[Microsound-announce] NYC Interactive Media Culture Expo
Ben
info at seasonalbk.net
Thu Apr 14 18:54:32 EDT 2005
a fancy name, but information not to miss
http://imcexpo.net/
held at the Chelsea Museum NYC in partner with The New Museum Of
Contemporary Art
[ FW from Paul D. Miller ]
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Fri April 15 6:30 - 9:30 pm
Come by!
Rhythm Science by Paul D. Miller (MIT Press) - the book!
the website: www.rhythmscience.com
Rhythm Science:
Panel Participants
Hank Shocklee - Producer of Public Enemy
Kodwo Eshun - theoretician, author "More Brilliant than the Sun"
(with Anjali Sagar)
Christoph Cox - writer, editor of "Audio Culture"
Catherine Corman - author, Film-maker
Siva Vaidynathan - Author of "Copyrights, Copywrongs" and "The
Anarchist in the Library"
Daniel Bernard Roumain - composer
Colin Mutchler - Director, www.freeculture.org
http://www.imcexpo.net/paulmiller.htm
Keywords: Hip-hop, house, techno, jungle, ambient, noise, Sampling, Dj
Culture, Eduoard Glissant - "creolization" as applied to digital media.
Collage, Dematerialization of the art-object, archeaology of code,
sequence, prosthetic realism, multi-culturalism, polyculturalism,
transculturalism etc
I'd recommend coming early, because the spot will be crazy packed...
A series of axioms, moment/scripts. Ideological frameworks for
translation frames. Operating systems for Contemporary Multimedia Art
Sequence begins:
Script:
Action 1:
The situation is critical. Layers of memory are the foundation for
information exchange between generations. This is the forum: As
different operating systems come and go, the ability to read between
eras
based on code diminishes. This leads to the archival impulse - memory
filtered through the machinery of culture. An archeology of vernacular
modes: Y2k etc etc - abbreviations based on limited memory space become
obsolete as the price of memory decreases. All languages of software
and
operating systems become tied to their specific eras.
Action 2:
When memory no longer is based on physical space, and the capacity of
20th century physical devices hard-drives etc), the realm of wireless
imagination becomes the enframing linguistic space of the 21st
century.
Action 3:
Move into the frame
www.seasonalbk.net
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