From tsazmaniac at yahoo.com Fri Dec 1 09:13:28 2006 From: tsazmaniac at yahoo.com (jeff gburek) Date: Fri, 1 Dec 2006 06:13:28 -0800 (PST) Subject: [Microsound-announce] events/propaganda Message-ID: <485424.97016.qm@web62505.mail.re1.yahoo.com> hello everyone, a bit of late news here but much currently ongoing/upcoming. would kindly like assistance filling out tour in italy in late december early january. see below. sound and unsound to all levels, Jeff upcoming Jeff Gburek events November 24, 10pm, Bruxelles solo @ Plankton, Bains::Connective, rue Berthelot, 34, 1190 Forest - 02-534.48.55 www.bains.be November 25-26, Liege: recording/meetings w/Olivier Pe http://www.olivierpe.be/ anticipating release of variable geometry?s first cd on blank records! November 28, 10pm, Berlin solo @ antje oeklesund, Rigaer Stra?e 72, back house www.antjeoeklesund.de December 1, 8:15pm, Berlin @ Karmanoia Theater, Mainzerstrasse 5, Neukolln Djalma Primordial Science performs ?(myopia)2? + Orphan Sound System Berlin (starting 10:30 ish) Jeff Gburek: live electronica/dub mix Yorgos Dimitriadis: drum kit, electronics Caspar Nilson Wolf: metal head-kick drums www.djalma.com Dec.2-4: Recontres Internationales Festival, Paris Audio presentations at Centre Georges Pompidou 1) Invisible Trio: Jeff Gburek/Lucio Capece/Rhodri Davies 2) Van Bebber/Gburek: Jeff Gburek/Claus Van Bebber December 13 or 16? 9pm, Berlin @ Karmanoia Theater, Mainzerstrasse 5, Neukolln Check www.karmanoia.de for details Jeff Gburek: laptop coolant fan, external noises Robin Hayward: tuba Mattin: external laptop noises & mattinosyncracies December 17, 9pm, Berlin @ Wedding Salon, Gerichtestrasse www.weddingsalon.de Djalma Primordial Science: Ephia: dance, unsound body Jeff Gburek: gtr + electronic/phonographic environments Solo Italian Tour 2006 December 18, solo Venezia (care of luca, 8mm records) December 19 workshop lecture Venezia December 20 solo + duet w Xabier Iriondo Milano @ SCALO DIECI http://www.scalodieci.org/ December 21 solo Firenze @TANGRAM - via dei Serragli, 3r (downtown Firenze!) December 22, solo Rome + Mike Cooper/Luca Venitucci @ Il Cantiere, Via Gustavo Modena 92, Trastevere http://digilander.libero.it/iatoconcerti/index2.html Xmas break Dec. 27, solo Parm @Veronika Club Statements: out now of foxydigitals imprint: SAIKO: ?tales of several southwestern felons of the eve of their just demise? I have just been given the microphones to record the next SAIKO release but the onset of winter has somewhat paralyzed my fingers prompting delays and contemplating the claw-hammer banjoist?s lament birth of the blues from the spirit of arthritis or birth of arthritis form the spirit of the blues? General: My music is always a search for a personal space that can coincide publically in a primordial intimacy that cannot find expression other than through particular conjunctions and energies. It is not possible to contain or decribe this. I compare it to drawing in the sense of transcriptions of impulse into marks. But sonic marks are more volatile and bring a more excruciating sense of absence/presence than the reassurances offered by a physical artefact. From center to absence describes this situation: the center is ostensibly a physical fact of production but it is only in retracing the steps of a production that the thoughts or sensations are perceivable. I reach beyond the reductionist context and beyond Cage, just two examples, then, for an attentiveness capable of tapping into this unexplainable resource of sensation which I can also find these in other art forms and other kinds of music. I am impressed by the idea that all music is under-scored by a social/communal archetype. I am not the logical outcome of any history. In fact, as I go on, I see only the ruins of paradoxical foundations that occupy the grounds of an ambivalent excitement. I will not lose my individuality in identity. For the artist that wants to remain free it is forwardly an act of survival to outwit the head-hunters. Orphan Sound System: the rebirth of orphan sound system at karmanoia on november 16 seems to have met with decibels of respect and an invitation to return by the organizer so we will...but this time flo blank will be in spain but i have two other options in multi-percussionist andreas wenzlova or free improv drummer yorgos dimitriadis--we will see who replies affirmatively first... caspar nilson wolf will dole out the double kicks again...jeff gburek: www.futurevessel.com/orphansound Orphan Sound System, formed first in 1994 in Florence, Italy (somewhat between the lines of E.N.'s "this song was made to end all parties..." and Stockhausen's "Kurzwellen" ), migrated to Montreal and then Williamsburg, Brooklyn where the Axis of Evil killed it in 1998. Starting with the idea to make "free-hip-hop" or "organic techno", the trio always was my testing ground for a slash and burn beat macerations/miscegenations, my first live attempts via "dub ideology" to realize the etherically concieved beasts of my Radio Wide World (see www.djalma.com/orphansounds) projects but now it is more tightly organized around my growing abilities to string softwares and patches together that manage to simultaneously support and destroy one another...at least thats how it appears to my ears and, although it was dark out there, i heard stomping other than the drums... j.ff gbk http://www.futurevessel.com/orphansound/ http://www.mattin.org/desetxea.html http://www.djalma.com ____________________________________________________________________________________ Do you Yahoo!? Everyone is raving about the all-new Yahoo! Mail beta. http://new.mail.yahoo.com From mikamartini at yahoo.com Fri Dec 1 18:51:58 2006 From: mikamartini at yahoo.com (Mika Martini) Date: Fri, 1 Dec 2006 17:51:58 -0600 (CST) Subject: [Microsound-announce] New release or impar.cl Message-ID: <20061201235201.44208.qmail@web51605.mail.yahoo.com> IMPAR acaba de lanzar "Aura" ep producido por Hans Carstens, un disco bello, con hipn?ticas atm?sferas, sonidos minimal, no lo dejen de escuchar. Con esto damos vida a una nueva etapa de Impar, versi?n 2.0, apoyen la m?sica chilena y sus netlabels. New release of chilean electronic netlabel "impar" > Hans Carstens > "Aura" > download for free at: http://www.impar.cl Best, Mika. + + + + + + + + + + + + + [M!M] [CHILE] [www.pueblonuevo.cl] __________________________________________________ Correo Yahoo! Espacio para todos tus mensajes, antivirus y antispam ?gratis! Reg?strate ya - http://correo.espanol.yahoo.com/ -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061201/b78e8a5b/attachment.htm From rod at stasick.org Fri Dec 1 19:02:59 2006 From: rod at stasick.org (Rod Stasick) Date: Fri, 1 Dec 2006 18:02:59 -0600 Subject: [Microsound-announce] =?iso-8859-1?q?ocp_-_Ponto_de_Situa=E7=E3o?= In-Reply-To: <19855E91-CE7A-49F3-88B0-825128904067@netcabo.pt> References: <19855E91-CE7A-49F3-88B0-825128904067@netcabo.pt> Message-ID: <9F1AF88C-BE43-4F76-8231-E72EBD5965C7@stasick.org> Thanks Jo?o, Very nice work! Rod --- Now playing: Robert Henke - Signal to Noise II From chartier at 3particles.com Sat Dec 2 00:42:49 2006 From: chartier at 3particles.com (Richard Chartier) Date: Sat, 2 Dec 2006 00:42:49 -0500 Subject: [Microsound-announce] RICHARD CHARTIER > 12.06 > news/event/release update... + special download Message-ID: <80505A03-E250-4F5F-9214-02A36C8F8462@3particles.com> hope this message finds you well, Taylor Deupree and I are very happy to announce that we were recently invited to perform Specification.Fifteen at TRANSMEDIALE.07 on February 2 in Berlin. and of course lots of other news below... hope this holiday season brings you much joy. as an early new years/holiday present to you i have made available to download... a short live set recording from a promotional instore set at NOIZE in Montreal in 2000 while I was there performing at the first edition of MUTEK. This event was coordinated by Mitchell Akiyama and recorded live onto minidisc. Not the best quality... but perhaps you will find this odd set entertaining... This will be up for a limited time only. dec2-dec10. get it while its "hot" http:// www.3particles.com/chartier_live_montreal2000.mp3 enjoy :) and have a happy and safe new years... see you in 2007. r - - RECENT RELEASES - - a limited number of these & other releases are available via the ONLINE STORE http://www.3particles.com/paypal OUT NOW! CD . Incidence [ Raster-Noton. Germany ] www.raster-noton.de OUT NOW! CD . Current [ Room40, Australia ] special CDEP release for Australian and Japanese Tour 2006. www.room40.org CD . Specification.Fifteen (with Taylor Deupree) Live recording at the Hirshhorn Museum and Sculpture Garden. A collaborative work created for the Hiroshi Sugimoto retrospective. [ LINE, US ] CD . Levels[Inverted] [ LINE, US ] 2006. stereo documentation based on the site-specific 6-channel installation of the same name exhibited at 1515 Arts Building Oct 13-Nov 19, 2005. signed and numbered edition of 250. These will be available online at 3particles.com, www.12k.com and through G Fine Art (www.gfineartdc.com) only. CD . Series [ LINE, US ] 2000. first LINE cd. winner of an Honorable Mention in the Category of Digital Musics by Ars Electronica [ Austria ] and exhibited in the 2002 Biennial at the Whitney Museum of American Art. BACK IN STOCK! LAST FEW COPIES. - - CURRENT EVENTS + FUTURE RELEASES, EVENTS, ETC - - AWARD . Specification.Fifteen (with Taylor Deupree) has been awarded one of 5 Honourable Mentions by the Jury for the TRANSMEDIALE.07 AWARD (Berlin, Germany) EXHIBIT . Early Fabricated. Group photography show curated by Salvatore Panatteri @ Contemporary Centre of Non Objective Art [ Brussels, Belgium] November 2006. www.ccnoa.org BOOK . designs in "Print and Production Finishes for CD and DVD Packaging" FREE RINGTONES . artists include: alva noto, vladislav delay, richard chartier, burnt friedman, atom heart, beige and more... www.unsound.pl / www.toneshared.com NOMINATION . "Tracing" cd package (design by: R.Moser / illustration by: R.Chartier) has been nominated for a Qwartz Award [ France ] for Best Packaging Design. voting is open to the public. please support this release by voting: www.qwartz.org SOUNDTRACK . "Sent" to be used in the soundtrack of the a new work "Para-Dice" by noted choreographer Saburo Teshigawara. 26' dance program for the French cultural channel ARTE. www.st-karas.com CD . Isolation [ Room40, Australia ] late 2006. compilation cd will contain track "a field for recordings.3" www.room40.org CD . "(sketch for) deletion" on Fear Drop magazine compilation. Fear Drop (issue 13) will include articles about and unreleased tracks by : Rapoon / Reformed Faction, Janek Schaefer, Richard Chartier, Lionel Marchetti, Toy Bizarre / C?dric Peyronnet, John Balance, Roger Caillois, Aidan Baker / Nadja, Dominique Petitgand, K.K. Null + reviews. late 2006. BOOK/CD . Portraits of Sound Artists [ NVO, Austria ] early 2007. contains interview and photos on a 4 page spread for each artist. cd will contain track "a field for recordings.2" www.nonvisualobjects.com VINYL . 3 or 4 lock grooves as Richard Chartier (+ under one alias that i can't tell you about) Communication defines culture v.2 (12" vinyl) [ Conversation Records, US ] 2007. artists include: agaric, agnes, [a]pendics.shuffle, baby ford, barem, bart skills, benno blome, bruno pronsato, chris fortier, dan curtin, dapayk, dilo vs. gurtz, dj shiva, franco cinelli, fumiya tanaka, geoff white, the kooky scientist, jamie morris, mark-henning, miguel tutera, pinkcourtesyphone, protoype 909, ps (feat. losoul and bine), quenum, radiq, richard chartier, riley reinhold + emmuel geller, ryan crosson, seph vs. violett, so inagawa, someone else, twerk, vincent de wit, and others... www.conversationrecords.com DVD . Camera Lucida [ LINE, US ] Jan 2007. sound works inspired by the pioneering sonoluminescent installation "Camera Lucida" by Evelyn Domnitch & Dmitry Gelfand with works by Carter Tutti (Chris & Cosey), Taylor Deupree+Richard Chartier, Asmus Tietchens, Evelyn Domnitch & Dmitry Gelfand, COH, Matmos, Kenneth Kirschner, Carsten Nicolai, and Alku connected to hi resolution digital footage of the machine itself. January 2007. for more information about the installation: www.portablepalace.com CD . Fabrication. collaboration with Asmus Tietchens. [ Die Stadt, Germany ] Jan/Feb 2007. www.diestadtmusik.de LIVE . CANCELLED Ten Thousand Peacock Feathers in Foaming Acid @ Netmage [ Bologna, Italy ]. collaborative performance work with artists Evelina Domnitch and Dmitry Gelfand. Jan 2007. CANCELLED EXHIBIT . Specification.Fifteen (with Taylor Deupree) @ Transmediale. 07 Exhibition (Berlin, Germany) . Jan 30-Feb 4, 2007. www.transmediale.de LIVE . Specification.Fifteen (with Taylor Deupree) @ Transmediale.07 (Berlin, Germany) . Feb 2, 2007. www.transmediale.de CURATORIAL . i will be curating the Color Field REMIX event and juried video art show for the Washington Project for the Arts/ Corcoran @ the Corcoran Museum of Art [ Washington, DC ]. two events will be held: one in April and one in June. call for entries and more info to come. www.wpaconline.org LIVE . CHESSMACHINE @ Festival Kulturbunker [ K?ln, Germany ] May 4, 2007 LIVE . TBA [ Bordeaux, France ] June 6, 2007 LIVE . TBA [ Toulouse, France ] June 7/8, 2007 EXHIBIT . "Levels(Lateral)" @ Light and Sound Gallery at the Portland Art Center. (Portland, Oregon, USA) 2007 From info at punck.net Sat Dec 2 03:07:58 2006 From: info at punck.net (punck) Date: Sat, 02 Dec 2006 09:07:58 +0100 Subject: [Microsound-announce] punck : special december promotion In-Reply-To: <485424.97016.qm@web62505.mail.re1.yahoo.com> References: <485424.97016.qm@web62505.mail.re1.yahoo.com> Message-ID: <4571345E.3090702@punck.net> Hi Everybody my new album "*Aconstant migration (between reality and fiction) *" out now: (Creative Sources Records cs079-2006) * "A constant migration" by dan warburton [paris transatlantic #dec-06]: *This reminds me of the strange French habit of spelling "steak" with an extra "c": "steack" (they do the same with Franck, don't ask me why). There's nothing punk about Adriano Zanni's music though; instead of taking out that "c" you might want to remove the "n": this is more Puck, /Midsummer Night's Dream/ rather than /Never Mind The Bollocks/, evocative and superbly crafted music for laptop and field recordings. It's also, unless I'm very much mistaken, pretty much composed ? if Zanni can produce this kind of stuff live I want to see him ? which I suppose also raises the question as to why it's on an improv label like Creative Sources (wouldn't it attract a little more attention if it were on Bowindo, I wonder?). The six tracks follow each other without a break, from the cavernous slightly disturbing percussive rattles of the two opening tracks to the strange atmospherics of "44?25'37N 12?34'28 E" (that had me looking for a Fennesz connection, but a Google search for the precise co-ordinates only got me as far as an Italian astrology website, but I think it's somewhere in or near Genoa.. maybe someone will enlighten me) to the distant police cars and barking dogs in "From Belleville to Ravenna" and the exquisite chill of the closing "Hagakure (II, 105)". Wherever and whatever it is, /A Constant Migration/ is worth checking out. * "A constant migration" by frans de waard [vital weekly#548]: *The last release [of the 10 Creative Sources label CD issues of Autumn 2006] might be a bit of a surprise, since Adriano Zanni, also known as Punck, is not exactly the man I would expect on this all improvisation label. *So far his releases were all stuck in the microsound corner, but perhaps he's opening new territories.* Zanni uses laptop, field recordings, found sound and sampling to create his music. It proofs indeed to be the odd ball of this batch of his releases, even when the first track sound like an improvised affair. Zanni finely waves field recordings together with sounds recorded from objects and such like. *Improvisation seems far away on this release, which is still along the lines of microsound and found it's influences in the work of Roel Meelkop or Richard Chartier. On a totally different, but the best of all. * *"A constant migration" by marco carcasi [kathodik]: *Quello di Punck ? un silente schiumar rabbioso, impressionante dimostrazione di talento ascensionale; intransigente visione espressiva.Originale assemblaggio / materico/ che all'apparenza pu? risultar semplice; ma ? materia che ti scava le ossa questa.Sottilissima capacit? comunicativa quella sviluppata, anni trascorsi ad affinar un talento compositivo ammirevole, *Adriano Zanni* si ? volontariamente posto fuori dal cerchio, un isolamento caparbio, fiero e passionale dal quale ? germogliato questo /importante/ ?A Costant Migration...?.Punck a partire da ?Mu? del 2002 si ? sempre caratterizzato per una concretezza espressiva raramente riscontrata in tanti altri sperimentatori nostrani (ma in questo caso il nostrano calza veramente stretto...), un'ascesa appassionante dicevo, ogni lavoro un tassello aggiuntivo per un puzzle entusiasmante, tutto un gioco continuo di sottrazione, una visione acusmatica che brilla per snellezza ed aerodinamico profilo; inquietante verrebbe quasi voglia di definirlo.?Mu? era l'alba, nel bene e nel male, livido e rabbiosamente contratto, dentro il disagio era evidente, non si poteva ignorare, il successivo ?A Movie Without Images? del 2004 rilanciava quella formula diluendola subdolamente per sottrazione appunto, improvvisamente l'isolazionismo mutava in vero e proprio /paesaggio spinale/ di ballardiana memoria; ma lo scarto decisivo avviene con il successivo e splendido ?Nowhere Campfire Tapes? del 2005.Uno stralunato girovagare lungo i bordi di un paesaggio innevato al crepuscolo, un groviglio inestricabile di pensieri ed azioni; una rivendicazione/dichiarazione del proprio /status/ di abbacinante e tormentosa bellezza.In qualche maniera, uno spartiacque, il commiato/superamento di un particolare fenomeno espressivo raggrumatosi intorno a certo astrattismo industriale (molto ottanta) intriso di ingenua (splendida in molti casi...) ricerca povera e velocemente scolorito in un vero e proprio; incubo /freak esotico/industriale/.L'ambient di Punck si ? scrollata di dosso quel residuo fisso ingombrante, strada facendo ha integrato suggestioni riconducibili alla scuola /concretista/ francese ed alla musica per film vera e propria; si ? fatta snella e senza tempo.Logico che a questo punto qualcuno dovesse per forza di cose accorgersi del duro lavoro svolto negli anni da Adriano, ci pensa allora la prestigiosa etichetta portoghese /experimental/* Creative Sources* ad editare questo cd da inserire prepotentemente fra le migliori uscite dell'anno in chiusura.Copertina splendida, screzi metallici su acque apparentemente tranquille, un incendio interiore, un filo di suono falsamente sottile che ti avviluppa l'anima come pochi altri a livello mondiale (l'ho detto finalmente, evvai!!!), la sensazione d'estasi al contrario che trasmette ? unica; all'improvviso ho capito!Punck ? un dinosauro, di quelli con una bella cresta sulla schiena, irta di squame verdognole e denti lunghi ed aguzzi, quando te lo ritrovi davanti capisci, stai ammirando la bellezza dell'ultimo esemplare, sopravvissuto a se stesso, circospetto e risoluto; la bellezza dell'/essere/.Solo un'onda impetuosa di parole mute e /poesia visiva per l'orecchio/ e poi ancora; vita in tutte le sue dolorose rappresentazioni.Vita, ed ancor di pi?; vita.Adriano; io ti ringrazio di aver realizzato questo lavoro.Semplicemente disco dell'anno. preview and orders here http://www.punck.net/records.htm *SPECIAL DECEMBER PROMOTION:* Aconstant migration (between reality and fiction) (Creative Sources Records cs079-2006) + Nowhere Campfire Tapes (Afe Records -2005) = 15 euro (postage included) send a payment via paypal to ctrlaltcanc at punck.net thanx for your time ciao punck http://www.punck.net http://www.ctrlaltcanc.tk http://fulminiesaette.splinder.com/ http://www.flickr.com/photos/fulminiesaette/ http://www.myspace.com/punckism http://www.youtube.com/user/fulminiesaette From azimuths at freenet.co.uk Sat Dec 2 05:51:57 2006 From: azimuths at freenet.co.uk (Thanos Chrysakis) Date: Sat, 02 Dec 2006 11:51:57 +0100 Subject: [Microsound-announce] INTERLACE Message-ID: ////INTERLACE/// Sat 16 Dec 2006 : 7pm Great Hall, Goldsmiths College, New Cross, London Matthew Milton (vln) & Tom McKay (diy electr.) Tom Richards (diy electr.) Thanos Chrysakis (vibraphone+electr.) & Dario Bernal Villegas (drums) Eddie Prevost (drums) & Dario Bernal Villegas (drums) entrance: free/donations (sugg. ?6/?4), doors open 6:30 pm http://incalcando.com/interlace venue: Great Hall, Goldsmiths College, Lewisham Way, London SE14 travel: Tube/BR New Cross, New Cross Gate; Bus 21, 321, 36, 436, 53, 453, 171, 172, 177. This concerts series is kindly supported by the EMS at Goldsmiths College with invaluable lending of electronic equipment and consultancy! -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061202/2020f970/attachment.htm From azimuths at freenet.co.uk Sat Dec 2 05:52:16 2006 From: azimuths at freenet.co.uk (Thanos Chrysakis) Date: Sat, 02 Dec 2006 11:52:16 +0100 Subject: [Microsound-announce] LIVE ALGORITHMS FOR MUSIC: CONFERENCE/PERFORMANCES 2006 Message-ID: \\\\\\\LIVE ALGORITHMS FOR MUSIC NETWORK: CONFERENCE 2006\\\\\\\ Conference & Concerts @ Goldsmiths College, University of London. 18-19 December 2006 full details and conference information: www.livealgorithms.org Concert 1 Great Hall, Goldsmiths College, 7.30 pm Monday 18 December George Lewis Evan Parker and friends with Voyager and other live algorithms ?10(?6) Ticket reservations: music at gold.ac.uk Pre-concert talk: George Lewis, 5pm Ian Gulland Lecture Theatre Concert 2 New Computer Music by LAM Network members William Hsu and John Butcher: improvisation Sebastian Lexer, Thanos Chrysakis, Dario Bernal Villegas: Audio Crossings Nick Collins: Drumtrack Mike Casey, David Gorton, Chris Redgate: Erinnerungsspiel Diemo Schwarz, Sam Britton: Rien de Tout Andrew Robertson: Real-Time Beat Tracker Michael Young, Roger Redgate: Aur(o)ra Matt Lewis and Hilary Jeffery: Videoscores for Tromboscillator Admission Free Travel:www.goldsmiths.ac.uk/find-us/ -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061202/48c8303c/attachment.htm From robert at steim.nl Mon Dec 4 08:09:56 2006 From: robert at steim.nl (Robert van Heumen) Date: Mon, 4 Dec 2006 14:09:56 +0100 Subject: [Microsound-announce] STEIM Micro Jamboree Message-ID: STEIM Micro Jamboree - Dec 11 - 14, 2006 STEIM is organising a Micro Jamboree from Dec 11 - 14, bringing together specialists in the field of sensor systems and their applications. Participating is only possible after registering by sending an email to jamboree at steim.nl.The concerts are of course open for everyone. All presenters and performers are very welcome to visit the full program. Monday Dec 11 STEIM's LiSa - current and future developments Location: STEIM, Achtergracht 19, Amsterdam Michel Waisvisz and Frank Bald? will present LiSa XC, the LiSa player that will run LiSa X setups (without the possibility to edit), and that will work as a universal binary on both the PPC and Intel processor in Mac computers. Plans for further development of this player into a full program will be presented in an informal session, where feedback is very welcome. 13:30 Welcome - with coffee / cake 14:00-16:00 LiSa future 16:00-17:00 Roundtable discussion 17:00 Drinks Tuesday Dec 12 STEIM Hardware Meeting - Platforms for connectivity, creativity and community Location: STEIM, Achtergracht 19, Amsterdam In recent years we have seen a boom in various prototyping sensor platforms for artistic use. The idea of interfacing with sensors and microcontrollers in the arts is nothing new, however what we see different today is that the knowledge and tools to accomplish this has become more accessible through various channels and development has become ubiquitous. At STEIM we believe it is an interesting time for both the artists and designers to rethink about how technology may enhance (or deprive) creativity, and share these thought amongst others. We have invited a handful of developers of sensor platforms to give an informal presentation about their work and experience, and have planned a roundtable discussion with these developers and an Amsterdam based user group. This will be an intimate gathering amongst the invited and registered guests of the STEIM Micro-Jamboree. Participants: - Dan Overholt - CUI USB Interface, UCSB, US - Emmanuel Flety - WISEBOX OSC/WiFi interface, IRCAM, FR - Lex van den Broek - IPSONLAB OSC/WiFi interface, Royal Conservatory of The Hague, NL - Stock and Simon de Bakker, SIOS Gumstix single-board computer Linux interface, V2, NL - Massimo Banzi, ARDUINO, IT - META (Making Electronic Thingies Amsterdam), Multi-national electronic user group, NL - Takuro Lippit, JunxionCore, STEIM, JP/US - Rene Wassenburg, JunxionBoard, STEIM, NL Schedule: 10:00 - Doors open 10:30 - 11:15 Lex van den Broek 11:30 - 12:15 Dan Overholt 12:30 - 13:00 Takuro Mizuta Lippit Lunch Break 14:00 - 14:45 Stock and Simon de Bakker 15:00 - 15:45 Emmanuel Fletty 16:00 - 16:45 Massimo Banzi 17:00 - 17:30 Roundtable : Lippit, Broek, Fletty, Overholt, Stock, Banzi, META, Wassenburg 17:30 Drinks Wednesday Dec 13 STEIM Applications Meeting - Presentations about the practice of using sensor systems - both hardware and software Location: STEIM, Achtergracht 19, Amsterdam Since many years, STEIM has worked together with (groups of) artists to realize their projects, most of them dealing with interfacing real- life with analog and digital circuitry. For the Micro Jamboree we invited some of those artists as well as representatives of other institutions to present their projects. After a refreshing lunch there will again be a roundtable discussion to exchange ideas about the presented projects, and the balance between technology and creativity in sensor systems in general. Participants: - Per Samuelsson (Sweden) - musician/composer presenting a lecture/ performance using two joysticks with junXion and Max/MSP - http:// www.persamuelsson.se - Peter Sinclair and the Locus Sonus research group (Brett Bhalogh, Nico Bralet, Lydwine Van der Hulst) (Aix-en-Provence, France) - http://www.nujus.net/ http://nujus.net/~locusonus/ - Andrei Smirnov (Moscow, Russia) - lecture/presentation of USB D- Sensors, the second generation of Theremin sensors (the 'plug-and- play theremin') and their use in other instruments - http:// asmir.theremin.ru/ - CK Barlow (Santa Fe, USA) - musician/composer and long-term LiSa user presenting a lecture/performance of a live setup with LiSa and Max/MSP - http://www.ckbarlow.com/ - Tom Tlalim and Voldemars Johansons (The Hague, NL) - two composers/ musicians and (ex)sonologists present QuantaSonic, a project to create a 3D controller for sound synthesis and spatialization (using a 3-axis accelerometer & gyro sensor) - http://www.tomtlalim.tk - Andreas Otto (Luenenburg/Berlin, DE) - musician/composer presenting Fello, a STEIM project in cooperation with Florian Grote - Fello is an interactive listening system for the cello, but not limited to this instrument - http://audio.uni-lueneburg.de/extern/fello/ Schedule: 09:45 - Doors open 10:00 - 10:20 Per Samuelsson 10:30 - 11:00 Peter Sinclair and the Locus Sonus research group 11:10 - 11:30 Andrei Smirnov 11:40 - 12:00 CK Barlow 12:10 - 12:30 Tom Tlalim and Voldemars Johansons 12:40 - 13:00 Andreas Otto 13:30 - 15:30 Free lunch for all presenters and participants in the foyer 15:30 - 16:30 Roundtable: Samuelsson, SInclair, Bhalogh, Bralet, Van der Hulst, Smirnov, Barlow, Tlalim, Johansons, Otto, Lippit, Van Heumen Concerts In the STEIM Micro Jamboree this week there will be two concert nights, with performances strongly related to STEIM. On Wednesdaynight we`ll see instrumental electronics in very different ways, from commercial joysticks via self-build desktop control surfaces to fully developed electronic instruments. Concert at 20:30h - with TokTek (Tom Verbruggen), Uli B?ttcher & Paul Hubweber and Christine Sehnaoui & Michel Waisvisz. Location: STEIM, Utrechtsedwarsstraat 134, Amsterdam Time: 20:30 Entrance: ?5 (free for participants) Reservations and more info: email knock[at]steim[dot]nl or call 020 6228690 Thursdaynight will feature performers that are going to be involved in STEIM`s artistic direction in 2007. Concert at 20:30h - with dj sniff, Shackle (Anne LaBerge & Robert van Heumen), Atau Tanaka and Joel Ryan & Mazen Kerbaj. Location: STEIM, Utrechtsedwarsstraat 134, Amsterdam Time: 20:30 Entrance: ?5 (free for participants) Reservations and more info: email knock[at]steim[dot]nl or call 020 6228690 { Robert van Heumen , { STEIM } , { electric music } , { http://steim.nl/, http://hardhatarea.com/, http://humanelectric.net/, http://n-collective.com/, http://umatic.nl/SKIF++/ } } -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061204/7e024105/attachment-0001.htm From doctsect at yahoo.com Sun Dec 3 22:09:23 2006 From: doctsect at yahoo.com (Cordell Klier) Date: Sun, 3 Dec 2006 19:09:23 -0800 (PST) Subject: [Microsound-announce] 12k, Cold Meat Industry, Tesco, Cold Spring used CD sale!! Thru Dec ONLY!! Message-ID: <20061204030923.45746.qmail@web53412.mail.yahoo.com> hi all and all-nots. the old Cordell-o-pants is having a bit of a sale. go here www.doctsect.com/usedcds.html and get some holiday presents for your loved one. Cordell ps - sorry if this message offends anyone! __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com From dwnewman at clara.co.uk Mon Dec 4 14:14:16 2006 From: dwnewman at clara.co.uk (David @ Audiobulb) Date: Mon, 4 Dec 2006 19:14:16 -0000 Subject: [Microsound-announce] Ultre >> CD >> Audiobulb Records References: <20061204030923.45746.qmail@web53412.mail.yahoo.com> Message-ID: <007c01c717d8$65152d90$4ce0a850@BEPPC> Welcome to December >> 06 1 >> All The Darkness Has Gone To Details [Ultre] >> out now The Ultre debut release presents structured musical pieces utilising piano, guitar, home made instruments and electronics. Elegant, delicate, complex, organic, bold, charming, melancholy, nervous, or violent.. We are getting a constant stream of great (and grateful) feedback on this one.... Here is what the reviewers think >> The Wire > 274 says.... ""The animation work of Finn McNicholas - aka Ultre - has been used on Warp's Works & 20th Century Composers tour, and Warp's influence is certainly in evidence in the rhythmic chassis of All the Darkness, with its intemperate bursts of squalid rhythm counterpointed by more placid sequences. However, what lends the album its individuality is his use of instruments made from metal and wire, as well as slightly bashed-about acoustic instruments such as the untuned piano that weaves unsteadily through "Nobodies Favourite". There's a nice contrast between the conventionally sleek, futuristic aura of the electronic components of these pieces and a bustling, clankier DIY element suggestive of creaky doors and busy toolsheds."" Gridface > http://www.gridface.com/reviews/all_the_darkness.html Sonic Curiosity > http://www.soniccuriosity.com/sc263.htm Vital Weekly > http://www.vitalweekly.net/550.html The Vibes > http://www.thevibes.net/rec2006/ultredeb.html Visit www.audiobulb.com to hear track previews >> Visit www.audiobulb.com/ab-shop.htm to purchase the CD @ the keen price of ?6 2 >> Ultre Live Catch Ultre as he plays live in Europe on the Overkill tour >> www.ultre.co.uk for more details 3 >> Wishing You All A Happy December listen.... love audiobulb www.audiobulb.com From kim at anechoicmedia.com Mon Dec 4 15:42:17 2006 From: kim at anechoicmedia.com (Kim Cascone) Date: Mon, 4 Dec 2006 12:42:17 -0800 Subject: [Microsound-announce] NovaMind at Macworld Message-ID: <98BB3CB1-95A7-4BCB-A6C1-86B86B9D1572@anechoicmedia.com> > NovaMind at MacWorld San Francisco, January 2007 > > We are once again planning to attend MacWorld and have a stand > there, once again shared with ProjectWizards, so please take note > to visit us at stand 331. The founder of NovaMind, Gideon King will > be there in person, and we will be demonstrating various features > of NovaMind. only a few of pieces of software have blown me away and are in constant use in my studio: Max/MSP, OpenOffice/NeoOffice and NovaMind I can't imagine working without them... I've been using NovaMind to plan projects for over 6 months now and have become a convert to mind-mapping in the process I like the company which makes NovaMind; they are responsive to customer feedback, have excellent customer service and above all make a very well thought out product...they release updates often with bug fixes and marked improvements and NovaMind isn't expensive considering what you get... check out the 30 day demo for XP or OS X: http://www.nova-mind.com/ *if you are going to Macworld next Jan please stop by their booth, check out their software and say hello! -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061204/c3cc90d9/attachment.htm From glitchkitten at yahoo.com Mon Dec 4 16:19:44 2006 From: glitchkitten at yahoo.com (billy) Date: Mon, 4 Dec 2006 13:19:44 -0800 (PST) Subject: [Microsound-announce] show in Brooklyn, Wed Dec 6th! Message-ID: <763362.55795.qm@web31804.mail.mud.yahoo.com> Wednesday, December 6th, 8:30 pm Monkeytown - 58 N 3rd St btw. Kent & Wythe Williamsburg Brooklyn (http://www.monkeytownhq.com) FREE! Come to Monkeytown next Wednesday for a concert of improvised music; acoustic, electronic, and in-between. Monkeytown will be serving great food during the concert so you can enjoy dinner/drinks as well - it is a great space and we'll have some sort of video projections, too... here's a nice flyer http://fraufaulein.com/dec6.jpg nice info: A night of Improvised Music with Jeremiah Cymerman (Clarinet), Billy Gomberg (Synthesizer, Electronics), Anne Guthrie (French horn), Richard Kamerman (Guitars/Percussion) and Reed Rosenberg (electronics), other guests TBA. The event will center around a series of improvisations by smaller ensembles from the group. Jeremiah Cymerman, Clarinet - Big Exploitation, Blood Vessel, New York Soundpainting Orchestra, jeremiahcymerman.com Billy Gomberg, Synthesizer/Electronics - addenda, con-v, standard music, term, BENT festival, fraufraulein.com Anne Guthrie, French Horn - performed with Sakada, SEM Ensemble & New York Soundpainting Orchestra, stasisfield.com, fraufraulein.com Richard Kamerman, Guitar/Percussion - Homophoni, Ancient Records, Curor, Sub Commander Frequencies Reed Rosenberg, Electronics - Young Crowz, The Groits, Rarsound ____________________________________________________________________________________ Have a burning question? Go to www.Answers.yahoo.com and get answers from real people who know. From mikamartini at yahoo.com Mon Dec 4 18:43:03 2006 From: mikamartini at yahoo.com (Mika Martini) Date: Mon, 4 Dec 2006 17:43:03 -0600 (CST) Subject: [Microsound-announce] // Pueblo Nuevo en BB.AA. // tocatas dic 2006 // Message-ID: <233484.49750.qm@web51614.mail.yahoo.com> News / Noticias desde Pueblo Nuevo, Diciembre 2006: // 1 // Pueblo Nuevo en Buenos Aires // Ni?os Consentidos // Sala Bed Baires // -> Mi?rcoles 6 de diciembre. -> Mika Martini, Anamlord Smith & Dr.800XL (www.pueblonuevo.cl) + MICR?MA "minimas expresiones" (www.micromasite.com), Instrumentronica + en paralelo y en serie: proyecciones, artes plasticas, performance, chicas y chicos. -> 22:00 hrs. -> Bed Baires, Hip?lito Yrigoyen 968. Buenos Aires, Argentina. -> $6 por lista a sellocuerpo at gmail.com (incluye cervecita) OTRAS FECHAS EN BUENOS AIRES: -> Viernes 8, 22:00 hrs. > Youkali, Estados Unidos 1393 (http://www.youkali.com.ar) -> S?bado 9, 24:00 hrs. > Fiesta en lo de Vanesa! Un lindo PH en Villa del Parque // 2 // Fiesta (Un)commonsounds de Noche // Club Quinto Sol // -> Viernes 15 de diciembre. -> En vivo: Dadalu / Mika Martini (Pueblo Nuevo) / Diego Morales (Quemasucabeza) / GF + GF. -> Club Quinto Sol (General Flores 83, Providencia. Santiago, Chile). -> $ 2.000 -> Flyer en: http://www.pueblonuevo.cl/Flyers/Flyer_uncommonsound.htm Fiesta cierre de jornadas "(un)commonsounds", un proyecto de investigacion ideado por las asociaciones Ertz (Bera, Navarra) y Electrograph (Atenas, Grecia) que cuenta con la colaboraci?n de Arteleku (Centro P?blico de Arte dependiente de la Diputaci?n Foral de Guipuzkoa). El proyecto surgi? del an?lisis y la reflexion en torno a la creaci?n sonora experimental actual y ofrece una mirada sobre la comunidad internacional que trabaja en la experimentaci?n con el sonido. El objetivo de estas jornadas es el de intercambiar, analizar y documentar experiencias entre artistas chilenos y su relaci?n con la m?sica y el sonido, al mismo tiempo que mostrar, analizar y debatir las ideas y objetivos de la experiencia de (un)common sounds. info completa, talleres, programacion, etc, en: http://www.ccespana.cl Escucha la musica de Mika, Diego y Dadalu y GF+GF, en: mika -> http://www.pueblonuevo.cl/pn_site/index_progress.htm diego -> http://www.myspace.com/diegomoralesmusica dadalu -> http://www.myspace.com/dadalu gf -> http://gfrbroadcastingsystem.blogspot.com gf -> http://pichino.vtrbandaancha.net // 3 // Pueblo Nuevo en los medios // ultimas apariciones // -> comentario "pueblo nuevo primer aniversario" en alemania > http://www.windwalzer.de/?p=46 // 4 // Recomendados // -> Hans Carstens publica ep "Aura" bajo el netlabel chileno IMPAR (www.impar.cl) -> Desde ciudad de mexico -> sello y netlabel Mandorla -> www.mandorla.com.mx // 5 // venta disco "50 A?os de musica electroacustica en chile" // Ya esta disponible el disco "50 a?os de musica electroacustica en chile" en el sitio web: www.armonica.cl para todos quienes viven en regiones o fuera de chile. // Saludos, Mika Martini & Pueblo Nuevo Crew // // fin // si no quieres recibir mas email responde NO+. Si quieres que alguien mas reciba esta informacion reenviasela o escribeme para incorporar su email // end // + + + + + + + + + + + + + [M!M] [CHILE] [www.pueblonuevo.cl] __________________________________________________ Correo Yahoo! Espacio para todos tus mensajes, antivirus y antispam ?gratis! Reg?strate ya - http://correo.espanol.yahoo.com/ -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061204/ce9fff51/attachment.htm From grainofsound at gmail.com Mon Dec 4 20:49:13 2006 From: grainofsound at gmail.com (grain of sound) Date: Tue, 5 Dec 2006 01:49:13 +0000 Subject: [Microsound-announce] @c now on Grain of Sound Message-ID: We?re happy to announce the new cd release on Grain of Sound by @c :: @c - "Study" 5"cd / gos20 december 2006 It's not without irony, which is probably one of the most distinctive features of our generation creative skills, that the fourth @c's installment is appropriately called Study. After all, it's their first studio album. @c's members are laptop musicians or to be more precise laptop artists, and this is because more than often the output of their laptops is not restricted to sound. Laptop music, at least in its most interesting expression, seems to relate mainly to a sort of processual engagement. Again, a study of processes, an ongoing study or devoted investigation that may find its way all up to the very stage. Performing interesting laptop music is just another step in that ongoing process where research, chance, improvisation, and the endless tweaking of an immense flow of data are the very essence of creation and once again, study. While their other releases developed from stage improvisations that later crystallized as a released recording (this obviously after a quick drop at the studio), Study, composed between 2003~2006, Porto, appears as an ongoing quasi-academic construction that seems to be going to make it the other way around. Well, ironically, once again, a laptop musician studio is, most of the time, a laptop, and although probably more interconnected at the studio than at the stage (which of course also constitute different spaces and contexts), its core is still the very same laptop. And that studio, which as recording studio appears almost infinitely compressed both physically and economically (but still with a never ending array of possibilities), becomes an instrument more on stage. In the liner notes of the album, one can find physical evidence of what is perhaps the central element in studio music production, sound files (not the instruments that generate them, because what's inside a laptop is sometimes hard to grasp, and once again in contemporary music the definition of instrument can be very vague). To each track, a corresponding number of sound files, probably as diverse as the time and the multiplicity of processes that every one bears. Certainly not all the designations are as descriptive as others, but nevertheless constitute an attempt to provide some sort of mapping to each of the tracks' essence. What it says, its not only that the music contains a multiplicity of sound files and that each of them also probably contain even more and more files in an endless path to complexity. What it says is, with some irony, that this is a studio album, a study, and a study on the subject of sound, will certainly involve sound objects, and thats what these files are. The artwork, a series of illustrations by J?lio Dolbeth, bear an informal touch that is an obvious result of its own ongoing research and brilliantly encapsulate the main concept and spirit of this album. The relaxed informality of the studio dynamic is captured with a blurred combination of looseness and precision. The cables work as a visible metaphor for the complexity of the composition process and its beauty, after all something not very far from the mental engagement that drawing implies, drawing being also the place for studies, sketches, mistakes, chance, a processual playground that can also be presented as closure. Inside, in the actual record, one realizes that an @c studio album retains the same compelling freshness and vivid dynamics of their live acts. On every single track, and this probably due to that special mindset that the studio timeframe conveys, they manage to modulate with utmost elegance moments of abandoned contemplation with the most shearing and sonically engaging peaks of indeterminacy. The smooth swinging across the tracks is peppered with the intensity and surprise of a sonic roller coaster for the ear that even the casual computer music listener can enjoy. The overall attention to every aspect of the composition is remarkable and the sonic richness of every slice of audio transforms every listening into a stunning experience of rediscovery and newness. It's also interesting the way in which some sonic evidences of previous collaborations with other musicians, echo sparsely across the composition layers, working both as an almost nostalgic recollection of the audial past and a vivid feeling of stage improvisation-like artifacts. Interesting music, as everything that is deemed to be deeply appreciated, demands a special engagement from the listener that certainly goes beyond a superficial relationship with the subject. However, this release seems to also favor that sort of less demanding approach, you can listen to this record on an almost daily basis, establishing deeper contact only when your mind is withdrawn to its exquisite sonic modulations, or you can dedicate your full attention span to every masterful detail of its intricate and luxurious composition, where not all is what it appears to be. As said, this study spans from the last three years of public performances and studio reworking, if you've never caught them live, be sure to grab a sit on the next opportunity and prepare yourself to sonic delight, after all, the stage is the space and space is the place. Jo?o Cruz all info at: http://www.grainofsound.com http://www.at-c.org ................................................... ................................. ................ Grain of Sound and Ristretto will be present at Feira Laica, independent publishers fair in Lisbon, December 16 and 17, 2006: http://espacoespaco.blogspot.com [ portuguese version ] @c - "Study" 5"cd / gos20 december 2006 Quem estudou um pouco de matem?tica e percebe de computadores sabe que diferentes algoritmos podem realizar a mesma tarefa de v?rias maneiras, com performances necessariamente distintas para a completar. A esse prop?sito, a Wikipedia d? um exemplo curioso, que passo a citar com a devida v?nia: "Um algoritmo pode especificar que voc? calce primeiro as meias e os sapatos antes de vestir as cal?as, enquanto outro especifica que voc? deve primeiro vestir as cal?as e s? depois cal?ar as meias e os sapatos. Fica claro que o primeiro algoritmo ? mais dif?cil de executar do que o segundo." A divertida alus?o tem um pressuposto, o de que um algoritmo n?o ? apenas execut?vel com uma m?quina. Afinal, trata-se do nome que se d? a um conjunto de processos determinados por um c?lculo, processos e c?lculo esses que podem ser desempenhados por um indiv?duo com os seus pr?prios meios f?sicos e mentais. Para todos os efeitos, o ser humano ainda ? a m?quina mais complexa que existe, e tamb?m a mais espont?nea nas execu??es a que se prop?e. Ora, o n?cleo de trabalho algor?tmico na ?rea da m?sica e do audiovisual designado por @c tem a particularidade de combinar algoritmos humanos e algoritmos inform?ticos nas suas actua??es, o que quer dizer que a sua arte electr?nica n?o ? "auto-er?tica" (nesse aspecto estando bem longe dos conceitos aplicados por Markus Popp no projecto Oval) e sim um suced?neo da excelente imagem de William Burroughs em "Naked Lunch" na qual o personagem-escritor estimula o ?nus de uma m?quina de escrever mutante com uma m?o que antes mergulhara em veneno para baratas. Ouvimos a encena??o da disfuncionalidade digital que ? "Study" e essa refer?ncia performativa vem-nos inevitavelmente ? mem?ria. Ali?s, l? est? a m?quina de escrever de Burroughs a manifestar-se ruidosamente na faixa 6... Os algoritmos utilizados ao longo das pe?as deste CD do duo constitu?do por Miguel Carvalhais e Pedro Tudela e respectivos "laptops" (cada um deles com mais capacidade do que o computador que levou os americanos ? Lua) preferem, na maior parte dos casos, cal?ar primeiro as meias e os sapatos e s? depois as cal?as. Levam mais tempo a consegui-lo, mas ? na dificuldade, e na ultrapassagem desta, que est? a mais-valia dos seus conseguimentos. Travail accompli. Rui Eduardo Paes + info: http://www.grainofsound.com http://www.at-c.org ................................................... ................................. ................ A Grain of Sound e a Ristretto v?o estar presentes na 5? Feira Laica, feira de editores independentes: 16-17 dezembro no Espa?o - Rua Maria Andrade, N?5, Anjos, Lisboa http://espacoespaco.blogspot.com -- -- --------------------------- ------------- http://www.grainofsound.com http://www.grainofsound.com/ristretto ---------------------------- ---------------------------------------- --------------------------------- no more news? please reply with: Remove From grainofsound at gmail.com Mon Dec 4 20:56:07 2006 From: grainofsound at gmail.com (grain of sound) Date: Tue, 5 Dec 2006 01:56:07 +0000 Subject: [Microsound-announce] Out now on Grain of Sound: @c - "Study" Message-ID: We?re happy to announce the new cd release on Grain of Sound by @c :: @c - "Study" 5"cd / gos20 december 2006 It's not without irony, which is probably one of the most distinctive features of our generation creative skills, that the fourth @c's installment is appropriately called Study. After all, it's their first studio album. @c's members are laptop musicians or to be more precise laptop artists, and this is because more than often the output of their laptops is not restricted to sound. Laptop music, at least in its most interesting expression, seems to relate mainly to a sort of processual engagement. Again, a study of processes, an ongoing study or devoted investigation that may find its way all up to the very stage. Performing interesting laptop music is just another step in that ongoing process where research, chance, improvisation, and the endless tweaking of an immense flow of data are the very essence of creation and once again, study. While their other releases developed from stage improvisations that later crystallized as a released recording (this obviously after a quick drop at the studio), Study, composed between 2003~2006, Porto, appears as an ongoing quasi-academic construction that seems to be going to make it the other way around. Well, ironically, once again, a laptop musician studio is, most of the time, a laptop, and although probably more interconnected at the studio than at the stage (which of course also constitute different spaces and contexts), its core is still the very same laptop. And that studio, which as recording studio appears almost infinitely compressed both physically and economically (but still with a never ending array of possibilities), becomes an instrument more on stage. In the liner notes of the album, one can find physical evidence of what is perhaps the central element in studio music production, sound files (not the instruments that generate them, because what's inside a laptop is sometimes hard to grasp, and once again in contemporary music the definition of instrument can be very vague). To each track, a corresponding number of sound files, probably as diverse as the time and the multiplicity of processes that every one bears. Certainly not all the designations are as descriptive as others, but nevertheless constitute an attempt to provide some sort of mapping to each of the tracks' essence. What it says, its not only that the music contains a multiplicity of sound files and that each of them also probably contain even more and more files in an endless path to complexity. What it says is, with some irony, that this is a studio album, a study, and a study on the subject of sound, will certainly involve sound objects, and thats what these files are. The artwork, a series of illustrations by J?lio Dolbeth, bear an informal touch that is an obvious result of its own ongoing research and brilliantly encapsulate the main concept and spirit of this album. The relaxed informality of the studio dynamic is captured with a blurred combination of looseness and precision. The cables work as a visible metaphor for the complexity of the composition process and its beauty, after all something not very far from the mental engagement that drawing implies, drawing being also the place for studies, sketches, mistakes, chance, a processual playground that can also be presented as closure. Inside, in the actual record, one realizes that an @c studio album retains the same compelling freshness and vivid dynamics of their live acts. On every single track, and this probably due to that special mindset that the studio timeframe conveys, they manage to modulate with utmost elegance moments of abandoned contemplation with the most shearing and sonically engaging peaks of indeterminacy. The smooth swinging across the tracks is peppered with the intensity and surprise of a sonic roller coaster for the ear that even the casual computer music listener can enjoy. The overall attention to every aspect of the composition is remarkable and the sonic richness of every slice of audio transforms every listening into a stunning experience of rediscovery and newness. It's also interesting the way in which some sonic evidences of previous collaborations with other musicians, echo sparsely across the composition layers, working both as an almost nostalgic recollection of the audial past and a vivid feeling of stage improvisation-like artifacts. Interesting music, as everything that is deemed to be deeply appreciated, demands a special engagement from the listener that certainly goes beyond a superficial relationship with the subject. However, this release seems to also favor that sort of less demanding approach, you can listen to this record on an almost daily basis, establishing deeper contact only when your mind is withdrawn to its exquisite sonic modulations, or you can dedicate your full attention span to every masterful detail of its intricate and luxurious composition, where not all is what it appears to be. As said, this study spans from the last three years of public performances and studio reworking, if you've never caught them live, be sure to grab a sit on the next opportunity and prepare yourself to sonic delight, after all, the stage is the space and space is the place. Jo?o Cruz all info at: http://www.grainofsound.com http://www.at-c.org ................................................... ................................. ................ Grain of Sound and Ristretto will be present at Feira Laica, independent publishers fair in Lisbon, December 16 and 17, 2006: http://espacoespaco.blogspot.com [ portuguese version ] @c - "Study" 5"cd / gos20 december 2006 Quem estudou um pouco de matem?tica e percebe de computadores sabe que diferentes algoritmos podem realizar a mesma tarefa de v?rias maneiras, com performances necessariamente distintas para a completar. A esse prop?sito, a Wikipedia d? um exemplo curioso, que passo a citar com a devida v?nia: "Um algoritmo pode especificar que voc? calce primeiro as meias e os sapatos antes de vestir as cal?as, enquanto outro especifica que voc? deve primeiro vestir as cal?as e s? depois cal?ar as meias e os sapatos. Fica claro que o primeiro algoritmo ? mais dif?cil de executar do que o segundo." A divertida alus?o tem um pressuposto, o de que um algoritmo n?o ? apenas execut?vel com uma m?quina. Afinal, trata-se do nome que se d? a um conjunto de processos determinados por um c?lculo, processos e c?lculo esses que podem ser desempenhados por um indiv?duo com os seus pr?prios meios f?sicos e mentais. Para todos os efeitos, o ser humano ainda ? a m?quina mais complexa que existe, e tamb?m a mais espont?nea nas execu??es a que se prop?e. Ora, o n?cleo de trabalho algor?tmico na ?rea da m?sica e do audiovisual designado por @c tem a particularidade de combinar algoritmos humanos e algoritmos inform?ticos nas suas actua??es, o que quer dizer que a sua arte electr?nica n?o ? "auto-er?tica" (nesse aspecto estando bem longe dos conceitos aplicados por Markus Popp no projecto Oval) e sim um suced?neo da excelente imagem de William Burroughs em "Naked Lunch" na qual o personagem-escritor estimula o ?nus de uma m?quina de escrever mutante com uma m?o que antes mergulhara em veneno para baratas. Ouvimos a encena??o da disfuncionalidade digital que ? "Study" e essa refer?ncia performativa vem-nos inevitavelmente ? mem?ria. Ali?s, l? est? a m?quina de escrever de Burroughs a manifestar-se ruidosamente na faixa 6... Os algoritmos utilizados ao longo das pe?as deste CD do duo constitu?do por Miguel Carvalhais e Pedro Tudela e respectivos "laptops" (cada um deles com mais capacidade do que o computador que levou os americanos ? Lua) preferem, na maior parte dos casos, cal?ar primeiro as meias e os sapatos e s? depois as cal?as. Levam mais tempo a consegui-lo, mas ? na dificuldade, e na ultrapassagem desta, que est? a mais-valia dos seus conseguimentos. Travail accompli. Rui Eduardo Paes + info: http://www.grainofsound.com http://www.at-c.org ................................................... ................................. ................ A Grain of Sound e a Ristretto v?o estar presentes na 5? Feira Laica, feira de editores independentes: 16-17 dezembro no Espa?o - Rua Maria Andrade, N?5, Anjos, Lisboa http://espacoespaco.blogspot.com -- -- --------------------------- ------------- http://www.grainofsound.com http://www.grainofsound.com/ristretto ---------------------------- ---------------------------------------- --------------------------------- no more news? please reply with: Remove From philippe-petit at wanadoo.fr Tue Dec 5 08:27:58 2006 From: philippe-petit at wanadoo.fr (Philippe Petit) Date: Tue, 5 Dec 2006 14:27:58 +0100 Subject: [Microsound-announce] BiP_HOp Generation : November playlist In-Reply-To: References: <4E18B6B8-94EF-4E2E-8569-12DD032FEC45@wanadoo.fr> <675B38BF-F3F8-4618-8A2F-1D71F90E019B@wanadoo.fr> <2DAA4455-570D-408A-95E0-F5FB773E6217@wanadoo.fr> <0FDEFE9D-EFEE-4185-8146-43BCD22C7ADC@wanadoo.fr> <9E9F1170-71E3-40ED-BD23-5A9487BE6DD8@wanadoo.fr> <5418E69A-796D-469A-B098-6B691E4FDD4A@wanadoo.fr> <89E1B7B3-507C-42A1-B1C2-3CCF30313210@wanadoo.fr> <2867DC25-6853-4170-BA53-80EB0DB53F15@wanadoo.fr> Message-ID: <08B339A1-0F56-4667-AD9C-0724E83A2305@wanadoo.fr> BiP_HOp Generation on Radio Grenouille // 88.8 FM Wednesday evenings : 19:00 - 20:30 PM // Marseille // France November 2006 Playlist ARTIST ALBUM label Erik Friedlander and Teho Teardo : giorni rubati (BiP_HOp) Larsen : seies (Important) M?canosph?re : limb shop (Raging Planet) Grails : black tar prophecies (Important) Michael Schiefel : I don't belong (Traumton) Phelan Sheppard : harps old master (Leaf) Ateleia : formal sleep (Xeric/Table Of The Elements) Pierre-Yves Mac? & Quatuor Pli : crash test 2 (Orkhestra) Isis : in the absence of truth (Ipecac) To Rococo rot : taken from vinyl (Staubgold) Adrian Klumpes : be still (Leaf) Mono & World's End Girlfriend : palmless prayer/mass murder refrain (Human Highway) Oblong : indicator (Expanding) Nina Nastasia : on leaving (Fat Cat) Andy Stott : merciless (Modern Love) Robert Henke : layering buddha (Imbalance Computer Music) Picore : l'h?lium du peuple (Jarring Effects) Thomas Belhom : no border (Ici d'Ailleurs) Frequency : s/t (Thrill Jockey) Resina : opinioomnium (Mousike Lab) Avia Gardner : mill farm (Intr:Version) Ellen Burr : duos (pfMentum) Dosh : the lost take (Anticon) The Idealist : I am the fire (Nosordo) Dax Pierson & Robert horton : pablo feldman sun riley (Nosordo) Conjoint : a few emptu chairs (Buro) Telepathe : farewell forest (The Social Registry) M?m : peel session (Fat Cat) Tuomi : tightrope walker (Traumton) Welcome : sirs (Fat Cat) Mountaineer : when the air is bright they shine (Type) Ultra Milkmaids : pocket station (Ant Zen) Library Tapes : feelings for something lost (Resonant) Richard Javerling : two times five lullaby (Yesternow) Archi.Texture vol.1 : Boghossian/Tilbuty/Wastell (Cathnor) Zeitkratzer : noise/... (l?rm) (Tourette) Lasse Marhaug : carnival of souls (Thisco) Working For A Nuclear Free City : s/t (Melodic) Fat Jon & Styrofoam : the same channel (Morr Music) The Blow : paper television (Tomlab) D_rradio : out of love (Distraction) Prince Valium : andlaus (Resonant) L'Ocelle Mare : s/t (Ruminance) Okay : low road (Ruminance) Spies Under Von Magnet Influence : suvmi (Cinetiks) Zonk't : purr (Sound On Probation) Forrest Fang & Carl Weingarten : invisibility (The Foundry) Hey Willpower : pda (Tomlab) Eagle : seagull (Ladomat) -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061205/8e464f62/attachment.htm From info at punck.net Tue Dec 5 10:05:48 2006 From: info at punck.net (info at punck.net) Date: Tue, 05 Dec 2006 16:05:48 +0100 Subject: [Microsound-announce] Aural Diary audioblog (sound postcards from the world) Message-ID: <45758acc.244.2a50.584949855@webmailh1.aruba.it> Hi All i've just started my new audioblog Aural Diary http://www.auraldiary.splinder.com Sound postcards and field recordings from the world images and sounds of various locations captured during my travels around the world. the first 3 post: Alfama-Lisboa (Portugal) Marsa Alam-(Egypt) Brick Lane-London (UK) i hope you like it have a nice trip!!! ciao punck http://www.punck.net http://www.ctrlaltcanc.tk http://www.fulminiesaette.splinder.com ps feedback necessary From info at punck.net Tue Dec 5 10:06:11 2006 From: info at punck.net (info at punck.net) Date: Tue, 05 Dec 2006 16:06:11 +0100 Subject: [Microsound-announce] Aural Diary audioblog (sound postcards from the world) Message-ID: <45758ae3.27f.5efc.597261479@webmailh2.aruba.it> Hi All i've just started my new audioblog Aural Diary http://www.auraldiary.splinder.com Sound postcards and field recordings from the world images and sounds of various locations captured during my travels around the world. the first 3 post: Alfama-Lisboa (Portugal) Marsa Alam-(Egypt) Brick Lane-London (UK) i hope you like it have a nice trip!!! ciao punck http://www.punck.net http://www.ctrlaltcanc.tk http://www.fulminiesaette.splinder.com ps feedback necessary From kim at anechoicmedia.com Tue Dec 5 12:20:13 2006 From: kim at anechoicmedia.com (Kim Cascone) Date: Tue, 5 Dec 2006 09:20:13 -0800 Subject: [Microsound-announce] Call for Recordings of Place-Chicago Gallery Show Message-ID: Is there a particular geographical place you've developed a relationship with through sound? Could you take take some of the sound, package it up with some physical evidence and ship it to Chicago, Illinois? To this end, Zoe Asta and I are curating a show called, "GeoPhonoBox," for which we hope to fill a 2400-square-foot gallery with sound generating boxes from places all over the world. Here's how it will work: There are two box sizes to choose from: 12"X10"X4" and 16"X12"X8." Each box must be able to generate its own sound (which can be as simple as a CD player/headphones or?) and its contents must identify the place of origination. Your work would be included with recordists of all leanings -- phonographers, composers, nature recordists, sound artists, ethnographers, pedestrians, geographers, agriculturists, naturalists, radio journalists and others who develop relations to place through sound. To confirm your interest, cut and paste the short application form at the bottom of this Call for Participation, http://www.zoeasta.com/ sound2.htm, into an email and send it to both of us along with a couple of mp3 examples of your recordings to: Zoe Asta AND Rob Danielson by December 17th, 2006. We will notify you that your application has been accepted by January 4, 2007, or earlier, and send you the box size of your choice. Boxes are to be returned to Chicago by February 10, 2007. The gallery opening at the Around the Coyote Gallery is on March 2nd. There are additional considerations and terms on the invitation link. Feel free to email us with questions. We look forward to including your work in the show! Sincerely, Zoe Asta and Rob Danielson -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061205/29b65353/attachment-0001.htm From mlist at symbiosis.com.au Tue Dec 5 14:54:02 2006 From: mlist at symbiosis.com.au (Simon Hampson) Date: Wed, 06 Dec 2006 06:54:02 +1100 Subject: [Microsound-announce] Symbiosis Playlist - 29th November 2006 (Scott Smallwood, Accretions) In-Reply-To: Message-ID: Symbiosis Wednesday 10pm - 12am Melbourne, Australia 102.7 FM Triple R Streaming live online at: http://www.rrr.org.au/ Myspace: http://www.myspace.com/symbiosisradio Last.fm: http://www.last.fm/user/coishii with Simon Hampson A journey through experimental sound textures and rhythms. Headphones recommended. I am always looking for new sounds. Drop me an email or give me a call on the show - I would love to hear from you. Email: simon at symbiosis.com.au -- Hi folks, A great edition of Symbiosis last week... We finished off November with two long form features. In the first hour, a look at the sonic universe of Scott Smallwood. And in the second hour, the Symbiosis Label Focus looked at San Diego label Accretions. This week: 6th December 2006: The monthly new release show.. a selection of the sounds that have been flying across the Symbiosis desk and hard drive for the last month or so. In the pipeline: NMA Tapes retrospective, 2006 recap And coming up in the new year: Esa Ruoho (Lackluster), Aidan Baker, Aaron Ximm, RF Have a great week, Simon. Symbiosis Playlist - 29th November 2006 Two features tonight: In the first hour.. Scott Smallwood was born in Dallas, Texas, and grew up at 10,000 feet in elevation in the Colorado Rockies. When Smallwood was 10 years old, he received his first tape recorder, and ever since he has been fascinated by the possibilities of recorded sound. Currently based in New Jersey, Smallwood's work deals with real and abstracted sound textures based on a practice of listening, improvisation, and phonography. Scott is currently a doctoral fellow in the music department of Princeton University. And in the second hour.. The Symbiosis label focus returns with a look at San Diego label Accretions. Accretions is an artist-based independent music label with an ear towards experimental, improvisational and global sounds. Scott Smallwood: http://www.music.princeton.edu/~skot/main.html Accretions: http://www.accretions.com/ Marcos Fernades: http://www.marcosfernandes.com/ Artist :: Track :: Album/Link :: Label (if applicable) Scott Smallwood :: rusted womb of bomber :: Desert Winds :: Deep Listening Scott Smallwood :: blending :: Fossil Fields :: n/a Scott Smallwood interview Scott Smallwood :: passion :: Many Voices (Leaf 019) :: Autumn Records Scott Smallwood :: portatherm :: Electrotherapy :: Deep Listening (early 20th century devices) Scott Smallwood interview (cont.) Scott Smallwood :: IAS golf median :: Brood X :: Wavelet Records (5.28) Evidence :: aurora viaduct :: Out Of Town :: Deep Listening (with Stephan Moore) Scott Smallwood interview (cont.) Scott Smallwood :: the permian basin :: Fossil Fields :: n/a Symbiosis Label Focus - Accretons (25 min) Robert M :: sinestre :: Robert M :: Accretions Interview with Marcos Fernandes Marcos Fernandes, Hans Fjellestad, Haco, Jakob Riis :: awake :: Haco Hans Jakob Marcos :: Accretions Damon Holzborn :: e. digest :: Trummerflora Rubble 2 :: Accretions Santo Subito :: whole trees in motion :: Xavier :: Accretions Interview with Marcos Fernandes (cont.) Marcos Fernandes :: live: ready for the revolution (excerpt) :: Live at Edgetone Music Summit 2006 Interview with Marcos Fernandes (cont.) Hans Fjellestad :: french door bird :: Snails Are Sexy :: Accretions The Phonographers Union :: 6 :: Live On Sonarchy Radio :: Accretions -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061206/69f5587f/attachment.htm From kim at anechoicmedia.com Tue Dec 5 15:26:23 2006 From: kim at anechoicmedia.com (Kim Cascone) Date: Tue, 5 Dec 2006 12:26:23 -0800 Subject: [Microsound-announce] THE HUM REMIX CD Message-ID: <9BF174CE-9E6A-4297-88B4-A8A243231C96@anechoicmedia.com> Hi, this is a general call out for anyone interested in creating a new work out of an existing soundtrack. THE HUM REMIX CD In the spirit of collaboration that is at the basis of the Hum project, a compilation CD of Hum remixes will be produced in April 07. Participants are invited to create a remix of any style using this sonic material in any way in their composition. Proceeds will go toward the production of The Main Hum event of June 07. Any additional revenues will be divided evenly among composers, and copyright will remain their sole property. Please see http://www.kathykennedy.ca/news/news.html for more details. Kathy Kennedy -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061205/55df97ae/attachment.htm From kim at anechoicmedia.com Tue Dec 5 16:58:40 2006 From: kim at anechoicmedia.com (Kim Cascone) Date: Tue, 5 Dec 2006 13:58:40 -0800 Subject: [Microsound-announce] lunchbox as spectacle Message-ID: <4B070A39-FCE3-4225-8B76-F40127C2CF84@anechoicmedia.com> > ?The commodity can be understood in its undistorted essence only > when it becomes the universal category of society as a whole. Only > in this context does the reification produced by commodity > relations assume decisive importance both for the objective > evolution of society and for the attitudes that people adopt toward > it, as it subjugates their consciousness to the forms in which this > reification finds expression. . . . As labor is increasingly > rationalized and mechanized, this subjugation is reinforced by the > fact that people?s activity becomes less and less active and more > and more contemplative.? > > ?Luk?cs, History and Class Consciousness > the quote above opens chapter 2 of The Society of the Spectacle: http://www.bopsecrets.org/SI/debord/2.htm also: http://lunchboxshop.com/ -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061205/739f397f/attachment.htm From joncates at criticalartware.net Tue Dec 5 20:25:09 2006 From: joncates at criticalartware.net (jonCates) Date: Tue, 5 Dec 2006 19:25:09 -0600 Subject: [Microsound-announce] R4WD10PL4Y84CK800M80X0R Message-ID: <06FB8C4D-145B-4121-A2E3-0D53A1511F25@criticalartware.net> [ (A) r4wB!t5 micro.Fest PRESENTS ] r4W.D!0 P|_4y b4(|< b00/\/\ b0X0r AKA R4WD10PL4Y84CK800M80X0R AKA Radio Play Back Boom Boxor [ @ The Art Gallery of Knoxville TN .US opening 2007.01.05 ] [ as a component of the Distribution Religion Exhibition ] [ 1rst DEADLINE == 2007.01.04 ] [ 2nd DEADLINE == 2007.02.04 ] r4W.D!0 P|_4y b4(|< b00/\/\ b0X0r AKA R4WD10PL4Y84CK800M80X0R AKA Radio Play Back Boom Boxor is an open archive of audio art, sound works + experimental musics existing @ the intersecting crossroads of digital punk, blues musics + freak folktronics as forms of protest + resistance to current socio-economic situations + political contingencies. R4WD10PL4Y84CK800M80X0R will be exhibited as an aspect of the 2007.01.05 (A) r4wB!t5 micro.Fest to be held @ The Art Gallery of Knoxville in the Distribution Religion exhibition. ?opied, appropriated, reused + remixed audio files will be streamed through the gallery space via a micro.Radio station broadcasting to multiple ye olde skool boomboxes. every artist will receive equal time (length of audio divided by number of participants) in the play back of their tracks on the temporary micro.Radio station formed by the R4WD10PL4Y84CK800M80X0R installation. the current Radio Play Back Boom Boxor will include all materials submitted to the previous instances, i.e. from the 2005.08.27 (A) r4WB1t5 micro.Fest @ Alterspace in Chicago IL .US + will be including in the ongoing (A) r4WB1t5 micro.Fest. [ PLAY YOUR DIGITAL PUNK AUDIO ART BLUES {MICRO|MACRO}-SOUND MASHUP REMIXOLOGICAL FREAK FOLKTRONIC PROTEST MUSICS HERE ] submit URI's aka web addresses of projects to: play at r4wd10pl4y84ck800m80x0r.org or via bookmarking the images that are already online using del.icio.us + then tagging your images w/the "0P3NFR4M3W0RK" tag: http://del.icio.us/tag/0P3NFR4M3W0RK or by uploading your data directly: http://r4wd10pl4y84ck800m80x0r.org/play (A) r4wB!t5 organizers will harvest files from these interwebbed locations 11:59 PM on 2007.01.04 --=-=-=--=-=-=-- -= 2007.01.05 =- --=-=-=--=-=-=-- (A) 2007.01.05 r4WB1t5 micro.Fest in Knoxville TN .US is an open collaborative aspect of the "Distribution Religion" exhibition at The Art Gallery of Knoxville. (A) 2007.01.05 r4WB1t5 micro.Fest is being organized around themes of sharing, systems of {exchange| distribution} + creating crossroads of digital punk, blues musics + freak folktronics as forms of protest + resistance to current socio- economic situations + political contingencies. on the night of 2007.01.05 The Distribution Religion exhibition will open at The Art Gallery of Knoxville + will include the r4WB1t5 projects Open Frame Work + Radio Play Back Boom Boxor. these ongoing components of (A) r4WB1t5 micro.Fest feature artists from around the earth-planet. simultaneously, (A) 2007.01.05 r4WB1t5 micro.Fest will occur @ The Pilot Light in Knoxville TN .US, across the tracks from The Art Gallery of Knoxville. the (A) 2007.01.05 r4WB1t5 micro.Fest @ The Pilot Light will feature a folksonema screening, open source artware distribution + realtime audio + video performances by r4WB1t5 participants from Knoxville, Chicago + beyond. a live data stream will also connect these physical-virtual spacestations across the global wide interweb. =- ---= --= '--' =-- =--- -= =- (A) r4WB1t5 micro.Fest -= =- ---= --= '--' =-- =--- -= (A) r4WB1t5 micro.Fests are international, decentralized, self- organized + independent instantiated situations of raw bits of digital art + dirty new media. (A) r4WB1t5 micro.Fest is itself an open platform or framework for creating these events in alternative + conversational contexts such as bars, basements, art spaces, apartments, galleries, etc... (A) r4WB1t5 micro.Fest extends out of + feeds back into DaDaist, Situationist, Fluxist, punk, digital art + New Media theories + practices... (A) r4WB1t5 micro.Fests are always free + open collaborative projects, available to anyone interested in self-organizing Digital Arts + dirty New Media. http://r4wb1t5.org =--=-=--=-=--= = FOLKSONEMA = =--=-=--=-=--= folksonema is a bi-weekly screening evnt @ the flowershop (2159 w 21st pl, chicago il), inspired by the `][]P3|\|.|=r@/\/\3.\/\/()r|<] [ (aka open frame work)` program developed by jon.satrom for r4wb1t5 2005.08.27. every two weeks, jake elliott propagates information about a certain tag to use (ie ?ravepartyinaspaceship? or ?thatrobotatemysandwich?) on sites like youtube, del.icio.us, flickr, etc. for each screening, jake elliott scrapes the tagged media (images, mp3?s, exe?s, videos, web pages, txt?s, etc.) from those sites && screens them in the greenhouse of the flowershop, a space inhabited by various artists, projects && public initiatives. folksonema == folk + taxonomy + cinema http://folksonema.nothingistrueeverythingispermitted.com http://www.flowerglass.net --=-=-=---=-=-=---=-=-=--=-=-=-- = THE ART GALLERY OF KNOXVILLE = --=-=-=---=-=-=---=-=-=--=-=-=-- The Art Gallery of Knoxville is a new experimental space, dedicated to the discussion of emerging Art. Located in Knoxville Tennessee, the Gallery coordinates the exhibition + publication of work in all media. Project proposals may extend from all disciplines. Regular performances + events include avant-garde + experimental music, video screenings (every Wednesday night at 7 PM), + public discussions of contemporary artists. Exhibits change monthly. Open Submissions Accepted. The Art Gallery of Knoxville 317 N Gay St Knoxville, TN 37917 Gallery Hours: Wednesday - Sunday (2 PM - 9 PM) http://www.theartgalleryofknoxville.com --=-=-=-=-=-=-- = PILOT LIGHT = --=-=-=-=-=-=-- since may 2000: knoxville's home for experimental and independent musics, film, and performance. we've hosted well over 1500 different local, national, and international bands (many of them multiple times) since inception. all volunteer. we are bringing it here for you. come find a new favorite band. Pilot Light 106 E Jackson Ave - Knoxville, TN 37915 865.524.8188 http://www.thepilotlight.com http://www.myspace.com/pilotlightclub From douglas at benfo.demon.co.uk Wed Dec 6 05:01:14 2006 From: douglas at benfo.demon.co.uk (douglas benford) Date: Wed, 6 Dec 2006 11:01:14 +0100 Subject: [Microsound-announce] London: Advent No.2 Sprawl bulletin Message-ID: ------------------------------------------------------------------- Advent No. 2 S P R A W L bulletin ------------------------------------------------------------------- Sprawl continues it's series of afternoon/early evening 'Advent Sprawls' next weekend, with live music and DJs, and, in the spirit of the season, it's FREE admission. The venue has a great sunday brunch menu available too, including the traditional sunday roast. Thanks everyone who came down last sunday - great audience, music and atmosphere! ** Advent Sprawl No.2 ** this Sunday 10th December Live: ROBERT HAMPSON (Main) www.myspace.com/roberthampson DITHERNOISE/SIMON LONGO www.simon-longo.com DJs: Jonathan Burnip (Soul jazz) - www.myspace.com/capracara + si-cut.db + Iris Garrelfs VENUE: the Charterhouse bar 38 Charterhouse Street, London EC1 tube: Farringdon tel: 020 7608 0858 email: info at charterhousebar.co.uk, www.charterhousebar.co.uk ADMISSION FREE. times: 2pm to 7pm ---------------------------------------------------------------- next up: *Sunday 17th December Devotchka.s Conundrum, Michael Santos, Imagination and My Mother, Thorsten Sideb0ard (HighpointLowlife) DJ Alex Czinczel DJ ---------------------------------------------------------------- best wishes Iris Garrelfs www.irisgarrelfs.com www.myspace.com/irisgarrelfs si-cut.db [d.benford] www.douglasbenford.co.uk www.myspace.com/sicutdb from SPRAWL www.sprawl.org.uk E-MAIL From murmer at talk21.com Wed Dec 6 11:34:03 2006 From: murmer at talk21.com (. m u r m e r .) Date: Wed, 6 Dec 2006 11:34:03 -0500 Subject: [Microsound-announce] [playlist] framework - 13.12.06 Message-ID: <01f801c71954$58353de0$680fa8c0@murmer> framework broadcasts wednesdays on resonance104.4fm in london (uk) or worldwide on http://www.resonancefm.com from 1-2pm gmt next broadcast: 13.12.06 ~ time zone converter: http://www.thesaturnv.com/converter.html ~ for general info, playlists, podcast, or to stream the latest edition: http://www.resonancefm.com/framework framework is supported by soundtransit: http://www.soundtransit.nl RESONANCE FM'S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE HELP US TO CONTINUE BY MAKING A DONATION. CHECK OUT OUR WEBSITE TO FIND OUT HOW YOU CAN HELP KEEP RESONANCE ON THE AIR: HTTP://WWW.RESONANCEFM.COM. THANK YOU! -------------------------------------------------------------------------------- framework - phonography/field recording; contextual and decontextualized sound activity presented by patrick mcginley this week's edition of framework:afield was produced in london, uk by keith de mendonca. no specific playlist information for this edition, but keith says, 'it is based on urban ambience - and is a meander through my recording archives.' for more info see: http://www.dismbody.demon.co.uk. again, we are always looking for material for the show, whether raw field recordings, field recording based composition or introduction submissions. send material, released or not, on any format, to the address below. if you have any questions, please don't hesitate to get in touch! framework 31 nevill road london n16 8sl uk framework at talk21.com -------------------------------------------------------------------------------- framework intro submissions: 1) take yourself and an audio recording device to a location of your choice 2) record for AT LEAST 1 minute before you - 3) read the following text: welcome to framework. framework is a show consecrated to field recording, and it's use in composition. field recording, phonography, the art of sound-hunting; open your ears and listen! 4) continue your recording for AT LEAST 2 minutes after you've finish speaking 5) send the recording on any format to the address above, or as an mp3 via email thanks! -------------------------------------------------------------------------------- drop a note to framework at talk21.com to be removed from this mailing list -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061206/9f9146bb/attachment.htm From murmer at talk21.com Wed Dec 6 11:40:29 2006 From: murmer at talk21.com (. m u r m e r .) Date: Wed, 6 Dec 2006 11:40:29 -0500 Subject: [Microsound-announce] [playlist] framework - CORRECTION - 06.12.06 Message-ID: <023601c71955$3e2bf050$680fa8c0@murmer> sorry - obviously that subject line date should have been this week, not next... p -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061206/5449bdfd/attachment.htm From bwildered at comcast.net Wed Dec 6 15:20:40 2006 From: bwildered at comcast.net (bwildered at comcast.net) Date: Wed, 06 Dec 2006 20:20:40 +0000 Subject: [Microsound-announce] 2 michigan shows: sunday dec. 1o & thursday dec 14 - ypsilanti Message-ID: <120620062020.11411.45772618000E087600002C9322069997350B0A9D0A0B0407990D@comcast.net> sunday 1o december 2oo6 elbow room 6 s. washington ypsilanti, mi http://www.ypsirocks.com/elbowroom de??fenestra (elijah church/john wolf mcintyre/will soderberg + a guest shot by james cornish) http://white-rose.net/defenestra http://www.myspace.com/defenestra gutbucket http://www.myspace.com/gutbucket sexual pantalones http://www.myspace.com/sexualpantalones this show describes some variant approaches to hyphenated jazz forms: gutbucket is from brooklyn, new york, and their gtr/bs/dms/sax lineup spews unison lines punctuated with wild solos... prog-jazz-rock? sexual pantalones in a michigan group who explore a kind of retro-fusion, with the classic violin/gtr/bs/drums/kybd so many groups of the seventies wore... de??fenestra breathes in everything within reach and then releases it in an organic meets electronic combo of theremin, harmonium, sheng, tabletop guitar and signal processing like bastard sons of raymond scott on dopamine... ------------------------------------------ thursday 14 december 2oo6 (8-1opm) dreamland theater ypsilanti, mi http://www.dreamlandtheater.com/ will soderberg http://www.myspace.com/willsoderberg http://white-rose.net/wills.html scattered light "layered electronics and found sounds create a tapestry with which to weave the humble, raw acoustic guitar layers of james marks." ronen goldstein http://www.myspace.com/ronen "ambient electronic artist from ann arbor plays compositions for keyboard, circuit bending and devices." From incite at gmx.de Thu Dec 7 09:19:58 2006 From: incite at gmx.de (incite/) Date: Thu, 7 Dec 2006 15:19:58 +0100 Subject: [Microsound-announce] incite/ concert dez06 Message-ID: Please note: december 14th incite/ special 80th gig celebration iMood, Hamburg, 10p 6? http://www.zappellounge.de http://www.fragmentedmedia.org/fm-incite.html thanks, incite/ Kera + Andr? -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061207/ab902207/attachment.htm From dwnewman at clara.co.uk Fri Dec 8 07:36:43 2006 From: dwnewman at clara.co.uk (David @ Audiobulb) Date: Fri, 8 Dec 2006 12:36:43 -0000 Subject: [Microsound-announce] Ultre > All The Darkness Has Gone To Details [CD Audiobulb] References: <01f801c71954$58353de0$680fa8c0@murmer> Message-ID: <002701c71ac5$99f04b90$9ee1a850@BEPPC> Some of you will already know Ultre having made an impact on the live circuit playing his energised and beautiful sets with the likes of (Chris) Clark, Tim Exile, Freeform, Carsten Nicolai and Max Tundra. He has performed live visuals alongside Squarepusher, Aphex Twin and Plaid and his animation work is used as a part of the on going Warp works & 20th Century composers tour. The Ultre debut release presents structured musical pieces utilising piano, guitar, home made instruments and electronics. Critical reviews highlight this artist's maturity, individuality and skill. Elegant, delicate, complex, organic, bold, charming, melancholy, nervous, or violent.. All The Darkness Has Gone To Details. Purchase the Ultre CD @ http://www.audiobulb.com/ab-shop.htm Visit http://www.audiobulb.com to hear track previews. -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061208/c7328eb9/attachment.htm From junior at juniorbirdman.com Fri Dec 8 10:19:53 2006 From: junior at juniorbirdman.com (Mike Hallenbeck) Date: Fri, 8 Dec 2006 07:19:53 -0800 (PST) Subject: [Microsound-announce] Remix opportunity : Wandering Ear Message-ID: <61759.71.37.247.229.1165591193.squirrel@www.juniorbirdman.com> Thaw Remix Compilation - Remixes Wanted! Wandering Ear is assembling a compilation of remixes from our first release, "Thaw: Field Recordings From Minnesota". "Thaw" can be found here: http://wanderingear.com/we001.html We are looking for artists to remix tracks for this release. If you are interested, please note our simple criteria and due dates below: Remixes can only use material from the Thaw release (i.e. no additional drums, samples, vocals, etc.) FX and manipulation of the data in any other way are perfectly acceptable. Multiple tracks can be used from Thaw to create your track; we only ask that any material used be identified. Tracks no longer than 12 minutes long. All material (Audio, Track Info, Bio) due by January 5, 2007 Potential Release Date: January 15, 2007 Email info at wanderingear.com to let us know where we can download your track. So if you haven't downloaded Thaw yet, do so now and get working on those remixes! Thanks, Mike and Nathan From mlandman at sonic.net Fri Dec 8 13:24:15 2006 From: mlandman at sonic.net (Mark Landman) Date: Fri, 8 Dec 2006 10:24:15 -0800 Subject: [Microsound-announce] Kyma System for sale Message-ID: <4C2B9EA2-2D51-4FD6-876B-E669E3FC712A@sonic.net> Kyma Capybara 320 sound processor with 2 additional DSP cards, Motormix (tightly integrated motorized control surface), Firewire interface and power cables, Kyma X manual, Rack ears, transferable registration & support, Kyma X software. Also includes Green Tea Software's Looper Construction Kit software. Massively granulate, chop, warp, morph, echo, ring modulate, convolve, pitch shift, time stretch, filter, and of course, loop... Kyma- http://www.symbolicsound.com/cgi-bin/bin/view/Products/WebHome Green Tea Software Looper Construction Kit- http:// www.greenteasoftware.com/lck.htm New value $6,044.00 For sale at $5000 plus shipping. Thanks for the bandwidth- Mark From kim at anechoicmedia.com Fri Dec 8 16:49:08 2006 From: kim at anechoicmedia.com (Kim Cascone) Date: Fri, 8 Dec 2006 13:49:08 -0800 Subject: [Microsound-announce] =?iso-8859-1?q?Experimentelle_Musik_und_Kun?= =?iso-8859-1?q?st_im_interdisziplin=E4ren_Kontext_-_SKOP?= Message-ID: <40E41995-4275-4233-90AC-51DC3F8BD981@anechoicmedia.com> in German only: http://www.skop-ffm.de/Pagesneu/naechste.html - the trio I perform with, KGB, will be performing (I will be there in the form of a digital soundfile since I am not able to be physically present for the event) at the SKOP festival which will include lectures by composers and performances - one of the members of KGB will be presenting a short talk on improvisation I wrote for the event contact: skop at skop-ffm.de for more information -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061208/45a2dec9/attachment.htm From ondasonoraradio at yahoo.es Sat Dec 9 21:42:39 2006 From: ondasonoraradio at yahoo.es (Onda Sonora Radio) Date: Sun, 10 Dec 2006 03:42:39 +0100 (CET) Subject: [Microsound-announce] CONTENTS ONDA SONORA 09-12-06 Message-ID: <20061210024239.73283.qmail@web25605.mail.ukl.yahoo.com> ONDA SONORA (Experimental Radio Sessions), Madrid (ES) ?Radio C?rculo de Bellas Artes 100.4 FM Sabados / Saturday. 20h -www.circulobellasartes.com www.ondasonoraradio.com ?Listen any time http://www.artesonoro.org/archives/category/artesonororadio/radio_ondasonora/ CONTENTS ONDA SONORA 09-12-06 01. DEERHUNTER Track: Intro / Cryptograms / White Ink / Octet-stream / Red Ink Album: Cryptograms Label: Kranky 02. PETE STOLLERY Track: Shortstuff / Altered Images Album: Un Son Peut En Cacher Un Autre Label: Empreintes Digitales 03. LUKAS SIMONIS Track: Hillig / Dalver / Knappskling / & Adoot Album: Stots Label: Korm Plastics 04. JANEK SCHAEFER Track: The Last Hour Album: The Last Hour Label: Room 40 05. MY FUN Track: The Pursuit Of Old Pleasures Album: Idyll Label: Test Tube Nota: Este mensaje no ha sido solicitado, pero hemos considerado que podr?a interesarte. De no ser as?, responde con un mensaje titulado "borrame" y ser?s inmediatamente eliminado del mailing. Muchas gracias Note: This is an undemanded message, but we have considered it could be interesting for you. If that's not your case, then reply us with this subject for the message: "delete me", and you will be inmediately out from the mailing. Thank you --------------------------------- LLama Gratis a cualquier PC del Mundo. Llamadas a fijos y m?viles desde 1 c?ntimo por minuto. http://es.voice.yahoo.com -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061210/682ef4cf/attachment.htm From convnetlabel at yahoo.com Sun Dec 10 07:21:34 2006 From: convnetlabel at yahoo.com (conv) Date: Sun, 10 Dec 2006 04:21:34 -0800 (PST) Subject: [Microsound-announce] Twentytwentyone Laptop Quartet - new online release on con-v Message-ID: <163244.17339.qm@web56402.mail.re3.yahoo.com> Twentytwentyone Laptop Quartet performs selected pages from 'Treatise' by Cornelius Cardew. Live @ Jauna Muzika Festival 2006, Vilnius, Lithuania. Laptop Quartet twentytwentyone Though these numbers do not represent the average age of this quartet?s members, they actually refer to the certain transitional period from what we know as 20th century, with its modernistic (in the neutral sense of this word) outlook, to what is happening right now, as well as what may happen tomorrow. Performance of this ensemble could be called concert as exhibition, or a retrospect of graphic musical notation extended with the graphical materials of non-musical origin, that are read as musical script and, through collaborative efforts, transfered into the sphere of live electroacoustic sound. Concert of twentytwentyone consists of four laptop musicians performing onstage a combination of these graphic notation scores: Having Never Written a Note For Percussion by American composer James Tenney, Draw a Straight Line and Follow It by American composer La Monte Young, A Heap of Language by American conceptual artist Robert Smithson, Treatise by English composer Cornelius Cardew, Morphology of City by architect/sound artist Tomas Grunskis, Expansia by Lithuanian composer Vytautas V. Jurgutis, Renaissance in Music by artist/composer Arturas Bum?teinas and the silent b/w film Symphonie Diagonale (1924) by swedish-german experimental film pioneer Viking Eggeling treated as a moving graphic score (the program is in the ongoing process of update). All the scores are projected on the screen for the audience?s observation. Members: Arturas Bum?teinas ? composer of electronic and acoustic music also works as visual artist with a leaning towards cinematography and conceptuality. He runs mixthemixthemix label as well as practically and theoretically supports the concept of a musical opus as a platform for parallel events. More info at www.bumstein.com/art Antanas Dombrovsky ? collector of ecclectic and contemporary urban folklore, most often working in collaborative spheres and projects. Lately he has been making noticeable appearances as a participant at visual art events. Lina Lapelyt? ? violinist, student of Keiko Wataya, she has performed solo with orchestras as well as with the alternative rock group Sugyvulintoslatakams. She is currently a student at the London University of Arts, improvises with the violin and records sinusoidal sound tracks with the use of computer. Vilius Lys ? is one of the representatives of the phenomenal dynasty of architects-sound-artists (including Kau?p?das, ?i?ta, Naru?is, Grunskis). Several albums of his music are available on the internet and prove that electronic ambient/glitch music has in no way reached a dead end. Selected pages from 'Treatise' by Cornelius Cardew Subjectivity is a synonym for Treatise. This piece, written from 1963 to 1967, is one of the most famous and most often performed graphical notation scores, consisting of 193 otherwise unrelated pages that are united by a single dominant symbol at the bottom of each page ? a double staff (an allusion to the reduced piano score?). Although the author has later indicated that the score?s horizontal space does not literally correspond to time, but because of this mentioned piano staff the score will be read in the traditional manner - from left to right. Treatise is a collection of graphical notation symbols without any further explanations or comments how they should be interpreted when they are transferred from paper into the sphere of sound. How should one interpret a line, a dot, or a circle?... You can only create your own answers to these questions by setting your own rules or, in other words, a model for collective action, which can remind us of a futuristic vehicle (p.50), or a spaceship (p.134), carrying its crew through ?the mess of potential sounds that permeate this planet and its atmosphere?. [ liner notes by Arturas Bumsteinas ] http://www.con-v.org ____________________________________________________________________________________ Cheap talk? Check out Yahoo! Messenger's low PC-to-Phone call rates. http://voice.yahoo.com From d.sciajno at tiscali.it Sun Dec 10 19:52:53 2006 From: d.sciajno at tiscali.it (domenico sciajno) Date: Mon, 11 Dec 2006 01:52:53 +0100 Subject: [Microsound-announce] Live!iXem 06 - 14|15|17 december 2006 Message-ID: Antitesi in collaboration with Rialtosantambrogio presents Live!iXem 06 Contest/Festival of experimental electronic music and arts 3th edition Palermo 14 - 15 december 2006 | h 3 p.m. - 5 p.m. Presentation of the contest and audiovisual screenings Goethe-Institut | Via Paolo Gili, 4 | Palermo | Free entrance Rome 17 december 2006 | h 6 p.m. until night Live performances Rialtosantambrogio | Via di S. Ambrogio, 4 | Rome | Entrance 7 ? ONIRICAM [for Guy Debord] | Manuel Cecchinato | Luca Rivelli CONSTRUCTION | Pietro Riparbelli [PT-R]| Sandro Gronchi MONOTONO | Valentina Besegher | Alessandro Massobrio INCASTRO DI MONDI | Tommaso Perego con Mario Garuti | Grazia Mari | Luca Bossi SISTER VK | Echran PAUSE INVISIBLE FIELDS | Gianluca Becuzzi THIS ROOM | Mag-nesia U.S.O. | Matteo Milani | Federico Placidi H2O | Studio Brutus | Citrullo International | Taxonomy OTO | Marco Puccini | Virgilio Villoresi Special guests THOMAS ANKERSMIT EDWIN VAN DER HEIDE ------------------------------------------------------------------------ ----------------- Live!iXem grows and gives a wide-ranging insight into the more and more heterogeneous dimension of current italian experimental electronic music and art scene. The Live!iXem.06 competition is now in its third edition and one more time it joins music, video and live performances having research and experimentation as common fundamental elements. The new italian electronic scene submitted just to the personal and creative usage of new technologies is the protagonist of the Live!iXem 06. Different styles, different ways of conceiving music and images, their own interactions and the internal sinergies. To confirm the ANTITESI's important work on the national territory through the project iXem, the Live!iXem 06 continues its own "journey" observing, promoting and spreading experimental artistic and musical activities and works strictly linked to the technological universe and to the research in the field of electronic arts. Two are the towns involved - Palermo and Rome, thanks to the collaboration between two indipendent centers, attentive to the contemporary artistic realities: ANTITESI (Palermo) and Rialtosantambrogio (Rome). Year by year, the Live!iXem changes with new formulas and structures, evolving, renowing and becoming a moment of development for social realtionships and international cultural and artistic exchanges After two days of audiovisual screenings in Palermo, the Live!iXem 06 moves to Rome for its final fundamental step: the live contest. Now it's the moment of the real contest!!! The preselected artists/groups are invited to live perform on the stage of the Live!ixem 06 starting at 6 p.m. until late night. Among the live peformances, the jury (Domenico Sciajno, Thomas Ankersmit, Edwin Van Der Heide) will choose the one considered the most interesting in quality, artistic and performing value. Thanks to the support of the Royal Netherlands Embassy, the Netherlands Culture Fund, Gaudeamus, Donemus, Dutch Jazz Connection, Edwin Van Der Heide and Thomas Ankersmit will perform live on the stage of the Live!iXem 06. The 14th of december at 4 p.m. a panel discussion opens the Live!iXem 06. Domenico Sciajno, musician, curator of the festival, considered one of the most active promoter of the italian experimental scene and one of the most representative italian artists abroad, involved in a serious and continuous work of promoting and spreading experimental electronic arts, and Fabio Massimo Lo Verde Professor of Sociology at the University of Palermo, with an artistic and sociological approach, reflect and discuss about the nowdays experimental electronic arts state and their relation with new media and telecoms network, in order to research new interpretative and fruition sceneries. More info download and read the press kit or visit www.ixem.it http://www.ixem.it/download_PDF/Li06/Press_Live!iXem06_eng.pdf iXem italian eXperiimental electronic musix www.ixem.it - info at ixem.it -------------- next part -------------- A non-text attachment was scrubbed... Name: not available Type: text/enriched Size: 7481 bytes Desc: not available Url : http://or8.net/pipermail/microsound-announce/attachments/20061211/1e489285/attachment-0001.bin From propaganda at goto10.org Sun Dec 10 20:04:12 2006 From: propaganda at goto10.org (propaganda at goto10.org) Date: Mon, 11 Dec 2006 02:04:12 +0100 Subject: [Microsound-announce] pure:dyne 2.3.6 release - a GNU/Linux distro for media artists Message-ID: <20061211010412.GB536@goto10.org> sorry for X please >> :: PURE:DYNE - EXTENDED PLAY * . * ,--. * . ,---. --.,--.--.--.,---. --.,-' |--. ,--.--,--, ,---. * | .-. | || | .--' .-. :--' .-. |\ ' / \ .-. : * | '-' ' '' ' | --.--. `-' | \ ' | || | --. . | -' `----' --' `----'--'`---' -' / `--''--'`----' `--' goto10.org vs dyne.org `---' * . In this world of parallel dynes, pure:dyne [osc~ 440] has been created to provide a complete and | ready made environment for artists and | \m awesome developers who are looking for a system | /) duuude! dedicated to real time audio and video [dac~] (\ processing. The dyne:II project provides tools and an optimized platform to try out and work on a large range of applications. The pure:dyne customization by goto10 comes with optimized and tested software such as supercollider, icecast, csound, packet forth, fluxus and much more, including of course pure data and a great collection of essential externals and abstractions (PDP, PiDiP, Gem, GridFlow, RRadical, PixelTango ...). Thanks to the dyne:II compatibility all the Home Studio "classics" have not been forgotten (Ardour, LADSPA, seq24, Rezound ...) and numerous essential graphics software are also bundled (Inkscape, Gimp, Blender ...). The pure:dyne project is a growing community effort maintained by media artists for media artists. It is an ideal platform for audiovisual performances, installations and FLOSS+ART workshops. It is available as both a dyne:II compatible module, and a full low latency desktop i686 Live GNU/Linux distribution, working from hard drive, CD, CF/MD or USB key. --- Key Features: - Jack oriented GNU/Linux distribution - Complete FLOSS Home studio solution and live performance system - No bloat ! fast minimal desktops (fluxbox, evilwm, dwm) - Live Distribution (works the same on CD, HD, USB, ...) - multiuser support - Low Latency Kernel (Ingo Molnar's -rt kernel patches) - Support for Firewire audio devices (FreeBoB inside) - Optional support for NVIDIA and ATI evil blobs - mmx + sse gcc optimisations applied when relevant - Compatible with any dyne:II modules - Easy installation, maintenance and update - SDK tools (dynesdk + milkman) and gcc included for customisations - International Languages support ---- * * * Download -> http://puredyne.goto10.org . IRC server -> irc.goto10.org #pure:dyne MailingList -> http://lists.goto10.org/cgi-bin/mailman/listinfo/puredyne Bug Tracker -> http://bugs.dyne.org (section puredyne) dyne:bolic -> http://dynebolic.org ---- * . pure:dyne developers are : * Aymeric Mansoux - http://320x200.goto10.org * Chun Lee - http://sonicvariable.goto10.org . Antonios Galanopoulos - http://stereocilia.goto10.org dyne:II developers are : Denis "Jaromil" Rojo - http://rastasoft.org Alex "Smilzo" Gnoli - http://sfrajone.org goto10 would like to thank the Digital Research Unit of Huddersfield for for their help and support during the take off of this project. goto10 would also like to thank jaromil for providing such a lovely modular system and for keeping on pointing the way out of babylon ;) :* From nomusic at altern.org Tue Dec 12 00:01:13 2006 From: nomusic at altern.org ((NOMUSIC)) Date: Mon, 11 Dec 2006 22:01:13 -0700 Subject: [Microsound-announce] (((NOMUSIC))) Festival X - 24h ! Message-ID: ( ( ( N O M U S I C ) ) ) F E S T I V A L X http://www.nomusic.org - festival at nomusic.org -< 48 Participants >- -< 24h Continuous Audio Streaming Festival >- -< Realtime Simultaneous Dual Live >- -< Audio Live Performing only via Internet >- -< Creative Commons Audio License - No Archivz >- -< Stream Live Audio - Double/Split Channel >- * Press release : French version http://nomusic.org/press/NOMUSIC.X.-.Revue.de.Presse.pdf English version http://nomusic.org/press/NOMUSIC.X.-.Press.Release.pdf * Stream Start : 13th December 2006 (00h00 / 00:00am) [GMT+0 Greenwich Time] Stream End : 13th December 2006 (23h59 / 11:59pm) [GMT+0 Greenwich Time] * Playlist & Timeline : http://www.nomusic.org * With : Tapegerm Collective / Martin John Callanan / Struktur / Simultaneous Translation / Djet / Crashbonsai / Rod Stasick / Suzywan / DFM RTV INT / Oima / Times Up - Tim Boykett / Jean Voguet / Cat Hope / Davidly / Schmacke's world / Soundispatch / Jakob Riis / Soundart & the musicians / Ieva / Flushing Device / Carl Stone / Neil Kaczor / AKM / James Wyness / Robinsonhotel / El-g / GentleJunk co. / Sonic Kitchen / Nanofamas / Aloardi / O.m.s. - n.m.a. / Jerome Joy / The RYBN / Bernhard Loibner / Kaffe Matthews / Erik Minkkinen / Sun Plexus / Jon Eriksen / Arnfinn Killingtveit / Chris F / Ra]va[ge / Androvirus / Julien Clauss / Cedric Pigot / laboiteblanche / Carl.Y * More infos : (((NOMUSIC))) started on June 2001, according to the principle that a diffusion site on Internet should correspond to the representation of the singular performances of a new generation of artists, musicians, performers and other actors of the electronic scene. The creation of this open diffusion site proved to be necessary because of today?s difficulty to perform disembodied concerts of electronic music on stage, in a classical frontal (actor/audience) representation space. Nowadays, these emerging new multimedia performances allow everybody to approach music in a more singular way, with a different listening practice and on a more sharing scene. Every year since 2001, (((NOMUSIC))) offers one or more festivals which programming is geographically variable and which function is to relay in a coordinated way a 24 hours earth revolution of no-musicians @ home. This virtual earth revolution materializes a world wide sound cover of 24 time zones according to the universal time [GMT 0]. This gives to participants who are scattered all over the world the opportunity to take part in the festival. The participation is free of charge and the recruitment is made exclusively on Internet through diffusion lists. The selection is not made according to practices and genres criterion but rather according to the approaches and artistic positions which should echo the logic of the festival. (((NOMUSIC))) platform offers two types of live. In its classical form, the participant plays alone at home for one hour. He can also play in dual. Dual is a live in which two geographical sites are linked via Internet and mixed together in stereo (participant 1 on the left channel and participant 2 on the right one). (((NOMUSIC))) wishes to generate improbable duals and gatherings between two participants during one hour time in a web audio performance. We make no storage because we think that Internet is a huge database which conveys already a great amount of dead informations and we don?t want to pollute it further. We are thus in favour of instant access to a selective event. The mechanism of the programming is not automated; it is relayed manually for 24 hours without any interruption by laboiteblanche and Carl.Y., two real human routers who are at the service of continuous audio stream and who endure technical difficulties and give rapid formation on the technologies of streaming to all the participants. (((NOMUSIC))) stands between musical negation and anti-bruitism, in a non-silent interstice of audio manifestation. It allows the composer-performer to be his own auditor, in a place where nothing should be heard but just felt as a new entity to observe. Enjoy your flight with us ! laboiteblanche & Carl.Y | | | | | | | | | | | | | | (a) (c) (o) (u) (s) (t) (i) (c) ( ) (s) (p) (a) (c) (e) | | | | | | | | | | | | | | information&comunication channel | for net.broadcasters http://xchange.re-lab.net (Xchange) net.audio network xchange search/webarchive: http://xchange.re-lab.net/a/ From yves_tk at gmx.net Tue Dec 12 04:37:59 2006 From: yves_tk at gmx.net (Till Kniola) Date: Tue, 12 Dec 2006 10:37:59 +0100 Subject: [Microsound-announce] MERZBOW live! Message-ID: aufabwegen presents...... MERZBOW & MY CAT IS AN ALIEN Do. 14. Dezember 2006, doors: 20.00h, start 21.00h tickets: 10,00 euros Kulturbunker M?lheim Berliner Str. 20 51063 K?ln http://www.kulturbunker-muelheim.de K?NSTLERINFORMATIONEN MERZBOW (Japan) & MY CAT IS AN ALIEN (Italien) Merzbow (Der Gro?meister des Japan Noise, exklusive BRD-Show!) & My Cat Is An Alien (Drone-Power-Ambient, Italien) In der Reihe "bunkerfrequenzen" Der Japaner Masami Akita ist MERZBOW. In Anlehnung an Kurt Schwitters Theorien ist ihm jede Neupositionierung scheinbar festverorteter Kl?nge recht. Er schuf mit seiner radikalen Klang?sthetik ein neues Genre: JAPANESE NOISE. In vertrackten St?cken ?berlagern sich verschiedene Filtersounds, Feedbacks, Thereminger?usche und Synthifauchen. Die Wucht des Sounds l?sst einen undurchdringbaren Wall of noise entstehen. Seit 1982 ver?ffentlicht Masami Akita als MERZBOW und hat weit ?ber 100 Releases weltweit zustande gebracht. Das australische Avantgarde-Label Extreme versuchte ihm mit einer 50 (sic!) CD-Box ein Denkmal zu setzen. Das britische Kult-Magazin The Wire widmete MERZBOW eine 6-seitige Titelstory. MERZBOW ist es im Laufe seiner Karriere gelungen, eine eigene Semantik des L?rms zu entwickeln - verdichtend zur Musik hat Akita auch Texte zu Sexualit?t und Kunst publiziert. In den harschen und ohrenbet?ubenden Kl?ngen zerfallen die Barrieren der Rezeption und eine Erleuchtung setzt ein. Support. My Cat Is An Alien. Merzbow www.merzbow.net ----------------- a u f a b w e g e n p.o.box 100152 50441 cologne germany http://www.aufabwegen.com ----------------- From neil at phoniq.net Tue Dec 12 10:09:50 2006 From: neil at phoniq.net (Neil Wiernik) Date: Tue, 12 Dec 2006 10:09:50 -0500 (EST) Subject: [Microsound-announce] Call for Works: Media Arts Committee Residencies. Message-ID: <20061212100939.V37474@dormir> ==================================== The CRES Media Arts Committee (MAC) is a volunteer-run Vancouver-based group dedicated to serving, supporting, and building on the experimental audio community in Vancouver and across Canada. We host a series of six-week audio art residencies throughout the year. The next one begins April 2, 2007, and the deadline is Jan 15. For more details, go to http://mac-cfro.org/submit.php or email mac-cfro at mac-cfro.org. The activities of MAC are made possible through the generous support of the Canada Council for the Arts, as well as the membership of CFRO 102.7 FM Coop Radio. ======================================= From mlist at symbiosis.com.au Tue Dec 12 14:46:12 2006 From: mlist at symbiosis.com.au (Simon Hampson) Date: Wed, 13 Dec 2006 06:46:12 +1100 Subject: [Microsound-announce] Symbiosis Playlist - 6th December 2006 (New sounds) In-Reply-To: Message-ID: Symbiosis Wednesday 10pm - 12am Melbourne, Australia 102.7 FM Triple R Streaming live online at: http://www.rrr.org.au/ Myspace: http://www.myspace.com/symbiosisradio Last.fm: http://www.last.fm/user/coishii with Simon Hampson A journey through experimental sound textures and rhythms. Headphones recommended. I am always looking for new sounds. Drop me an email or give me a call on the show - I would love to hear from you. Email: simon at symbiosis.com.au -- Hi folks, The usual mix of new sounds to start off the month. An interesting, mixed bag as always for the latter part of the year. And, as always, there is still much more to get through between now and the end of the year. Can you believe it is December already? My little boy is four and a half months old and he had his first solids this week! How time flies. This year has been a magical year. I feel truly blessed to be a father to such a beautiful baby boy. As well as the feature interview this week I will be showcasing some more new releases. The following week (20th December), I will be doing my first ever 'year recap'. It's not a best-of but more of a thank you to all the people who have supported Symbiosis this year. And a review of the great sounds that have floated through the mix this year. Finally, a podcast isn't far off. I have the skeleton of a website completed and will be launching that before the year is out. It will be features, highlights and interviews initially. Stay tuned.. Upcoming shows: 13th December 2006: In the first hour? Rainer Linz published ten issues of NMA Magazine between 1982 and 1992. Each issue was accompanied by a cassette featuring music documented in the magazine. The cassettes covered a wide variety of experimental, electronic and new music from around Australia. Over the past year Melbourne label Shame File Music has been digging through the archives and republishing the cassettes as free MP3s on their website. Tune in to hear Rainer and Clinton Green talk about Australian experimental music from the 1980s and their selection of pieces from the cassettes. And in the second hour? a whole host of new sounds. In the pipeline: 2006 recap And coming up in the new year: Esa Ruoho (Lackluster), Aidan Baker, Aaron Ximm, RF Have a great week, Simon. Symbiosis Playlist - 6th December 2006 The monthly new release show.. a selection of the sounds that have been flying across the Symbiosis desk for the last month or so. Artist :: Track :: Album/Link :: Label (if applicable) Inch-time :: take care, o pilgrim (edit) :: As The Moon Draws Water :: Static Caravan* Filfla :: backyard :: Frame :: Plop My Fun :: home tape :: Idyll EP :: Test Tube** Punck :: a constant migration :: A Constant Migration (between reality and fiction) :: Creative Sources Recordings J.P.Shilo :: paris air :: As Happy As Sad Is Blue :: Smells Like Records Lackluster :: too loose (10/09/01) :: Wrapping :: deFocus Skream :: tortured soul :: Skream! :: Tempa Sora :: a very lucky year :: Springs Re:Makes And Mixes Of RF :: Odd Shaped Case Microradio :: echo location :: www.microradio.ca Anthea Caddy & Thembi Soddell :: (track 2) :: Iland :: Cajid Media Greg Headley :: Mars :: Operation of the Heavens :: 28 Angles Dax Pierson & Robert Horton :: piece of the sun :: Pablo Feldman Sun Riley :: Nosordo Peter McCracken :: boat (excerpt) :: Ictus :: Mushroom Music Library Tapes :: leaves abstract in a village plunged into mourning (feat. Colleen) :: Feelings For Something Lost :: Resonant Jan Jelinek :: happening tone :: Tierbeobachtungen :: Scape Mystified :: tootus mootus :: Submerged Signals :: Negative Sound Institute** Cornelius :: sensuous :: Sensuous :: Warner Aki Onda :: the buddha in new york :: Jukebox Buddha :: Staubgold Kenneth Kirschner :: April 17, 2006 :: November.2006 :: Rope Swing Cities** Hans Appelqvist :: naimamelodin :: Naima :: Hapna Gescom :: dan, dan, dan :: Minidisc :: Or Natasha Anderson :: 7/11 :: Spore :: Cajid Media The Idealist :: to make exact copies of every mistake ever made :: I Am The Fire :: Nosordo Carter Tutti :: so slow the knife (excerpt) :: The Feral Vapours Of The Silver Ether :: www.cartertutti.com * Monocerous :: warm :: Tales For Silent Nights :: Imaginary Nonexistant Records *Taken from The Wire Tapper 16: www.thewire.co.uk Net Labels (** signifies that the track is from a net label) Test Tube: http://www.monocromatica.com/netlabel/ Negative Sound Institute: http://www.negativesoundinstitute.com/ Rope Swing Cities: http://ropeswingcities.com/ Symbiosis - Experimental Sound Textures and Rhythms Wednesday nights / 10pm - 12am 102.7 FM / www.rrr.org.au Melbourne / Australia simon at symbiosis.com.au -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061213/d46cba58/attachment-0001.htm From michael at twistedknister.de Tue Dec 12 18:44:56 2006 From: michael at twistedknister.de (michael hohendorf) Date: Wed, 13 Dec 2006 00:44:56 +0100 Subject: [Microsound-announce] twisted knister fest Message-ID: <33D123C7-8B40-4C0B-8E3A-A8312F0C63E9@twistedknister.de> twisted knister festival GOVERNMENT ALPHA (tokyo) MONTAGE (tokyo) FEINE TRINKERS BEI PINKELS DAHEIM (bremen) ANSGAR WILKEN & ELLEN WEIDLICH (bremen/hamburg) GAUMEN (bremen) LICHT-UNG (leverkusen) NICK SWIFT (bremen) thursday, dec 14, 2006, 7:30 pm SPEDITION - am g?terbahnhof BREMEN - GERMANY -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061213/ff2952a1/attachment.htm From douglas at benfo.demon.co.uk Wed Dec 13 10:01:20 2006 From: douglas at benfo.demon.co.uk (douglas benford) Date: Wed, 13 Dec 2006 16:01:20 +0100 Subject: [Microsound-announce] London: Advent Sprawl No.3 bulletin Message-ID: ------------------------------------------------------------------- S P R A W L Advent No. 3 bulletin ------------------------------------------------------------------- Sprawl finishes it's series of afternoon/early evening 'Advent Sprawls' next weekend, with live music and DJs, and it's FREE admission again. The venue has a great sunday brunch menu available too, including the traditional sunday roast. Thanks everyone who came down the last two sundays - great audience, music and atmosphere! And merry xmas! ** Advent Sprawl No.3 ** this Sunday 17th December Live: DEVOTCHKA.S CONUNDRUM www.devotchkasconundrum.com/ www.myspace.com/devotchkasconundrum MICHAEL SANTOS www.myspace.com/listentomichaelsantos IMAGINATION AND MY MOTHER www.imaginationandmymother.net/ www.myspace.com/imaginationandmymother Djs: Thorsten Sideb0ard - www.highpointlowlife.com Alex Czinczel - www.myspace.com/skrump + si-cut.db + Iris Garrelfs VENUE: the Charterhouse bar 38 Charterhouse Street, London EC1 tube: Farringdon tel: 020 7608 0858 email: info at charterhousebar.co.uk, www.charterhousebar.co.uk ADMISSION FREE. times: 2pm to 7pm ---------------------------------------------------------------- next year: Sprawl presents Interplay 07, and SonicRecycler3 ---------------------------------------------------------------- best wishes & have a great 2007! Iris Garrelfs www.irisgarrelfs.com www.myspace.com/irisgarrelfs si-cut.db [d.benford] www.douglasbenford.co.uk www.myspace.com/sicutdb from SPRAWL www.sprawl.org.uk E-MAIL -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061213/02056c3c/attachment.htm From incite at gmx.de Wed Dec 13 13:18:10 2006 From: incite at gmx.de (incite/) Date: Wed, 13 Dec 2006 19:18:10 +0100 Subject: [Microsound-announce] Hoerbar Ausklangfestival Dec06 Message-ID: H?rbar Hamburg presents: Ausklangfestival 2006: 28.+29.12.06 H?rbar at B-Movie Hamburg St. Pauli 9:30pm, 6? per day 28.12.: Live: Staplerfahrer (Tilburg, NL) Ditterich von Euler-Donnersperg (Hamburg) Birgit Uhler + Heiner Metzger (HH) VOICENOISE (HH) DJs: St. Martin Gisli 29.12. Live B?Tong (Basel) Dodo Schielein (HH), (Kurzperformance) Bruno + Michelle Are Smiling (HH) Notstandskommittee vs. tbc (HH) DJs: Jetzmann Zipo Details: http://www.hoerbar-ev.de take care, Kera + Andre - incite/ From murmer at talk21.com Wed Dec 13 20:58:35 2006 From: murmer at talk21.com (. m u r m e r .) Date: Wed, 13 Dec 2006 20:58:35 -0500 Subject: [Microsound-announce] [playlist] framework - 13.12.06 Message-ID: <003b01c71f23$5e5da3e0$0301a8c0@murmer> framework broadcasts wednesdays on resonance104.4fm in london (uk) or worldwide on http://www.resonancefm.com from 1-2pm gmt next broadcast: 20.12.06 ~ time zone converter: http://www.thesaturnv.com/converter.html ~ for general info, playlists, podcast, or to stream the latest edition: http://www.resonancefm.com/framework framework is supported by soundtransit: http://www.soundtransit.nl RESONANCE FM'S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE HELP US TO CONTINUE BY MAKING A DONATION. CHECK OUT OUR WEBSITE TO FIND OUT HOW YOU CAN HELP KEEP RESONANCE ON THE AIR: HTTP://WWW.RESONANCEFM.COM. THANK YOU! -------------------------------------------------------------------------------- framework - phonography/field recording; contextual and decontextualized sound activity presented by patrick mcginley this week's edition of framework:afield was produced in berlin, germany by rinus van alebeek. for more info see http://www.zeromoon.com/rinus. rinus' playlist follows. we have one more edition of framework:afield to air for you next week, this one by m.a. tolosa, aka ubeboet, and then, at long last, starting with the last show of 2006, we return to our regular framework schedule! the 27th will be my first show in donkey's years, as they say, and i'm looking forward to being back in the pilot's chair, albeit a virtual one from here along my continuing travels. as we approach the end of our initial line-up, i think i can now definitely say that this framework:afield project has proved a treat, and i would like to continue this alternating format in 2007. hopefully some of the current contributors can continue their roles as emissaries, but i'd like to try throwing open the gates as well - so if you'd be interested in producing a show for framework in 2007, please get in touch! again, we are always looking for material for the show, whether raw field recordings, field recording based composition or introduction submissions. send material, released or not, on any format, to the address below. if you have any questions, please don't hesitate to get in touch! framework 31 nevill road london n16 8sl uk framework at talk21.com -------------------------------------------------------------------------------- 13.12.06 (this edition will be available online until 20.12.06) 1.Introduction framework - Adrian Shephard, Josephine Seeger and Rinus van Alebeek 2. After Hours part 2 - James Edwards 3.Napoli - Antonio Mainenti 4.Sshhhhttt, wir steigen raus - Hars 5.Point of view - William Gillingham-Sutton 6.London - Tibor Macek 7.Juerga de batracios en noche de verano - Ruben Garcia Villaplana 8.Kiss Zsolt - Robert Habarc 9.Soundcheck August 2006 - Stephane Leonard 10.El rojo aliento - Ruben Garcia Villaplana 11. Der Mysteri?se Dr. Lao - Jeff Surak 12. God Save The Queen - Adrian Shephard, Josephine Seeger and Rinus van Alebeek -------------------------------------------------------------------------------- framework intro submissions: 1) take yourself and an audio recording device to a location of your choice 2) record for AT LEAST 1 minute before you - 3) read the following text: welcome to framework. framework is a show consecrated to field recording, and it's use in composition. field recording, phonography, the art of sound-hunting; open your ears and listen! 4) continue your recording for AT LEAST 2 minutes after you've finish speaking 5) send the recording on any format to the address above, or as an mp3 via email thanks! -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061213/c0161e6b/attachment.htm From junior at juniorbirdman.com Thu Dec 14 01:22:36 2006 From: junior at juniorbirdman.com (Mike Hallenbeck) Date: Wed, 13 Dec 2006 22:22:36 -0800 (PST) Subject: [Microsound-announce] [ silent night] Message-ID: <49392.71.37.247.229.1166077356.squirrel@www.juniorbirdman.com> Hi all, I'm pleased to announce a new mp3 work released under the Archive moniker. Entitled "Silent Night (Shepherds Quake)", it's available for free download now from Dark Winter: http://www.darkwinter.com This is a twenty-minute piece derived entirely from a brief recording of a music box playing "Silent Night". The machine winds down; it creaks and grinds and eventually the audio is overtaken by scrambled reiterations of itself; it stretches and slows, speeds and warps, chimes and clangs, sprinkles, stutters, sputters, and melts, till eventually all that's left is a glassy ghost of its former self. I've subtitled the piece "Shepherds Quake" to commemorate the fact that even on the first Christmas, people in the service industry had to work. Whatever religion you are, and especially if you're of no religion at all, I hope you at least get the day off this year. Enjoy! Peas on Earth, Mike Hallenbeck http://www.juniorbirdman.com/archive From m at c3ra.com Thu Dec 14 17:58:15 2006 From: m at c3ra.com (m. cera) Date: Thu, 14 Dec 2006 17:58:15 -0500 Subject: [Microsound-announce] mem1 at sundance, new album release, and ny debut Message-ID: hello everyone, just wanted to invite those of you in nyc out to a performance on saturday night... mem1 debut in new york on saturday mem1 is putting together a benefit concert for community musicworks. in addition to a live performance of aurelia and an untitled improvisation by mem1, laura will be performing curve with plateau by jonathan harvey and m. cera will be performing a piece using a new gestural audiovisual synthesis kit he has been developing at risd. this saturday, december 16 @ 8:30 p.m. om factory: 265 west 37th street @ 8th avenue, 17th floor new york, ny 10018 http://www.omfactorynyc.com/ for more information about community musicworks, go to: http://www.communitymusicworks.org/ also wanted to pass along another couple items of interest: holding pattern III: infinite delay screening at the 2007 sundance film festival this piece was premiered in it's full-length version at ceait 2006 at redcat with a live score co-composed by kadet kuhne and mem1. kadet has put together an edit specifically for sundance and we just got word it was accepted! for more information, go to: http://festival.sundance.org/2007/pdfs/2007_SFF_Short_% 20Film_Press_Release_FINAL_12_06_06.pdf mem1's new album alexipharmaca released by interval recordings it has been a long time in the works and worth every bit of effort. we're very grateful to ido, erik, and everyone else involved in making this release possible. for more information, go to: http://www.interval-recordings.com/ cheers, -mark -- m. cera www.c3ra.com m [at] c3ra.com -------------- next part -------------- An HTML attachment was scrubbed... URL: http://or8.net/pipermail/microsound-announce/attachments/20061214/75476e32/attachment.htm From ondasonoraradio at yahoo.es Fri Dec 15 06:10:48 2006 From: ondasonoraradio at yahoo.es (Onda Sonora Radio) Date: Fri, 15 Dec 2006 12:10:48 +0100 (CET) Subject: [Microsound-announce] CONTENTS ONDA SONORA 16-12-06 Message-ID: <20061215111049.1938.qmail@web25601.mail.ukl.yahoo.com> ONDA SONORA (Experimental Radio Sessions), Madrid (ES) ?Radio C?rculo de Bellas Artes 100.4 FM Sabados / Saturday. 20h -www.circulobellasartes.com www.ondasonoraradio.com ?Listen any time http://www.artesonoro.org/archives/category/artesonororadio/radio_ondasonora/ CONTENTS ONDA SONORA 16-12-06 01. DJ AMSIA (Live in Espacio Menos 1. La Palma, 21. 16-12-06. 21:00h) Track: 2 Album: Resonancias Label: Ccapitalia.net 02. THE JOE K-PLAN (Live in Siroco. 16-12-06. 22:00h) Track: Engrudo Album: - Label: - 03. MURDO (Live in Siroco. 16-12-06. 22:00h) Track: Hill Spencer Album: Mekazuki Label: - 04. COCONOT (Live in Siroco. 16-12-06. 22:00h) Track: Pescado Crudo Album: Novo Tropicalismo Errado Label: Bcore 05. GANG WIZARD Track: Metal Coax Concrete Warm String Plastic Tithe Remember Dials /When The Song begins Album: Byzantine Headache Label: Load 06. ANTHEA CADDY & THEMBI SODDELL Track: 1 / 2 / 3 4 Album: Iland Label: Cajid Media 07. NATASHA ANDERSON Track: 7/11 / Hindsight Refracct / Lung Machine Album: Spore Label: Cajid Media 08. THE SURF MESSENGERS Track: Attack The Target / Bright Clear Blue Album: Excerpts From a 24hr Performance Lovers Label: www.cisfordogrecords.co.uk Nota: Este mensaje no ha sido solicitado, pero hemos considerado que podr?a interesarte. De no ser as?, responde con un mensaje titulado "borrame" y ser?s inmediatamente eliminado del mailing. Muchas gracias Note: This is an undemanded message, but we have considered it could be interesting for you. If that's not your case, then reply us with this subject for the mess