.mp3.m3u Simulcast at free103point9 : http://www.free103point9.org/events/1911/ -- cheers, HarS _________________________________________________________________ Cr?ez votre disque dur virtuel Windows Live SkyDrive, 5Go de stockage gratuit ! http://www.windowslive.fr/skydrive/ From jef at econtact.ca Tue Apr 22 19:48:15 2008 From: jef at econtact.ca (CEC jef chippewa) Date: Wed, 23 Apr 2008 01:48:15 +0200 Subject: [Microsound-announce] =?iso-8859-1?q?Je_me_souviens_=28_Montr=E9a?= =?iso-8859-1?q?l_=2C_23-24_Apr_/_22-23_May=29?= Message-ID: Un projet / ?v?nement historique, ? ne pas manquer! An important historical event / project, not to be missed! ciao, jef -- [English follows the French] Concerts: EMS and GEMS [McGill] - MetaMusic [Concordia] and ONF Je me souviens, ?v?nement de musiques exploratoires pr?sent? sur quatre jours : les 23 et 24 avril, les 22 et 23 mai 2008. La Sala Rossa, 4848, boulevard Saint-Laurent - $10 Je me souviens, a series of exploratory music events presented over four days: 23 and 24 April and 22 and 23 May 2008. La Sala Rossa, 4848, boulevard Saint-Laurent - $10 Pr?sentation Au Qu?bec, de 1950 jusqu'? la fin des ann?es 1980, la recherche sonore en ce qui a trait au d?veloppement des compositions ?lectroacoustiques et ?lectroniques s'effectuait principalement dans nos universit?s. L'Universit? McGill et, plus pr?cis?ment, le Studio de musique ?lectronique qui nous int?resse ici, l'Universit? de Montr?al, l'Universit? Laval et plus tard l'Universit? Concordia furent de ces lieux o? le savoir c?toyait de pr?s l'exp?rimentation. En parall?le, ? l'Office national du film du Canada, Norman McLaren faisait des exp?riences sonores, notamment en intervenant directement sur la bande optique de la pellicule. Maurice Blackburn le suivra dans cette voie plus tard en y installant l'Atelier de conception et de r?alisations sonores, dont la dur?e de vie fut br?ve, mais capitale. Ces institutions ?taient les seuls lieux o? des professeurs, des ?tudiants, des chercheurs et des compositeurs soucieux de d?couvertes pouvaient analyser les d?veloppements ?lectriques puis ?lectroniques des instruments modernes et les utiliser ? des fins de composition musicale. Avec l'av?nement de la miniaturisation et des ordinateurs personnels, ces habitudes se transform?rent radicalement. Je me souviens invite donc ? saisir quelques fragments de ce pass? et ? plonger dans l'exploration d'antan pour mieux ?couter, voire comprendre, la cr?ation d'aujourd'hui. Introduction Experiments in electro-acoustic and electronic composition from 1950 until the late 1980s in Quebec were carried out for the most part in universities. McGill University and, more precisely, its Electronic Music Studio, the Universit? de Montr?al, Universit? Laval and later Concordia University were places where knowledge went hand in hand with experimentation. At the same time, at the National Film Board of Canada, Norman McLaren carried out sound experiments by working directly on the film's optical sound track. Maurice Blackburn followed in his footsteps a little later and established the Atelier de conception et de r?alisations sonores at the NFB, which was short-lived but of great importance. These institutions were the only places where professors, students, scholars and composers on the look-out for discoveries could analyse developments in electric and later electronic music using modern instruments and to employ them in musical compositions. With the advent of miniaturisation and personal computers, these practices underwent radical changes. Je me souviens invites you to experience a few fragments of this past and to plunge into an exploration of bygone days in order to better hear and understand what is going on today. Eric Mattson : curator oral at videotron.ca www.oral.qc.ca Thanks: Conseil des arts et des lettres du Qu?bec, Carol Faucher, National Film Board of Canada, La Sala Rossa, all the participants. Je me souviens 1. EMS / GEMS [Le mercredi 23 avril / Wednesday April, 23 . 2008] 1re partie : Alcides Lanza pr?sente le Studio de musique ?lectronique de l'Universit? McGill (EMS) et l'ensemble musical GEMS, n? au sein de l'EMS. ?coute de morceaux choisis d'Alcides Lanza [ekphonesis IV, with/avec diappositifs de le Guernica de Picasso], Justin Mariner, Emily Hall, Hugh LeCaine. Part 1: an introduction to McGill University Electronic Music Studio and to the music ensemble GEMS. Audio listening of chosen works by Alcides Lanza [ekphonesis IV, based on Picasso's Guernica - electroacoustic music and visuals], Justin Mariner [Ode], Emily Hall [ka'rizma], Hugh LeCaine [Paulution]. 2e partie : quatre concerts exceptionnels, des ?uvres in?dites de compositeurs d'aujourd'hui. Part 2: four unique live sets, four unreleased works by today's composers. Andrew Culver (Sonde) Alex Moskos (The Unireverse, Thames) Nancy Tobin Andrew Watson (Vertex) La Sala Rossa, 4848, boulevard Saint-Laurent Le mercredi 23 avril / Wednesday April, 23 . 2008 - $10 Ouverture des portes : 19 h 30 - Spectacle ? l'heure annonc?e : 20 h 30 Doors open at 7:30 pm - Concert starts in time: 8:30 pm Je me souviens 2. EMS / Metamusic [Le jeudi 24 avril / Thursday April, 24 . 2008] 1re partie : suite de la pr?sentation du Studio de musique ?lectronique de l'Universit? McGill par Alcides Lanza. Introduction ? MetaMusic, groupe de cr?ation n? en 1970 et h?berg? alors par l'EMS. ?coute de morceaux choisis par Kevin Austin, membre de MetaMusic, compositeur et professeur au d?partement de musique de l'Universit? Concordia. Part 1: follow up to the introduction to McGill University Electronic Music Studio by Alcides Lanza. Presentation of MetaMusic, an electronic project initiated in 1970 and hosted by EMS. Audio listening of chosen works by Kevin Austin, member of MetaMusic, composer and professor at Concordia University, Department of Music. 2e partie : quatre concerts exceptionnels, des ?uvres in?dites de compositeurs d'aujourd'hui. Part 2: four unique live sets, four unreleased works by today's composers. Nicolas Dion (Minibloc) Chantale Laplante + Raylene Campbell Jonathan Parant (Feu Th?r?se) Victortronic La Sala Rossa, 4848, boulevard Saint-Laurent Le jeudi 24 avril / Thursday April, 24 . 2008 Ouverture des portes : 19 h 30 - Spectacle ? l'heure annonc?e : 20 h 30 Doors open at 7:30 pm - Concert starts in time: 8:30 pm Et ? venir/ ANd later on: Je me souviens 3. ONF / NFB Le jeudi 22 mai / Thursday May, 22 . 2008 1re partie : introduction, par Mario Gauthier et R?al La Rochelle ? l'Atelier de conception et de r?alisations sonores, de l'Office national du film du Canada (ONF). ?coute de morceaux choisis et projection d'extraits filmiques des ann?es 1970-1980 de Alain Clavier, Yves Daoust, Gilles Tremblay, Pierre Mercure, Maurice Blackburn et Norman McLaren. de r?alisations sonores at the National Film Board (NFB). et/and Je me souviens 4. ONF / NFB [Le vendredi 23 mai / Friday May, 23 . 2008] 1re partie : poursuite du programme consacr? ? l'Atelier de conception et de r?alisations sonores, de l'Office national du film du Canada par Mario Gauthier et R?al La Rochelle. ?coute de morceaux choisis et projection d'extraits filmiques de 1970 ? 1980. Part 1: continuation of the program by Mario Gauthier and R?al La Rochelle dedicated to the Atelier de conception et de r?alisations sonores at the National Film Board of Canada. Audio listening of soundtracks and projection of cinematic extracts of Alain Clavier, Yves Daoust, Gilles Tremblay, Pierre Mercure, Maurice Blackburn and Norman McLaren from the years 1970-1980. 2e partie : quatre concerts exceptionnels, des ?uvres in?dites de compositeurs d'aujourd'hui. Part 2: four unique live sets, four unreleased works by today's composers. Aun Steve Bates Erin Sexton Martin T?treault + Michel Langevin (Voivod) ================================================ La Sala Rossa, 4848, boulevard Saint-Laurent Ouverture des portes : 19 h 30 - Spectacle ? l'heure annonc?e : 20 h 30 Doors open at 7:30 pm - Concert starts in time: 8:30 pm Tickets: $10 -- Communaut? ?lectroacoustique canadienne (CEC) Canadian Electroacoustic Community http://cec.concordia.ca | RECENT: http://cec.concordia.ca/jttp JTTP 2008 [1 May] http://econtact.ca EA journal | http://sonus.ca EA Jukebox http://cec.concordia.ca/jttp Project for young/emerging sound artists From neil.wiernik at gmail.com Wed Apr 23 00:43:26 2008 From: neil.wiernik at gmail.com (neil wiernik) Date: Wed, 23 Apr 2008 00:43:26 -0400 Subject: [Microsound-announce] concrete toronto Message-ID: <825dc38e0804222143h74f3a615q33891b606c8906f7@mail.gmail.com> Sunday May 25 & Sunday June 1 The Music Gallery and zoilus.com present CONCRETE TORONTO MUSIC As part of the soundaXis Festival *** Toronto indie and contemporary musicians get brutalist on iconic city buildings *** Two concerts in two special *concrete* locations: Sunday May 25 @ Polish Combatants Hall, 206 Beverley St. Doors 7pm, concert 8pm Tickets: $20 regular/$15 member + senior/$10 student Sunday June 1 @ Ontario Science Centre, 770 Don Mills Rd. 2-5pm ? FREE with admission to OSC ? OR purchase tickets: $20 regular/$15 member + student INCLUDING SCHOOL BUS RIDE from Music Gallery (meet at 12:45pm) Advance tickets available at http://www.ticketweb.ca More info: http://www.musicgallery.org + http://www.soundaxis.ca Performers: ? Carla Huhtanen (voice) and Wallace Halladay (saxophone) performing a newly commissioned piece by composer Erik Ross, featuring text by Darren O'Donnell and Carl Wilson ? CCMC (legendary improvising trio: Paul Dutton, voice; John Oswald, saxophone; Michael Snow, keyboards) *** May 25 only ? Sandro Perri (electronics) and Tony Dekker (guitar and voice) ? Smith & Wiernik (electronics and visuals) ? Knurl (contact mic'ed concrete slabs with effects) About Concrete Toronto Music Concrete Toronto Music is a concert of original new music, created by Toronto composers and musicians, in response to Toronto's Concrete Architecture, as catalogued in the 2007 book Concrete Toronto (ERA Architects/Coach House Books, Michael McClelland and Graeme Stewart, editors). Many iconic buildings, such as City Hall and the Ontario Science Centre, used concrete as their primary material during the building frenzy that gave expression to the growth of Toronto in the decades of the 1950s to the 1970s. The Music Gallery has commissioned a significant handful of Toronto-based composers and musicians to create new works that pay tribute to Toronto's concrete legacy, experiment with concrete's mutability and explore these buildings' role in the city's psycho-geography. These two concerts take place in two of the actual concrete buildings ? the Polish Combatants Hall (Wieslaw Wodkiewicz, architect) and the Ontario Science Centre (Raymond Moriyama, architect). Curated by Jonathan Bunce and Carl Wilson (zoilus.com, author of Let's Talk About Love). CCMC: This free improvisational band and true Toronto institution has been reinventing itself, with shifting constellations and consistent questing spirit, for over four decades. For the last 13 years, CCMC has been the trio of Michael Snow (piano and synthesizer), John Oswald (alto sax), and "concrete" poet Paul Dutton (soundsinging and harmonica), who carry on the iconoclastic practice of the original CCMC formed in 1975 by Snow and four others. Please note: CCMC will be performing on May 25 at the Polish Combatants Hall ONLY. Tony Dekker Tony Dekker is a singer/songwriter who explores the worlds of indie folk, roots music and alt-country, with a focus on lyrics and songwriting, making unique references to the City of Toronto's geography. Known for haunting, somber ballads, Dekker's sound blends natural reverb with folky arrangements and inspirational lyrics. Three albums have been released to date (the latest, Ongiara, named for the Toronto Island Ferry), which have had Dekker and his the band on the move for the past few years, playing venues across Canada, the United States, Europe, and Australia. http://www.weewerk.com Wallace Halladay Canadian saxophonist Wallace Halladay captures the qualities of the modern virtuoso, being at home in numerous styles, from the traditional to jazz and beyond. A specialist in the performance of contemporary music, he has commissioned and premiered numerous works. As soloist, he has performed concerti by Ibert, Schmitt, Husa, Scelsi and Donatoni, as well as premieres of Colgrass, Kagel and Scott Good. Wallace recorded the two saxophone Sequenzas of Berio and the Colgrass concerto for NAXOS. He has been presented by and performed with new music groups and orchestras across Canada and the US. Wallace holds a doctorate from Eastman, and studied in Amsterdam with Arno Bornkamp. Wallace is a Conn-Selmer Artist and plays Selmer (Paris) saxophones. Carla Huhtanen Carla began her professional career at Teatro La Fenice (Venice) in Gershwin's Lady, Be Good! and Cherubini's Anacreon in 2000. She sang Angelica in Handel's Orlando and the title role in Purcell's Fairy Queen, touring Provence. Her UK debut was for Garsington Opera ? Lisetta in La Gazzetta (2001) and Serpetta in La Finta Giardiniera (2003). Other highlights include Bernstein's Candide with the BBC Orchestra, the Israel Philharmonic and the National Orchestra of Malta. At home in Toronto, she sings with Opera Atelier and Tapestry New Opera. Recent performances include Salonen's Five Images after Sappho (KW Symphony) and Tapestry's Opera to Go. Future engagements include Blizzard Voices (Moravec) with Opera Omaha and Opera Atelier's Die Entf?hrung. Knurl, a.k.a. Alan Bloor, is one of the premier noise artists in Canada. Knurl began as a solo project in late 1994 with the idea to take music as we know it and strip it entirely of what we know music to be: its rhythm, melody, and vocals. Using contact mics and scrap metal, his work is at times reminiscent of the likes of Daniel Menche and Haters. Knurl has released work with Alien8 Recordings, RRR and Self Abuse, among many other labels. Recordings of Knurl are always without the assistance of computers, synthesizers or samplers. Sandro Perri is a Toronto-based musician/producer who has been steadily developing a unique voice since his 1999 debut as Polmo Polpo. Utilizing percussion, electronics, lap steel guitar or harmonica to create a rich world of sound like dub without the reggae, his music moves across a spectrum of styles including dance, drone, pop, minimalism, noise, jazz and more. Recently he has dipped further into improvisation and vocal-based songwriting, both solo and in collaboration with Great Lake Swimmers, Glissandro 70 and Double Suicide. http://www.sandroperri.com. Erik Ross Dr. Erik Ross composes for all media. He has had performances of his works in Canada, the United States, Mexico, England, Japan and Australia. He recently completed an accordion and audio piece for Joseph Petric as well as an ensemble piece for Toca Loca's P*P Project. Projects for this year include a large work for the Evergreen Club Contemporary Gamelan, an audio/chamber piece for Wallace Halladay and Ryan Scott, and a piece for the Hannaford Street Silver Band. http://www.erikross.com. Smith & Wiernik is a multi-media project dedicated to the recontextualization of urban space. A venture between Neil Wiernik & Greg J. Smith, the collaboration is a creative vehicle for the duo's diverse backgrounds in architecture, audio art, drawing and musical composition. The project is an experiment in the creation of "site specific" audio-visual pieces which document the experiential qualities, history, geometry and character of the architectural and infrastructural spaces of the city around us. Concrete Toronto marks the first performance of what will be an ongoing collaboration. http://serialconsign.com + http://phoniq.net. -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080423/5d113871/attachment.htm From jakeharries at gmail.com Wed Apr 23 09:49:44 2008 From: jakeharries at gmail.com (Jake Harries) Date: Wed, 23 Apr 2008 14:49:44 +0100 Subject: [Microsound-announce] Two 12 Day Residency Opportunities at Access Space in Sheffield, UK Message-ID: Two 12 Day Residency Opportunities at Access Space in Sheffield Artists, composers, hackers, designers, engineers and creative technologists are invited to apply for two residencies of 12 days each at Access Space for Summer 2008. Based in the heart of Sheffield, Access Space is the UK's longest running open access media lab. We use Open Source Software and recycled computers to develop creativity, community, skills and resourcefulness. We're a place for skill sharing, artistic endeavour, creative expression and collective knowledge. We also have exhibition space in our main room and small foyer. The ideal residents will have some experience using technology in creative projects however we are always open to interesting ideas wherever they come from. Residents will be selected from an open call, based on: * The quality and feasibility of the work proposed. * The availability of the necessary tools * The resources (skills & time) needed to support the project. * The compatibility of the project with Open Source software and recycled PC's * The ongoing legacy of the project for Access Space. The selected applicants will be given an honorarium of ?1,500 each (to include all fees and travel). International applicants are welcome to apply, although we cannot provide additional resources. Access Space will provide a small budget for accommodation and production. In addition, Access Space also has a modest budget to provide a technical expert to work alongside the resident if necessary. Each residency can take place between 14 June and 20 September 2008 (12 days minimum requirement). Please note Access Space is closed between 9 August and 1 September. Residents will be encouraged to share their skills and knowledge with the Access Space community, by conducting formal and/or informal workshops in the space. Code and media developed during the project will be released under suitable open licenses such as the GPL and Creative Commons licenses. Closing date for applications is Saturday 10 May 2008. Application details: Please email a project proposal, a CV, suitable documentation of previous work and the proposed dates for your residency to: Jake Harries jake at access-space.org Access Space, Unit 1, 3-7 Sidney Street, Sheffield, S1 4RG, UK Tel: (0114)2495522 Ref: Artists Residencies 2008 http://www.access-space.org Access Space is working towards achieving diversity and welcomes applications from all sections of the community. The Access Space Arts Programme is supported by Arts Council England, Yorkshire. <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< From murmer at talk21.com Thu Apr 24 06:55:22 2008 From: murmer at talk21.com (. m u r m e r .) Date: Thu, 24 Apr 2008 11:55:22 +0100 Subject: [Microsound-announce] [playlist] framework - 20.04.08 Message-ID: <4810671A.6050107@talk21.com> /*framework*/ broadcasts sundays on *resonance104.4fm* in london (uk) or worldwide on http://www.resonancefm.com from 10-11pm gmt next edtion: *27.04.08* ~ time zone converter: http://thesaturnv.com/converter.html ~ *for general info, playlists, podcasts, or to stream the latest edition: http://www.resonancefm.com/framework * *framework is supported by /soundtransit/: http://www.soundtransit.nl * RESONANCE FM'S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE HELP US TO CONTINUE BY MAKING A DONATION. CHECK OUT OUR WEBSITE TO FIND OUT HOW YOU CAN HELP K EEP RESONANCE ON THE AIR: HTTP://WWW.RESONANCEFM.COM. THANK YOU! ------------------------------------------------------------------------ /*framework*/ - phonography / field recording; contextual and decontextualized sound activity presented by patrick mcginley another hefty list of tracks this week, featuring a brand-spanking new release (and their first at that) by french artist yannick dauby's kalerne label, marc namblard's exquisite recordings of a frozen lake surface. we also heard a collection of field recordings by london-based polish artist rafal fletjer, including a very eerie istanbul capture of a man praying and weeping. and if that isn't international enough for you, we continued with artists from malaysia and lithuania... and continuing in the vein of internationality, next week's /framework:afield/ is entitled /continental in(div)isibility/, and has been produced for us in portland, oregon by tj norris. until then, visit the website to listen to the current edition at any time! again, we are always looking for material for the show, whether raw field recordings, field recording based composition, or introduction submissions. we are also now accepting proposals for full editions of our guest curated series. send proposals or material, released or not, on any format, to the address below. if you have any questions, please don't hesitate to get in touch! framework 354 rue de l'andelle 27910 perruel france framework at talk21.com ------------------------------------------------------------------------ *20.04.08* *(this edition will be available online until 27.04.08)* *(start - finish / artist / track / album / label)* 00:00 - 03:00 / rafal flejter / framework intro http://www.myspace.com/rafalflejter 01:25 - 15:53 / marc namblard // [extract 1]/ / chants of frozen lakes / kalerne http://www.kalerne.net, http://www.hui-kan.com 03:59 - 08:00 / tham kar mun / confining abstract in zero /[2]/ / shang / xing-wu http://www.yat.ch/xingwu 06:43 - 11:55 / rafal flejter / post office (barcelona) / field recordings / - http://www.myspace.com/rafalflejter 09:16 - 19:16 / antanas jasenka / p/maz(oji/mp3 /[remix by d. ciuta]/ / boarding pass / pras(vieta http://www.myspace.com/exerpm 14:00 - 25:47 / yeoh yin pin / funeral / shang / xing-wu http://www.yat.ch/xingwu 17:46 - 27:18 / antanas jasenka / ormx/ [remix o. narus(is]/ / boarding pass / pras(vieta http://www.myspace.com/exerpm 24:25 - 28:25 / rafal flejter / man praying (istanbul) / field recordings / - http://www.myspace.com/rafalflejter 27:51 - 34:33 / rafal flejter / train station weird squeak (praha) / field recordings / - http://www.myspace.com/rafalflejter 30:19 - 33:46 / marc namblard // [extract 2]/ / chants of frozen lakes / kalerne http://www.kalerne.net, http://www.hui-kan.com 31:02 - 38:53 / antanas jasenka / you revolt me /[remix by a. bums(teinas]/ / boarding pass / pras(vieta http://www.myspace.com/exerpm, http://www.bumstein.com/art/ 36:13 - 41:45 / antanas jasenka / jet fighter and bridge /[remix by skardas]/ / boarding pass / pras(vieta http://www.myspace.com/exerpm, http://www.myspace.com/skardas 39:54 - 44:25 / rafal flejter / gatwick express (london) / field recordings / - http://www.myspace.com/rafalflejter 43:29 - 42:26 / tham kar mun / confining abstract in zero /[6]/ / shang / xing-wu http://www.yat.ch/xingwu 45:21 - 48:44 / rafal flejter / early morning view from window (barcelona) / field recordings / - http://www.myspace.com/rafalflejter 47:14 - 49:20 / rafal flejter / man playing glasses (barcelona) / field recordings / - http://www.myspace.com/rafalflejter 47:56 - 51:35 / rafal flejter / entrance to boat station (istanbul) / field recordings / - http://www.myspace.com/rafalflejter 48:39 - 59:20 / marc namblard / /[extract 3]/ / chants of frozen lakes / kalerne http://www.kalerne.net, http://www.hui-kan.com 49:02 - 55:10 / antanas jasenka / ///// /[remix by gintas k]/ / boarding pass / pras(vieta http://www.myspace.com/exerpm, http://gintask.dar.lt/ 56:32 - 59:30 / tham kar mun / confining abstract in zero /[3]/ / shang / xing-wu http://www.yat.ch/xingwu ------------------------------------------------------------------------ framework intro submissions: 1) take yourself and a recording device to a location of your choice 2) record for AT LEAST one minute before you - 3) read aloud the following text: *welcome to framework.* *framework is a show consecrated to field recording, and its use in composition. field recording, phonography, the art of sound hunting; open your ears and listen!* 4) continue your recording for AT LEAST two minutes after you have finished speaking 5) send the recording on any format to the above address, or as an mp3 via email thanks! -- ||| www.murmerings.com ||| -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080424/d34b5f48/attachment.htm From x.alex.keller.x at gmail.com Thu Apr 24 08:34:12 2008 From: x.alex.keller.x at gmail.com (Alex Keller) Date: Thu, 24 Apr 2008 07:34:12 -0500 Subject: [Microsound-announce] [EVENT] Twilight of the Little Boxes: Austin, 04.27.08 Message-ID: Twilight of the Little Boxes a 24 hour sound installation with performance. invitation to attend and/or participate! Salvage Vanguard Theater, 2803 Manor Rd., Austin, Texas Sunday April 27, noon 'til Monday April 28 noon. admission, free. presented by Church of the Friendly Ghost as part of the Fuse Box Festival. rules: submissions must involve the audible broadcast and subsequent destruction and re purposing of a minimum of 1 compact audio cassette mix tape. no maximum number of tapes per submission. said tapes may be manufactured for the purpose of the event but will ideally be found objects. tapes included must be "mix tapes" as the phrase is commonly understood in contemporary popular culture, not exact reproductions of existing recorded works. tape destruction requires rendering the media unusable in its original, intended form. tapes may not be burned. the end result of all works requires re purposing of the original tape material introduced into the piece. additional non tape material may be introduced as well. multiple source 24 hour compact audio cassette play-out and intention to deliver as many tapes as possible into the unknown. regarding the tapes themselves as lost, obsolete, restless, or otherwise misunderstood messages one may view them as having a certain spiritual charge. the idea is to collect as many as possible together at one time to ritualistically provide one last chance to broadcast their information before delivering them to peaceful oblivion thereafter. the re purposing will then take many forms. some husks will be retained as a reminder and celebration of the event and also because the tape's covers themselves are so often unexpectedly beautiful and fun to look at. the music itself then lost, part of the installation's proposition is to inspire fresh inspiration for a small local bloom new mixtape-making in order to keep the art form viable and dynamic. Mix CDs do not have the same power. some of the pieces are performances (there are 5 main performances) where the playback, destruction, and re purposing happen as the musical performance itself. in those cases, the re purposing can be sonic more than visual or tactile. many of the pieces are ongoing while the tape material to be used is played constantly at a low, sometimes barley audible volume. there will also be a certain amount of nostalgic, high volume broadcasts. this is unpredictable and will depend largely on the improvisational participation throughout the 24 hours. the istallation will begin at noon Sunday and the performance pieces will start around 8. one may of course arrive at any time Sunday and is welcome and encouraged to stay the duration. a certain amount of the material will be improvised as the night stretches into the morning and those who hang out will play a big part. I (aaron mace) will be on site and awake for the entire 24 and installing everything that comes though the doors with the intent to push the spacial and temporal limits of the installation as far as possible. all are welcome and encouraged to bring tapes and tape payers. all tapes will be destroyed. all tape players will be returned unharmed. Performance pieces begin at 8pm Sunday with: Steve Marsh/Tape Gore: playback dissection, disembodied tape head with real time hand-tracking. Douglas Ferguson/array: 4 echo-plex/4 amplifiers. Doug will record segments of the playback, destruction, re-purpose process during the installation and feed it trough a series of 4 echo-plex loops via a mixer. at first, the sound will be familiar and discernible. Josh Ronsen/Handphones uniformed Handphone Ensemble will be present. Handphones are hand-mounted speakers and will move about cupping hands over people's ears so only that person can hear what is coming out of the Handphones.there will be 1-5 people moving about, playing mix tapes. Alex Keller/Confessional Confessional is a piece about divulging something personal, in solitude, to someone who will hear your confession at another time. In this piece, the participant will approach the microphone and quietly confess. The confession is recorded onto a tape loop that will be played back without erasing what was recorded before. What will begin as a single voice will become a chorus of voices, drowning in murmurs, static, and noise. 7 Inch Stitch sourced from an archive mix tapes created in the eighties for use with ST37 and Thanatopsis Throne that contain snippets of Wizard of Oz, baptist preachers, Cancer therapy, P.D.A.P., collages, etc. playback broadcast of multiple cassette tapes accompanied by guitar/keyboard. subsequent tape dismantle and sculpture. THE PUBLIC IS WELCOME AND ENCOURAGED TO PARTICIPATE ON-SITE AND UNANNOUNCED AT ANY TIME DURING THE 24 HOUR PERIOD. twilight of the little boxes is intended as the first in a series of 24 hour sound-intensive installations curated by Church of the Friendly Ghost. more information, contact aaron mace at 512 786 2015 churchofthefriendlyghost at gmail.com From ondasonoraradio at yahoo.es Thu Apr 24 11:02:20 2008 From: ondasonoraradio at yahoo.es (Onda Sonora Radio) Date: Thu, 24 Apr 2008 15:02:20 +0000 (GMT) Subject: [Microsound-announce] CONTENTS ONDA SONORA RADIO 23-04-2008 Message-ID: <234633.3731.qm@web25601.mail.ukl.yahoo.com> ONDA SONORA (Experimental Radio Sessions), Madrid (ES) ?Radio C?rculo de Bellas Artes 100.4 FM Wednesday. 15h . www.circulobellasartes.com www.ondasonoraradio.com? Listen any time http://www.artesonoro.org/archives/category/artesonororadio/radio_ondasonora/ www.myspace.com/ondasonoraradio CONTENTS ONDA SONORA 23-04-2008 01. MAJA RATKJE (Live in Electronica en Abril - La Casa Encendida. 25-04-08. 20:00h) Track: Intro / Trio / Stalker / Insomnia / Dictaphone Jam / Voice / The Wolf / The Red Hooded Lady of the Woods Album: Voice / Stalker / Adventura Anatomica Label: Rune Grammofon / Important / Semishigure 02. ECHOSPACE (Live in Electronica en Abril - La Casa Encendida. 27-04-08. 22:00h) Track: Ocean of Emptiness Album: The Coldest Season Label: Deepchord 03. ROD MODELL Track: Into Day Album: Incense & Black Light Label: Plop 04. ACID MOTHERS TEMPLE SWR (Live in JAPANESE NEW MUSIC FESTIVAL. Sala Caracol. 26-04-08. 00:00h + Ruins Alone + Akaten + Kawabata Makoto Solo) Track: Do You Know Where The Secondhand Record Shop Is / Good Buddha / Mechochin Of Love Album: Swr Label: Very Friendly ______________________________________________ Enviado desde Correo Yahoo! La bandeja de entrada m?s inteligente. From rjvaleo at gmail.com Thu Apr 24 14:31:10 2008 From: rjvaleo at gmail.com (rj valeo) Date: Thu, 24 Apr 2008 14:31:10 -0400 Subject: [Microsound-announce] april transelectronic newsletter - free downloads, software reviews + more Message-ID: <42f446840804241131k6aa7c7f9g8f2febb7750d84a2@mail.gmail.com> http://transelectronic.net News: I have adopted a new paradigm for releasing music, one entitled "free". I know that I am not Radiohead, or NIN for that matter, but I am going to take their lead and do as they do. Small artists don't see most of the money from the releases that people have paid money for anyway, so, I figure, why should people pay for an artist's work if the artist never sees most of it? Well, the times they are a-changin', and now you can directly support the arts by donating directly to the producers whatever you decide the music is worth. Hurray for the Interwebs! This enables people to get music *legally for free*, and it assures that what they do give goes to the people that make the music. Woot! In addition to these donation-ware/free releases on transelectronic.net, I will be re-launching the "long-in-hibernation" io-records, which will be an outlet for physical media and high quality digital releases. This will be a boutique label, focusing on small run-editions encased in unique and handmade packaging. io-records is scheduled to re-launch at the end of summer, 2008. What kind of music will be released on io? The same kinds that are currently on transelectronic.net - idm, techno, glitch, microsound, ambient and experimental. Word to the electronics. Recent transelectronic items These are just a few of the many music related things to experience on the site. Isomer Transition - Mission to Mars - Trans.007 *[link here: http://transelectronic.net/v2/archives/tag/mission-to-mars ]** * Mission to Mars was originally released in May of 2007 on Jakub Alexander's wonderful Moodgadget Records [moodgadget.com] , receiving rave reviews on Lost at Sea, and and DJ play by the likes of Ryan Eliott [Spectral Records], Tim Xavier [Clink Recordings], and Igal Nassima [LESS, NYC]. This is the first release in the "Behind the Shadow of the Moon" series, Mission to Mars chronicles the planning of the journey of a rogue band of scientists as they launch their mission to investigate the mysterious signals emanating from, and structures discovered on an "unto now" undiscovered planetoid orbiting Jupiter's moon, Io. Transelectronic Theory - Sunrise [digital re-issue] *[link here: http://transelectronic.net/v2/archives/tag/sunrise ] * The classic 1997 cassette release 'sunrise' is now back, remastered and available for download. In addition to the album, a live performance from the same era was found, mastered and uploaded for your listening pleasure. The album is reminiscent of Arovane's Tides (done at the same time) and the live performance sits firmly between Aphex Twin and Autechre of the same era. Michael Norris' Soundmagic Spectral Software Review *[link here: http://transelectronic.net/v2/archives/91 ] * Michael Norris is one of those programmers that has been making software for music almost as long as Tom Erb or David Zicarelli have been. Soundmagic Spectral are a group of over 12 different AU plugins (sorry, Mac only) that shape and modify a sound's tonal, and spectral properties, creating amazing washes, sound beds, shimmering delays and other assorted sci-fi-ish sounds. Think star trek transporter and you get the idea. The plugins are FREE and the link can be found at the top of the review. These are just a few of the items that are reviewed and linked on transelectronic.net, so grab your mouse and click on over for some amazing downloadable goodness along with some thought provoking commentary and reviews. All the best - RJ Valeo -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080424/96950b90/attachment.htm From neil.wiernik at gmail.com Fri Apr 25 00:33:11 2008 From: neil.wiernik at gmail.com (neil wiernik) Date: Fri, 25 Apr 2008 00:33:11 -0400 Subject: [Microsound-announce] naw, double suicide and elyn sof - may 8th - toronto In-Reply-To: <825dc38e0804242131y4821a87cib7acac013e0579c8@mail.gmail.com> References: <825dc38e0804242131y4821a87cib7acac013e0579c8@mail.gmail.com> Message-ID: <825dc38e0804242133i15eb6d09q2733c32f9af57964@mail.gmail.com> come out and join us for an evening of lush deep music featuring: naw - noise factory records - phoniq.net double suicide - constellation - sandroperri.com eiyn sof - spring skull recordings - myspace.com/eiynsof where: the central 603 markham st. (1/2 block south of bloor) when: may 8th - 9pm-12am (note early show) how much: $5 -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080425/0c02545c/attachment.htm From derek at umatic.nl Fri Apr 25 07:59:13 2008 From: derek at umatic.nl (Derek Holzer) Date: Fri, 25 Apr 2008 13:59:13 +0200 Subject: [Microsound-announce] Waves: Derek Holzer - Tonewheels Workshop, Dortmund, 29 May - 1 June 2008 Message-ID: <4811C791.8050205@umatic.nl> TONEWHEELS Workshop with Derek Holzer (USA) HMKV in the PHOENIX Halle Dortmund May 29 - June 1, 2008 (Thu - Sun) Max. 15 participants, in English Registration until May 22, 2008 at info at hmkv.de or Tel +49 - 231 - 823 106 In the framework of ?Waves -The Art of the Electromagnetic Society", HMKV in the PHOENIX Halle Dortmund, May 10 - June 29, 2008, opening: Friday, May 9, 2008, 19:00, www.hmkv.de PHOENIX Halle Dortmund Hochofenstr. / Ecke Rombergstr. Dortmund-Hoerde Tonewheels is an experiment in converting graphical imagery to sound, inspired by some of the pioneering twentieth-century electronic music inventions. Transparent tonewheels with repeating patterns are spun over light-sensitive electronic circuitry to produce sound and light pulsations and textures, while projected graphical loops and textures add richness to the visual environment. This all-analogue set is performed entirely live without the use of computers, using only overhead projectors as light source, performance interface, and audience display. In this way, Tonewheels aims to open up the 'black box' of electronic music and video by exposing the working processes of the performance for the audience to see. The Tonewheels workshop will provide an introduction to simple techniques of optical synthesis using overhead projectors, transparencies, motors, lasers, LEDs, simple integrated circuit chips, photoresistors, phototransistors, and photodiodes. It will require no previous knowledge of electronics to take part. Participants will make simple circuits to turn light directly into sound and drive motors which can spin or move transparencies over these circuits. They will also have an opportunity to design sound-producing transparencies, either on the computer using Inkscape or similar drawing software, or by hand using ink pens. http://umatic.nl/tonewheels.html Enquiries about the workshop, registration until May 22, 2008: Hartware MedienKunstVerein, info at hmkv.de or Tel +49 - 231 - 823 106 Schedule: Thu 11:00-19:00 Workshop Fri 11:00-18:00 Workshop (from 18:00 video program "Abstracts of Syn" by Medienturm Graz) Sat 11:00-19:00 Workshop Sat 20:00 final presentation and performance by Derek Holzer Sun 11:00 brunch Regulations: - the participants will pay the costs for travel, food and accomodation - free admission - HMKV recommends the City Hotel Dortmund (http://www.cityhotel-dortmund.de/) or Ruhgebiet (http://www.ruhgebiet.de) For any further information, please contact: Hartware MedienKunstVerein Guentherstrasse 65 D-44143 Dortmund T ++49 (0) 231 - 823 106 F ++49 (0) 231 - 882 02 40 info at hmkv.de www.hmkv.de Workshop and exhibition venue: PHOENIX Halle Dortmund Hochofenstr. / Ecke Rombergstr. Dortmund-Hoerde ------------- GERMAN ------------- TONEWHEELS Workshop mit Derek Holzer (USA) HMKV in der PHOENIX Halle Dortmund 29. Mai - 1. Juni 2008 (Do - So) Max. 15 TeilnehmerInnen, in englischer Sprache Anmeldung bis 22. Mai 2008 unter info at hmkv.de oder Tel 0231 - 823 106 im Rahmen von ?Waves - The Art of the Electromagnetic Society", HMKV in der PHOENIX Halle Dortmund, 10. Mai - 29. Juni 2008, Eroeffnung: Freitag, 9. Mai 2008, 19:00, www.hmkv.de PHOENIX Halle Dortmund Hochofenstr. / Ecke Rombergstr. Dortmund-Hoerde Inspiriert durch einige bahnbrechende Erfindungen des 20. Jahrhunderts im Bereich der elektronischen Musik, geht es in dem Workshop Tonewheels um eine experimentelle Umwandlung von Grafiken in Klang. Transparente Tonraeder (engl: Tonewheels) mit sich wiederholenden Mustern drehen sich ueber lichtempfindlichen elektronischen Sensoren, um Klang- und Lichtimpulse und -texturen zu generieren, waehrend projizierte Grafikloops und Texturen das visuelle Environment zusaetzlich anreichern. Ohne den Einsatz von Computern wird dieser vollstaendig analoge Aufbau komplett live aufgefuehrt. Ein Overhead-Projektor dient als Lichtquelle, Performance-Schnittstelle und Projektionsinstrument. Auf diese Weise versucht Tonewheels die "Black-Box" elektronischer Musik- und Videoproduktion zu oeffnen, indem der Arbeitsprozess fuer die Zuschauer sichtbar gemacht wird. Der Tonewheels-Workshop gibt eine Einfuehrung in einfache Techniken der optischen Synthese mittels Overhead-Projektoren, Transparent-Scheiben, Motoren, Lasern, LEDs, einfachen integrierten Schaltkreisen, Fotowiderstaenden, Fototransistoren und Fotodioden. Elektronikvorkenntnisse werden zur Teilnahme nicht benoetigt. Die Teilnehmer bauen einfache Schaltkreise zusammen, um Licht direkt in Schall umzuwandeln und um Motoren anzutreiben, die die Transparent-Scheiben direkt ueber den Schaltkreisen drehen oder verschieben koennen. Sie haben auch die Moeglichkeit, die Klang erzeugenden transparenten Scheiben entweder am Computer mit Hilfe von Inkscape oder einer aehnlichen Bildbearbeitungssoftware oder von Hand mit Farbstiften zu gestalten. http://umatic.nl/tonewheels.html Informationen zum Workshop und Anmeldung bis zum 22. Mai 2008 unter Hartware MedienKunstVerein, info at hmkv.de oder Tel +49 - 231 - 823 106 Ablauf: Do 11:00-19:00 Workshop Fr 11:00-18:00 Workshop (ab 18:00 Videoprogramm "Abstracts of Syn" vom Medienturm Graz) Sa 11:00-19:00 Workshop Sa 20:00 Praesentation der Ergebnisse und Performance von Derek Holzer So 11:00 gemeinsamer Brunch Teilnahmebedingungen: - Die TeilnehmerInnen tragen Kosten fuer Anreise, Verpflegung und Uebernachtung - Teilnahme kostenlos - Der HMKV empfiehlt das City Hotel Dortmund (http://www.cityhotel-dortmund.de/) oder das Ruhgebiet (www.ruhgebiet.de) Allgemeine Informationen unter: Hartware MedienKunstVerein Guentherstrasse 65 D-44143 Dortmund T ++49 (0) 231 - 823 106 F ++49 (0) 231 - 882 02 40 info at hmkv.de www.hmkv.de Ausstellungsort: PHOENIX Halle Dortmund Hochofenstr. / Ecke Rombergstr. Dortmund-Hoerde -- Dr. Inke Arns K?nstlerische Leiterin / Artistic Director Hartware MedienKunstVerein G?ntherstrasse 65 D-44143 Dortmund T +49 - 231 - 823 106 F +49 - 231 - 882 02 40 M +49 - 176 - 430 62 793 www.inkearns.de www.hmkv.de ______________________________________________ SPECTRE list for media culture in Deep Europe Info, archive and help: http://coredump.buug.de/cgi-bin/mailman/listinfo/spectre From ed at volumeprojects.org Sat Apr 26 20:18:25 2008 From: ed at volumeprojects.org (Ed Patuto) Date: Sat, 26 Apr 2008 20:18:25 -0400 Subject: [Microsound-announce] (no subject) Message-ID: <19955664.635231209255505616.JavaMail.servlet@perfora> Raster Noton: Carsten Nicolai, Olaf Bender, Frank Bretschneider May 14, 2008 San Francisco Art Institute 800 Chestnut Street San Francisco, CA 94133 7pm-midnight Tickets are $15 for the general public, free for SFAI Students (limit one per student). Tickets will be sold the night of the performance at the venue, advance tickets may be purchased online at: www.volumeprojects.org LISTEN/VISION is a unique series exploring the art of perception. It is a place and time for a shared experience of sound and light and space. Volume and Overlap.org have partnered to commission new and unreleased sound and video works from an international pool of acclaimed contemporary artists. LISTEN/VISION will also host live performances and multichannel sound installations. The third installment of LISTEN/VISION presents a very special evening with live performances by the three principal members of the German arts platform Raster-Noton: Carsten Nicolai, Frank Bretschneider, and Olaf Bender. Each artist will perform individually, and collectively as Signal. These artists are considered by many to be some of the most important and influential individuals working within the field of experimental electronic audiovisual performance today. The program will consist of four live performances: Signal: Robotron Alva Noto (Carsten Nicolai): Unitxt Olaf Bender: D.O.A.T. (Death of a Typographer) Frank Bretschneider: Rhythm Raster-Noton: Archiv F?r Ton Und Nichtton is a platform, a network covering the overlapping border areas of pop, art, and science. After surviving the storm that followed the fall of the Berlin Wall, East German sound manipulators Carsten Nicolai, Frank Bretschneider, and Olaf Bender pooled their resources as Raster-Noton and jacked into international art currents. Their minimalist electronic CDs and sound objects have sent power surges through a global grid connecting like-minded artists from Coil?s ElpH to Tokyo?s Ryoji Ikeda. This program is generously sponsored by the Goethe Institute, San Francisco. -- Ed Patuto Co-Director VOLUME www.volumeprojects.org From dwnewman at clara.co.uk Sun Apr 27 09:55:51 2008 From: dwnewman at clara.co.uk (David Newman) Date: Sun, 27 Apr 2008 14:55:51 +0100 Subject: [Microsound-announce] 1 | Favourite Places > The Wire Review In-Reply-To: <19955664.635231209255505616.JavaMail.servlet@perfora> References: <19955664.635231209255505616.JavaMail.servlet@perfora> Message-ID: <000d01c8a86e$67e24490$f8087357@audiobul4e19d0> Just had a lovely review in the Wire that I thought I?d share with the group . Susanna Glaser | THE WIRE 291 May 2008 David Newman, of exploratory electronica label Audiobulb, recently put out a call for submissions for a project bringing together field recordings, compositional interpretation and digital images. The idea was for artists to create a ?dynamic audio diary?, focusing on a favourite place of their choice. Each artist who made it onto the CD ? Leafcutter John, Taylor Deupree and Biosphere among them ? immerses the listener in found sound from their favourite place, before re-interpreting this tangible audio into more abstract and intimate musical forms. The varying approaches make for a genuinely transporting listen. Dot Tape Dot?s favourite place is their bathroom. As expected, the noise of ?My Bathroom? is ?wet?, with the Spanish group soaking the listener in a warm slosh of noise before featherlight glockenspiels enrich the sonic bath. A world away, a flock of birds call close to the mic on Biosphere?s ?Tranoy Lighthouse? heralding a lonely wash of sound which floats on the rising tide. Meanwhile, in Japan, RF treats us to an emotional walk to Kyoto?s Shimogamo Shrine: augmented steps on a gravel path provide the ?beats? before a melancholy guitar plucks out a beautiful melody alongside Midori Hirano?s gentle vocals. Favourite Places brings alive personal memories via geography and sound, the local made global; despite its geographic reach, it is a surprisingly intimate record as a result. 1 | Favourite Places CD (?7.50) available here > http://www.audiobulb.com/ab-shop.htm Interactive website > http://www.audiobulb.com/fp.htm David Newman A U D I O B U L B R E C O R D S www.audiobulb.com www.audiobulb.com/ab-shop.htm -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080427/53628d59/attachment.htm From info at gonzocircus.com Sun Apr 27 09:56:12 2008 From: info at gonzocircus.com (info at gonzocircus.com) Date: 27 Apr 2008 15:56:12 +0200 Subject: [Microsound-announce] =?utf-8?q?Microsound-announce_Digest=2C_Vol?= =?utf-8?q?_37=2C_Issue_16?= Message-ID: <20080427135612.17384.qmail@hamley.schedom-europe.net> Beste, Wegens technische problemen is Gonzo (circus) tot en met zondag 27 april niet bereikbaar op dit adres. Voor orders, abonnementen, agenda etc. kunt u de e-mailadressen vinden op onze website www.gonzocircus.com. Vriendelijke groet, Gonzo (circus) ---- Dear reader, Due to technical problems Gonzo (circus) cannot be reached on this address until Sunday the 27th of April. For specific questions please go to our website www.gonzocircus.com where you can find all our other e-mailadresses. Kind regards, Gonzo (circus) From kim at anechoicmedia.com Sun Apr 27 15:51:09 2008 From: kim at anechoicmedia.com (Kim Cascone) Date: Sun, 27 Apr 2008 12:51:09 -0700 Subject: [Microsound-announce] reminder: new release on anechoic Message-ID: I have 15 copies left -- sale ends in one week =============================== Title: ?Pharmacie: Red & Green? Artist: Kim Cascone Label: Anechoic Catalog#: a008 Length: 31:00 Format: CDR in handmade packaging Limited edition of 31 copies ? [only one copy per customer] A reworking of field recordings gathered from tour stops in Europe and San Francisco from 2006 ? 2008. Inspired by a readymade of the same title by Marcel Duchamp, ?Pharmacie? is woven from everyday sounds such as Belgian church bells, the Paris Metro and hydrophone recordings of an underwater stream at the Sutro Baths in San Francisco to name a few. The CDR comes tucked inside a handmade slip-cover made of black felt along with three pins and a four-color poster. This is a limited edition release of only 31 copies and will go on sale. Sunday April 20th and end on Monday May 5th [only the first 31 orders via Paypal will be filled] see: for ordering info -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080427/f6a8f67a/attachment.htm From dwnewman at clara.co.uk Sun Apr 27 18:49:35 2008 From: dwnewman at clara.co.uk (David Newman) Date: Sun, 27 Apr 2008 23:49:35 +0100 Subject: [Microsound-announce] Audiobulb List > Exclusive Download In-Reply-To: <20080427135612.17384.qmail@hamley.schedom-europe.net> References: <20080427135612.17384.qmail@hamley.schedom-europe.net> Message-ID: <000001c8a8b8$f73f2aa0$f8087357@audiobul4e19d0> Hi Everyone Just a heads up to encourage you and your friends (if you think they'd be into our sound) to sign up for our new PHP mailing list > http://www.audiobulb.com/lists/?p=subscribe I will be giving away the gift of an EXCLUSIVE free download album for everyone on the list next month + some amazing news about a new audiobulb sound module!!!! David Newman A U D I O B U L B R E C O R D S www.audiobulb.com www.audiobulb.com/ab-shop.htm From musica_excentrica at yahoo.com Sun Apr 27 18:35:32 2008 From: musica_excentrica at yahoo.com (Nikita Golyshev) Date: Sun, 27 Apr 2008 15:35:32 -0700 (PDT) Subject: [Microsound-announce] Astrowind plays analog psychedelics on Musica Excentrica Message-ID: <154630.75273.qm@web45007.mail.sp1.yahoo.com> Hi there! We're glad to announce Musica Excentrica 13-th release! Astrowind ? ?Fresh Wind in the Valley of Dreams? Astrowind might be a slightly ridiculous band name, especially if you consider the fact these two Latvian guys play lush ambient music on Soviet synthesizers. But nevertheless, it?s a good name. An accurate name, at least. Because there is a feel of acroamatic escapism, there are these huge chords of hissing analogue synthesizers and you can even find this special kind of Slavonian melancholia (or Baltic, respectively) people use to rave about. Astrowind bring up a lot of references in their beautiful and, well, obsolete music (text by Swen Swift). This is the full-length album by Astrowind wich leads listener to the world of supernatural reality - the world of blossoming syntesizer-pads and carefully built soundscapes. Listen at download at: http://netaudio.ru/musica-excentrica/releases/exc013/ with best regards, Musica Excentrica --------------------------------- Be a better friend, newshound, and know-it-all with Yahoo! Mobile. Try it now. -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080427/355bb7cc/attachment.htm From gintaskr at takas.lt Tue Apr 29 03:54:29 2008 From: gintaskr at takas.lt (gintas k) Date: Tue, 29 Apr 2008 10:54:29 +0300 Subject: [Microsound-announce] "Septyni tiltai pasaulio centre" (Seven bridges in the centre of the world ) Message-ID: <005201c8a9ce$45f3ecb0$0200a8c0@pcd413472457ae> Robertas Kundrotas & Gintas K - "Septyni tiltai pasaulio centre" (Seven bridges in the centre of the world ) Recorded October 13, 2007, at the audiovisual poetry festival "Tarp: Vasaros 5" which took place at the Vasaros 5 Mental Hospital, Vilnius, Lithuania. Sound: Gintas K Reading: Robertas Kundrotas MP3 Released by Zeromoon zero089 download: http://www.archive.org/details/zero089 video excerpt: http://www.youtube.com/watch?v=6UcB0r0G5sA ++++++++++++++++++++ VITAL WEEKLY#625 ROBERTAS KUNDROTAS & GINTAS K - SEPTYNI TILTAI PASAULIO CENTRE (MP3 by Zeromoon) The title translates as 'Seven Bridges In The Centre Of The World' and brings together Lithuania's most active force of laptop glitch, Gintas K, together with Robertos Kundrotas, who can be held responsible for bringing new music (as in Vital's world) to the same country, since a long time, when he started to publish 'Tango' (in 1990). In October 2007 the two of them performed at an audiovisual poetry festival 'Tarp: Vasaros 5' in Vilnius. It's a bit hard to say what the texts are about. They are not easy to understand, even if I would speak Lithuanian. The voice is pushed to the back and Gintas waves over it a network of sounds - starting rhythmically but slowly more and more heavy sounds drop in, like washes from the sea until the voice has entirely disappeared. Towards the end it returns and things seem to come to a natural conclusion. Quite a heavy piece, which is unmistakably a live recording which could have perhaps trimmed down a bit more, but nevertheless is a well rounded piece. (FdW) regards , gintas http://gintask.dar.lt From info at aa-vv.org Tue Apr 29 07:07:03 2008 From: info at aa-vv.org (info at aa-vv.org) Date: Tue, 29 Apr 2008 05:07:03 -0600 Subject: [Microsound-announce] [a=v] DIY workshop in Munich ~ SOLAR CIRCUITS ~ 3.>6. June'08 ~ With Ralf Schreiber Message-ID: <20080429050703.mkbi475ao8s0oksc@74.220.207.126> [a=v] announcing: A hands-on, playful workshop in Munich SENSITIVE CIRCUITS IN THEIR COLLECTIVE froWARD (Solar circuits for kinetic sound_movement_light) With RALF SCHREIBER (Cologne) June Tue 3. to Fr 6. 2008 (16:00 to 22:00) June Fr 6. 20:00 - If something collective happens it will be organic. At Lothringer13/Laden. Lothringerstr. 13, 81667, Munich. Registration till 25. May'08 at http://www.aa-vv.org/?av_02010101 The workshop is about: ~ Suneater-beam-technology and solarsoundmodules. ~ Basics of electronic components and special aesthetic of low-energetic highly sensitive electronic circuits. ~ Electronic sound production and oscillators in general. The modules can be used as a simple synthesizers, sequencers or drum/beat processors and be amplified. ~ Light projection by means of using beam and overhead technology. ~ Self-powered collective installation. What you can build: ~ Smallest synthesizer-, simple sequencer-, piezo preamplifier-, amplifier-, inductive detector circuits and special solar-engines to drive all that with small solar panels. ~ Simple self kinetic, self animated-screen-objects for overhead projectors. ~ If you have an electronic background, you can build more complex circuits: solar power extensions for arduino u-processors, new advanced solar engines and complex solar sound circuits. ~ Your own circuits or extend using solar technology those, developed during your previous workshops. Regulations: ~ Admission is FREE ~ Electronic kits and parts will cost from 15,- to 35,- Euro, depending on use and to be purchased from Ralf Schreiber. ~ If you have a soldering iron, multimeter, tools for soldering, bring them. ~ Travel-/accommodation costs the participants pay themselves. Ralf Schreiber: Kinetic sound artist, solar robot tinkerer, circuit bender. Based in Cologne. www.ralfschreiber.com Further details: http://www.aa-vv.org/?av_020103 On-line registration: http://www.aa-vv.org/?av_02010101 Contact: E-mail: workshop[at]aa-vv[dot]org Tel: +49 (0)89 36039672 http://aa-vv.org ~ Organized by Natalia Borissova within [a=v] workshop-series exploring all possible DIY approaches in the electronic-constructions, creation of projects and collective expressions. Hosted by Lothringer13/Laden http://laden.lothringer13.de/space/ Tel: +49 (0)89 45911905 Supported by Department of Arts and Culture of Munich. http://www.muenchen.de/Rathaus/culture/185704/index.html ~ Please, feel free to FROward this information... From info at gonzocircus.com Tue Apr 29 07:07:38 2008 From: info at gonzocircus.com (info at gonzocircus.com) Date: 29 Apr 2008 13:07:38 +0200 Subject: [Microsound-announce] =?utf-8?q?Microsound-announce_Digest=2C_Vol?= =?utf-8?q?_37=2C_Issue_17?= Message-ID: <20080429110738.24308.qmail@hamley.schedom-europe.net> Beste, Wegens technische problemen is Gonzo (circus) tot en met zondag 27 april niet bereikbaar op dit adres. Voor orders, abonnementen, agenda etc. kunt u de e-mailadressen vinden op onze website www.gonzocircus.com. Vriendelijke groet, Gonzo (circus) ---- Dear reader, Due to technical problems Gonzo (circus) cannot be reached on this address until Sunday the 27th of April. For specific questions please go to our website www.gonzocircus.com where you can find all our other e-mailadresses. Kind regards, Gonzo (circus) From mikamartini at yahoo.com Tue Apr 29 22:32:47 2008 From: mikamartini at yahoo.com (Festival PIMAC) Date: Tue, 29 Apr 2008 22:32:47 -0400 Subject: [Microsound-announce] COMIENZA-EL-FESTIVAL-PIMAC!! Message-ID: <1209508361bcd23b60523c1273308e5dd970cc60fd@yahoo.com> Hola Microsound Queremos informarte que el Festival Electronico Itinerante PIMAC se lanza en La Serena. Este Sabado 3 de Mayo en La Serena se da inicio a la gira PIMAC, en la cual un grupo de connotados artistas chilenos que cultivan la musica electronica experimental y sus variantes, recorreran brindando conciertos gratuitos en diferentes comunas de la Cuarta y Quinta region, en el marco de un proyecto financiado por el Fondo para el Fomento de la Musica Nacional, denominado "PIMAC, Presentacion Itinerante de Musica de Avanzada de Chile". Para asistir solo tienes que retirar invitaciones en los lugares que te informamos a continuacion. Apoyanos, corre la voz, avisale a tus amigos... Quedan todos invitados a asistir y a conocer la musica de los proyectos: Esqueleto, Alisu, Aux, Insecto, Chiodata y Djef. PUNTOS DE DISTRIBUCION DE INVITACIONES EN LA IV REGION LA SERENA Lugar: Oficina Central del Departamento de Musica de la Universidad de La Serena. Direccion: Larrain Alcalde s/n. Lugar: Oficina Consejo Regional de la Cultura y las Artes Coquimbo . Direccion: Matta 695. Lugar: Centro de produccion y difusion del arte experimental VUELOAHORA. Direccion: Infante 750, La Serena Lugar: Biblioteca Viva. Direccion: Mall Plaza La Serena, Avenida Alberto Solari 1400. Para mayor informacion visita nuestro sitio web: http://www.pimac.cl. PRIMERA FECHA: Sabado 3 de Mayo de 2008: La Serena. Lugar: Salon MECESUP, Universidad de la Serena, Larrain Alcalde s/n. Hora Inicio: 20:30 hrs. / Hora termino: 23:59 hrs. En vivo: Esqueleto, Alisu, Aux, Insecto, Chiodata y Djef. ----------------------------------------------------------------------- Ver Flyer en: http://www.pueblonuevo.cl/images/Flyer_web_PIMAC-4taRegion.jpg ----------------------------------------------------------------------- BREVES BIOGRAFIAS DE LOS MUSICOS: "Esqueleto" es Octavio Berbakow, precursor de la musica electronica de vanguardia y coleccionista de instrumentos analogos. Desarrolla el sonido de la electronica mas primitiva, usando moogs y space echos, su musica es basada en la improvisacion, creando fragmentos desperdigados de pop crepuscular, folk marciano y experimentacion intermitente. http://www.myspace.com/ottober "Alisu" es Jessica Campos de la Paz, dise?adora grafica y musico. Fundo junto a Rolancho el colectivo Manziping. Sus composiciones son calidas y ambientales, muy delicadas y femeninas, melodias sutiles y sonidos robotizados. Colaboradora en Pueblo Nuevo y Modismo netlabel. http://www.myspace.com/alusiva "Aux" es Andres Ortega Maldonado, musico y arquitecto. Experimenta con estilos ambient y minimalistas. Aux es un promotor activo de las nuevas artes digitales en Chile, quien ha coordinado importantes festivales en Chile, tal como fue Mutek 2005 y MicroMutek 2007. http://www.myspace.com/andresaux "Insecto" es Jimmy Pizarro Arancibia, desarrolla su musica con tecnologia virtual, motivado por las nuevas expresiones. Su musica se situa en una intrincada y afable playa sonora, marcada por delicadas estructuras ritmicas, entrelazadas por finas texturas y melodias microscopica. Es el impulsor del proyecto Pimac. http://www.myspace.com/insectocl "Chiodata" es Claudio Cisterna Villanueva, socio impulsor de Impar netlabel, ahi lo encontramos bajo el alias de Flipper. Sus composiciones son abstractas y a veces organicas. El caracter ludico de su musica se fusiona con finos matices de ritmos latinos. http://www.impar.cl "Djef" es Daniel Jeffs, musico con estudios en guitarra, fundador del netlabel Pueblo Nuevo junto a Mika Martini, ademas con el integra el proyecto ?Chiste? , muy adentrado en la utilizacion de tecnologia virtual, cultivando composiciones minimal con su estilo muy personal. http://www.myspace.com/djefmusic PROXIMAS PRESENTACIONES: 2da. presentacion: Sabado 10 de Mayo de 2008: Coquimbo. Lugar: Centro Cultural Casa de las Artes y la Cultura, Ilustre Municipalidad de Coquimbo, Aldunate n? 699. Hora Inicio: 20:30 hrs. / Hora termino: 23:00 hrs. En vivo: Sembe, Hans Carstens, Diego Morales, Mika Martini y Danieto. 3ra. presentacion: Sabado 24 de Mayo: Valparaiso. Lugar: Sala Ruben Dario, calle Blanco 1113, Universidad de Valparaiso. Hora Inicio: 19:00 hrs. / Hora termino: 21:30 hrs. En vivo: Aux, Sembe, Chiodata, Danieto y Djef. 4ta. presentacion: Sabado 31 de Mayo: Vi?a del Mar. Auditorio DUOC, Pontificia Universidad Catolica de Chile. ?lvarez 2366, Chorrillos. Hora Inicio: 20:30 hrs. / Hora termino: 22:55 hrs. En vivo: Diego Morales, Alisu, Insecto, Hans Carstens y Mika Martini. ORGANIZACION FESTIVAL PIMAC Jimmy Pizarro A. (Insecto). Cargo: Organizador, Musico. http://www.myspace.com/insectocl jimmy.pizarro.a at gmail.com Jessica Campos de La Paz (Alisu). Coordinacion, Dise?o, Difusion, Musico. http://www.myspace.com/alusiva alisulain at gmail.com Hugo Espinosa: (Mika Martini). Coordinacion, Difusion - Prensa, Musico. http://www.myspace.com/mikamartini mikamartini at yahoo.com VER PRIMER COMUNICADO EN PDF: http://www.pueblonuevo.cl/primer_comunicado_pimac.pdf Nota: por razones tecnicas los acentos se han omitido intencionalmente. ----------------------------------------------------------------------- PIMAC / PRESENTACION ITINERANTE DE MUSICA DE AVANZADA DE CHILE WWW.PIMAC.CL productor: jimmy.pizarro.a at gmail.com difusion: alisulain at gmail.com / mikamartini at yahoo.com Proyecto financiado por Fondo de Fomento de la Musica del Consejo Nacional de la Cultura y las Artes del Gobierno de Chile. Si no quieres recibir mas info responde NO+ ----------------------------------------------------------------------- Revisa nuestra cartelera completa de presentaciones en / all Live_Act info at: http://www.pimac.cl ----------------------------------------------------------------------- From philippe-petit at wanadoo.fr Wed Apr 30 05:31:55 2008 From: philippe-petit at wanadoo.fr (Philippe Petit) Date: Wed, 30 Apr 2008 11:31:55 +0200 Subject: [Microsound-announce] BiP_HOp Generation Radio show ::: April 2008 Playlist In-Reply-To: <99EFEDD7-5FFC-4648-B6AE-644CA59D2254@wanadoo.fr> References: <6F07C7A4-0900-46CF-AE1B-1712F24A8671@wanadoo.fr> <039A0F07-C34B-4EAC-8887-F9B5BC049DC6@wanadoo.fr> <4CD74CF0-1D43-416A-9264-A2F96BAB6EFE@wanadoo.fr> <823225B0-A77D-4585-A358-6725CFB712C3@wanadoo.fr> <96108BB5-2C97-4BC7-81D2-35EA79638BA4@wanadoo.fr> <1CDB7E6A-6F0A-4605-8943-17012C6F7525@wanadoo.fr> <2AA27EAA-30E7-41C9-B993-6719DECD27F7@wanadoo.fr> <9B21E22D-D7B8-4B48-AEC2-71CA8439D232@wanadoo.fr> <971994D8-803F-4C85-8289-670872ADC57C@wanadoo.fr> <8D9897BA-5E53-4D8E-AB61-EC5A0016F677@wanadoo.fr> <6DBBC3E6-6D44-4072-92B6-9065017330F2@wanadoo.fr> <5152BBE6-F65A-4065-BC6C-2856C8156EE5@wanadoo.fr> <6B6DF7DB-5815-4787-933D-18F27D84F17B@wanadoo.fr> <315A1410-A80E-48F7-A35D-7A3 3622E0EB5@wanadoo.fr> <67904C79-1198-4B21-81E6-D322407C7EBC@wanadoo.fr> <001CC87B-2E95-42F1-B4AA-CF932AB62B80@wanadoo.fr> <2958795F-B0D5-4A5F-9DEA-A2984C710C9C@wanadoo.fr> <4092AE03-C55C-43D5-9305-C6590A86E9A6@wanadoo.fr> <380728C3-BB88-4A1B-8BB1-51D27019F0B6@wanadoo.fr> <42176F02-B775-48F1-86D2-29A3319B62B9@wanadoo.fr> <522B8C4A-3635-4F7E-9CDF-DB1773A81BCD@wanadoo.fr> <2A17513C-5DE0-41A3-A850-D8EE44E78BCC@wanadoo.fr> <1BEC8C40-DA6C-4974-9D4A-C0E7373843E8@wanadoo.fr> <89573429-07CD-40 12-B8DE-130DB2B7EBC4@wanadoo.fr> <0B5557DE-10D8-4991-A13B-7D1F557B18DE@wanadoo.fr> <42EBBBE8-FF55-486F-B3D9-D8B187D153B6@wanadoo.fr> <29AD7B4D-0ACF-4A43-8C94-52258E11D70F@wanadoo.fr> <9F0DA480-86A7-4E21-A202-2289A542D460@wanadoo.fr> <9E574D6F-A65B-4F8B-BE55-A0E381971303@wanadoo.fr> <266F3645-FECB-4B29-B350-DE5390C03646@wanadoo.fr> <2627E12F-F2A2-4AD8-A2C5-9BF47DC031BB@wanadoo.fr> <037137A5-41DE-4D86-8D0D-440E14662D1A@wanadoo.fr> <121E9770-CFE6-4012-806C-A9FAAD80C29A@wanadoo.fr> <4B185309-C4AF-4787-A847-98F719890AE0@wanadoo.fr> <33DA2BFF-CD20-4327-BF1C-0349B7154D1A@wanadoo.fr> <91D25AC0-5844-4E88-97DF-2D5739085D32@wanadoo.fr> <6409A264-127B-431B-8A3B-4E43742F5118@wanadoo.fr> <4E8B2E60-90FA-4728-A60F-5ED120136B6D@wanadoo.fr> <91E76DDA-3D76-4B75-A898-0263C89F7FE9@wanadoo.fr> <61DE4737-292E-4927-B66F-2F25FA91A22D@wanadoo.fr> <496D30AD-E449-4142-ABC9-E2420E24EBA0@wanadoo.fr> <8D6DD61C-78C5-4B57-AFB6-13AAA5ACECE5@wanadoo.fr> <6D806C53-8841-45A9-A25E-54B2FC0400B7@wanadoo .fr> <4763D668-C2F4-4D16-B976-E8D708EE7637@wanadoo.fr> <3A6E609E-1B1D-4898-AD69-34C5A36597B0@wanadoo.fr> <673E1546-E8E7-460C-A6D0-30F8D6A468A7@wanadoo.fr> <069CBB91-EDC7-409C-AB87-726DC57C7F73@wanadoo.fr> <2825766B-691F-4C21-AD5B-E55C648C007A@wanadoo.fr> <8DBD8FC3-A50D-41C1-AB3C-56431363BD65@wanadoo.fr> <99EFEDD7-5FFC-4648-B6AE-644CA59D2254@wanadoo.fr> Message-ID: <6646DCB0-E746-4BB5-90DE-B6CBFCE6814C@wanadoo.fr> BiP_HOp Generation on Radio Grenouille // 88.8 FM Sunday evenings : 19:30 - 21:00 PM // Marseille // France April 2008 Playlist ARTIST ALBUM label Gallon Drunk : the rotten mile (Fred) Motorpsycho : little lucid moments (Rune Grammofon) Pedal : s/t (Staubgold) KK Null + Daniel Menche : raijin (Asphodel) Airchamber 3 : crumble (Amirant) Terry Edwards : fit (Sartorial) The Balustrade Ensemble : capsules (Ominous) Krater : harmonic tremor (Klitekture) Antonelli : soulkiller (Italic) Nick Cave & the Bad Seeds : dig!!! lazarus dig!!! (Mute) Coh : plays Cosey (Raster-Noton) Alexandre Navarro : arcane (SEM) De Portables : topless is more (Stilll) Grey Daturas : return to disruption (neurot) Arden : conceal (Stilll) Tom Heasley & Toss Panos : passages (Full Bleed Music) Colorlist : lists (Off) Clara Clara : aa (SK) The Lines : memory span (Acute) Jad Fair & Jason Willett : superfine (Public Eyesore) 21 Love Hotel : our hearts belong to the storm (Out Of The Blue) Scott Kelly : the wake (Neurot) Shelf Life : rheuma (Public Eyesore) VA. Little Things (Fla?) Sun electric : lost & found. 1998 - 2000 (Shitkatapult) Minoru Sato + Asuna : texture in glass tubes and reed organ (Spekk) El Topo : pigiama psicoattivo (Off) Tangtype : flake out (Humpty Dumpty) VA. Chamber Music - James Joyce (1907) 1-36 (Fire) Martin Rev : cheyenne (Mind Expansion) Barry Adamson : back to the cat (Cantral Control) Yair Etziony : flawed (Spekk) Puerto Muerto : I was a swallow (Fire) Whip : r. mutt's blues (O'Rosa) Temposhark : the invisible line (Defend) Remote : dark enough (Kill The DJ) Sonar Kollektiv Orchester : guaranteed niceness (Sonar Kollektiv) From sascha.neudeck at chello.at Wed Apr 30 06:52:16 2008 From: sascha.neudeck at chello.at (sascha renner, sascha neudeck) Date: Wed, 30 Apr 2008 12:52:16 +0200 Subject: [Microsound-announce] heribert friedl & sascha neudeck live in graz Message-ID: // Sonntags Abstrakt - Friedl & Neudeck feat. Hierzenberger Postgarage 2nd Floor Wed 30.04.2008 Sonntags Abstrakt - die experimentellen Wochenauskl?nge jeden Sonntag 20:30h/ EINTRITT FREI!!! barspecial: alle cocktails um nur ? 4 ------------------------------------------------- 30.04 Heribert Friedl [A] & Sascha Neudeck feat. Andreas Hierzenberger [A] [DJ Elegant Noise] Heribert Friedl ist ein K?nstler, der sich mit Sound, Bild und Wahrnehmung besch?ftigt. Er lebt und arbeitet in Wien. Ausstellungen und Projekte in Ungarn, Deutschland, Gro?britannien, Italien, USA und ?sterreich. Kollaborationen mit Bernhard G?nter, Dale Lloyd und John Norman (radian). Friedl leitet das Label "nonvisualobjects", das er mit Raphael Moser im Herbst 2005 startet, eines der derzeit wohl spannendsten Labels f?r minimalistische Musik. Heribert Friedls Sounds haben als Ausgangsmaterial field recordings, Originalaufnahmen von Ger?uschen, die vom Publikum zun?chst als vertraut wahrgenommen werden. In der Folge werden die Tonsequenzen und -montagen allerdings elektronisch so bearbeitet, dass sie sich durch Filtern und Reduzieren von ihrem Ausgangsmaterial emanzipieren und abstrahieren. Auf seinen neueren Aufnahmen besch?ftigt er sich mit dem Cymbalon (Hackbrett). In geisterhafter Stasis schweben die Schatten von Heribert Friedls eigenwilligem Spiel auf dem Cymbalon und manch einer wird an Kreiss?gen in Superzeitlupe denken, wenn seine obertonreiche Handschrift erklingt. Die Kl?nge halten lange aus, sind wie festgefroren in den weit gedachten meditativen Gesten ihrer gestrichenen Erzeugung und digitalem processing. Akkompagniert von gelegentlich auftauchendem Hohlraumpochen und durch wundersch?ne Field Recordings. Kunstraum Walcheturm in Z?rich (Konzert 2007) Heribert Friedl follows the kind of minimalist aesthetics that works with a few sounds, small events, nearly imperceptibl movements. Despite seeming simple, this is a very delicate kind of music: each and every sound bears enormous significance and have to bear the responsibility for the whole work. Friedl lives in Vienna, and studied sculpture at the University of Applied Arts there. In his exhibitions he has been working with scents and its non visual phenomenons in combination with sounds. Since 1998 he plays music in solo or with artists like John Norman (Radian) and Bernhard G?nter (who is probably the most well-known figure in this kind of minimalist music). Besides digital sounds and field recordings he?s been using (treated) sounds of cymbalon in his recent works. After more mp3-releases and albums on labels trente oiseaux (that of G?nter), LINE and/OAR he founded his label nonvisualobjects with Raphael Moser in 2005. The label releases works by such renowned minimalist artists as Steve Roden, Richard Chartier, Roel Meelkop, Bernhard G?nter, among others. Ultrahang Festival 2007 / Budapest Several self soldered sonic devices are the epicenter of Sascha Neudecks and Andreas Hierzenbergers performance. The boxes are channelled, processed and mixed live without losing control, trying to leave air in between and never sound too dense or chaotic. http://www.postgarage.at www.nonvisualobjects.com http://www.sascha-neudeck.com From wittlist at googlemail.com Wed Apr 30 09:30:36 2008 From: wittlist at googlemail.com (Scott Hewitt) Date: Wed, 30 Apr 2008 14:30:36 +0100 Subject: [Microsound-announce] ANN Weekend of Speakers Huddersfield Message-ID: [ANN] Weekend of Speakers Call 13th June to 15 June Call for fixed media, performance and improvisation work to be diffused across 36 discrete loud speakers and explore the particular physicality of the location (St Paul's Hall). Works are required for a variety of performance, improvisation and installations settings: floorplan and speaker placement maps are on the website (see below). While traditional tapes works are welcome, laptop performance, live diffusion, installation and instrumental works with electronics in particular are sought. For more see online @ www.inclusiveimprov.co.uk/wofs Were? St Paul's Hall, University of Huddersfield, UK When? June 13th -> June 15th Cost? All Events Free -in fact this is all being done on favors To submit work for consideration please email calls at inclusiveimprov.co.uk by May 19th with appropriate links. And if you have a really crazy idea for this opportunity email us with your thoughts. From paulorcbarros at uol.com.br Wed Apr 30 20:11:58 2008 From: paulorcbarros at uol.com.br (PAULO R. C. BARROS) Date: Wed, 30 Apr 2008 21:11:58 -0300 Subject: [Microsound-announce] "Machine Noise" Message-ID: <065b01c8ab1f$fb067760$fefefe0a@toshibauser> Hi, Watch my new VideoArt "Machine Noise" with Alan Walker. This time I made an experimentation producing the sound of a Casio SA-5, a children keyboard toy! http://www.virb.com/httpwwwpaulorcbarroscom/videos/44673 All the best, Paulo -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20080430/06655bd2/attachment.htm From jef at econtact.ca Wed Apr 30 07:47:13 2008 From: jef at econtact.ca (CEC jef chippewa) Date: Wed, 30 Apr 2008 13:47:13 +0200 Subject: [Microsound-announce] Kymatica: AlgoScore Message-ID: http://www.bitminds.net/kymatica/index.php/Software/AlgoScore >AlgoScore is a graphical environment for >algorithmic composition, where music is >constructed directly in an interactive graphical >score. > >AlgoScore is released under the terms of GNU >GPL. It currently builds and runs on Linux and >Mac OS X. -- Communaut? ?lectroacoustique canadienne (CEC) Canadian Electroacoustic Community http://cec.concordia.ca | RECENT: http://cec.concordia.ca/jttp JTTP 2008 [1 May] http://econtact.ca EA journal | http://sonus.ca EA Jukebox http://cec.concordia.ca/jttp Project for young/emerging sound artists