From info at seasonalbk.net  Fri Apr  1 12:47:59 2005
From: info at seasonalbk.net (Ben)
Date: Fri, 1 Apr 2005 12:47:59 -0500
Subject: [Microsound-announce] test
Message-ID: <302A8828-A2D6-11D9-971B-003065B71FBC@seasonalbk.net>





www.seasonalbk.net
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From info at seasonalbk.net  Fri Apr  1 14:07:36 2005
From: info at seasonalbk.net (Ben)
Date: Fri, 1 Apr 2005 14:07:36 -0500
Subject: [Microsound-announce] test
In-Reply-To: <r02010500-1038-5F06FB64A2DF11D9BA3A000D932C0D78@[67.84.254.108]>
References: <r02010500-1038-5F06FB64A2DF11D9BA3A000D932C0D78@[67.84.254.108]>
Message-ID: <4F5BEA52-A2E1-11D9-971B-003065B71FBC@seasonalbk.net>

chirp chirp

( oh, the reply selection go's automatic to the person, not the list -
Tad, check the email you just sent )

> You know, it's so nice and quiet over here I can almost hear the
> crickets chirping.
>

www.seasonalbk.net
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From vze26m98 at optonline.net  Fri Apr  1 14:29:56 2005
From: vze26m98 at optonline.net (vze26m98)
Date: Fri, 01 Apr 2005 14:29:56 -0500
Subject: [Microsound-announce] test
Message-ID: <r02010500-1038-6E6C901BA2E411D9BA3A000D932C0D78@[67.84.254.108]>

Ah, I had forgotten!  How stupid of me...

Anyway, I had noticed you're connected with (I'll get the name wrong)
the New York chapter of the Society for Acoustic Ecology.

What are you up to?  I'm working on a little study of consumer spaces as
soundscapes right now...

Best,

T


Ben wrote on 4/1/05:

>
>www.seasonalbk.net
>
>-----
>_______________________________________________
>Microsound-announce mailing list
>Microsound-announce at microsound.nexthop.net
>http://or8.net/mailman/listinfo/microsound-announce

You know, it's so nice and quiet over here I can almost hear the
crickets chirping.

What a lovely place to picnic and have an aesthetic discussion!

Any takers?

Best,

Tad


<vze26m98 at optonline.net>


From dkl37 at juno.com  Fri Apr  1 15:06:32 2005
From: dkl37 at juno.com (dkl37 at juno.com)
Date: Fri, 1 Apr 2005 12:06:32 -0800
Subject: [Microsound-announce] chirp chirp
Message-ID: <20050401.120633.2012.2.dkl37@juno.com>

chirp chirp

testing testing...

If this gets through, it will be the first one in three attempts.


Dale Lloyd:  http://www.and-oar.org/dalelloyd.html
and/OAR:  http://www.and-oar.org/

NEW: Turba / Lateral Minor (Stasisfield.com) 
NEW: Volatile And Fixed Principles (leerraum)


From Spagirus at chaosmagic.com  Fri Apr  1 15:26:38 2005
From: Spagirus at chaosmagic.com (Gregory Elliott)
Date: Fri, 1 Apr 2005 12:26:38 -0800 (PST)
Subject: [Microsound-announce] chirp chirp
Message-ID: <20050401202639.0E68D37DD0@sitemail.everyone.net>

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From dkl37 at juno.com  Fri Apr  1 15:32:21 2005
From: dkl37 at juno.com (dkl37 at juno.com)
Date: Fri, 1 Apr 2005 12:32:21 -0800
Subject: [Microsound-announce] chirp chirp
Message-ID: <20050401.123222.2012.3.dkl37@juno.com>

Yay, it made it!

Now please visit the and/OAR shop and/ORDER
lots and lots of .microsound/field recording discs!  ;-)

Apologies to those who only joined this list for
the micro.announcements, and not the micro.chat. ;-)

micro.Cheers, Dale

and/OAR:  http://www.and-oar.org/


From vze26m98 at optonline.net  Fri Apr  1 15:36:27 2005
From: vze26m98 at optonline.net (vze26m98)
Date: Fri, 01 Apr 2005 15:36:27 -0500
Subject: [Microsound-announce] High above, picnicking...
In-Reply-To: <20050401202639.0E68D37DD0@sitemail.everyone.net>
Message-ID: <r02010500-1038-B9044542A2ED11D9BA3A000D932C0D78@[67.84.254.108]>

Gregory Elliott wrote on 4/1/05:

>chirp chirp

It's a very clear day, and we're high above the "noisy world... becomes
merely the skill of muting internal shuffles and isolatingincursions
from  the turbulent environment beyond.  Thus the great high-rise towers
of the world stand on tip-toes, looking out across the ffires of the
city.  (Belle vue--mauvais son.)

-R. Murray Schafer

"Our machine, it has done its work, played its part well
Without a scratch on our bodies and we bid it farewell
Starfish and giant foams greet us with a smile
Before our heads go under we take a last look at the killing noise
Of the out of style."

-Jimi Hendrix


<vze26m98 at optonline.net>


From vze26m98 at optonline.net  Fri Apr  1 15:43:29 2005
From: vze26m98 at optonline.net (vze26m98)
Date: Fri, 01 Apr 2005 15:43:29 -0500
Subject: [Microsound-announce] chirp chirp
In-Reply-To: <20050401.123222.2012.3.dkl37@juno.com>
Message-ID: <r02010500-1038-B491B9DEA2EE11D9BA3A000D932C0D78@[67.84.254.108]>

dkl37 at juno.com wrote on 4/1/05:

>Apologies to those who only joined this list for
>the micro.announcements, and not the micro.chat. ;-)

Keep those notices coming!

("Feed me, Mandrake. Feed me!)

<vze26m98 at optonline.net>


From omnid at optonline.net  Fri Apr  1 23:11:55 2005
From: omnid at optonline.net (Al C)
Date: Fri, 01 Apr 2005 23:11:55 -0500
Subject: [Microsound-announce] testing...
Message-ID: <BE7385BB.8944%omnid@optonline.net>





From toby at kazumichi.com  Sat Apr  2 00:26:27 2005
From: toby at kazumichi.com (tobias grime)
Date: Sat, 2 Apr 2005 15:26:27 +1000
Subject: [Microsound-announce] pneuma records,sydney
Message-ID: <C2D59407-A337-11D9-AA2A-000D93C7E9FE@kazumichi.com>

Hi,

Just a brief announcement of a small experimental sound label a bunch 
of us run in Sydney, Australia.

We have 4 releases form last year, some new ones in the works now as 
well as a compilation.  A mixed bag of works that will be of interest 
to people in this list.

Also, if anyone has any contacts for good distribution in 
Europe/USA/Japan, drop me a mail off list, at the moment we sell 
locally in Australia (with Synaesthesia Records  doing international 
mail orders) and am just working something out in London.

http://www.pneuma.net.au/

kindest regards,
kazumichi grime
sydney, australia.

-----------------------------------------
Tobias Kazumichi Grime
mobile: 0412 030 177
toby at kazumichi.com
http://www.kazumichi.com
http://www.pneuma.net.au
-----------------------------------------
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From kim at anechoicmedia.com  Sat Apr  2 12:23:43 2005
From: kim at anechoicmedia.com (Kim Cascone)
Date: Sat, 2 Apr 2005 09:23:43 -0800
Subject: [Microsound-announce] test
Message-ID: <8d13b471eec790c2be2f63b844da975a@anechoicmedia.com>

testing 123 - is this mic on?



From XStreamRadio at aol.com  Sat Apr  2 13:56:04 2005
From: XStreamRadio at aol.com (XStreamRadio at aol.com)
Date: Sat, 2 Apr 2005 13:56:04 EST
Subject: [Microsound-announce] test
Message-ID: <6b.425b50b4.2f8044c4@aol.com>

does it work?
yes, it seem so.
 
new record label: http://www.baskaru.com
out now: pirandelo, pirandelo suona, CD
 
online radio station: http://xstreamradio.free.fr
 
 
[  http://www.baskaru.com ]
[ http://xstreamradio.free.fr ]
[ Now playing:  Experimental and Electronic music ]
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From justino at anihilo.com  Sat Apr  2 14:25:00 2005
From: justino at anihilo.com (Jorge Bachmann)
Date: Sat, 2 Apr 2005 11:25:00 -0800
Subject: [Microsound-announce] test
Message-ID: <93232099f669639754adde4f0514159b@anihilo.com>

test!

justino
aka jorge bachmann				sculpture-photography-sound
P.O.Box 15953
San Francisco, CA 94115-0953
M-415-706-9629					http://anihilo.com
W-415-750-3517					http://ruidobello.org



From vze26m98 at optonline.net  Sat Apr  2 15:16:30 2005
From: vze26m98 at optonline.net (vze26m98)
Date: Sat, 02 Apr 2005 15:16:30 -0500
Subject: [Microsound-announce] Request for Submissions: Interface Archive
Message-ID: <r02010500-1038-1A701FFEA3B411D98403000D932C0D78@[67.84.254.108]>

Hi all-

(Forgive the cross-postings; forward if you'd like...)

I'm throwing out a request to address something I find missing on the
Internet, which is the answer to "what do we stare at all day (and
night) long?"  Working in media, it seems we spent a good deal of our
time building ways to expressively control machines, or working with
open-ended software environments, or abusing the control metaphors of
shrink-wrap applications.  But there isn't any place to go to get a
sense of the range of current interface building activity for media.
Much of what can be found is dispersed, and categorically coalesces
around "finshed products" or simple tutorial examples.

I'm asking that you send me documentation of your user-interfaces so
that I can build a publicly accessible archive to address this lack.
Submissions will be accepted and published without aesthetic judgement.
In fact, I'm hoping that the "one-off" interfaces so easy to produce
now, the abandoned works, or the messes that you don't have the energy
to clean up will find their way to me.  These are the kinds of artifacts
that will be hopelessly lost to future generations. :(  Your images can
depict working, non-working or imaginary ways to expressively control
time-based and interactive media.

You must be the author of your submission.  It must be your expression.
You must have created it somehow.  I'm aware that data-bending is often
the mis-use of non-authored work, but perhaps the benders will have some
ideas about how to get their activities across.  Coders and command-line
types will have these issues as well.

Please send me your screen-shots, digital photos of hardware, scans of
pencil sketches, or whatever, along with your name, email address and
(hopefully) a brief description of what your submission(s) is/are about.

I will publish everything I receive.  I will likely, although I don't
have any pre-conceptions, establish some (potentially changing) means of
categorizing the submissions in order to faciltitate access to what I
hope will be a large body of work.

In sending in your submission, you retain all copyrights to your work.
You are giving me non-exclusive permission to display your submission on
my web-site <www.propheticdesire.com> for non-commercial, archival
purposes.

Your email address will be displayed in some manner not easily
harvested.  Submissions will be dated by the date they are received.

Please send your submissions to: <gui at propheticdesire.com>

As I will be traveling the first part of May, realistically it will be
the end of May before submmissions begin to be published.  As this will
be an on-going effort, there are no deadlines or limits on the number of
submissions.

Thanks for your attention, and hopefully we can create a unique view of
creative computer-based media authorship.

Best,

Charles Turner (Tad) (vze26m98) (vatic)


<vze26m98 at optonline.net>


From john at stasisfield.com  Sun Apr  3 19:47:05 2005
From: john at stasisfield.com (john kannenberg)
Date: Sun, 3 Apr 2005 18:47:05 -0500
Subject: [Microsound-announce] Testing
Message-ID: <p06002003be76308da9fb@[209.86.100.3]>

Is this mic(rosound) on?

Second attempt...
-- 

>>

john kannenberg

[ http://www.johnkannenberg.com ]

[ http://www.stasisfield.com ]




From john at stasisfield.com  Sun Apr  3 19:52:01 2005
From: john at stasisfield.com (john kannenberg)
Date: Sun, 3 Apr 2005 18:52:01 -0500
Subject: [Microsound-announce] NEW: Ernesto Diaz-Infante
Message-ID: <p06002004be7631d5f6fb@[209.86.100.3]>

Another test, for good measure...

+++

-----------------------------------------------

Stasisfield continues the 2005 release season
with another new recording and another old favorite.

+ PLEASE NOTE:
The deadline has been extended for submissions to
THE RESONANT IMAGE. See below for details.

-----------------------------------------------

+ NEW RELEASE

-----------------------------------------------

  SF-4003 : Mirrors on the Crisis of the Moment : Ernesto Diaz-Infante

-----------------------------------------------

California composer and Pax Recordings co-curator Ernesto 
Diaz-Infante crafts a set of politically-charged recordings. 
Co-composed with Marjorie Sturm, Mirrors on the Crisis of the Moment 
examines political, social and economic concerns of the day through 
the use of Tarot readings. Ernesto performs solo acoustic steelstring 
guitar improvisations that synthesize current events and the Tarot's 
advice, creating a set of dense yet minimal acoustic recordings. 
Accompanying the music and its liner notes is a set of eleven digital 
image compositions created by Stasisfield founder john kannenberg 
whose image sources are the result of entering the titles of the 
tracks in Google, a Tarot for the information age.

Available for download and streaming at:

[ http://www.stasisfield.com/releases/year04/sf-4003.html ]

-----------------------------------------------

+++++++++++++++++++++++++++++++++++++++

-----------------------------------------------

+ ARCHIVE RELEASE

-----------------------------------------------

[The third installment of a new feature at Stasisfield: every month 
we will present a release from a previous year that has been taken 
offline and archived onto our series of MP3 archive CDRs, making it 
available for one month only. Our third back-online archive release 
comes from the Stasisfield : Year 01 Archive CDR. ]

-----------------------------------------------

SF-1012 : Seite : Ian Simpson

-----------------------------------------------

UK experimental artist Ian Simpson (a member of Psychiatric Challenge 
and aka LDT) crafted this series of layered electronic drones as part 
of the soundtrack to an installation commissioned for the 2001 Numero 
Festival in Lisbon. Somewhat inspired by early-'80s krautrock, the 
pieces offer three distinct variations on similar themes, exquisitely 
crafted and recorded.

Originally released 02.11.2002

Available for download at:

[ http://www.stasisfield.com/releases/archive/ ]

-----------------------------------------------

+++++++++++++++++++++++++++++++++++++++

-----------------------------------------------

+ CALL FOR ENTRIES - DEADLINE EXTENDED

-----------------------------------------------

Stage 01 of a new online exhibition, The Resonant Image, is currently 
accepting submissions.

Details:

[ http://www.stasisfield.com/space/future ]


DEADLINE EXTENDED THROUGH APRIL 8, 2005


-----------------------------------------------

As always, thanks for listening.

-----------------------------------------------

>>

john kannenberg

[ http://www.johnkannenberg.com ]

[ http://www.stasisfield.com ]





From kim at anechoicmedia.com  Mon Apr  4 12:03:21 2005
From: kim at anechoicmedia.com (Kim Cascone)
Date: Mon, 4 Apr 2005 09:03:21 -0700
Subject: [Microsound-announce] [ot] coding help needed for microsound site
Message-ID: <1b37eea5fd8e1f49f0ef15508feaeb6d@anechoicmedia.com>

John is starting to redo some back end server stuff for the microsound 
lists and the TWiki site
if you have experience in server side scripting and can pitch in some 
hours for the community then please contact
John Saylor
johns at or8.net
thanks!
KIM



From info at seasonalbk.net  Mon Apr  4 17:44:58 2005
From: info at seasonalbk.net (Ben)
Date: Mon, 4 Apr 2005 17:44:58 -0400
Subject: NY ACO_ECO meeting (was Re: [Microsound-announce] test
In-Reply-To: <r02010500-1038-6E6C901BA2E411D9BA3A000D932C0D78@[67.84.254.108]>
References: <r02010500-1038-6E6C901BA2E411D9BA3A000D932C0D78@[67.84.254.108]>
Message-ID: <CA893F4A-A552-11D9-81FD-003065B71FBC@seasonalbk.net>

there is a meeting this thur 7pm at Hunter College if in the area.

the NY chapter has several projects, currently a radio show and a large 
sound-map are in the works,
join in if you can
http://www.nyacousticecology.org/

your consumer spaces study ?

ben

On Apr 1, 2005, at 2:29 PM, vze26m98 wrote:

> Ah, I had forgotten!  How stupid of me...
>
> Anyway, I had noticed you're connected with (I'll get the name wrong)
> the New York chapter of the Society for Acoustic Ecology.
>
> What are you up to?  I'm working on a little study of consumer spaces 
> as
> soundscapes right now...
>
> Best,
>
> T
>
>
> Ben wrote on 4/1/05:
>
>>
>> www.seasonalbk.net
>>
>> -----
>> _______________________________________________
>> Microsound-announce mailing list
>> Microsound-announce at microsound.nexthop.net
>> http://or8.net/mailman/listinfo/microsound-announce
>
> You know, it's so nice and quiet over here I can almost hear the
> crickets chirping.
>
> What a lovely place to picnic and have an aesthetic discussion!
>
> Any takers?
>
> Best,
>
> Tad
>
>
> <vze26m98 at optonline.net>
> _______________________________________________
> Microsound-announce mailing list
> Microsound-announce at microsound.nexthop.net
> http://or8.net/mailman/listinfo/microsound-announce
>



www.seasonalbk.net
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From kim at anechoicmedia.com  Mon Apr  4 18:02:24 2005
From: kim at anechoicmedia.com (Kim Cascone)
Date: Mon, 4 Apr 2005 15:02:24 -0700
Subject: [Microsound-announce] motion to MIDI
Message-ID: <dda1cd5ff2e1e3745752c808edd78ee1@anechoicmedia.com>

I put a Max patch up on the microsound hotline server that will covert 
apple motion sensor data to MIDI information...it was created by Joshua 
Goldberg and posted to the Max list today so I thought it might be of 
use to laptop/Maxers who want to use laptop motion as a performative 
tool...
enjoy!



From vze26m98 at optonline.net  Mon Apr  4 18:04:04 2005
From: vze26m98 at optonline.net (vze26m98)
Date: Mon, 04 Apr 2005 18:04:04 -0400
Subject: NY ACO_ECO meeting (was Re: [Microsound-announce] test
In-Reply-To: <CA893F4A-A552-11D9-81FD-003065B71FBC@seasonalbk.net>
Message-ID: <r02010500-1038-7642C24CA55511D9B59A000D932C0D78@[67.84.254.108]>

Ben wrote on 4/4/05:

>the NY chapter has several projects, currently a radio show and a large 
>sound-map are in the works,
>join in if you can
>http://www.nyacousticecology.org/

I'll try to come.  That same auditorium?

>your consumer spaces study ?

Right now I'm feeling overwhelmed by reality.  No appropriate analytical
handle.  Maybe I'll feel better in a few days...

<vze26m98 at optonline.net>


From Spagirus at chaosmagic.com  Mon Apr  4 23:29:19 2005
From: Spagirus at chaosmagic.com (Gregory Elliott)
Date: Mon, 4 Apr 2005 20:29:19 -0700 (PDT)
Subject: [Microsound-announce] Drone Night in Austin
Message-ID: <20050405032920.35E6F37D3F@sitemail.everyone.net>

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From bruce at skeletonhome.com  Mon Apr  4 18:15:28 2005
From: bruce at skeletonhome.com (bruce tovsky)
Date: Mon, 4 Apr 2005 18:15:28 -0400
Subject: [Microsound-announce] [ANN] Upcoming events
Message-ID: <927bcbcd587d55ba45573cd0837507a9@skeletonhome.com>

||||| |  | |||| | | ||||| | || | | |||||| | || | | | ||||||||| | | |||| 
| ||||| | || ||| | ||||| | |||||| | || | || ||| | || | ||
|  | |||| | | ||||| | || | | |||||| | || | | | ||||||||| | | |||| | 
||||| | || ||| | ||||| | |||||| | || | || ||| ||| | |||| || |

Upcoming Events

TONIC  /  April 11th @ 8pm

Erik Sanko

Erik Sanko (vocals/guitar)
Andy Green (guitar/vocals/omnichord)
Garo Yellin (cello)
Bruce Tovsky (loops/processing/cracklebox)

Erik Sanko is the leading light in the much admired Skeleton Key
and was a member of John Lurie's Lounge Lizards for over 15 years.
He also helps out such luminaries as Yoko Ono, Jim Carroll and John
Cale from time to time. Rumour has it that he has also been seen
playing with the newly reformed Contortions.
Sounding like the journals of an alchemist set to the music of your
grandmother's broken pump organ, Sanko fashions oddly compelling
songs from mangled melody and ragged scraps of rhyme.

TONIC is located at 107 Norfolk Street, between Delancy and Rivington,
in Manhattan's Lower East Side.


||||| |  | |||| | | ||||| | || | | |||||| | || | | | ||||||||| | | |||| 
| ||||| | || ||| | ||||| | |||||| | || | ||| || | | ||| || |

Early May (stay tuned)

ETHER

The first evening at Studio 106 in the Brooklyn Navy Yard.

Featuring:
The premiere of Bruce Tovsky's new video/sound work
ETHER, along with other short video works. Plus a live
performance featuring special guests TBA.

Studio 106
Building 30
Brooklyn Navy Yard
8pm
RSVP for directions

||||| |  | |||| | | ||||| | || | | |||||| | || | | | ||||||||| | | |||| 
| ||||| | || ||| | ||||| | |||||| | || | || ||| | || | ||
|  | |||| | | ||||| | || | | |||||| | || | | | ||||||||| | | |||| | 
||||| | || ||| | ||||| | |||||| | || | || ||| ||| | |||| || |

Apologies for cross-postings. If receiving these occasional messages
irritates you, please send a "please stop" to info at skeletonhome.com.


www.skeletonhome.com
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From kim at anechoicmedia.com  Tue Apr  5 13:29:27 2005
From: kim at anechoicmedia.com (Kim Cascone)
Date: Tue, 5 Apr 2005 10:29:27 -0700
Subject: [Microsound-announce] [ot] want to donate old PC laptop
Message-ID: <4a452f51c467fa8f07f40d5d3ca8282e@anechoicmedia.com>

I read about an organization that takes old computers and makes them 
available to people in the poorer parts of Africa...does anyone know of 
this organization?
I have an old Compaq PC laptop that I want to donate...contact me off 
list if you have info
cheers!
KIM
  



From info at seasonalbk.net  Tue Apr  5 14:34:15 2005
From: info at seasonalbk.net (Ben)
Date: Tue, 5 Apr 2005 14:34:15 -0400
Subject: [Microsound-announce] [ot] want to donate old PC laptop
In-Reply-To: <4a452f51c467fa8f07f40d5d3ca8282e@anechoicmedia.com>
References: <4a452f51c467fa8f07f40d5d3ca8282e@anechoicmedia.com>
Message-ID: <5010AEAB-A601-11D9-BABB-003065B71FBC@seasonalbk.net>

such information would be great to share with the list -
i am sure many of us have working parts that could be donated,
thanks for mentioning this.

ben


On Apr 5, 2005, at 1:29 PM, Kim Cascone wrote:

> I read about an organization that takes old computers and makes them 
> available to people in the poorer parts of Africa...does anyone know 
> of this organization?
> I have an old Compaq PC laptop that I want to donate...contact me off 
> list if you have info
> cheers!
> KIM
>

www.seasonalbk.net
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From info at seasonalbk.net  Tue Apr  5 18:49:11 2005
From: info at seasonalbk.net (Ben)
Date: Tue, 5 Apr 2005 18:49:11 -0400
Subject: [Microsound-announce] 
	online radio now streaming: sawako's ark, RHL, broadcastatic 
Message-ID: <ED3BECA3-A624-11D9-A0ED-003065B71FBC@seasonalbk.net>


greetings,
online radio now streaming until 1am
please see below for the 3 different radio shows
( each with different stream location )

two new archived streams now online
http://www.seasonalbk.net/radio/audio/

april radio home listening schedule
and station stream link
http://www.seasonalbk.net/radio/

tues april 05, 2005

now in progress :

  6:00-8:00 pm  est
sawako's ark
http://stage.itp.nyu.edu/itpradio/
this semester we are doing every other tuesday
  -  -  -  -   -

8:00-11:00pm est
radio home listening
http://www.seasonalbk.net/radio/
with special guest Tommy Birchett
http://www.broadcastatic.com/tommy/
radio_ruido, and mpld
  -  -  -  -   -

  11pm to 1am est
broadcastatic
http://wrir.org/
  WRIR 97.3 fm, or wrir.org for the live stream.

  an "artist showcase" tonight on broadcastatic show
first part of the show is dedicated to the freedom of Palestine and
it's most supportive musical artist/legend Muslimgauze.
following muslimgauze will be Rapoon, cause they sound so tight 
together.
lastly, but not leastly, no sir, is richmond's own EnE, with the hudge
himself hopefully stopping by to answer some ridiculously bad
interviewer stylee.




www.seasonalbk.net
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From chartier at 3particles.com  Tue Apr  5 18:41:39 2005
From: chartier at 3particles.com (richard chartier / LINE)
Date: Tue, 5 Apr 2005 18:41:39 -0400
Subject: [Microsound-announce] RICHARD CHARTIER > 04.05 > news/event/release
	update ..
In-Reply-To: <20050405223642.2B1502F2B6B@collab.or8.net>
References: <20050405223642.2B1502F2B6B@collab.or8.net>
Message-ID: <5915d8e9bf28ae5fdea0aefcb054d001@3particles.com>


hello to everyone,
well 34 feels just like 33.

hope spring has finally sprung!
and the sunshine comes back soon.

r



- -  CURRENT + UPCOMING EVENTS - -

LIVE .  @ La Casa Encendida [ Madrid, Spain ] May 26, 2005  
http://www.lacasaencendida.com
DESIGN BOOK . Two Point Two CD design is featured in Brooklyn: New 
Style, Booth-Clibborn Editions, UK 2005
LIVE . Montreal June 2005 ( to be confirmed )


- -  RECENT RELEASES AVAILABLE ON 3PARTICLES.COM PAYPAL SITE - -

 > AVAILABLE NOW . CD .  CHESSMACHINE. Mutek_Rec. back in stock online. 
http://www.3particles.com/chessmachine

 > AVAILABLE NOW . CD . Edition [ LINE, US ] special limited edition 
packaging 4 CD set entitled Edition. Edition is a collection of the 4 
critically acclaimed full length LINE cd releases: Series from 2000 
(LINE_001), Of Surfaces from 2002 (LINE_008), Two Locations from 2003 
(LINE_013), and the brand new live recording Set or Performance 
(LINE_018). special re-packaging release is strictly limited to 100 
signed and numbered units. This cd will only be available through the 
12k/LINE website store, 3particles.com, and my live shows. very few 
left.

 > AVAILABLE NOW. 12". (1.8)sec.comp  [ (1.8)sec.records, Canada ] 
Includes tracks by Richard Chartier, Tim Hecker, Mitchell Akiyama, 
Duul_Drv, Taylor Deupree, Kim Cascone, 3x3is9, Roel Meelkop each track 
ends with a lock groove. numbered edition of 500 on white vinyl. only 2 
left.

 > AVAILABLE NOW . CD .  Kapotte Muziek by Richard Chartier & Boca 
Raton. Korm Plastics. ongoing series using Kapotte Muziek concert as 
source material

a limited number of copies of these & other releases are available via 
the ONLINE STORE http://www.3particles.com/paypal



- - FUTURE RELEASES, EVENTS, ETC - -

 > 2CD .  Re'post'post-fabricated  [ DSP Recordings, Italy ] This 2CD 
project will have the reformed/remastered Post-Fabricated CD 
(originally issued on CDR on Dutch label Microwave in 1999 as an 
edition of 222). I was never happy with the sound quality of the final 
master due to the engineer and my analog recording limitations at the 
time. This is an odd recording for me, which you could say is my most 
"pop" release in its quirky rhythmic elements. The second CD is 
remixes/reworkings from the original files by Frank Bretschneider, COH, 
Taylor Deupree, Freiband, Goem, Alva Noto, Byetone, Sogar, SND, Asmus 
Tietchens, Vend, Matmos, Steve Roden, and myself.  
http://www.dsprecs.com. also there will be two extra MP3 of mixes by 
Taylor Deupree and Goem not on the cd that will be available on the DSP 
website. MAY 2005

 > CD .  35 Mutant Seconds: based on Rafael Toral?s Creamy Burst.  [ 
Grain of Sound, Portugal ] features reworks using a Toral guitar piece 
from 1991 as source material. My piece was selected from a series of 3 
improvisations. other artists include: Pita, Fonica, Sawako, John 
Kannenberg, Stapletape and Allto. delayed MAY 2005. 
http://www.grainofsound.com

 > LP + CD . Retrieval 1-2 + Retrieval 1-5  [ ERS, The Netherlands ]. 
This will be two works that were created at my artist residency at the 
Music Research Centre @ York University, UK. based on soundfiles and 
loops of mine from 1990-1993.  the CD will include an extended 
reworking of "Retrieval 3" + 2 additional retrieval pieces.  
http://radiantslab.com/ers  SPRING 2005.

 > CD . Placode [ n160, Japan ] This elaborately aluminum packaged cd 
compilation curated by Nibo [ LINE/Raster-Noton] will contain the piece 
"retrieval#3(for placodes). artists on this compilation: Carsten 
Nicolai, Christophe Charles, Frank Bretschneider, Nibo, Byetone, 
Richard Chartier, Sachiko.M, Sogar, Steve Roden, Taylor Deupree, and 
Otomo Yoshihide. http://www.n160.com. DELAYED 2005

 > CD . Incidence  [ Raster-Noton. Germany ] Summer 2005

 > EXHIBIT + LIVE .  Leeraum  group sound installation @ PROGR-Zentrum 
f?r Kulturproduktion ( 5.1 surround sound installation ) [ Bern, 
Switzerland ] Fall 2005  http://www.progr.ch

 > EXHIBIT .  Opening Cocyxx  @ die Schachtel ( 5.1 surroung sound and 
chemi-luminescent installation with Evelina Domnitch & Dmitry Gelfand) 
[ Milan, Italy ] Fall 2005

 > EXHIBIT + LIVE .  Of Surfaces2  @ PROGR-Zentrum f?r Kulturproduktion 
( 5.1 surround sound installation ) [ Bern, Switzerland ] Fall 2005 
http://www.progr.ch

 > CD . Mort Aux Vaches with Taylor Deupree [ VPRO, Amsterdam ] 2005.

 > BOOK . "On the surface of silence: reticence in the music of Richard 
Chartier" by Will Montgomery in BLOCKS OF CONSCIOUSNESS AND THE 
UNBROKEN CONTINUUM. a really great indepth study of my work. Publisher: 
Sound 323. Editors: Brian Marley+Mark Wastell. DELAYED SPRING 2005.

 > LIVE . currently scheduling performances for germany...
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From kim at anechoicmedia.com  Wed Apr  6 01:22:20 2005
From: kim at anechoicmedia.com (Kim Cascone)
Date: Tue, 5 Apr 2005 22:22:20 -0700
Subject: [Microsound-announce] [ot] computer-aid
Message-ID: <96ac60a47da5d05e40e5dfa2c59d309d@anechoicmedia.com>

here is an org based in the UK who accepts old PC's for redistribution 
to poor countries...
http://www.computer-aid.org/inddonations.htm

donation specs are here:
http://www.computer-aid.org/donationspecs.htm



From azimuths at freenet.co.uk  Wed Apr  6 07:36:20 2005
From: azimuths at freenet.co.uk (Thanos Chrysakis)
Date: Wed, 06 Apr 2005 12:36:20 +0100
Subject: [Microsound-announce] <Complexit
	=?windows-1254?B?6XM+IGF0IHRoZSBDaOJ0ZWF1IGRlIExpbmFyZGnpLCBT6Q==?=nouillac
	-France
Message-ID: <BE798843.6BC6%azimuths@freenet.co.uk>

Hi (micro-announcement) list,


in case that you' re around the Midi Pyr?n?es area
in South of France...

I've realized the music for Pascal Dombis'
interactive installation "SpamScape" as part of
the exhibition <Complexit?s> at the Ch?teau de Linardie,
S?nouilac-France, from April 3 through May 8, 2005.

http://pourinfos.org/expositions/item.php?id=1245

Best,
Thanos



From derek at x-i.net  Wed Apr  6 15:51:44 2005
From: derek at x-i.net (derek holzer)
Date: Wed, 06 Apr 2005 21:51:44 +0200
Subject: [Microsound-announce] MUTE article on PD + free software
Message-ID: <42543DD0.2000804@x-i.net>

Give It All, Zero For Rules! by Mattin

http://linkme2.net/3s

On the 13-14th of December 2004 Mute hosted a Pure Data workshop in East
London. Musician and PD abuser Mattin gives a breakdown of the themes of
the workshop, surveys some artists and artists groups using PD, and
scrutinises the relationship of free software to 'free', experimental
and improvised music.

quotes:

'I used a lot of cracked commercial software for a lot of years when
doing sound and I always got a couple of feelings out of it. One feeling
was that you get these fancy programs with these fancy user interfaces,
but at the end the more they have created this environment that's very
easy for you to use, the more they've actually determined the kind of
work you can make with it. If you look at a program like Ableton Live
which is used by probably about eighty percent of people making sound
and performing out live these days, it seems like. It's good for a very
few things, it's good for working with loops, putting effects on these
loops and sequencing them, but it pushes you in one creative direction,
it pushes you into making a certain kind of music, really it pushes you
towards German techno more than anything else.' Derek Holzer

'I smashed a G4 laptop computer one time.' Jason Forrest (aka Donna Summer)

http://linkme2.net/3s


-- 
derek holzer ::: http://www.umatic.nl
---Oblique Strategy # 92:
"Intentions
-credibility of
-nobility of
-humility of"




From derek at x-i.net  Thu Apr  7 06:44:13 2005
From: derek at x-i.net (derek holzer)
Date: Thu, 07 Apr 2005 12:44:13 +0200
Subject: [Microsound-announce] Soundscape-FM live on Radiodays
Message-ID: <42550EFD.9080206@x-i.net>

Sound-Transit (Live)
Derek Holzer & Sara Kolster
http://www.soundscape-fm.net
Friday April 08 2005 20:00-20:45 GMT +1

The world is full of sounds hidden just under the threshold of
preception. Soundscape-FM is a collaborative, online community dedicated
to collecting and archiving some of these sounds. For this broadcast
performance, Derek Holzer and Sara Kolster will present a selection of
these recordings as a sonic transit around the world, from Holland to
the Baltics, onwards through India and Southeast Asia to North America
and accross the Atlantic back home. In-studio and online guests will
also be able to view descriptions and additional information about the
sounds provided by the various artists.

Radiodays can be heard at 107.4 FM in the city of Amsterdam, or drop by 
the studio at De Appel, Nieuwe Spiegelstraat 10!

The live MP3 stream is available at:

http://www.radiodays.org/

And an archive of the broadcast will be available aftre the broadcast as 
well.

Radiodays is being broadcast from De Appel:

De Appel
Nieuwe Spiegelstraat 10
1017 DE Amsterdam
t 020 6255651
f 020 6225215
info at deappel.nl
http://www.deappel.nl


-- 
derek holzer ::: http://www.umatic.nl
---Oblique Strategy # 192:
"Your mistake was a hidden intention"


From mikehansen at sympatico.ca  Thu Apr  7 13:22:17 2005
From: mikehansen at sympatico.ca (Mike Hansen)
Date: Thu, 7 Apr 2005 13:22:17 -0400
Subject: [Microsound-announce] 
	CKLN FM's Whynot Jazz playlist for March 23 , 2005
Message-ID: <9738F95E-A789-11D9-A73C-003065F9B470@sympatico.ca>


>
> Dear Artist and Label
>
> Welcome to the radio program Whynot Jazz on Toronto's CKLN FM 88.1. 
> Heard Every Wednesday Morning from 7am-11am est, 1pm thru most of 
> Europe and noon in the UK. Available around the world at:
>
> www.ckln.fm
>
> Here is the playlist from the last Whynot Jazz Program. Please note 
> that radio program, hosted by Mike Hansen, takes an outside 
> examination of new improvised and jazz musics. Whynotjazz is one of 
> the very few voices for progessive new music heard in Toronto or 
> around the world.
>
> Why Not?
> 2005/03/23
>
>
> Artist
> Song Title
> Album Title
> Label
>
>
> Thomas Lehn/Paul Lovens
> Acthung part2
> Acthung
> Grob
>
>
>
> Fred Lonberg-Holm Trio
> Arnold Layne
> Others Valentines
> Atavistic
>
>
>
> Sawtooth
> Space Freight
> Celluloid Dreams
> Incidental
>
>
>
> C.Burns/J.Butcher/etc
> Geiger Release
> Freedom of the City -Small Groups 2004
> Emanem
>
>
>
> Thollem/Rivera
> Simplicity
> Spontaneously #11
> Everything's Going Everywhere
> Edgetone Records
>
>
>
> Paul Newman's Open House
> Symmetry
> part 3
> independent
> *
>
>
>
> Kyle Bruckmann's Wrack
> Extenuating Circumstances
> Wrack
> Red Toucan
>
>
>
> Janek Schaefer/Philip Jeck
> Lullaby Duel
> Songs for Europe
> AudiOh! Recordings
>
>
>
> Fennesz/Sachiko M/Yoshihide/Rehberg
> Amplify 2004
> Fennesz/Sachiko M/Yoshihide/Rehberg
> Erstwhile Records
>
>
>
> Zavoloka
> Cold Water Flowing
> Plavyna
> Nexsound.org
>
>
>
> Methuselah
> Happy Trails
> Hula Themes
> Feastyourears.com
> *
>
>
>
> Ned Rothenberg's Sync
> One-Oh-Nine
> Harbinger
> Animul
>
>
>
> Sean Meehan
> Piece 1:it, Piece 2:evil
> Just Drums 2 Project
> Fever Pitch
>
>
>
> Rob Clutton
> Musicians and Animals
> Dubious Pleasures
> Rat-Drifting
> *
>
>
> Fred Longberg-Holm Trio
> Jesus etc
> Other Valentines
> Atavistic
>
>
>
> Mimeo
> CD 2 Track 6
> Lifting Concrete Lightly
> Serpentine Gallery
>
>
>
> Gunter muller/Jason Kahn
> Third Blink
> Blinks
> For4ears Records
>
>
>
> Fred Longberg-Holm
> Dialog 5
> Dialogs
> Emanem
>
>
>
> Terry Adams/Marshall Allen
> Wrong Gasket
> Ten by Two
> Edisun
>
>
>
> Runzelstirn/Gurgelstock
> for Piano and
> ShotgunAsshole/Snail Dilema
>
>
>
>
> Miriodor
> Trans-Siberian
> 3rd Advertisment
> Cuneiform
> *
>
>
>
>
>
>
> * denotes Canadian Content
>
>
> Your support is necessary in keeping this voice for the music current. 
> Please feel free to forward music to the address below. Thanks again 
> for your support. Keep Listening
>
>
> Thanks
> Mike
>
>
> Mike Hansen
> CKLN FM 88.1
> Whynot Jazz Program
> 79 Benson Ave.
> Toronto,On
> Canada
> M6G 2H7
> whynotjazz at hotmail.com
>



From sirr-ecords at sirr-ecords.com  Sun Apr 10 01:00:52 2005
From: sirr-ecords at sirr-ecords.com (paulo raposo||sirr)
Date: Sun, 10 Apr 2005 06:00:52 +0100
Subject: [Microsound-announce] Paulo Raposo[]news 04+05 2005
Message-ID: <BE7E7194.14E18%sirr-ecords@sirr-ecords.com>

Paulo Raposo[]news 04+05 2005


hello everyone, 
Some spring news regarding events and releases.

I am pleased to announce the following new pieces:

+. Untitled: audio piece in "Untitled Songs: On The 49th anniversary of
Stockhausen's Gesang Der Jungelinge" [featuring more than 20 artists]
-. CD Sirr: http://www.sirr-ecords.com [delayed to may]

+. Verbatim: audio piece in "Essays on radio: Can I Have 2m of your time?"
-. CD Cr?nica: http://www.cronicaelectronica.org [may]

+. Verbatim: video piece in "Essays on radio: Can I Have 2m of your time?"
-. DVD Cr?nica: http://www.cronicaelectronica.org [may]


And the new upcoming events:

11-27.04
Moks, Mooste, Estonia
Artistic residence + performance
http://mooste.ee/mogs/

28.04
Solo performance
Sonorities festival, Belfast, N. Ireland
http://www.qub.ac.uk/sonorities/

11.05
Pablo Coello + Paulo Raposo
Sala nasa, Spain
http://www.salanasa.com

20.05
Paulo Raposo + John grzinisch
Serralves Foundation, Porto
http://www.salanasa.com

28.05
Solo performance
BRG, Braga, Portugal



||||||||sirr at sirr-ecords.com
 |http://www.sirr-ecords.com




From bruce at skeletonhome.com  Mon Apr 11 12:01:33 2005
From: bruce at skeletonhome.com (bruce tovsky)
Date: Mon, 11 Apr 2005 12:01:33 -0400
Subject: [Microsound-announce] [ANN] Tonic show tonite
Message-ID: <ed7d26770545b54f13140e87d248b1ac@skeletonhome.com>

||||| |  | |||| | | ||||| | || | | |||||| | || | | | ||||||||| | | |||| 
| ||||| | || ||| | ||||| | |||||| | || | || ||| | || | ||
|  | |||| | | ||||| | || | | |||||| | || | | | ||||||||| | | |||| | 
||||| | || ||| | ||||| | |||||| | || | || ||| ||| | |||| || |

TONIGHT

TONIC  /  April 11th @ 9pm (note time change)

Erik Sanko

Erik Sanko (vocals/guitar)
Andy Green (guitar/vocals/omnichord)
Garo Yellin (cello)
Bruce Tovsky (loops/processing/cracklebox)

Erik Sanko is the leading light in the much admired Skeleton Key
and was a member of John Lurie's Lounge Lizards for over 15 years.
He also helps out such luminaries as Yoko Ono, Jim Carroll and John
Cale from time to time. Rumour has it that he has also been seen
playing with the newly reformed Contortions.
Sounding like the journals of an alchemist set to the music of your
grandmother's broken pump organ, Sanko fashions oddly compelling
songs from mangled melody and ragged scraps of rhyme.

TONIC is located at 107 Norfolk Street, between Delancy and Rivington,
in Manhattan's Lower East Side.


||||| |  | |||| | | ||||| | || | | |||||| | || | | | ||||||||| | | |||| 
| ||||| | || ||| | ||||| | |||||| | || | ||| || | | ||| || |

bruce tovsky
www.skeletonhome.com
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From gbach at csulb.edu  Mon Apr 11 13:00:02 2005
From: gbach at csulb.edu (Glenn Bach)
Date: Mon, 11 Apr 2005 10:00:02 -0700
Subject: [Microsound-announce] so.cal.sonic festival of experimental and
	improvised music
Message-ID: <425AAD12.4070906@csulb.edu>


so.cal.sonic
festival of experimental and improvised music

six days of free music in Long Beach, California

+++++

Tuesday, April 19, 2005, 7 PM
THE DOME ROOM, 528 E. Broadway (at Linden) (562) 499-OPEN
Kraig Grady and The Ensemble of 31 Birds, Spastic Colon, kadet, Albert 
Ortega, Liam Mooney

Wednesday, April 20, 8 PM
OPEN, 144 Linden Avenue (at Broadway) (562) 499-OPEN
Jeffrey Roden, The Choir Boys, Missincinatti, Noah Thomas

Thursday, April 21, 8 PM
2ND CITY COUNCIL, 435 Alamitos Ave. (between 4th and 5th) (562) 901-0997	
Steve Roden, The Ivytree, Jim Haynes, SLaB (Stinson, Liebig, and Bach)

Friday, April 22, 7 PM
VIENTO Y AGUA GALLERY, 4007 E. 4th St (at Termino) (562) 434-1182
Marcos Fernandes, Brad Dutz? Obliteration Quartet, Friedman/Fraser Duo, 
smgsap

Saturday, April 23, 8 PM
THE DOME ROOM, 528 E. Broadway (at Linden) (562) 499-OPEN
soundCommons Orchestra, I Heart Lung, hop-frog, John Kannenberg + Glenn 
Bach perform "Two Cities"
	
Sunday, April 24, 12-5 PM
CAL STATE LONG BEACH, Gatov Galleries (between FA3 and FA2)
Aaron Ximm (Quiet American), Hay/Intriere/Shadduck Trio, 
Tiner/Phillips/Hubbard Trio, the moon and mars, Sumako

+++++

All concerts are FREE ADMISSION and all ages.  Lineups, venues, and show 
times subject to change.

For directions, artist bios, links, or further information, please check 
the so.cal.sonic website at http://www.csulb.edu/~gbach/socalsonic.html, 
or e-mail gbach at csulb.edu.


Sponsored by the Odyssey Project at CSULB

Additional Sponsors/Links
OPEN (http://www.accessopen.com)
2nd City Council (http://www.2ndcitycouncil.org/default.htm)
Viento y Agua Gallery (vientoyagua at verizon.net)
Parabolic Productions (http://smgsap.org/paraprod)
KUCI 88.9 FM Irvine (http://www.kuci.org)
Los Angeles Sound Calendar (http://www.soundcalendar.spasticcolon.org)
Soundwalk 2005 (http://www.soundwalk.org)
[New Music TBD] (http://www.musicunbound.com/NewMusicTBD)
Mouvement Nouveau (http://www.mouvement-nouveau.com/intro/index.html)



From douglas at benfo.demon.co.uk  Mon Apr 11 13:05:51 2005
From: douglas at benfo.demon.co.uk (douglas benford)
Date: Mon, 11 Apr 2005 18:05:51 +0100
Subject: [Microsound-announce] london: SPRAWL this wk.@MEET w. Antonelli
	Electr & more
Message-ID: <a06110407be800614d26f@[81.158.130.194]>

----------------------------------------------------------------
S P R A W L  April 2005 bulletin
----------------------------------------------------------------

** NB. DUE TO PLUMBING REPAIRS AT THE
CHARTERHOUSE BAR, SPRAWL IS AT A
DIFFERENT LOCATION VERY NEARBY THIS MONTH. **

Sprawl next week at the MEET Bar (formerly the Lifthouse!)

Date: Weds. April 13th

*ANTONELLI ELECTR
(Germany/Italic/Rhythm-Maker/Mille Plateaux) - live
London debut of this legendary D?sseldorf artist.

*WE'RE BREAKING UP (US/twothousandand) - live

*MARC KNAUER (Germany/Italic) - dj

biogs at www.sprawl.org.uk/EventFrame.htm

resident dsj/curators
*si-cut.db (bip hop/fallt/tennis/highpointlowlife)
*Iris Garrelfs (BitTonic/germany/bip hop)

NEW VENUE: Top floor at the MEET bar
85 Charterhouse Street, London EC1M 6HJ
tube: Farringdon    tel:  020 7490 5790
www.meetmarket.org
ADMISSION ?4 , concs ?3     7.30pm - 1am

Next Sprawl at the Charterhouse Bar;

Weds May 11th
Granny'Ark (Canada/Zora Lanson/The Corporation soundtrack)
Dave Miller (Australia/BackGround), Function (Australia)
marco_ino (Italy) - dj

----------------------------------------------------------------
si-cut.db, Iris Garrelfs, tennis - related activities
----------------------------------------------------------------
MAY 3-8
IRIS GARRELFS  'Dumplinks' installation
Circle of Sound, The Foundry, London, UK
www.youarehear.co.uk

MAY 6
w. IRIS GARRELFS & Kaffe Matthews
21.30-22.30 BST on www.resonancefm.com
& Resonance 104.4 FM in London

MAY 7
SI-CUT.DB - live tbc
Miso, 13th note Cafe, Glasgow
www.ilovemiso.com

MAY 11
Next Sprawl, see above

MAY 13
Sprawl Small Pieces Resonance fm,
see above (w. Dave Miller live set tbc)

JUNE 3
SI-CUT.DB - live + Tomas Jirku (BackGround)
Fire Light Lullabies, JEWEL OF INDIA,
52 Alexander St. Vancouver, Canada

JUNE 5
SI-CUT.DB - live
MUTEK 2005: 6th Edition: Montreal, Canada
//mutek.ca

JUNE 10
Sprawl Small Pieces radio show on
Resonance fm, see above

JUNE 17
SI-CUT.DB - live + Bernhard Fleischman (Morr Music) dj
Rhiz, Vienna, Austria
//rhiz.org

JUNE 20
SI-CUT.DB - live
si-cut.db vs douglas benford 'wrestles-his-own-80s-
pop-history-to-the-ground-and-destroys-it-to-bits'
Bonnington Centre, upstairs at Bonnington Cafe
11 Vauxhall Grove, London SW8, UK

JUNE 29
SI-CUT.DB - live
hive@ FACT, 88 Wood Street, Liverpool, L14DQ, UK
www.thehivecollective.co.uk
www.fact.co.uk

----------------------------------------------------------------
si-cut.db / iris garrelfs  - releases
----------------------------------------------------------------
OUT NOW
IRIS GARRELFS debut album, 'Specified Encounters'
now on Bip Hop [Bleep 29], inc movie

SI-CUT.DB new album on Bip-Hop, 'From Tears: Beach Archive'.
[Bleep 28]. mastered by Twerk, inc. movie by pixelwrangler.

Both above distributed in the UK thru' Cargo.
+ on warpmart, smallfish, amazon.co.uk, play.com etc
also on www.u-cover.com/mailorder/  &
www.bip-hop.com

SI-CUT.DB track 'no tab' on Crossways compilation,
free-to-download on Thinner
www.thinnerism.com

best wishes

----------------------------------------------------------------
Iris Garrelfs [formerly BitTonic]
www.irisgarrelfs.com
www.dfuse.com/BitTonic
www.dfuse.com/iris

si-cut.db [d.benford]
//home.earthlink.net/~efrans/benford
www.bip-hop.com/
www.highpointlowlife.com
www.fallt.com

SPRAWL
www.sprawl.org.uk

images from interplay 3 in february:
www.sprawl.org.uk/interplay.html

E-MAIL <sprawl at benfo.demon.co.uk>


From roberth at lanset.com  Mon Apr 11 15:30:24 2005
From: roberth at lanset.com (roberth)
Date: Mon, 11 Apr 2005 12:30:24 -0700
Subject: [Microsound-announce] laptop smashing
References: <20050411155835.1BB052E7679@collab.or8.net>
Message-ID: <005f01c53ecd$048574c0$bd725142@Office>

the world needs a laptop pete townsend.

'I smashed a G4 laptop computer one time.' Jason Forrest (aka Donna Summer)
robert

----- Original Message ----- 
From: <microsound-announce-request at microsound.nexthop.net>
To: <microsound-announce at microsound.nexthop.net>
Sent: Monday, April 11, 2005 8:58 AM
Subject: Microsound-announce Digest, Vol 1, Issue 4


> Send Microsound-announce mailing list submissions to
> microsound-announce at microsound.nexthop.net
>
> To subscribe or unsubscribe via the World Wide Web, visit
> http://or8.net/mailman/listinfo/microsound-announce
> or, via email, send a message with subject or body 'help' to
> microsound-announce-request at microsound.nexthop.net
>
> You can reach the person managing the list at
> microsound-announce-owner at microsound.nexthop.net
>
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of Microsound-announce digest..."
>
>
> Today's Topics:
>
>   1. RICHARD CHARTIER > 04.05 > news/event/release update ..
>      (richard chartier / LINE)
>   2. [ot] computer-aid (Kim Cascone)
>   3. <Complexit ?s> at the Ch?teau de Linardi?, S? nouillac
>      -France (Thanos Chrysakis)
>   4. MUTE article on PD + free software (derek holzer)
>   5. Soundscape-FM live on Radiodays (derek holzer)
>   6. CKLN FM's Whynot Jazz playlist for March 23 , 2005 (Mike Hansen)
>   7. Paulo Raposo[]news 04+05 2005 (paulo raposo||sirr)
>   8. [ANN] Tonic show tonite (bruce tovsky)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Tue, 5 Apr 2005 18:41:39 -0400
> From: richard chartier / LINE <chartier at 3particles.com>
> Subject: [Microsound-announce] RICHARD CHARTIER > 04.05 >
> news/event/release update ..
> To: microsound-announce at microsound.nexthop.net,
> lowercase-sound at egroups.com
> Message-ID: <5915d8e9bf28ae5fdea0aefcb054d001 at 3particles.com>
> Content-Type: text/plain; charset="iso-8859-1"
>
>
> hello to everyone,
> well 34 feels just like 33.
>
> hope spring has finally sprung!
> and the sunshine comes back soon.
>
> r
>
>
>
> - -  CURRENT + UPCOMING EVENTS - -
>
> LIVE .  @ La Casa Encendida [ Madrid, Spain ] May 26, 2005
> http://www.lacasaencendida.com
> DESIGN BOOK . Two Point Two CD design is featured in Brooklyn: New
> Style, Booth-Clibborn Editions, UK 2005
> LIVE . Montreal June 2005 ( to be confirmed )
>
>
> - -  RECENT RELEASES AVAILABLE ON 3PARTICLES.COM PAYPAL SITE - -
>
> > AVAILABLE NOW . CD .  CHESSMACHINE. Mutek_Rec. back in stock online.
> http://www.3particles.com/chessmachine
>
> > AVAILABLE NOW . CD . Edition [ LINE, US ] special limited edition
> packaging 4 CD set entitled Edition. Edition is a collection of the 4
> critically acclaimed full length LINE cd releases: Series from 2000
> (LINE_001), Of Surfaces from 2002 (LINE_008), Two Locations from 2003
> (LINE_013), and the brand new live recording Set or Performance
> (LINE_018). special re-packaging release is strictly limited to 100
> signed and numbered units. This cd will only be available through the
> 12k/LINE website store, 3particles.com, and my live shows. very few
> left.
>
> > AVAILABLE NOW. 12". (1.8)sec.comp  [ (1.8)sec.records, Canada ]
> Includes tracks by Richard Chartier, Tim Hecker, Mitchell Akiyama,
> Duul_Drv, Taylor Deupree, Kim Cascone, 3x3is9, Roel Meelkop each track
> ends with a lock groove. numbered edition of 500 on white vinyl. only 2
> left.
>
> > AVAILABLE NOW . CD .  Kapotte Muziek by Richard Chartier & Boca
> Raton. Korm Plastics. ongoing series using Kapotte Muziek concert as
> source material
>
> a limited number of copies of these & other releases are available via
> the ONLINE STORE http://www.3particles.com/paypal
>
>
>
> - - FUTURE RELEASES, EVENTS, ETC - -
>
> > 2CD .  Re'post'post-fabricated  [ DSP Recordings, Italy ] This 2CD
> project will have the reformed/remastered Post-Fabricated CD
> (originally issued on CDR on Dutch label Microwave in 1999 as an
> edition of 222). I was never happy with the sound quality of the final
> master due to the engineer and my analog recording limitations at the
> time. This is an odd recording for me, which you could say is my most
> "pop" release in its quirky rhythmic elements. The second CD is
> remixes/reworkings from the original files by Frank Bretschneider, COH,
> Taylor Deupree, Freiband, Goem, Alva Noto, Byetone, Sogar, SND, Asmus
> Tietchens, Vend, Matmos, Steve Roden, and myself.
> http://www.dsprecs.com. also there will be two extra MP3 of mixes by
> Taylor Deupree and Goem not on the cd that will be available on the DSP
> website. MAY 2005
>
> > CD .  35 Mutant Seconds: based on Rafael Toral?s Creamy Burst.  [
> Grain of Sound, Portugal ] features reworks using a Toral guitar piece
> from 1991 as source material. My piece was selected from a series of 3
> improvisations. other artists include: Pita, Fonica, Sawako, John
> Kannenberg, Stapletape and Allto. delayed MAY 2005.
> http://www.grainofsound.com
>
> > LP + CD . Retrieval 1-2 + Retrieval 1-5  [ ERS, The Netherlands ].
> This will be two works that were created at my artist residency at the
> Music Research Centre @ York University, UK. based on soundfiles and
> loops of mine from 1990-1993.  the CD will include an extended
> reworking of "Retrieval 3" + 2 additional retrieval pieces.
> http://radiantslab.com/ers  SPRING 2005.
>
> > CD . Placode [ n160, Japan ] This elaborately aluminum packaged cd
> compilation curated by Nibo [ LINE/Raster-Noton] will contain the piece
> "retrieval#3(for placodes). artists on this compilation: Carsten
> Nicolai, Christophe Charles, Frank Bretschneider, Nibo, Byetone,
> Richard Chartier, Sachiko.M, Sogar, Steve Roden, Taylor Deupree, and
> Otomo Yoshihide. http://www.n160.com. DELAYED 2005
>
> > CD . Incidence  [ Raster-Noton. Germany ] Summer 2005
>
> > EXHIBIT + LIVE .  Leeraum  group sound installation @ PROGR-Zentrum
> f?r Kulturproduktion ( 5.1 surround sound installation ) [ Bern,
> Switzerland ] Fall 2005  http://www.progr.ch
>
> > EXHIBIT .  Opening Cocyxx  @ die Schachtel ( 5.1 surroung sound and
> chemi-luminescent installation with Evelina Domnitch & Dmitry Gelfand)
> [ Milan, Italy ] Fall 2005
>
> > EXHIBIT + LIVE .  Of Surfaces2  @ PROGR-Zentrum f?r Kulturproduktion
> ( 5.1 surround sound installation ) [ Bern, Switzerland ] Fall 2005
> http://www.progr.ch
>
> > CD . Mort Aux Vaches with Taylor Deupree [ VPRO, Amsterdam ] 2005.
>
> > BOOK . "On the surface of silence: reticence in the music of Richard
> Chartier" by Will Montgomery in BLOCKS OF CONSCIOUSNESS AND THE
> UNBROKEN CONTINUUM. a really great indepth study of my work. Publisher:
> Sound 323. Editors: Brian Marley+Mark Wastell. DELAYED SPRING 2005.
>
> > LIVE . currently scheduling performances for germany...
> -------------- next part --------------
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>
> ------------------------------
>
> Message: 2
> Date: Tue, 5 Apr 2005 22:22:20 -0700
> From: Kim Cascone <kim at anechoicmedia.com>
> Subject: [Microsound-announce] [ot] computer-aid
> To: microsound-announce at microsound.nexthop.net
> Message-ID: <96ac60a47da5d05e40e5dfa2c59d309d at anechoicmedia.com>
> Content-Type: text/plain; charset=US-ASCII; format=flowed
>
> here is an org based in the UK who accepts old PC's for redistribution
> to poor countries...
> http://www.computer-aid.org/inddonations.htm
>
> donation specs are here:
> http://www.computer-aid.org/donationspecs.htm
>
>
>
> ------------------------------
>
> Message: 3
> Date: Wed, 06 Apr 2005 12:36:20 +0100
> From: Thanos Chrysakis <azimuths at freenet.co.uk>
> Subject: [Microsound-announce] <Complexit ?s> at the Ch?teau de
> Linardi?, S? nouillac -France
> To: <microsound-announce at microsound.nexthop.net>
> Message-ID: <BE798843.6BC6%azimuths at freenet.co.uk>
> Content-Type: text/plain; charset="windows-1254"
>
> Hi (micro-announcement) list,
>
>
> in case that you' re around the Midi Pyr?n?es area
> in South of France...
>
> I've realized the music for Pascal Dombis'
> interactive installation "SpamScape" as part of
> the exhibition <Complexit?s> at the Ch?teau de Linardie,
> S?nouilac-France, from April 3 through May 8, 2005.
>
> http://pourinfos.org/expositions/item.php?id=1245
>
> Best,
> Thanos
>
>
>
> ------------------------------
>
> Message: 4
> Date: Wed, 06 Apr 2005 21:51:44 +0200
> From: derek holzer <derek at x-i.net>
> Subject: [Microsound-announce] MUTE article on PD + free software
> To: microsound-announce at microsound.nexthop.net
> Message-ID: <42543DD0.2000804 at x-i.net>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
>
> Give It All, Zero For Rules! by Mattin
>
> http://linkme2.net/3s
>
> On the 13-14th of December 2004 Mute hosted a Pure Data workshop in East
> London. Musician and PD abuser Mattin gives a breakdown of the themes of
> the workshop, surveys some artists and artists groups using PD, and
> scrutinises the relationship of free software to 'free', experimental
> and improvised music.
>
> quotes:
>
> 'I used a lot of cracked commercial software for a lot of years when
> doing sound and I always got a couple of feelings out of it. One feeling
> was that you get these fancy programs with these fancy user interfaces,
> but at the end the more they have created this environment that's very
> easy for you to use, the more they've actually determined the kind of
> work you can make with it. If you look at a program like Ableton Live
> which is used by probably about eighty percent of people making sound
> and performing out live these days, it seems like. It's good for a very
> few things, it's good for working with loops, putting effects on these
> loops and sequencing them, but it pushes you in one creative direction,
> it pushes you into making a certain kind of music, really it pushes you
> towards German techno more than anything else.' Derek Holzer
>
> 'I smashed a G4 laptop computer one time.' Jason Forrest (aka Donna 
> Summer)
>
> http://linkme2.net/3s
>
>
> -- 
> derek holzer ::: http://www.umatic.nl
> ---Oblique Strategy # 92:
> "Intentions
> -credibility of
> -nobility of
> -humility of"
>
>
>
>
> ------------------------------
>
> Message: 5
> Date: Thu, 07 Apr 2005 12:44:13 +0200
> From: derek holzer <derek at x-i.net>
> Subject: [Microsound-announce] Soundscape-FM live on Radiodays
> To: microsound-announce at microsound.nexthop.net
> Message-ID: <42550EFD.9080206 at x-i.net>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
>
> Sound-Transit (Live)
> Derek Holzer & Sara Kolster
> http://www.soundscape-fm.net
> Friday April 08 2005 20:00-20:45 GMT +1
>
> The world is full of sounds hidden just under the threshold of
> preception. Soundscape-FM is a collaborative, online community dedicated
> to collecting and archiving some of these sounds. For this broadcast
> performance, Derek Holzer and Sara Kolster will present a selection of
> these recordings as a sonic transit around the world, from Holland to
> the Baltics, onwards through India and Southeast Asia to North America
> and accross the Atlantic back home. In-studio and online guests will
> also be able to view descriptions and additional information about the
> sounds provided by the various artists.
>
> Radiodays can be heard at 107.4 FM in the city of Amsterdam, or drop by
> the studio at De Appel, Nieuwe Spiegelstraat 10!
>
> The live MP3 stream is available at:
>
> http://www.radiodays.org/
>
> And an archive of the broadcast will be available aftre the broadcast as
> well.
>
> Radiodays is being broadcast from De Appel:
>
> De Appel
> Nieuwe Spiegelstraat 10
> 1017 DE Amsterdam
> t 020 6255651
> f 020 6225215
> info at deappel.nl
> http://www.deappel.nl
>
>
> -- 
> derek holzer ::: http://www.umatic.nl
> ---Oblique Strategy # 192:
> "Your mistake was a hidden intention"
>
>
> ------------------------------
>
> Message: 6
> Date: Thu, 7 Apr 2005 13:22:17 -0400
> From: Mike Hansen <mikehansen at sympatico.ca>
> Subject: [Microsound-announce] CKLN FM's Whynot Jazz playlist for
> March 23 , 2005
> To: microsound-announce at microsound.nexthop.net
> Message-ID: <9738F95E-A789-11D9-A73C-003065F9B470 at sympatico.ca>
> Content-Type: text/plain; charset=US-ASCII; format=flowed
>
>
>>
>> Dear Artist and Label
>>
>> Welcome to the radio program Whynot Jazz on Toronto's CKLN FM 88.1.
>> Heard Every Wednesday Morning from 7am-11am est, 1pm thru most of
>> Europe and noon in the UK. Available around the world at:
>>
>> www.ckln.fm
>>
>> Here is the playlist from the last Whynot Jazz Program. Please note
>> that radio program, hosted by Mike Hansen, takes an outside
>> examination of new improvised and jazz musics. Whynotjazz is one of
>> the very few voices for progessive new music heard in Toronto or
>> around the world.
>>
>> Why Not?
>> 2005/03/23
>>
>>
>> Artist
>> Song Title
>> Album Title
>> Label
>>
>>
>> Thomas Lehn/Paul Lovens
>> Acthung part2
>> Acthung
>> Grob
>>
>>
>>
>> Fred Lonberg-Holm Trio
>> Arnold Layne
>> Others Valentines
>> Atavistic
>>
>>
>>
>> Sawtooth
>> Space Freight
>> Celluloid Dreams
>> Incidental
>>
>>
>>
>> C.Burns/J.Butcher/etc
>> Geiger Release
>> Freedom of the City -Small Groups 2004
>> Emanem
>>
>>
>>
>> Thollem/Rivera
>> Simplicity
>> Spontaneously #11
>> Everything's Going Everywhere
>> Edgetone Records
>>
>>
>>
>> Paul Newman's Open House
>> Symmetry
>> part 3
>> independent
>> *
>>
>>
>>
>> Kyle Bruckmann's Wrack
>> Extenuating Circumstances
>> Wrack
>> Red Toucan
>>
>>
>>
>> Janek Schaefer/Philip Jeck
>> Lullaby Duel
>> Songs for Europe
>> AudiOh! Recordings
>>
>>
>>
>> Fennesz/Sachiko M/Yoshihide/Rehberg
>> Amplify 2004
>> Fennesz/Sachiko M/Yoshihide/Rehberg
>> Erstwhile Records
>>
>>
>>
>> Zavoloka
>> Cold Water Flowing
>> Plavyna
>> Nexsound.org
>>
>>
>>
>> Methuselah
>> Happy Trails
>> Hula Themes
>> Feastyourears.com
>> *
>>
>>
>>
>> Ned Rothenberg's Sync
>> One-Oh-Nine
>> Harbinger
>> Animul
>>
>>
>>
>> Sean Meehan
>> Piece 1:it, Piece 2:evil
>> Just Drums 2 Project
>> Fever Pitch
>>
>>
>>
>> Rob Clutton
>> Musicians and Animals
>> Dubious Pleasures
>> Rat-Drifting
>> *
>>
>>
>> Fred Longberg-Holm Trio
>> Jesus etc
>> Other Valentines
>> Atavistic
>>
>>
>>
>> Mimeo
>> CD 2 Track 6
>> Lifting Concrete Lightly
>> Serpentine Gallery
>>
>>
>>
>> Gunter muller/Jason Kahn
>> Third Blink
>> Blinks
>> For4ears Records
>>
>>
>>
>> Fred Longberg-Holm
>> Dialog 5
>> Dialogs
>> Emanem
>>
>>
>>
>> Terry Adams/Marshall Allen
>> Wrong Gasket
>> Ten by Two
>> Edisun
>>
>>
>>
>> Runzelstirn/Gurgelstock
>> for Piano and
>> ShotgunAsshole/Snail Dilema
>>
>>
>>
>>
>> Miriodor
>> Trans-Siberian
>> 3rd Advertisment
>> Cuneiform
>> *
>>
>>
>>
>>
>>
>>
>> * denotes Canadian Content
>>
>>
>> Your support is necessary in keeping this voice for the music current.
>> Please feel free to forward music to the address below. Thanks again
>> for your support. Keep Listening
>>
>>
>> Thanks
>> Mike
>>
>>
>> Mike Hansen
>> CKLN FM 88.1
>> Whynot Jazz Program
>> 79 Benson Ave.
>> Toronto,On
>> Canada
>> M6G 2H7
>> whynotjazz at hotmail.com
>>
>
>
>
> ------------------------------
>
> Message: 7
> Date: Sun, 10 Apr 2005 06:00:52 +0100
> From: paulo raposo||sirr <sirr-ecords at sirr-ecords.com>
> Subject: [Microsound-announce] Paulo Raposo[]news 04+05 2005
> To: <improvised_music at yahoogroups.com>, annonces Wire
> <thewire-announcements at yahoogroups.com>,
> <microsound-announce at microsound.nexthop.net>
> Message-ID: <BE7E7194.14E18%sirr-ecords at sirr-ecords.com>
> Content-Type: text/plain; charset="ISO-8859-1"
>
> Paulo Raposo[]news 04+05 2005
>
>
> hello everyone,
> Some spring news regarding events and releases.
>
> I am pleased to announce the following new pieces:
>
> +. Untitled: audio piece in "Untitled Songs: On The 49th anniversary of
> Stockhausen's Gesang Der Jungelinge" [featuring more than 20 artists]
> -. CD Sirr: http://www.sirr-ecords.com [delayed to may]
>
> +. Verbatim: audio piece in "Essays on radio: Can I Have 2m of your time?"
> -. CD Cr?nica: http://www.cronicaelectronica.org [may]
>
> +. Verbatim: video piece in "Essays on radio: Can I Have 2m of your time?"
> -. DVD Cr?nica: http://www.cronicaelectronica.org [may]
>
>
> And the new upcoming events:
>
> 11-27.04
> Moks, Mooste, Estonia
> Artistic residence + performance
> http://mooste.ee/mogs/
>
> 28.04
> Solo performance
> Sonorities festival, Belfast, N. Ireland
> http://www.qub.ac.uk/sonorities/
>
> 11.05
> Pablo Coello + Paulo Raposo
> Sala nasa, Spain
> http://www.salanasa.com
>
> 20.05
> Paulo Raposo + John grzinisch
> Serralves Foundation, Porto
> http://www.salanasa.com
>
> 28.05
> Solo performance
> BRG, Braga, Portugal
>
>
>
> ||||||||sirr at sirr-ecords.com
> |http://www.sirr-ecords.com
>
>
>
>
> ------------------------------
>
> Message: 8
> Date: Mon, 11 Apr 2005 12:01:33 -0400
> From: bruce tovsky <bruce at skeletonhome.com>
> Subject: [Microsound-announce] [ANN] Tonic show tonite
> To: microsound-announce at microsound.nexthop.net
> Message-ID: <ed7d26770545b54f13140e87d248b1ac at skeletonhome.com>
> Content-Type: text/plain; charset="us-ascii"
>
> ||||| |  | |||| | | ||||| | || | | |||||| | || | | | ||||||||| | | ||||
> | ||||| | || ||| | ||||| | |||||| | || | || ||| | || | ||
> |  | |||| | | ||||| | || | | |||||| | || | | | ||||||||| | | |||| |
> ||||| | || ||| | ||||| | |||||| | || | || ||| ||| | |||| || |
>
> TONIGHT
>
> TONIC  /  April 11th @ 9pm (note time change)
>
> Erik Sanko
>
> Erik Sanko (vocals/guitar)
> Andy Green (guitar/vocals/omnichord)
> Garo Yellin (cello)
> Bruce Tovsky (loops/processing/cracklebox)
>
> Erik Sanko is the leading light in the much admired Skeleton Key
> and was a member of John Lurie's Lounge Lizards for over 15 years.
> He also helps out such luminaries as Yoko Ono, Jim Carroll and John
> Cale from time to time. Rumour has it that he has also been seen
> playing with the newly reformed Contortions.
> Sounding like the journals of an alchemist set to the music of your
> grandmother's broken pump organ, Sanko fashions oddly compelling
> songs from mangled melody and ragged scraps of rhyme.
>
> TONIC is located at 107 Norfolk Street, between Delancy and Rivington,
> in Manhattan's Lower East Side.
>
>
> ||||| |  | |||| | | ||||| | || | | |||||| | || | | | ||||||||| | | ||||
> | ||||| | || ||| | ||||| | |||||| | || | ||| || | | ||| || |
>
> bruce tovsky
> www.skeletonhome.com
> -------------- next part --------------
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> ------------------------------
>
> _______________________________________________
> Microsound-announce mailing list
> Microsound-announce at microsound.nexthop.net
> http://or8.net/mailman/listinfo/microsound-announce
>
>
> End of Microsound-announce Digest, Vol 1, Issue 4
> ************************************************* 



From murmer at talk21.com  Mon Apr 11 16:26:30 2005
From: murmer at talk21.com (. m u r m e r .)
Date: Mon, 11 Apr 2005 21:26:30 +0100
Subject: [Microsound-announce] [playlist] framework - 08.04.05
Message-ID: <02f601c53ed4$bee00b30$0302a8c0@murmer>

framework broadcasts live every friday (except the first one of each month) on resonance104.4fm  in london (uk) or worldwide on http://www.resonancefm.com between 8:30 and 9:30pm bst, and is repeated the following wednesday between 11:00am and 12:00 noon bst

next live broadcast: 15.04.05
~ time zone converter: http://www.thesaturnv.com/converter.html


RESONANCE FM'S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE HELP US TO CONTINUE BY MAKING A DONATION.  CHECK OUT OUR WEBSITE TO FIND OUT HOW YOU CAN HELP KEEP RESONANCE ON THE AIR: HTTP://WWW.RESONANCEFM.COM.  THANK YOU!

 

--------------------------------------------------------------------------------


framework - phonography/field recording; contextual and decontextualized sound activity
presented by patrick mcginley

we sampled almost exclusively unreleased submissions it this edition, both from new artists and old favorites.  we began the show with a 20 minute mix of sounds from an installation piece commissioned by fact (the foundation for art and creative technology, liverpool: http://www.fact.co.uk) and created by chris watson.  with the help of local residents, chris created two soundscapes, composed from sounds recorded in the city of liverpool, and in nearby sefton park, respectively.  the two soundscapes are broadcast on two separate cable television channels in a single towerblock overlooking the city and the park, so residents can switch between the two while looking at their places of origin from their windows.   fact was kind enough to invite me down to experience the installation in the home of one of the residents, and also gave me copies of the two soundscapes in order that i be able to share them with you, dear listeners...

we also explored submissions by two new artists to framework, who each sent entire discs of submission, so we should be hearing more from them soon: we heard two raw but creatively executed field recordings from australia's anthony magen (anthonym) and two delicately composed offerings from france's emmanuel mieville.  all of this unreleased material was joined by a single new release on colin potter's icr label, the sublime echoings of long heat, the new collaboration by jonathan coleclough and lethe.  we heard samples both from the main disc and the limited edition second disc (long heat second part) that comes with the first 250 copies.

again, we are always looking for material for the show, whether raw field recordings, field recording based composition or introduction submissions.  send material, released or not, on any format, to the address below.   we are also hoping to have live performances as often as possible, so if you are in or passing through london please get in touch! 


framework
31 nevill road
london n16 8sl
uk

framework at talk21.com

 

--------------------------------------------------------------------------------



08.04.05

this edition will be rebroadcast this wednesday, 13.04.05, at 11:00am bst 

(artist  /  title  /  album  /  label)

marcus lynch  /  framework intro
a distant, metallic intro - recorded, perhaps through resonating metal or glass?
http://www.cems.uwe.ac.uk/~mlynch/index.html

chris watson  /  park  /  a winter's tale  /  -
a compressed day in the life in liverpool's sefton park...
http://www.chriswatson.net, http://www.tenantspin.org

chris watson  /  city  /  a winter's tale  /  -
...and it neighboring cityscape in this tenantspin project
http://www.chriswatson.net, http://www.tenantspin.org

emmanuel mieville  /  herbal dripping  /  flutter soundscapes  /  -
contrasting rain and elemental rumbling - perhaps the groaning of a train on its tracks?
http://emieville.free.fr

anthonym  /  shorum seaweed  /  -  /  -
'shorum us a small pacific ocean beachside village a couple hundred km east of melbourne - i sat in a 1.5m high pile of seaweed and recorded'
anthony at urbaninitiatives.com.au 

jonathan coleclough & lethe  /  long heat  /  long heat  /  icr
coleclough trademark rumbles coupled with the site-specific echoes of empty spaces
http://www.minya98.freeserve.co.uk, http://www.lethe-voice.com/kk, http://www.icrdistribution.com

emmanuel mieville  /  le cavalier king charles  /  flutter soundscapes  /  -
seascape, choruses of screeching birds, distant hooves and the telltale sign of humanity...
http://emieville.free.fr

anthonym  /  bankers lamp study ___ 3, 4, 5, 6  /  -  /  -
'contact mic recording of touch lamp... electricity!'
anthony at urbaninitiatives.com.au 

jonathan coleclough & lethe  /  long heat second part  /  long heat  /  icr
rumbles make way for more harmonic tones and we zoom in on the contents of those empty spaces in this excellent second part
http://www.minya98.freeserve.co.uk, http://www.lethe-voice.com/kk, http://www.icrdistribution.com



--------------------------------------------------------------------------------



framework intro submissions:

1)    take yourself and an audio recording device to a location of your choice
2)    record for AT LEAST 1 minute before you -
3)    read the following text:

welcome to framework.

framework is a show consecrated to field recording, and it's use in composition.
field recording, phonography, the art of sound-hunting; open your ears and listen!

4)    continue your recording for AT LEAST 2 minutes after you've finish speaking
5)    send the recording on any format to the address above, or as an mp3 via email

thanks!



--------------------------------------------------------------------------------



the framework 2003 cd has been reprinted and is now once again available directly from the resonancefm online shop, along with a selection of other benefit cds, t-shirts, and general paraphernalia.  drop in here to have a look:

http://www.resonancefm.com/shop.php


framework 2003
resonancefm benefit cd featuring highlights from the year's broadcasting

rob grant & melanie clifford  /  framework intro
thomas dimuzio  /  unearth & lift and spear  /  sonicism  /  rrrecords
chris watson  /  river mara at night   /  stepping into the dark  /  touch
johannes helden / - / sketchbook / trente oiseaux
toy bizarre  /  -  /  kdi dctb 116  /  absurd
murmer  /  liquid solid  /  definition  /  absurd
jgrzinich & seth nehil  /  the distant edge  /  confluence  /  intransitive
seth nehil & jgrzinich  /  the mirrored corner  /  stria  /  erewhon
annette lissauer  /  framework intro
toby paddock  /  air, surface and magnetic vibrations  /  -  /  -
steve roden  /  -  /  resonant cities  /  trente oiseaux
francisco lopez  /  untitled #101  /  untitled (2000)  /  ignis projekt
mnortham  /  ancient sewer pipe, valletta, malta  /  phonography.org 5  /  phonography.org
the quiet american  /  donkey trains leaving marpha, nepal  /  phonography.org 4  /  phonography.org
steve barsotti  /  trainyard presence  /  phonography.org 5  /  phonography.org
k. m. krebs  /  jericho sailing center (nautical gamelan)  /  phonography.org 4  /  phonography.org
david daniell  /  highway 371, forty miles south of farmington, january 19, 1998, 2:25 pm  /  sem  /  antiopic
joyce hinterding  /  -  /  spectral  /  antiopic/sigma editions
david daniell  /  dixon lake road, july 31, 1999, 5:45 am  /  sem  /  antiopic
tacet ncv  /  live on framework
jean-luc guionnet & bertrand denzler  /  live on framework
dallas simpson  /  framework intro
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From kim at anechoicmedia.com  Mon Apr 11 16:51:06 2005
From: kim at anechoicmedia.com (Kim Cascone)
Date: Mon, 11 Apr 2005 13:51:06 -0700
Subject: [Microsound-announce] migration
Message-ID: <a56f2d26337b064574fd07766d041547@anechoicmedia.com>

I just wanted to say thank you to all who made the effort to migrate 
all their announcements to the new microsound-announce list...I know 
some people found this to be somewhat difficult but it seems like the 
split has rekindled some of the old philosophical spirit we used to 
have on the list...
anyway, I also wanted to thank John Saylor again for his efforts at 
making the difficult seem easy and dedicating his valuable time (and 
server space) to the microsound community...
cheers!
KIM



From yves_tk at gmx.net  Mon Apr 11 18:46:33 2005
From: yves_tk at gmx.net (Yves@GMX)
Date: Tue, 12 Apr 2005 00:46:33 +0200
Subject: [Microsound-announce] von donnersperg/schalinski live!
Message-ID: <OKEKJJALPLHCGDKBOCMJGEMKFNAA.yves_tk@gmx.net>

for those in germany of interest perhaps...

aufabwegen presents

geraeuschwelten XXII

16.04.2005, 20.00h

DITTERICH VON EULER-DONNERSPERG
(Walter Ullbricht Schallfolien/Hamburg)
&

ROBERT SCHALINSKI
(Column One/Berlin)

Dada-poetry meets post-industrial-sound manipualtion meets cut up screenings

live @
cuba
Achtermannstr. 12
48143 muenster
http://www.geraeuschwelten.de
http://www.cuba-cultur.de


and the day before in cologne:

15.04.2005, 20.00h

DITTERICH VON EULER-DONNERSPERG
(Walter Ullbricht Schallfolien/Hamburg)
&

ROBERT SCHALINSKI
(Column One/Berlin)

live @
kulturbunker muelheim, berliner str. 20, 51063 koeln
http://www.kulturbunker-muelheim.de


see you there!

-----------------
a u f a b w e g en
magazine - label - mailorder
p.o.box 100152
50441 cologne
germany
fax.: 0221-2720056
http://www.aufabwegen.com



From mail at sergioluque.com  Mon Apr 11 18:46:51 2005
From: mail at sergioluque.com (Sergio Luque)
Date: Mon, 11 Apr 2005 17:46:51 -0500
Subject: [Microsound-announce] SuperCollider Server Course in Mexico City
Message-ID: <9816BD7E-AADB-11D9-82BE-000393053F38@sergioluque.com>

Hi!,

Next week I'll be giving a 20 hour long SuperCollider Server course in 
Mexico City, as part of the new music festival "Radar".


For more information (in spanish), please go to:

http://www.sergioluque.com/sc/

http://www.estacionradar.com


Or send me an email.



Best,
--
Sergio Luque
http://www.sergioluque.com



From gintaskr at takas.lt  Tue Apr 12 11:52:55 2005
From: gintaskr at takas.lt (gintas k)
Date: Tue, 12 Apr 2005 08:52:55 -0700
Subject: [Microsound-announce] JAUNA MUZIKA 2005
Message-ID: <002c01c53f77$b16f80e0$b729fea9@lab0106>

Lithuania , Vilnius 17-23  April
Festival JAUNA MUZIKA 2005 
http://www.mic.lt/

17 April, Sunday, 7 p.m. 
Contemporary Art Centre 
The Vegetable Orchestra (Austria) 

18 April, Monday, 7 p.m. 
Contemporary Art Centre 
Lithuanian e-music premieres 
Luca Pavan, Donatas Prusevicius, Ramunas Motiekaitis, Zibuokle Martinaityte, Marius Baranauskas 

19 April, Tuesday, 7 p.m. 
Contemporary Art Centre 
Alva Noto (Germany) 

20 April, Wednesday, 9 p.m. 
INTRO: Club 
Arturas Bumsteinas - Antanas Kucinskas 
Collective mix project MIXTHEMIXTHEMIX 
(ad_OS, audio_z, Gintas K, Rising Spirit, Lys, Egidija Medeksaite, PB8, Dj Gana)

21 April, Thursday, 7 p.m. 
Tolerance Centre 
Anne Wellmer (Holland) 
eRikm (France) 

22 April, Friday, 7 p.m. 
Tolerance Centre 
Lithuanian multimedia premieres 
True Rosaschi, Antanas Jasenka, Vytautas V. Jurgutis, Vytautas Germanavicius 

23 April, Saturday, 7 p.m. 
Contemporary Art Centre 
Ryoji Ikeda (Japan) 

23 April, Saturday, 9 p.m. 
Pro-Test Lab @ Cinema "Lietuva" 
Nomeda & Gediminas Urbonas / Linas Rimsa 
Transaction Djembe Party 
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From kim at anechoicmedia.com  Tue Apr 12 10:31:17 2005
From: kim at anechoicmedia.com (Kim Cascone)
Date: Tue, 12 Apr 2005 07:31:17 -0700
Subject: [Microsound-announce] cd's available
Message-ID: <7f858efd5b65ab56e2aa6a6e743ea697@anechoicmedia.com>

two of my collaborative CD's

'Rondo/9Phases/Blowback' by Merzbow/Cascone
on SubRosa

and

'Cascone/Kahn/Steinbruchel' (self-titled)
on ATAK

are now available thru CDBaby
check the website towards the end of the week
www.cdbaby.com



From johns at or8.net  Tue Apr 12 12:11:05 2005
From: johns at or8.net (johns at or8.net)
Date: Tue, 12 Apr 2005 12:11:05 -0400 (EDT)
Subject: [Microsound-announce] Re: microsound-announce
In-Reply-To: <BAY17-F2001486725DF61D3823D739C320@phx.gbl>
References: <a56f2d26337b064574fd07766d041547@anechoicmedia.com>
	<BAY17-F2001486725DF61D3823D739C320@phx.gbl>
Message-ID: <25252.67.106.155.244.1113322265.squirrel@or8.net>

hi

On Mon, April 11, 2005 5:12 pm, under the radar said:
> Is there a subscription process for the announce list?

http://microsound.nexthop.net/mailman/listinfo/microsound-announce

-- 
\js  [ http://or8.net/~johns ]



From bwildered at comcast.net  Tue Apr 12 22:40:06 2005
From: bwildered at comcast.net (bwildered at comcast.net)
Date: Tue, 12 Apr 2005 22:40:06 -0400
Subject: [Microsound-announce] makruzownduh show flint,
	mi friday april 15 wolf eyes, special guest: pbk
Message-ID: <000201c53fd2$88dd1740$6401a8c0@sothfd01.mi.comcast.net>

wolf eyes 
8-bit porno
the genders (detroit)
realicide (cincinnati)
de_fenestra*
girl scout hand grenade
taliban (kalamazoo)
the extractor
mike taylor (dekalb, il)

-doors at 6pm sharp-
$5
all ages
buckham alley theatre
512 buckham alley in downtown flint.

*phillip b. klinger, better known as pbk, will be sitting in with de_fenestra on friday...
http://pbksound.com/
http://white-rose.net/defenestra 

the animal snatches the whip from its master and whips itself so as to become master, and does not know that all this is only a fantasy caused by a new knot in the master's whiplash
~kafka 
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From info at seasonalbk.net  Tue Apr 12 22:53:09 2005
From: info at seasonalbk.net (Ben)
Date: Tue, 12 Apr 2005 22:53:09 -0400
Subject: [Microsound-announce] now streaming + addenda + king Collision
	performance NY usa
Message-ID: <a6656c04cf6cf346c4afcf756c74ba06@seasonalbk.net>

several things happening of note
radio streaming now in progress 9pm - 11:30 pm est
april addenda : psi
king collision april 19 8pm performance

best wishes and happy spring,
ben



-   -   -   -   -   -   -
radio home listening

now streaming until 11:30pm est
now playing guest recordings from Billy Gomberg
mpld live 11:00 pm

http://www.seasonalbk.net/radio/

place this url in your mp3 player - "open stream"
http://70.19.52.240:8000/playlist.pls
in itunes - menu bar - advanced/ open stream

-   -   -   -   -

addenda   april 2005
psi / pee-ess-eye
http://www.seasonalbk.net/_addenda/_/05april/

live excerpt from The Cave Switzerland.

-   -   -   -

king collision presents

april 19  8pm  BPM brooklyn
Dave Gross / Nick Hennies / Mike Bullock / Tucker Dulin
Wrasses
Seth Nehil

http://www.seasonalbk.net/kingcollision/calendar/


-   -   -




www.seasonalbk.net
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From hidari at gmx.net  Wed Apr 13 05:02:27 2005
From: hidari at gmx.net (th_ost)
Date: Wed, 13 Apr 2005 11:02:27 +0200
Subject: [Microsound-announce] Vienna Thursday 1404 Noisecamp ekh soli
In-Reply-To: <a6656c04cf6cf346c4afcf756c74ba06@seasonalbk.net>
Message-ID: <000001c54007$874bd5d0$3148fea9@administratur>

 
 
Thursday Vienna: 14.04. @ rhiz: "Noisecamp-Ekh-Soli"
 
[Ambient-Noise-Industrial-Abstract Beats-IDM]
 
 <http://www.1bomb1target.org> 1BOMB>1TARGET
 <http://www.feedthemachine.org> STRANG
 <http://www.estonji.com> E.STONJI
 <http://www.tomoroh.com> TOMOROH HIDARI
 <http://cccp.at/terminal/sonic/c2a> CALAMARY AUTOPSY
 <http://www.kanalattacke.org/sw%7Em> SHORTWAVE MASSACRE
FI EINHEIT
 
 
start: 22.00
Entry: 5E.-

 <http://www.rhiz.org> http://www.rhiz.org
 
 
 
 
?~?
Beyond Good, Evil, AND Nietzsche...
 
 <http://www.tomoroh.com/> http://www.tomoroh.com/
>Music for Connoisseurs<
~?~
 
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From info at noisejihad.dk  Thu Apr 14 12:28:04 2005
From: info at noisejihad.dk (Noisejihad)
Date: Thu, 14 Apr 2005 17:28:04 +0100
Subject: [Microsound-announce] Noisejihad this weekend!
Message-ID: <015201c5410e$eee54e80$c9246b3e@kfi>

Friday 15/4 Noisejihad proudly presents Zbigniew Karkowski (pl) and Fl/ex'0 (no) at Splab/DJK, Aarhus Denmark.
Doors: 21.06 entrance 50 kr. more info: www.noisejihad.dk
expect the 4th noisejihad netlabel release with said artists some time next week.

have a splendid weekend.
regards
Noisejihad
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII
Now: Electrical Bonding on Desolation House >>> www.desolationhouse.com
key to knowledge on danish noise >>> www.noisejihad.dk
art >>> www.ideations.dk
www.waldchengarten.dk
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From info at seasonalbk.net  Thu Apr 14 18:54:32 2005
From: info at seasonalbk.net (Ben)
Date: Thu, 14 Apr 2005 18:54:32 -0400
Subject: [Microsound-announce] NYC Interactive Media Culture Expo
Message-ID: <ca90475424043a93afb326b700308c94@seasonalbk.net>


a fancy name, but information not to miss
http://imcexpo.net/

held at the Chelsea Museum NYC in partner with The New Museum Of 
Contemporary Art



   [ FW from Paul D. Miller ]

-  -  -  -  -  -  -  -  -
-  -  -  -  -  -  -  -  -

Fri April 15  6:30 - 9:30 pm

Come by!
Rhythm Science by Paul D. Miller (MIT Press) - the book!

the website: www.rhythmscience.com


Rhythm Science:
Panel Participants


Hank Shocklee - Producer of Public Enemy
Kodwo Eshun - theoretician, author "More Brilliant than the Sun"
(with Anjali Sagar)
Christoph Cox - writer, editor of "Audio Culture"
Catherine Corman - author, Film-maker
Siva Vaidynathan - Author of "Copyrights, Copywrongs" and "The
Anarchist in the Library"
Daniel Bernard Roumain - composer
Colin Mutchler - Director, www.freeculture.org

http://www.imcexpo.net/paulmiller.htm

Keywords: Hip-hop, house, techno, jungle, ambient, noise, Sampling, Dj
Culture, Eduoard Glissant - "creolization" as applied to digital media.
Collage, Dematerialization of the art-object, archeaology of code,
sequence, prosthetic realism, multi-culturalism, polyculturalism,
transculturalism etc


I'd recommend coming early, because the spot will be crazy packed...


A series of axioms, moment/scripts. Ideological frameworks for
translation frames. Operating systems for Contemporary Multimedia Art

Sequence begins:


Script:

Action 1:
The situation is critical. Layers of memory are the foundation for
information exchange between generations. This is the forum: As
different operating systems come and go, the ability to read between  
eras
based on code diminishes. This leads to the archival impulse -  memory
filtered through the machinery of culture. An archeology of  vernacular
modes: Y2k etc etc - abbreviations based on limited memory  space become
obsolete as the price of memory decreases. All languages  of software 
and
operating systems become tied to their specific eras.


Action 2:
When memory no longer is based on physical space, and the capacity of
20th century physical devices hard-drives etc), the realm of wireless
imagination becomes the enframing linguistic space of the 21st
century.


Action 3:
Move into the frame




www.seasonalbk.net
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From cyrk at hotmail.co.uk  Fri Apr 15 09:41:35 2005
From: cyrk at hotmail.co.uk (cyrk. admin.)
Date: Fri, 15 Apr 2005 14:41:35 +0100
Subject: [Microsound-announce] ::cyrk::19.04.05::
In-Reply-To: <mailman.78.1113564438.6189.microsound-announce@microsound.nexthop.net>
Message-ID: <BAY1-F1222D97B4631DB667FC5DF91360@phx.gbl>

CYRK.
-------------------------------------------------------------------------------------

SLUB -

Slub sound emerges from slub software; melodic and chordal studies, 
generative experiments and beat processes.
process-based sonic improvisations; live generative music using hand-crafted 
Macintosh and Unix applications (in networked synchrony). With roots in UK 
electronica and tech culture, slub build their own software environments for 
creating music in realtime. Only custom composition and DSP software is 
used. Everything you hear is formed by human minds.

Slub have performed throughout Europe and the U.K and have released their 
music through the fals.ch mp3 label - http://fals.ch/f4ls_02/d!_mAIx.php. 
8bitrecs - http://8bitrecs.com/ and fallt - http://www.fallt.com/

For CYRK, slub will be presenting a live audio/visual performance.

http://www.slub.org/

-------------------------------------------------------------------------------------

COUNT (cyrk) -

Hand made modular synthesis, purring broken techno, gaussian drones, 
arpeggiated arrhythms, next generation computer music, live 
sound-organization.

For CYRK, Edinburgh based artist Count will perform using self built live 
audio processing software.

-------------------------------------------------------------------------------------

MATTHEW ABREY -

Microtonal drones, phase interference & ?70s bicycles.

>From a background in cassette tape manipulation, circuit bending, delay 
lines and feedback. Matt's work has developed and he has since used 
spectralism as a process by which to explore the basic nature of 
environmental and instrumental sound. ''Spectralism provides a means by 
which I can explore the properties of a sound source without being 
necessarily bound to its physical origin''.
Recent work has included algorithmic, generative music systems and the 
processing of instrumental sound, a digital development of his initial tape 
construction methods.

For CYRK, Matthew will perform an audio/visual performance of extended 
drones and 70's bicycle video.

http://www.sonicarts.co.uk/abrey_para.mp3

-------------------------------------------------------------------------------------

DJ WRONGSPEED (Resonance fm)

For CYRK, Dj Wrongspeed is the invited Guest DJ.

http://www.londonsoundscape.net/redzeroradio/archive_resistance.html

http://www.resonancefm.com/pflava.htm

-------------------------------------------------------------------------------------

+ CYRK DJ's

Your CYRK host and compere for the evening will be RICHARD THOMAS 
(Banality-Resonance fm)

-------------------------------------------------------------------------------------

CYRK.
Tuesday 19th April 2005. 19:30pm - 01:00am
@bardens boudoir 38-44 Stoke Newington Road,London N16
http://www.bardensbar.co.uk/

?3.?5 after 11.

info- CYRK at antisocial.com

_________________________________________________________________
Use MSN Messenger to send music and pics to your friends 
http://www.msn.co.uk/messenger



From mikehansen at sympatico.ca  Fri Apr 15 10:41:55 2005
From: mikehansen at sympatico.ca (Mike Hansen)
Date: Fri, 15 Apr 2005 10:41:55 -0400
Subject: [Microsound-announce] CKLN FM's Whynot Jazz playlist  for April 6 ,
	2005
Message-ID: <8384F195-ADBC-11D9-B2FA-003065F9B470@sympatico.ca>


]
> Dear Artist and Label
>
> Welcome to the radio program Whynot Jazz on Toronto's CKLN FM 88.1. 
> Heard Every Wednesday Morning from 7am-11am est, 1pm thru most of 
> Europe and noon in the UK. Available around the world at:
>
> www.ckln.fm
>
> Here is the playlist from the last Whynot Jazz Program. Please note 
> that radio program, hosted by Mike Hansen, takes an outside 
> examination of new improvised and jazz musics. Whynotjazz is one of 
> the very few voices for progessive new music heard in Toronto or 
> around the world.
>
> Why Not?
> 2005/04/06
>
>
> Artist
> Song Title
> Album Title
> Label
>
>
> Furt
> Sad Fantasy
> Dead or Alive
> psi
>
>
>
> Clive Bell/Sylvia Hallet
> Shrugging into Spring
> The Geographers
> Emanem
>
>
>
> Aidan Baker
> Figure #3
> Figures
> Transient Records
> *
>
>
> Barnyard Drama
> Dodo
> Memories and a List of Things to Do
> Barnyard Records
> *
>
>
> Geordie Haley/Scott Thompson/nick Fraser
> 1
> @Arraymusic Studio
> independent
> *
>
>
> Kyle Bruckmann's Wrack
> Elegy for a Boiled Frog
> Wrack
> Red Toucan
>
>
>
> Nori Tanaka/Jason Ajemian
> track 10
> The Lay All Over
> ItsLovealloverit.com
>
>
>
> Mimeo
> cd 3 Track 1
> Lifting Concrete Lightly
> Serpentine Gallery
>
>
>
> Nilan Perrera
> Bowing and Being
> Harmless Love
> independent
> *
>
>
> Cline/Parkins/RaineyRaptors
> Ash and Tabula
> Atavistic
>
>
>
> Ned Rothenberg
> T.C.(for Thomas Chapin)
> Intervals
> Animul Records
>
>
>
> Methuselah
> Hula
> Themes 2
> Hula Themes
> www.feastyourears.com/methuselah.htm
> *
>
>
> Lasse Marhaug/Kevin Drumm
> 2
> Frozen by Blizzard Winds
> Smalltown Supersound
>
>
>
> Barnyard Drama
> I Can't Hear You
> Memories and a List of Things to Do
> Barnyard Records
> *
>
>
> Capazza/Lasserre/Talbot/Baray
> Quasar
> Gravitation
> Amor Fati
>
>
>
> Barnyard Drama
> Gordon
> Memories and a List of Things to Do
> Barnyard Records
> *
>
>
> Jerry Granelli
> Like a Ghost in the Grass
> Sandhills Reunion
> Songlines
> *
>
>
> Jerry Granelli
> Our Particular Tragedy
> Sandhills Reunion
> Songlines
> *
>
>
>
>
>
> * denotes Canadian Content
>
>
> Your support is necessary in keeping this voice for the music current. 
> Please feel free to forward music to the address below. Thanks again 
> for your support. Keep Listening
>
>
> Thanks
> Mike
>
>
> Mike Hansen
> CKLN FM 88.1
> Whynot Jazz Program
> 79 Benson Ave.
> Toronto,On
> Canada
> M6G 2H7
> whynotjazz at hotmail.com
>



From kim at anechoicmedia.com  Fri Apr 15 12:47:34 2005
From: kim at anechoicmedia.com (Kim Cascone)
Date: Fri, 15 Apr 2005 09:47:34 -0700
Subject: [Microsound-announce] 'a book of standard equinoxes'
Message-ID: <2a080ed41028b922242be3f8afcd2fae@anechoicmedia.com>

(1.8)sec.records is proud to present 'A Book of Standard Equinoxes' a 
document of a live
collaboration between Domenico Sciajno and Kim Cascone.
A dynamic, intense, and tight 60 minute improve without cuts or edits. 
?We think it is a rare
example in which improv gets very close to composition?. These veteran 
sound artists create
an engrossing mass of sound using Max/MSP, generated sounds, and 
location recordings from
Madrid, Spain and Domenico?s hometown of Palermo, Italy.

Cat.#: (1.8)sec002
Edition: 500
Release Date: Mar. 2005
Format: CD
Total Length: 60+min
Artwork: Kim Cascone


mp3 excerpts and more info can be found on the lable's website:
http://www.1pt8.tk/



From derek at x-i.net  Fri Apr 15 14:28:50 2005
From: derek at x-i.net (derek holzer)
Date: Fri, 15 Apr 2005 20:28:50 +0200
Subject: [Microsound-announce] SoundTransit for Radio Days: archive on-line
Message-ID: <426007E2.3030604@x-i.net>

On April 08, 2005, Derek Holzer and Sara Kolster curated and mixed live
a selection of field recordings from www.soundscape-fm.net and
berlin.soundscape-fm.net for Radio Days. Radio Days is 26 days of live
events broadcast from De Appel Stichting, Amsterdam (April 1st - April
30th, 2005).

This SoundTransit around the world included field recordings by Aaron
Ximm (Quiet American), Patrick McGinley (.murmer), Yannick Dauby, Ward
Weis, Sawako, Cedric Peyronnet, Keith de Mendonca, Jarra Schirris, Dale
Lloyd, Steffan de Turck, Alexandre Bettler, Peter Cusack, Marcello
Mercado, John Hegre (Jazzkamer), Derek Holzer, Maksim Shentelev (my-ym),
John Grzinich, Katarina Soukup, and Thor Magnusson (ixi).

The 36 minute MP3 archive can be listened to or downloaded in full from:
http://www.radiodays.org/program.php?day=8

You can find the full versions of these and many other recordings at:
http://www.soundscape-fm.net
http://berlin.soundscape-fm.net

Enjoy!
derek

-- 
derek holzer ::: http://www.umatic.nl
---Oblique Strategy # 41:
"Define an area as `safe' and use it as an anchor"


From op.cab.pol at netcabo.pt  Sat Apr 16 13:57:02 2005
From: op.cab.pol at netcabo.pt (Joao Duarte)
Date: Sat, 16 Apr 2005 18:57:02 +0100
Subject: [Microsound-announce] no one is perfect EP
Message-ID: <15ceafb30784813afe2bf88b1503d5b9@netcabo.pt>

You can listen to it and to other stuff by ocp here: 
http://www.archive.org/search.php?query=creator%3A%22ocp%22

Cheers,
Joao

http://ocp.pt.vu
http://pygar.pt.vu



From tobias at techno.ca  Mon Apr 18 09:50:01 2005
From: tobias at techno.ca (tobias c. van Veen)
Date: Mon, 18 Apr 2005 09:50:01 -0400
Subject: [Microsound-announce] MDCN Symposium: May 5-8th, 2005 @ SAT
In-Reply-To: <BE8932FB.1DD74%tobias@techno.ca>
Message-ID: <BE893349.1DD76%tobias@techno.ca>



/



Mobile Digital Commons Network Symposium/
Symposium R?seau Mobile Num?rique Communautaire


Sampling the Spectrum: The Politics, Practices and Poetics of Mobile
Technologies /  L??chantillonnage du spectre: les aspects politiques,
pratiques et  po?tiques des technologies mobiles.

May 5th - 8th, 2005
Montr?al, Canada

    http://www.mdcn.ca

    http://http://www.mdcn.ca/tiki-index.php?page=MdcnSymposium


The Mobile Digital Commons Network (MDCN) connects those members of the
academy, the arts and industry whose work revolves around mobile,
wireless, and digital technologies in Canada. Funded by Canadian
Heritage, our goals are threefold: to facilitate interdisciplinary
research; to foster cultural production and public participation; and to
develop forward-thinking policy on wireless technologies.

Hosted by the MDCN, this symposium examines the impact of mobile culture
and the evolving idea of a wireless commons. Over the course of four
days, we will investigate how wireless technologies enrich and modify
public life in Canada, challenge our notions of space and place, and
shape our day-to-day experiences.

Leading researchers, scholars and artists from around the world have
been invited to present their cutting edge work in these fields and
contribute to an ongoing discussion on these subjects. This event will
also serve as a public unveiling of the projects that constitute the
launch of the MDCN.

Le R?seau Mobile Num?rique Communautaire (RMNC) connecte les membres des
cercles universitaires, artistiques et industriels dont les travaux sont
li?s aux technologies mobiles, sans fil et num?riques au Canada. Notre
financement d?pend du minist?re du Patrimoine canadien et nous avons
trois buts: faciliter la recherche interdisciplinaire, encourager ? la
production culturelle et ? la participation publique, et d?velopper une
politique d?avenir sur les technologies sans fil.

Organis? par le RMNC, ce symposium examine l?impact de la culture mobile
et de l?id?e d?un espace communautaire sans fil. Pendant quatre jours,
nous analyseront les fa?ons par lesquelles les technologies sans fil
pourraient enrichir et modifier la vie publique au Canada, influencer
nos notions d?espace et de localit?, et fa?onner nos exp?riences
quotidiennes.

Des chercheurs de renom, des professeurs et des artistes internationaux
ont ?t? invit?s ? pr?senter leur travaux novateurs et ? contribuer aux
discussions qui entourent ces questions. Cet ?v?nement servira aussi ?
faire d?couvrir les projets qui constituent le coeur du RMNC.

Schedule

Thursday, May 5
@ La Soci?t? des arts et technologiques - SAT
1195 St. Laurent

2:00 - 5:00 PM
Industry Meeting - Hosted by Hexagram
(closed session)

5:00 - 7:00 PM
cinq-?-sept in SAT Caf?
with dj tobias (from SonicScene)

7:00 ? 10:00 PM
The Upgrade! Montr?al presents: MDCN

? 7pm-7:10pm : introduction to Upgrade
? 7:15pm-7:40pm: Michelle Kasprzak, SonicScene
? 7:50pm-8:15pm: tobias c. van Veen, SonicScene
? 8:25pm-8:50pm: Michelle Teran, SonicScene
? 9:05pm-9:30pm: Jason Lewis, CitySpeak
? 9:35-10pm: Marc Tuters, MC3

10:00PM ? 12:00 AM
mix_Sessions MDCN (lineup TBC/TBA)

Friday, May 6
@ La Soci?t? des arts et technologiques - SAT
1195 St. Laurent

09:30 ? 10:00 AM - Opening Remarks ? Michael Longford and Sara Diamond

10:00 ? 11:00 AM ? Plenary / Locating the Debate: Mobility, Urban Space,
and the Digital Commons

? Kim Sawchuk, Associate Professor, Communication Studies, Concordia
University
? Will Straw, Associate Professor, Art History and Communication
Studies, McGill University
? Andrew Herman, Associate Professor, Wilfrid Laurier University

11:00 ? 12:30 PM: Space and Place/Espace et localit?
Chair: Michelle Kasprzak

This panel explores how artists' use of mobile technologies opens up a
whole new medium of creative expression. Not least, it allows them to
experiment with shifting notions of space and place, and to explore the
kinds of social interactions that can emerge as a result.

Ce panel examine les mani?res par lesquelles l?utilisation de
technologies mobiles ? des fins artistiques permet la cr?ation d?un
nouveau m?dia d?expression cr?ative. En particulier, ces usages
permettent d?exp?rimenter avec les notions changeantes d?espace et de
localit?, afin d?explorer les interactions sociales qui en ?mergent.

? Alison Sant, Artist
? Drew Hemment, Futuresonic
? Shawn Micallef, Murmur
? Julie Andreyev, Associate Professor, Emily Carr Institute

12:30 - 1:30 PM ? Lunch

1:45 - 3:30 PM: Urban Probes/Sondes urbaines
Chair: Will Straw

The digital city has emerged in the last two decades as a significant
phenomenon impacting how we understand urban life. Traversed by the flow
of communications, the city is re-ordered by technological systems and
networks that, in their totality, constitute a considerable digital
architecture. How do we theorize this parallel urban space? What are the
roles of human and non-human actors in its construction? This panel
investigates the potential of these networks to create new 'public'
spaces in the digital city.

La ville num?rique a ?merg? lors de ces deux derni?res d?cades comme un
ph?nom?ne important pour notre compr?hension de la vie urbaine.
Travers?e par des flots de communication, la ville est r?-arrang?e par
des r?seaux et syst?mes technologiques qui, dans leur totalit?,
constituent une architecture num?rique consid?rable. Comment analyser
th?oriquement cet espace urbain parall?le? Quels sont les r?les jou?s
par les acteurs humains et non-humains dans sa construction? Ce panel
examine les potentiels de ces r?seaux en ce qui concerne la cr?ation de
nouveaux espace publics dans la ville num?rique.

? Eric Paulos, Intel, To be confirmed
? Michael Longford/Digital Cities, Associate Professor, Design and
Computational Arts, Concordia University
? Kajin Goh/Digital Cities/Designer
? Jennifer Gabrys, Ph.D. candidate, Art History and Communication
Studies, McGill University

3:30 - 3:45 PM - Break

3:45 - 5:30 PM: Participatory Design/Le design participatif
Chair: Louise Poissant, professeure ? l??cole des arts visuels et
m?diatiques de l?Universit? du Qu?bec ? Montr?al.

This panel explores those characteristics of new media network culture
that point towards collaboration, community participation, and the
evolving role of the user from traditional spectator to active
participant. In these environments, participants modify technologies to
suit their purposes. In so doing, they reconfigure conceptions of the
developer, designer and author. Engaging with working methodologies such
as brain and body storms and iterative design, this panel provides
insights into how cross-disciplinary teams can work together.

Ce panel explore les caract?ristiques de la culture en r?seau des
nouveaux m?dias, en particulier les pratiques de collaboration et de
participation communautaire, ainsi que le r?le changeant des
utilisateurs qui, de spectateurs traditionnels, se transforment en
participants actifs. Ces utilisateurs reconfigurent les conceptions de
d?veloppeur, designer et auteur. Ce panel utilise des m?thodologies
telles que le remue-m?ninge et le remue-corps ainsi que le design
it?ratif, afin d?explorer diff?rents moyens de collaboration entre
?quipes pluridisciplinaires.

? Minna Tarkka, m-cult: centre for new media culture, Helsinki
? Anne Galloway, Ph.D. Candidate, Carleton University
? Sara Diamond, Director of Research, The Banff Centre

5:30 ? 7:00 PM: Check out projects in the city

Friday evening: open (Asian music festival at the SAT)

Saturday, May 7

9:30 AM - Opening remarks

10:00 ? 11:30 AM: Community Wireless/La communaut? sans fil
Chair: Marc Tuters

In providing a public wireless infrastructure, WiFi networks have been
described as both community building tools and as revolutionary
political practices. In this panel, wireless advocates discuss the
particular challenges they face in creating community networks as they
pursue their vision of 'free' wireless access.

De par leur capacit? ? promouvoir une infrastructure publique sans fil,
les r?seaux WiFi ont ?t? d?crits comme ?tant non seulement des outils
pour aider ? la construction de communaut?s mais aussi comme permettant
des pratiques politiques r?volutionnaires. Dans ce panel, les avocats du
sans fil parlent des d?fis auxquels ils font face pour cr?er ces r?seaux
communautaires dans une philosophie d?acc?s au sans fil ?libre?.

? Julian Bleecker
? Michael Lenczner, Ile sans fil
? Anthony Townsend
? Jo Walsh, London Wireless

11:30 ? 11:45 PM

11:45 ? 01:15 PM: Digital Commons/La communaut? num?rique
Chair: Andrew Herman

Internet and wireless technologies have been heralded by some as
democraticizing tools, but in the context of national and international
regulatory bodies and emerging copyright and intellectual property
issues, just how democratic are they? In grappling with this question,
panelists suggest how the digital might be better used to facilitate
democracy.

Les technologies Internet et sans fil ont ?t? c?l?br?es comme outils de
d?mocratisation, mais dans une probl?matique de r?gulation
internationale et nationale de droits d?auteur et de propri?t?
intellectuelle, quelles sont leurs limites? Les participants de ce panel
adressent cette probl?matique afin de d?finir les mani?res par
lesquelles le num?rique peut ?tre mieux utilis? pour faciliter la
d?mocratie.

? Darin Barney, Canada Research Chair, Art History and Communication
Studies, McGill University
? Ian Kerr, Canada Research Chair, Ethics, Law and Technology,
University of Ottawa
? Barbara Crow, Technology Enhanced Learning Chair, York University
? Darren Wershler- Henry, Assistant professor, Communication Studies,
Wilfrid Laurier University

01:15 - 2:30 PM - Lunch

02:30 ? 03:15 PM: Cellular Practices/Pratiques cellulaires, Location: TBA
Chair: Kim Sawchuk

'Smart mobs' and 'thumb tribes' are terms that are being used to
describe the consumer and citizenship practices of cellphone users. This
panel explores how mobile technologies have been used in innovative and
unexpected ways to challenge existing political, social and economic
narratives.

Les termes 'foules intelligentes' et 'tribus du pouce' sont utilis?s
pour d?crire les pratiques commerciales et citoyennes des utilisateurs
de t?l?phones cellulaires. Ce panel explore les fa?ons par lesquelles
les technologies mobiles ont ?t? utilis?es de mani?re innovatrice et
surprenante pour d?fier certaines pratiques politiques, sociales et
?conomiques.

? Judith Nicholson, Ph.D. candidate, Communication Studies, Concordia
University
? Sandi Buckley, To be confirmed
? TBA

3:30 ? 4:30 PM: Keynote Address ? TBA

4:30 ? 05:00 PM
Wrap ? up discussion

05:00 PM ? Closing Remarks

Closing Party
@ La Soci?t? des arts et technologiques - SAT
1195 St. Laurent

10:00PM ? Miss Kitten - Live performance.
Berlin DJ, Miss Kitten lands in Montr?al for one night only. She will be
joined by DJ Mini for a live performance at the SAT.
Admission $30.

Sunday, May 8
11:00 AM - 2:00 PM - Public Demonstrations

Sonic Arboretum and Global Heart Rate will stage public demonstrations.
Parc ?milie Gamelin, Rue Berri and St. Catherine Street East.

The original document is available at
http://http://www.mdcn.ca/tiki-index.php?page=MdcnSymposium

--



From tobias at techno.ca  Mon Apr 18 10:21:19 2005
From: tobias at techno.ca (tobias c. van Veen)
Date: Mon, 18 Apr 2005 10:21:19 -0400
Subject: [Microsound-announce] [MTL] 19 Avril: Alain Thibault
In-Reply-To: <BE893A6D.1DD85%tobias@sat.qc.ca>
Message-ID: <BE893A9F.1DD87%tobias@techno.ca>



======================
THE UPGRADE! MONTREAL
======================

MARDI, le 19 Avril, 2005 / TUESDAY, the 19th of April, 2005
La Soci?t? des arts et technologiques (SAT) - 1195 St. Laurent

    .. gratuit .. free as always.. !


    < http://theupgrade.sat.qc.ca >


 ==== avec / with : ====

ALAIN THIBAULT
http://www.elektrafestival.ca



 20h00 : tobias c. van Veen (dj)
 20h30 : Pr?sentation de Alain Thibeault
 21h30?: Questions
 22h00?: Fin?!




    < http://www.sat.qc.ca >


---- Contacts :  -----

tobias c. van Veen 
Concept Engineer,  The Upgrade! Montr?al
tobias @ sat . qc . ca

Shabana Ali  
Assistante au coordonnateur,  The Upgrade! Montr?al
shabana . a @ gmail . com





From murmer at talk21.com  Mon Apr 18 16:24:43 2005
From: murmer at talk21.com (. m u r m e r .)
Date: Mon, 18 Apr 2005 21:24:43 +0100
Subject: [Microsound-announce] [playlist] framework - 15.04.05
Message-ID: <01f701c54454$a7e60b20$0302a8c0@murmer>

framework broadcasts live every friday (except the first one of each month) on resonance104.4fm  in london (uk) or worldwide on http://www.resonancefm.com between 8:30 and 9:30pm bst, and is repeated the following wednesday between 11:00am and 12:00 noon bst

next live broadcast: 22.04.05
~ time zone converter: http://www.thesaturnv.com/converter.html


RESONANCE FM'S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE HELP US TO CONTINUE BY MAKING A DONATION.  CHECK OUT OUR WEBSITE TO FIND OUT HOW YOU CAN HELP KEEP RESONANCE ON THE AIR: HTTP://WWW.RESONANCEFM.COM.  THANK YOU!

 

--------------------------------------------------------------------------------


framework - phonography/field recording; contextual and decontextualized sound activity
presented by patrick mcginley

a great show this week focusing especially on the recently discovered (by me, anyway) work of australian sound artist lawrence english - two very different albums; one seemingly made up entirely of untreated hydrophone recordings, and the other full of lush tonal composition.  this mixed well with another binaural soundscape from prolific contributor dallas simpson, a look back at one of bernhard g?nter's compositions from a re-release of an early album, more untreated recording from autumn records (the same label as english's hydrophone...) by ben owen, and some greek rumblings from the ever-present antifrost label.  we also heard a few tracks from the album interview with the eggs, by simon keep, which we featured on the show as a cdr a few years back.  we are now pleased to announce it has seen the light of day as an official release, on the sub rosa label, no less, and it is well worth a listen...

again, we are always looking for material for the show, whether raw field recordings, field recording based composition or introduction submissions.  send material, released or not, on any format, to the address below.   we are also hoping to have live performances as often as possible, so if you are in or passing through london please get in touch! 


framework
31 nevill road
london n16 8sl
uk

framework at talk21.com

 

--------------------------------------------------------------------------------



08.04.05

this edition will be rebroadcast this wednesday, 20.04.05, at 11:00am bst 

(artist  /  title  /  album  /  label)

keith de mendonca  /  framework intro
an evening recording of insects near a pond in speyside, tobago
http://www.dismbody.demon.co.uk/home.html

lawrence english  /  glenelg  /  limnology  /  autumn records
crackling hydrophone recording from this australian artist
lawrence at room40.org, http://www.autumnrecords.net



lawrence english  /  that was a lucky one  /  transit  /  cajid media

a more composed affair of bulging tones and disembodied radio voices

lawrence at room40.org, http://cajid.com 



dallas simpson  /  settlement  /  -  /  -

beautiful binaural natural soundscape, leading us from a watery start to a social finish

http://www.waterpump.f9.co.uk/



lawrence english  /  dark water  /  limnology  /  autumn records

more hydrophone recordings, this time featuring a distinctly insect-like buzz
lawrence at room40.org, http://www.autumnrecords.net



simon keep  /  night outside cabin  /  interview with the eggs  /  sub rosa

processed nighttime insect noises, as if recorded from inside their shells

http://www.holkham.net, http://www.subrosa.net



bernhard g?nter  /  stone circles (for richard long)  /  d?tails agrandis  /  trente oiseaux

earthy rumbles and ghostly harmonising distant tones fill a massive space with tiny sound

http://www.bernhardguenter.net, http://www.trenteoiseaux.com



lawrence english  /  .......dual process  /  transit  /  cajid media

more composition, this time layering delayed mumbles with watery crackle and hollow bumps

lawrence at room40.org, http://cajid.com 



ben owen  /  track 2  /  everglades  /  autumn records

crunchy, heavily stereo contact or hydrophone recordings from the autumn records leaves series

http://www.benowen.org/, http://www.autumnrecords.net



simon keep  /  interview with the eggs  /  interview with the eggs  /  sub rosa

noisy keening title track, windy, echoey, whistling spaces

http://www.holkham.net, http://www.subrosa.net



nightshift  /  track 2  /  nightshift  /  antifrost

field recordings and live electronics duo fill a tiny space with massive sound

nightshift at anet.gr, http://www.antifrost.gr



lawrence english  /  collecting clicks and chirps  /  limnology  /  autumn records

as the title suggests, another raw recording (hydrophone or contact?) of miniature life
lawrence at room40.org, http://www.autumnrecords.net







--------------------------------------------------------------------------------




framework intro submissions:

1)    take yourself and an audio recording device to a location of your choice
2)    record for AT LEAST 1 minute before you -
3)    read the following text:

welcome to framework.

framework is a show consecrated to field recording, and it's use in composition.
field recording, phonography, the art of sound-hunting; open your ears and listen!

4)    continue your recording for AT LEAST 2 minutes after you've finish speaking
5)    send the recording on any format to the address above, or as an mp3 via email

thanks!
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From kim at anechoicmedia.com  Mon Apr 18 17:41:07 2005
From: kim at anechoicmedia.com (Kim Cascone)
Date: Mon, 18 Apr 2005 14:41:07 -0700
Subject: [Microsound-announce] two events
Message-ID: <3f759cfa5155e70e525d8dee31f1ff19@anechoicmedia.com>

Linux Audio conference in Germany:
http://lac.zkm.de/

Hillis and Eno chat in LA, CA:
http://www.skirball.org/index.asp?s=program&p=einstein_prog.asp&a=eno



From fbar at footils.org  Tue Apr 19 12:01:14 2005
From: fbar at footils.org (Frank Barknecht)
Date: Tue, 19 Apr 2005 18:01:14 +0200
Subject: [Microsound-announce] two events
In-Reply-To: <3f759cfa5155e70e525d8dee31f1ff19@anechoicmedia.com>
References: <3f759cfa5155e70e525d8dee31f1ff19@anechoicmedia.com>
Message-ID: <20050419160114.GB13012@fliwatut.scifi>

Hallo,
Kim Cascone hat gesagt: // Kim Cascone wrote:

> Linux Audio conference in Germany:
> http://lac.zkm.de/

I might add, that we're streaming the whole shebang as ogg audio
stream: http://lac2005.zkm.de/, so if you can't come, you still could
be there.

Ciao
-- 
 Frank Barknecht                               _ ______footils.org__
             
          _ __latest track: "scans" _ http://footils.org/cms/show/41


From mikehansen at sympatico.ca  Wed Apr 20 11:47:05 2005
From: mikehansen at sympatico.ca (Mike Hansen)
Date: Wed, 20 Apr 2005 11:47:05 -0400
Subject: [Microsound-announce] 
	CKLN FM's Whynot Jazz playlist for April 13 , 2005
Message-ID: <72140E6D-B1B3-11D9-A16E-003065F9B470@sympatico.ca>


>
> Dear Artist and Label
>
> Welcome to the radio program Whynot Jazz on Toronto's CKLN FM 88.1. 
> Heard Every Wednesday Morning from 7am-11am est, 1pm thru most of 
> Europe and noon in the UK. Available around the world at:
>
> www.ckln.fm
>
> Here is the playlist from the last Whynot Jazz Program. Please note 
> that radio program, hosted by Mike Hansen, takes an outside 
> examination of new improvised and jazz musics. Whynotjazz is one of 
> the very few voices for progessive new music heard in Toronto or 
> around the world.
>
> Why Not?
> 2005/04/06
>
>
> Artist
> Song Title
> Album Title
> Label
>
>
> Furt
> Sad Fantasy
> Dead or Alive
> psi
>
>
>
> Clive Bell/Sylvia Hallet
> Shrugging into Spring
> The Geographers
> Emanem
>
>
>
> Aidan Baker
> Figure #3
> Figures
> Transient Records
> *
>
>
> Barnyard Drama
> Dodo
> Memories and a List of Things to Do
> Barnyard Records
> *
>
>
> Geordie Haley/Scott Thompson/nick Fraser
> 1
> @Arraymusic Studio
> independent
> *
>
>
> Kyle Bruckmann's Wrack
> Elegy for a Boiled Frog
> Wrack
> Red Toucan
>
>
>
> Nori Tanaka/Jason Ajemian
> track 10
> The Lay All Over
> ItsLovealloverit.com
>
>
>
> Mimeo
> cd 3 Track 1
> Lifting Concrete Lightly
> Serpentine Gallery
>
>
>
> Nilan Perrera
> Bowing and Being
> Harmless Love
> independent
> *
>
>
> Cline/Parkins/RaineyRaptors
> Ash and Tabula
> Atavistic
>
>
>
> Ned Rothenberg
> T.C.(for Thomas Chapin)
> Intervals
> Animul Records
>
>
>
> Methuselah
> Hula
> Themes 2
> Hula Themes
> www.feastyourears.com/methuselah.htm
> *
>
>
> Lasse Marhaug/Kevin Drumm
> 2
> Frozen by Blizzard Winds
> Smalltown Supersound
>
>
>
> Barnyard Drama
> I Can't Hear You
> Memories and a List of Things to Do
> Barnyard Records
> *
>
>
> Capazza/Lasserre/Talbot/Baray
> Quasar
> Gravitation
> Amor Fati
>
>
>
> Barnyard Drama
> Gordon
> Memories and a List of Things to Do
> Barnyard Records
> *
>
>
> Jerry Granelli
> Like a Ghost in the Grass
> Sandhills Reunion
> Songlines
> *
>
>
> Jerry Granelli
> Our Particular Tragedy
> Sandhills Reunion
> Songlines
> *
>
>
>
>
>
> * denotes Canadian Content
>
>
> Your support is necessary in keeping this voice for the music current. 
> Please feel free to forward music to the address below. Thanks again 
> for your support. Keep Listening
>
>
> Thanks
> Mike
>
>
> Mike Hansen
> CKLN FM 88.1
> Whynot Jazz Program
> 79 Benson Ave.
> Toronto,On
> Canada
> M6G 2H7
> whynotjazz at hotmail.com
>



From richard at sonicartsnetwork.org  Thu Apr 21 10:25:36 2005
From: richard at sonicartsnetwork.org (Richard Whitelaw)
Date: Thu, 21 Apr 2005 15:25:36 +0100
Subject: [Microsound-announce] Cut and Splice
Message-ID: <BE8D7670.5495%richard@sonicartsnetwork.org>

Sonic Arts Network and BBC Radio 3 present Cut and Splice

This year?s Cut and Splice festival presents Dots and Lines, a cluster of
events that explore the idea of notation and the relationship between score,
image, text and sound in electronic music and sound art.
 
Focusing on the gap between ideas and experience, between abstract concepts
and their relation to the tangible, Dots and Lines considers the analytical,
performative and documentary nature of music as written document and code.
It throws into relief our very concept of what constitutes the musical
experience and considers the complex dialogue between time based and static
art forms.
._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._._
 
Gallery Show 
Jerwood Space, Union St, London, SE1, tube - Southwark
14 May - 3 June
Monday ? Saturday, 10 ? 6, free entry
 
Including work by: Ashley, Brecht, Cage, Knowles, Levin/Liebermann, McLaren,
Nicolai, Raster-Noton, Schwitters & Wishart


 
Private View
Jerwood Space, Union St, London SE1, tube - Southwark
13 May, 7.30pm
 
Kurt Schwitters - Ursonate
performed by Jaap Blonk

Free event 
A limited number of tickets are available from the BBC Ticket Line: 020 8576
1227


 
Concert 1 
LSO St. Luke?s, 161 Old Street, London EC1, tube ? Old Street
22 May, 7.30pm 
 
Robert Ashley  - The Wolfman
performed by Joel Ryan and Keir Neuringer

Peter Ablinger - IEAOV part 4 "f?r Johann Michael Fischer"
performed by Apartment House

Mauricio Kagel ? Acustica
performed by Apartment House
 
Tickets: ?10/8 Barbican Box Office: 020 7638 8891 (9am ? 8pm, daily, bkg
fee) or www.barbican.org.uk/eticketing (reduced bkg fee)

 

Artist Talk
Yasunao Tone in conversation with the Wire's Alan Cummings
Jerwood Space, Union St, London, SE1, tube - Southwark
28 May, 2.00pm, free entry



Concert 2 
LSO St. Luke?s, 161 Old Street, London, EC1, tube ? Old Street
29 May, 7.30pm

Yasunao Tone ? Paramedia-Centripetal (Premiere)

Raster-Noton artists:
Olaf Bender (aka Byetone)
Frank Bretschneider
Carsten Nicolai (aka Alva Noto)
Signal

Tickets: ?10/8 Barbican Box Office: 020 7638 8891 (9am ? 8pm, daily, bkg
fee) or www.barbican.org.uk/eticketing (reduced bkg fee)


 
Closing Event
Jerwood Space, Union St, London, SE1, tube - Southwark
3 June, 7.30pm
 
John Cage - Williams Mix
performed by Langham Research Centre and Quartet Electronische
 
Free event 
A limited number of tickets are available from the BBC Ticket Line: 020 8576
1227



Website 
A specially curated Dots and Lines webspace at www.bbc.co.uk/radio3
featuring: 

*An international selection of web-based works curated by Honor Hager around
the ?Dots and Lines? theme. Including work from: Boredom Research,
Rigazieds, Stanza & Tom Betts
 
*Extensive notes on all of the artists and work featured in the series
 
*Video plus stereo and 5.1 streamed audio from the year?s Cut and Splice
concerts
 
*Interviews with selected artists and performers available as downloadable
MP3s
 
*Specially commissioned texts relating to the work featured in this year?s
Cut and Splice, authors include Kenneth Goldsmith, Paul Atinello, Robert
Worby and Wire contributors Rob Young and Alan Cummings
 
*A collection of internet based sound toys and games
 


Broadcasts
Performances and artist interviews from the 2005 Cut and Splice festival
will be broadcast in BBC Radio 3?s Hear and Now show. 90-93 FM:

21 May, 11pm ? Private View & Gallery focus
28 May, 11pm ? Concert 1
11 June, 11pm ? Concert 2 & Closing Event


Cut and Splice is presented with the support of The Wire and Jerwood Space
www.sonicartsnetwork.org



From kim at anechoicmedia.com  Thu Apr 21 12:11:20 2005
From: kim at anechoicmedia.com (Kim Cascone)
Date: Thu, 21 Apr 2005 09:11:20 -0700
Subject: [Microsound-announce] [ot] call for interested labels
Message-ID: <a2c70b6668aa1fd56569ed56a400f8e8@anechoicmedia.com>

I am shopping a collaborative CD project that I recently completed with 
Lasse Marhaug
rather than sending out individual emails to the usual suspects I 
thought I'd hit a few lists first
the CD is not untitled yet, is 45 minutes of computer generated 
micro-ambient noise structured soundscapes...or something like that...
if you are interested I can send you a CDR of the material for 
listening *after* I return to the US on May 16th
interested parties contact me off-list at:
kim at anechoicmedia.com
thanks in advance!



From muse at i8u.com  Thu Apr 21 13:44:31 2005
From: muse at i8u.com (I8U)
Date: Thu, 21 Apr 2005 13:44:31 -0400
Subject: [Microsound-announce] =?iso-8859-1?q?Volap=FCk_3_-_April_28th_20?=
	=?iso-8859-1?q?05?=
Message-ID: <5.1.0.14.0.20050421133049.02b93990@pop.mmpandora.com>

Les Poules: Volap?k 3


April 28th is the last of a series of 3 concerts presented in the context 
of Volap?k. This concert brings together Les Poules and the trio of young 
innovative musicians I8U, Magali Babin and Myl?na Bergeron. The show, while 
exploring the diverse avenues of today's musical language will follow 
Volap?k's thematic : a mix and exchange of new languages. These guests have 
distinguished themselves by their research and their will to push beyond 
the boundaries of electronic and noise music.

Les Poules: Joane H?tu, saxophone, voice; Diane Labrosse, sampler; Danielle 
Palardy Roger, percussions + a trio of young innovative musicians I8U, 
electronics; <http://www.electrocd.com/bio.e/babin_ma.html>Magali 
<http://www.electrocd.com/bio.e/babin_ma.html>Babin, electronics and found 
objects; <http://www.oral.qc.ca/>Mylena <http://www.oral.qc.ca/>Bergeron, 
electronics and vocals.

Thursday April 28th 2005 - 20h30
O Patro Vys
356, avenue du Mont-Royal Est ?
Montr?al, Qu?bec
[m?tro Mont-Royal]
[t] : 514-845-3855





i8u
http://www.i8u.com

NEW :

Mutek04
Compilation
http://www.mutek.ca/




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From info at noisejihad.dk  Thu Apr 21 21:23:18 2005
From: info at noisejihad.dk (Noisejihad)
Date: Fri, 22 Apr 2005 02:23:18 +0100
Subject: [Microsound-announce] Tour help needed in Europe
Message-ID: <116f01c546d9$dd8d26f0$86306b3e@kfi>

Hello...

W?ldchengarten will be heading out on a 10 day tour in the end of May / beginning of June and needs to fill out just two days, both saturdays.
On the 28th May a gig somewhere between Hamburg and Frankfurt would be appreciated
and on 4th June a gig somewhere between Berlin and Hamburg/Bremen/Hannover would do nice.

Do get in touch for further details if you're able to/interested in helping out.
Find below short description and direct mp3 links.

best
Lars


direct mp3-link:
www.waldchengarten.dk/floorless.mp3 
www.waldchengarten.dk/Burn_the_fucking_pig_at_the_stake.mp3 
please visit www.waldchengarten.dk for detailed info, pictures and
soundclips.

W?ldchengarten: Deliberately ignoring the fundamental rules of music,
W?ldchengarten aims to catch the feel of the eye of the hurricane - one of
overall chaos, but at the same time a disquieting silence. The musical
result is rumbling and buzzing with fragile guitar- and ringing sounds,
feeds and rattle; violently but still beautiful. It isn't exactly
anti-music, but W?ldchengarten has very much their own definition of how to
use and live with music.

Desolation House pressrelease:
Waldchengarten provides enveloping, blackened light on the sixth installment
of the Desolation House series, Relapse Records / Release Entertainment's
premium dark ambient collection. We are proud to offer only some of the
finest selections from the underground genre. All works are meticulously
selected for their depth and texture, then refined in mastering by the
impeccable ear of Robert Rich. Desolation House is a home to heavy forms of
dark electronics.

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII
Now: Electrical Bonding on Desolation House >>> www.desolationhouse.com
key to knowledge on danish noise >>> www.noisejihad.dk
art >>> www.ideations.dk
www.waldchengarten.dk
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From mcm at earphone.org  Thu Apr 21 22:03:10 2005
From: mcm at earphone.org (earphone)
Date: Thu, 21 Apr 2005 22:03:10 -0400
Subject: [Microsound-announce] Call for Submission @ A / V
Message-ID: <cbf0d59c6412d757bc86bb98a0bc3ef0@earphone.org>

*A\V, an interdisciplinary gallery/performance space in Rochester, NY, 
USA, is looking for sound and visual artists to fill our 2005-2006 
season.  We are particulary interested in integrated sound/visual 
installation, but welcome proposals for work in any media.  The 
deadline for submissions of proposals for shows June-December 2005 is 
May 15, 2005.

For more information, please visit our website:  http://www.avspace.org/
Online sumbissions form: http://www.avspace.org/submissions.php
*
About A\V:
Our mission is to reflect the wide range of the contemporary arts 
today, from photography, painting, and sculpture, to contemporary 
classical and electronic music, to noise art, multimedia installation, 
and public art. Equal parts art gallery, concert hall, and computer 
music studio, we aim to provide an open and flexible space that 
welcomes a diversity of genres and breaks down the distinctions between 
high and low art.




From ondasonoraradio at yahoo.es  Fri Apr 22 08:03:26 2005
From: ondasonoraradio at yahoo.es (Onda Sonora Radio)
Date: Fri, 22 Apr 2005 14:03:26 +0200 (CEST)
Subject: [Microsound-announce] CONTENTS ONDA SONORA 20/04/05
Message-ID: <20050422120327.71405.qmail@web25602.mail.ukl.yahoo.com>


ONDA SONORA, Madrid (ES)

?Radio C?rculo de Bellas Artes 100.4 FM 

 Mi?rcoles/Wednesday 15h -www.circulobellasartes.com

?Radio Aut?noma 88.8 FM

 Mie-Sab/Wed-Sat 16h -www.uam.es/ra

?Listen live real time -www.ondasonoraradio.com

_________________________________

 

CONTENTS ONDA SONORA 20/04/05CONTENIDOS ONDA SONORA 20/04/05



01. ALVA NOTO + RYUICHI SAKAMOTO
Track: Moon
Album: Insen
Label: Raster-Noton

Segunda colaboraci?n entre Alva Noto (Carsten Nicolai, director del sello Raster-Noton y probablemente uno de los artistas m?s influyentes de los ?ltimos a?os en lo que se refiere a m?sica electr?nica) y Riuychi Sakamoto (maestro japon?s del piano), una colaboraci?n que se inici? en 2003 con "Vrioon", un disco aplaudido a partes iguales por cr?tica y p?blico en el que los t?picos sonidos sinusoidales de Noto se contrapon?an a los acordes de piano de Sakamoto. En su retorno juntos, titulado "Insen", el alem?n trabaja directamente sobre los sonidos de piano del japon?s en lo que parece una experiencia bastante m?s compleja que su predecesora

Second collaboration between Alva Noto (Carsten Nicolai, Raster-Noton founder, and probably one of the most influential artists in the last years in electronic music) and Riuychi Sakamoto (Japanese piano master), a collaboration that began in 2003 with "Vrioon", a record acclaimed by both critic and public in which the typical sinusoidal sounds of Noto were set off the piano chords of Sakamoto. In their return together, entitled "Insen", the German works directly on the piano sounds of the Japanese in what seems a quite more complex experience that its predecessor

02. DJ AMSIA
Track: 2
Album: Aritmia
Label: Autoedicion / Self-Release

Dj Amsia es un m?sico electr?nico, disc jockey y remezclador del Pa?s Vasco, sobre todo un artista de su tiempo, un creador independiente que actualmente trabaja en solitario aunque ha tomado parte en varios proyectos de colaboraci?n en el pasado: Elvis Terrorista Zen y Corsal Desastre. Como Dj Amsia ha publicado un corte para la compilaci?n "Basque Electronic Diaspora", y adem?s ha autoeditado un par de recopilaciones de sus trabajos, como este "Aritmia"

Dj Amsia is an electronic musician, disc jockey and remixer from the Basque Country, mainly an artist of his time, an independent creator that actually works alone although he has taken part in several collaborative projects in the past: Elvis Terrorista Zen and Corsal Desastre. As Dj Amsia he has released a track for the "Basque Electronic Diaspora" compilation, and he has also self-released two compilations of his works, as this "Aritmia"

03. ORGANUM / Z'EV
Track: Tocsin 0
Album: Tocsin -6 thru +2
Label: Die Stadt

El a?o pasado, Organum y Z'ev editaron un maxi CD titulado "Tinnitus Vu" en el sello Touch, un primer acercamiento entre ambos en forma de colaboraci?n sonora que ahora tiene su continuaci?n: "Tocsin" es un disco completo publicado por el sello alem?n Die Stadt en el que ambos artistas parten de los sonidos de un piano y una pieza met?lica constru?da por Z'ev, y que los dos mezclaron y editaron posteriormente en Londres para desarrollar las dos secciones de que consta este ?lbum. Escuchamos una de las piezas de Stefan Joel Weisser, Z'ev

Last year, Organum and Z'ev released the maxi CD "Tinnitus Vu" in the Touch label, a first approach to sound collaboration between both that now has its follow-up: "Tocsin" is a complete album published by the German label Die Stadt in which both artists depart from the sounds of a piano and a metallic piece built by Z'ev, which both mixed and edited later on in London, developing the two sections on this album. This is one of Z'ev's (Stefan Joel Weiser) pieces

04. THE ANTI GROUP
Track: Psychoegoautocratical Auditory Physiogomy Delineated
Album: Psychoegoautocratical Auditory Physiogomy Delineated
Label: Die Stadt 

Continuamos en el sello Die Stadt, ahora con un proyecto abierto en cuyo origen se encuentran varios miembros de Clock DVA y The Hafler Trio, desarrollado con la intenci?n de formar un proyecto de investigaci?n multi-dimensional activo en campos como el sonido, el video, el cine y la performance. Este es su primer lanzamiento en una d?cada, "Psychoegoautocratical Auditory Physiogomy Delineated", detr?s del cual se encuentra una formaci?n misteriosa en busca de sonidos que alteren el estado mental de quien escucha

Still in the Die Stadt label, now with an open project in whose origin are several members of Clock DVA and The Hafler Trio, developed with the aim of shaping an active multi-dimensional project of investigation in fields like sound, video, cinema and performance. This is their first release in a decade, "Psychoegoautocratical Auditory Physiogomy Delineated", behind which there is a mysterious formation searching for sounds that alter the listener's state of mind

05. FREEFORM
Track: Don't Wait Up
Album: Outside In
Label: Skam

Desde el sello Skam, con base en Manchester, suena el nuevo trabajo del prol?fico Simon Pyke, Freeform, su segundo ?lbum para Skam desde que editara all? su "Free Ep", que data de 1995. "Outside In" ha titulado esta nueva entrega, repleta de los clich?s que marcan su propio y entretenido estilo de confeccionar melod?as

>From the Skam label, with base in Manchester, this it is the new work by the prolific Simon Pyke, Freeform, his second album for Skam since his "Free Ep" dating from 1995. "Outside In" is the title for this new delivery, full of the points that mark his own and amusing style of making melodies

06. MARTIN T?TREAULT, OTOMO YOSHIHIDE
Track: Orleans No.1 / Astrolabe 27.04.03 / Lyon NO.2-3 Kafe Myzik 28.04.03
Album: 2. Tok
Label: Ambiances Magn?tiques

Esta es la reciente colaboraci?n entre Otomo Yoshihide y Martin T?treault publicada por Ambiances Magn?tiques con el escueto t?tulo de "Tok". Otra onomatopeya, tras su disco conjunto editado el a?o pasado bajo el nombre "Grrr". Este nuevo trabajo parte donde acababa el anterior, aunque en general est? mucho m?s basado en ritmos que su predecesor, si bien son los propios platos giradiscos los que toman el mando instrumental en esta ocasi?n bajo la batuta en la direcci?n de sus dos autores. Esta serie colaborativa se cerrar? dentro de unos meses con la publicaci?n de "Ahhh", tercer volumen de la trilog?a

Recent collaboration between Otomo Yoshihide and Mart?n T?treault published by Ambiances Magn?tiques with the concise title of "Tok". Another onomatopoeia, after last year's "Grrr". This new work departs where the previous one finished, in general much more rhythm-based than its predecessor, although they are turntables themselves who take the instrumental control in this occasion under the instrumental control of their two authors. This colaborative series will close in some months with the edition of "Ahhh", third volume of the trilogy

07. ROUGE CIEL
Track: Bond Precisionnel 1/2/3/4
Album: Veuillez Proc?der
Label: Monsieur Fauteux

Todav?a en Canad?, escuchamos la faceta m?s experimental de Rouge Ciel, una joven banda entre la composici?n formal y la improvisaci?n formada por Guido Del Fabbro, Simon Lapointe, Antonin Provost y N?mo Venba. Se trata de su segundo trabajo, una mezcla de m?sica introspectiva, cerebral y espont?nea que bebe tanto del jazz como de la tradici?n folkl?rica de la Europa del Este y del rock m?s sucio, a?adiendo unas pinceladas de m?sica electr?nica a unas piezas de origen ac?stico como las cuatro que escucharemos mezcladas, todas procedentes de este ?lbum, "Veuillez Proc?der"

Still in Canada, we listen to Rouge Ciel's more experimental facet, a young band between formal composition and improvisation, formed by Guido Del Fabbro, Simon Lapointe, Antonin Provost and N?mo Venba. This is their second work, a blend of introspective, cerebral and spontaneous music inspired so much in jazz as in Eastern Europe folk tradition and in the dirtiest rock, adding some strokes of electronics to these originally acoustic pieces

08. PAUL DUTTON
Track: Stereo Head
Album: Oralizations
Label: Ambiances Magnetiques

Nos quedamos en el interesante sello canadiense Ambiances Magnetiques, que nos propone en esta ocasi?n escuchar las "Oralizations" de Paul Dutton, una obra divertida y muy curiosa constru?da al completo mediante improvisaciones vocales que investigan en los extremos de la voz y el verbo, y que difuminan los l?mites entre lenguage y poes?a. Paul Dutton es un artista sonoro vocal que lleva trabajando con su cuerpo cerca de 30 a?os, tanto en solitario como en colaboraci?n de otros artistas, en especial el grupo Five Men Singing junto a Jaap Blonk, Koichi Makigami, Phil Minton y David Moss

Ambiances Magnetiques proposes us this time listening to Paul Dutton's "Oralizations", a very curious work built completely from vocal improvisations that investigate in the edge of voice and verb, which blur the limits between poetry and language. Paul Dutton is a vocal sound artist that has been nearly 30 years working with his body, so much in solitary as in collaboration with other artists, especially the Five Men Singing group, together with Jaap Blonk, Koichi Makigami, Phil Minton and David Moss

09. NORMAND GUILBEAULT ENSEMBLE
Track: All The Things You Could Be By Now If Sigmond Freud's Wife Was Your Mother
Album: Mingus Erectus
Label: Ambiances Magnetiques

Desde el sello de Montreal Ambiances Magn?tiques nos llega el Normand Guibeault Ensemble, una formaci?n de jazz que naci? bajo la influencia del gran Charles Mingus, y que ha encontrado su propia manera, creativa y personal, de versionar al cl?sico. Adem?s de revisitar los m?s famosos cl?sicos del maestro, trabajan tambi?n temas mucho m?s oscuros, como este "All The Things You Could Be By Now If Sigmond Freud's Wife Was Your Mother"

Still in Montreal's label Ambiances Magn?tiques, we say goodbye with the Normand Guibeault Ensemble, a jazz formation that was born under the influence of the great Charles Mingus, and that has found its own way, creative and personal, of covering the jazz classic. Besides revisiting the master's more famous classics, they also work more darker tunes, as this "All The Things You Could Be By Now If Sigmond Freud's Wife Was Your Mother"

______

Nota: Este mensaje no ha sido solicitado, pero

consideramos que podr?a interesarte. De no ser as?, 

responde con un mensaje titulado ?borrame? y ser?s

inmediatamente eliminado del mailing. Muchas gracias

 

Note: This is an undemanded message, but we have

considered it could be interesting for you. If that?s 

not your case, then reply us with this subject for

the message: ?delete me?, and you will be inmediately 

out from the mailing. Thank you



		
---------------------------------

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From dkl37 at juno.com  Sat Apr 23 15:21:32 2005
From: dkl37 at juno.com (dkl37 at juno.com)
Date: Sat, 23 Apr 2005 12:21:32 -0700
Subject: [Microsound-announce] new releases from and/OAR (April 2005)
Message-ID: <20050423.122133.1932.4.dkl37@juno.com>

NOW AVAILABLE:

catalog number: and/16
artist: JOHN HUDAK
title: Sand Or Stars
http://www.and-oar.org/

Comparisons between the sand of the earth with the stars above are
many, but comparisons of this release by American composer
John Hudak with his previous work are far less to be found.

The first piece of this CD mastered by John's friend and collaborator
Stephan Mathieu (Sirr.ecords, Lucky Kitchen, Hapna, etc),
is unlike much of John's previous work in that it features sharp staccato
percussive sounds suddenly dodging in and out, but nevertheless
it still has John's "endless" compositional sense written into it.
A subtle sense of humor seems to be inherent in the piece as well,
as if some of the sounds hesitate with indecision as to whether
or not they should make their presence known or perhaps they are
trying to avoid colliding with some of the other sounds.
And upon listening to this piece, be careful with volume settings
at first listen, because the listener will quickly discover another
aspect
of this piece that is unlike much of John's previous work: sudden
volume shifts. This seems to suggest that the sounds are also
changeable in temperament as well!

The second piece on this CD is perhaps the most meditative
of the collection with its muted midrange buzzing that jumps around
within the stereo spectrum, perhaps being reminiscent of musical
radar signals or sonifications of normally inaudible activity occurring
in a planet's magnetosphere, all the while maintaining a benevolent
warmth throughout.

And what could possibly be described as the amplification of rolling ion
particle blasts being broadcast via shortwave radio, tells us that
we have reached the third and final piece of this collection of
what could be considered as being among John Hudak's finest works


catalog number: A19
artist: DALE LLOYD
title: Semper
http://www.and-oar.org/

"Semper is Alluvial's first release of 2005 and is co-released 
with the and/OAR label. Seattle-based composer Dale Lloyd 
has collaborated in the past with people such as Yannick 
Dauby and Michael Northam, and has had work released by 
labels such as Bremsstrahlung Recordings, Staalplaat and 
Sirr.ecords. For the past 5 years, Lloyd has played a quiet but 
strong role in bringing new life to the notion of "environmental 
recordings as sound art" (or "Phonography") with the highly 
regarded compilations produced for Phonography.org, as well 
as other projects and activities.

The first piece entitled "Semper", is mostly a quiet and 
contemplative work, yet it contains sprawling builds from near 
silent ebbs and flows to thunderous crescendos. Also heard 
are delicate field recordings and found objects transformed 
and woven into intricate electronic tapestries. The second and 
shorter piece titled "Magnesian Recumbit" is a slowly building 
ambient work with a unique sense of melancholy that makes 
for a perfect ending.

"For me, Semper basically illustrates a series of self-searching 
questions (with subtle epiphanies) followed by a somewhat 
enigmatic resolve or 'answer', of which I believe we have all 
encountered in our lives in one way or another." - Dale Lloyd

Surely, it is one of the strongest works to come from both Lloyd 
and Alluvial."  - Alluvial Recordings


and/OAR:  http://www.and-oar.org/
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From info at con-v.org  Sun Apr 24 19:21:33 2005
From: info at con-v.org (con-v)
Date: Mon, 25 Apr 2005 01:21:33 +0200
Subject: [Microsound-announce] two new releases from con-v
Message-ID: <426C29FD.4080101@con-v.org>



OUT NOW two new releases:

CD-R release:

CNV R03

DEAD LETTERS SPELL OUT DEAD WORDS
no words

After the online ep "don't need more songs to cry to" released recently,
and in anticipation of the coming full lenght cd ?Old Ghost, New Ghosts,
ALL Ghosts? on iDEAL this fall, con-v is proud to present the new album of
Swedish sound artist / designer Thomas Ekelund (Dead Letters Spell Out
Dead Words). 16 pieces perfectly assembled in a whole, excellent work.
Previously released on a limited edition cdr in March 2005, available only
at the iDEAL Festival.
The same recordings are also available on Hey You Fucking Man label as
FKMN005.

Thomas Ekelund works and lives in the city of Gothenburg, Sweden.



Online release:

CNV15

ARTURAS BUMSTEINAS
this uniform .ep


With the viscerality of the best pre-Velvet pump-organ dronings (or is it
rather the sound of the ru-be, the reed instrument of the south-east asian
Ma-peoples), energized with the wholly contemporary dynamics of a dj-set
and sparkling with the post-neurotic kinetics of glitch (very much like a
good champagne), no simple feelings will completely convey the affect that
Arturas Bumsteinas' latest piece brings about (and i haven't even
mentioned the title yet, casting it's elliptic semiotic shadow over the
whole) - what remains to be said is that this is HAPPY music: whilst a
gleeful heroism appears to have come over the troops, and the sun may even
be a-shining like a glinstening jewel; blazing, like the buttons on...
'this uniform'...

liner notes by Mark Pauwen

Arturas Bumsteinas works and lives in the city of Vilnius, Lithuania.


_________________________________________________


regards,
m.a.

-- 
_________________________________________________


www.con-v.org



From murmer at talk21.com  Mon Apr 25 16:40:16 2005
From: murmer at talk21.com (. m u r m e r .)
Date: Mon, 25 Apr 2005 21:40:16 +0100
Subject: [Microsound-announce] [playlist] framework - 22.04.05
Message-ID: <013e01c549d6$fd2645a0$0302a8c0@murmer>

framework broadcasts live every friday (except the first one of each month) on resonance104.4fm  in london (uk) or worldwide on http://www.resonancefm.com between 8:30 and 9:30pm bst, and is repeated the following wednesday between 11:00am and 12:00 noon bst

next live broadcast: 29.04.05
~ time zone converter: http://www.thesaturnv.com/converter.html


RESONANCE FM'S PROGRAMMING IS PRODUCED ENTIRELY BY VOLUNTEERS; PLEASE HELP US TO CONTINUE BY MAKING A DONATION.  CHECK OUT OUR WEBSITE TO FIND OUT HOW YOU CAN HELP KEEP RESONANCE ON THE AIR: HTTP://WWW.RESONANCEFM.COM.  THANK YOU!

 

--------------------------------------------------------------------------------


 
framework - phonography/field recording; contextual and decontextualized sound activity
presented by patrick mcginley

for this, our april edition of framework:focus, we featured a recent project by local london label authorised version entitled ^observer drift, a 2cd compilation consisting entirely of untreated field recordings from a well dispersed collection of artists.  the likes of francisco lopez, janek schaefer, leafcutter john, frans de waard and dave phillips bring us distant american thunderstorms, the minutiae of insect larvae, and the chilling freezing of microphones.  we heard a solid 60 minute soundscape constructed from these recordings, with a brief interlude of explanation on the project's background.  

for any more info on the project, see autorised version's website at http://www.a-version.co.uk, or for specific track details, see http://www.a-version.co.uk/drift.

again, we are always looking for material for the show, whether raw field recordings, field recording based composition or introduction submissions.  send material, released or not, on any format, to the address below.   we are also hoping to have live performances as often as possible, so if you are in or passing through london please get in touch! 


framework
31 nevill road
london n16 8sl
uk

framework at talk21.com

 

--------------------------------------------------------------------------------



22.04.05

this edition will be rebroadcast this wednesday, 27.04.05, at 11:00am bst 

(artist  /  title)
(all tracks from the 2cd compilation ^observer drift, released by authorised version - http://www.a-version.co.uk)

lasse marhaug  /  steigen, norway (-20 deg c) 27.12.2001
http://www.lassemarhaug.no

dave phillips  /  dusk at khao sok national park, thailand 01.03.2001
                      cave & bats, khao sok national park, thailand 08.01.1995
                      insect larvae in cocoons by road, chiang mai, thailand 04.04.1005
dp at tochnit-aleph.com

leafcutter john  /  public sound #207, hackney 2003
http://leafcutter.33-rpm.net

cheapmachines  /  domestic 010804
http://www.a-version.co.uk/cheap

 janek schaefer  /  [field recording] villanueva de la conception
http://www.aidioh.com

francisco lopez  /  untitled #153
http://www.franciscolopez.net

anla courtis  /  walkman in a freezer
a_courtis at yahoo.com

michael thomas jackson  /  intersection of fisher & eugene streets, greensboro, north carolina, usa 31.05.1993
http://www.microearth.com/jackson

frans de waard  /  klankschap #8
frans at beequeen.nl



--------------------------------------------------------------------------------



framework intro submissions:

1)    take yourself and an audio recording device to a location of your choice
2)    record for AT LEAST 1 minute before you -
3)    read the following text:

welcome to framework.

framework is a show consecrated to field recording, and it's use in composition.
field recording, phonography, the art of sound-hunting; open your ears and listen!

4)    continue your recording for AT LEAST 2 minutes after you've finish speaking
5)    send the recording on any format to the address above, or as an mp3 via email

thanks!
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From billjarboe at earthlink.net  Mon Apr 25 16:55:52 2005
From: billjarboe at earthlink.net (Bill Jarboe)
Date: Mon, 25 Apr 2005 13:55:52 -0700
Subject: [Microsound-announce] program
Message-ID: <690A2EF1-B5CC-11D9-87DF-000393034E74@earthlink.net>


   I recently put up 'radio program' which includes source material from 
the opera 'mindy sells prada and such used' plus a couple of excerpts 
from finished tracks.

   http://klatch.co.uk/billjarboe/mp3s/the_entire_show.mp3


  (26mb)

                                                          Bill




From tobias at techno.ca  Mon Apr 25 19:22:21 2005
From: tobias at techno.ca (tobias c. van Veen)
Date: Mon, 25 Apr 2005 19:22:21 -0400
Subject: [Microsound-announce] [MTL] 05 Mai: R
	=?iso-8859-1?q?=E9seau_mobile_num=E9?= riques
	communautaire / Mobile Digital Commons Network
In-Reply-To: <BE92F32A.1E380%tobias@techno.ca>
Message-ID: <BE92F3ED.1E392%tobias@techno.ca>



======================
THE UPGRADE! MONTREAL
======================

JEUDI, le 05 Mai, 2005 / THURSDAY, the 05 of May, 2005
La Soci?t? des arts et technologiques (SAT) - 1195 St. Laurent

    .. gratuit .. free as always.. !


    < http://theupgrade.sat.qc.ca >


 ==== avec / with : ====

Mobile Digital Commons Network / R?seau mobile num?rique communautaire:

----> MDCN / RMNC : Sonic Scene artists & projects <-----

Michelle Kasprzak, Michelle Teran, Jason Lewis, MC3 & tobias c. van Veen

< http://www.mdcn.ca >

 =========

? 17h-19h: cinq ? sept MDCN avec VJ Beewoo and DJ tobias
? 19h-19h10: Introduction ? The Upgrade
? 19h15-19h40: Michelle Kasprzak, SonicScene
? 19h50-20h15: tobias c. van Veen, SonicScene
? 20h25-20h50: Michelle Teran, SonicScene
? 21h05-21h30: Jason Lewis, CitySpeak
? 21h35-22h: Marc Tuters, MC3
? 22h ? 24h minuit [mix_sessions] MDCN avec: BeeWoo (VJ, C0C0S0L1DC1T1),
Colin the Mole (DJ, La?ka, Mutek) & tobias c. van Veen (DJ,
quadrantcrossing.org)


    < http://www.sat.qc.ca >


----------------------

MAY UPGRADE! : http://www.MDCN.CA

[English below]

C?est un Upgrade! de longue dur?e! Nous commen?ons ? 17h avec un vernissage
du R?seau mobile num?rique communautaire  (RMNC). Venez faire un tour pour
de la boisson et du son avec DJ tobias c. van Veen et les visuels de VJ
Beewoo.  Le symposium du RMNC sur lestechnologies mobiles et leurs mises en
application d?bute jeudi soir et se poursuit jusqu?? samedi apr?s-midi ? la
SAT, avec des expositions et des d?bats ouverts au public.

Le Upgrade!, lui, est ? 19h. Ce mois-ci, nous pr?sentons l?art sans fil
g?n?r? par l?utilisation de techniques psychog?ographiques avec le projet
SonicScene de RMNC. Hein?, vous dites vous... Oui : de l?audio et de la
vid?o produits pour ?tre ? convoy?es ? par des points d?acc?ssans fil ?
disposition dans certains lieux de Montr?al par le groupe communautaire ?le
Sans Fil. Les artistes discuteront de leurs oeuvres en plus de faire la
d?monstration de certaines d?entreelles.

The Upgrade! met aussi en vedette les pr?sentations de deux autre projets du
RMNC, CitySpeak par Jason Lewis ainsi que le travail de MC3. CitySpeak
g?n?re des codes po?tiques en temps r?el provenant du trafic de r?seau sans
fil et qui sont projet?s dans des espaces publics. Quant ? MC3, cette ?quipe
propose une visualisation en temps r?el d?information g?otopologique tout en
encourageant les ?changes culturels et cr?atifs gratuits. Ces deuxprojets
sont des installations que vous pourrez voir ? la SAT du 5 au 7 mai dans le
cadre du symposium ? L??chantillonnage du spectre ? du RMNC.

? 22h suivra un mix_sessions/RMNC avec les DJ The Mole (La?ka, Mutek) et
tobias c. van Veen (quadrantcrossing.org). On se d?foule jusqu?? minuit...
C?est un rendez-vous. Compl?tement gratuit!



[ENGLISH]

This Upgrade is full-length! We begin at 5pm with a vernissage for the
Mobile Digital CommonsNetwork (MDCN). Drop in for drinks and beats with DJ
tobias c. van Veen and visuals from VJ Beewoo. The MDC Symposium on mobile
technologies and their practices begins Thursdayevening and runs until
Saturday afternoon at SAT, with panels and exhibitions open to the public.

The Upgrade kicks off at 7pm. This May we feature wireless art generated
usingpsychogeographic techniques with the Sonic Scene project of MDCN/RMNC.
Huh, you say? Yes: audio and video produced to be ?drifted? using wireless
access points that are providedfree in the city of Montreal by community
group  ?le-sans-Fil. The artists will be discussing their work as well as
demonstrating various pieces.

The Upgrade! will also feature presentations from two other MDCN/RMNC
projects: CitySpeak by Jason Lewis and the MC3 team. CitySpeak generates
real-time code poetry from wireless network traffic, projected into public
environments, while MC3 offers real-time visualization of geotopological
information as it pursues free creative cultural exchange. These two
projects will be on-hand as installations in SAT from May 5th to May 7th,
2005. 

At 10pm, we feature an exclusive MDCN mix_Sessions with beats from DJs Colin
the Mole (La?ka, Mutek) and tobias c. van Veen (quadrantcrossing.org).
Rockin? out until midnight.. see you there! ALL FREE!

- tobias & shabana 


---- Contacts :  -----

tobias c. van Veen 
Concept Engineer,  The Upgrade! Montr?al
tobias @ sat . qc . ca

Shabana Ali  
Assistante au coordonnateur,  The Upgrade! Montr?al
shabana . a @ gmail . com






tobias c. van Veen, Concept Engineer       -
(SAT) Society for Arts and Technology
Montr?al, Canada | http://www.sat.qc.ca    +
http://theupgrade.sat.qc.ca | Upgrade!






From gintaskr at takas.lt  Tue Apr 26 18:43:07 2005
From: gintaskr at takas.lt (gintas k)
Date: Tue, 26 Apr 2005 15:43:07 -0700
Subject: [Microsound-announce] vyza
Message-ID: <002301c54ab1$50c769c0$b729fea9@lab0106>

Vyza event 
 
 Live:
 atrac
 r_s
 gintas k
 raimundas eimontas
 bumstein & garbstein
 antanas jasenka
 audio_z

Lithuania , Vilnius  2005-04-30   22:00 
Club Vault    http://www.vault.lt/
 


From richard at sonicartsnetwork.org  Tue Apr 26 12:14:16 2005
From: richard at sonicartsnetwork.org (Richard Whitelaw)
Date: Tue, 26 Apr 2005 17:14:16 +0100
Subject: [Microsound-announce] Research Associateship Plymouth
Message-ID: <BE942768.567B%richard@sonicartsnetwork.org>

I have been asked to forward the below. Not strictly sound based but an
amazing opportunity for someone to work at i-DAT in Plymouth. Please forward
as you think appropriate.

Best wishes

Richard

***************************************************************************

University of Plymouth
 
Faculty of Technology
 
SCHOOL OF COMPUTING COMMUNICATIONS AND ELECTRONICS
 
i-DAT [Institute of Digital Art & Technology] / Creative Partnerships
 
Research Associate in Telematic Learning Environments
 
Studentship ?12,000 + Fees - ?3,010: TOTAL ?15,010 pa.
 
 
Applications are invited for a three-year Research Associateship (with one
year?s guaranteed funding with the possibility of extending for a further
two years) based in i-DAT, School of Computing Communications and
Electronics at the University of Plymouth.
 
This project offers an outstanding opportunity for a student to work on an
exciting practice-based research project. The research context provided by
the ?Infinite Infants? project explores the pedagogic opportunities provided
by telematic/networked learning and teaching environments/architectures at
reception level. These networked environments will be developed in
collaboration with Creative Partnerships, HMC, Hyde  Park Infants, Langley
Community Infants and Woodford Infants School. The research post will be
required to develop tools and systems that enhance the learning environment
and extend the technological systems developed through the collaboration.
Infinite-Infants is a one year project. The project will enhance the
learning and teaching environment, provide added value to the curriculum,
empower children and teachers and enable mechanisms to ensure the projects
sustainability beyond the possible three year funded period.  The Research
Associate will have the opportunity to register for a PhD.
 
Applicants should have programming and authoring skills in the following
areas: server side development (perl,cgi, database), web authoring,
streaming media, flash, director and a familiarity with cross platform
environments (MacOSX, windows and Linux). Experience of working with schools
would be appropriate.
 
The Research Associateship will commence as soon as possible. Further
particulars and an application form are available from Carole Watson,
Faculty of Technology, University of Plymouth, Plymouth, Devon PL4 8AA, UK
(Tel: 01752 233329, e-mail: carole.watson at plymouth.ac.uk).
 
Informal enquiries may be made to Mike Phillips, Director of i-DAT on:
mike.phillips at plymouth.ac.uk
 
Closing Date: 11 May 2005



From mikehansen at sympatico.ca  Tue Apr 26 14:26:42 2005
From: mikehansen at sympatico.ca (Mike Hansen)
Date: Tue, 26 Apr 2005 14:26:42 -0400
Subject: [Microsound-announce] Fwd: FW: TMHNIYL vol.5
Message-ID: <BD1D7E44-B680-11D9-8A8C-003065F9B470@sympatico.ca>



>>
>> Hello and welcome to the next instalation of,
>> THE MOST HORRIBLE NIGHT IN YOUR LIFE
>> volume 5
>> . . . . . . . . . . . . . . . . .. . . . . . . . . . . . ... . . . . .
>> 1:Hansen, Krakowiak
>> 2:Kubota,Crockett, Andrew Gmail Reflex
>> 3:Knurl
>> 4:Torres,Kameel-Farah
>> 5:Parkade
>> . . . .. .. . . . . . ... . . ..     . . . . ...    .  . .. . . . . .
>> `  `  ` ` `   ` ` ` ` ` ``` ` ``  ` ```` ` ` ` ` ```  ` ` `  ``` ` `
>> at:
>>
>> New Works Studio
>> 319 Spadina Ave.
>>
>> 27 April 2005
>> 8:30PM
>>
>>
>> ===
>> Andrew, let Cathy and Nobuo know about it.
>> as usual there's some amps and microphones.
>> we might be recording the whole thing (Andrew and i wanted to run a
>> very small edition of some of the music, maybe even set up its own
>> tmhniyl label).
>> PLease all thank Mike Hansen for letting us use his studio. big hand 
>> mike.
>>
>> see you all on 27th !
>>
>> cheers
>> t
>



From info at tanderion.org  Wed Apr 27 11:31:39 2005
From: info at tanderion.org (daniele/tsh)
Date: Wed, 27 Apr 2005 17:31:39 +0200
Subject: [Microsound-announce] For Italian Microsounders: Nuovi progetti su
	Tanderion.org!
Message-ID: <426FB05B.70302@tanderion.org>

TANDERION.ORG
LABORATORIO VIRTUALE DI PAROLE, SUONI E IMMAGINI
________________________________________________________________________

Tanderion riprende il suo lavoro di contenitore multimediale e
laboratorio di idee proponendo due nuovi progetti: "Diario" e "Scansioni".


In dettaglio:

+++ FRANCESCO DANIELETTO | TSH: "Diario". ______________________________

www.tanderion.org/diario

testi di Francesco Danieletto (lostferro at tiscali.it)
musiche e foto dei Talk Show Host (www.talkshowhost.tk)

"Diario" ? un progetto che si svilupper? nei prossimi mesi
proponendo ogni quindici
giorni un nuovo testo, una nuova musica, una nuova foto.
E' gia online "Giorno1".

Intro.
Questo non ? un diario vero.
? doveroso precisarlo.
Si tratta di un contenitore di esperienze. Vere inventate, vissute in
parte oppure da altri.
? un occasione per provare a dire qualcosa in modo diverso.
Dalla bocca di uno di noi.
Volevo che fossero cose strettamente nostre; di una certa generazione in
un certo periodo storico.
Voglio distinguerci dalla massa. Voglio uscire dalla coda al supermercato.
Tutti in coda per comprarci un cervello, una coscienza, un cuore,
un?immagine.
E allora io cerco di dare vita all?interiorit? pi? profonda di un 
personaggio x che racchiuda il pi? possibile quello che ancora ci rimane 
di libero. Il mio intento non ? politico, ? ontologico.
Non sono sicuro di riuscirci; mi basta dargli voce.
In fondo reagisco alla terribile sensazione che spazio per esistere non
ce ne sia. Intendo esistere, nella sua pi? completa accezione. Intendo 
respirare, creare, amare. intendo la possibilit? di saltare lo steccato.
Insomma, io scrivo con delle idee in testa, ma il senso ? compito di
ogni singolo farlo proprio.
Leggeteci quello che vi ? pi? vicino, senza preoccuparvi di non avere
capito.
Una volta letto ? la vostra testa che deve funzionare.



+++ FABIO GUIN: "Scansioni". _________________________________________

www.tanderion.org/scansioni.htm

scansioni ? un lavoro aperto di fabio guin.

ricerca narrativa ed esplorazioni personali dei luoghi e delle persone,
nei giorni e negli oggetti, si fondono nelle sue parole per trovare ad 
ogni angolo di quotidiana strada percorsa una storia da raccontare..

non ci sono molte parole da dire quando si parla di parole, pagine
scritte o scarabocchiate in fretta e poi lasciate dentro a un 
portafogli. ma bisogna pur sempre ricordarsi delle frasi perse, delle 
domande non chieste. quelle che vengono a galla quando meno te lo aspetti.
solo quando certe corde della memoria vengono pizzicate ...e il suono
risveglia molti sensi sopiti_.

,le parole dormono con le voci, con il sole e con il silenzio.le parole
fanno l'amore con le cose-

e proprio di questo si tratta. ogni racconto che qui presentiamo ?
accompagnato dalla scansione dei due emisferi dell'oggetto che ha 
suscitato la storia.

non troverete quindi parole venute da spazi rarefatti e colme di licenza
poetica.
tutto viene da terra, l'asfalto secco e le discariche, lo zerbino di una
porta, il rullino che non abbiamo messo nella camera fotografica. li 
troverete con la stessa patina polverosa che appartiene alla loro 
miscoperta sul ciglio della strada. il gusto sapr? di cemento,
plastica e metallo. l'odore sar? di penetrante muffa, sangue, ruggine.
alla fine proprio fabio propose di scrivere con la polvere, il tempo che 
si deposita sul pavimento...
ma questa ? un altra storia_:


________________________________________________________________________

Tutti i lavori sono distribuiti sotto licenza creative commons.
(creativecommons.org/licenses/by-nc/2.0)
________________________________________________________________________

Mi scuso con chiunque non sia interessato. Se non volete ricevere altre 
notizie rispondete a questa mail mettendo nell'oggetto "REMOVE".
Scusate il disturbo.
________________________________________________________________________


WWW.TANDERION.ORG







From mikehansen at sympatico.ca  Wed Apr 27 11:41:12 2005
From: mikehansen at sympatico.ca (Mike Hansen)
Date: Wed, 27 Apr 2005 11:41:12 -0400
Subject: [Microsound-announce] 
	CKLN FM's Whynot Jazz playlist for April 20 , 2005
Message-ID: <C8601611-B732-11D9-97C7-003065F9B470@sympatico.ca>

>
> Dear Artist and Label
>
> Welcome to the radio program Whynot Jazz on Toronto's CKLN FM 88.1. 
> Heard Every Wednesday Morning from 7am-11am est, 1pm thru most of 
> Europe and noon in the UK. Available around the world at:
>
> www.ckln.fm
>
> Here is the playlist from the last Whynot Jazz Program. Please note 
> that radio program, hosted by Mike Hansen, takes an outside 
> examination of new improvised and jazz musics. Whynotjazz is one of 
> the very few voices for progessive new music heard in Toronto or 
> around the world.
>
> Why Not?
> 2005/04/20
>
>
> Artist
> Song Title
> Album Title
> Label
>
>
>
> P.Minton/A.Dorner/T.Lehn Toot
> AR?
> One
> SOFA
>
>
>
> Jean Derome
> Lac 3 Constellations
> Canot- Camping Expedition 4
> Ambiance Magnetiques
> *
>
>
> Carlos Zingaro
> Devil Angel
> Release From Tension
> AudEo
>
>
>
> Chris Cawthray
> Hope Song
> Winter Music
> Musicformovement.com
> *
>
>
> Janek Schaefer/Phillip Jeck
> Instanbul Drift
> Songs For Europe
> AudiOh!
>
>
>
> Han Bennink/Gus Janssen
> Hem
> Groet
> Data Records
>
>
>
> Alessio Riccio/Ernst Reijseger
> Jean Paul Riopelle-
> Incontro(1956)
> Drawing
> Unorthodox Recording
>
>
>
> Steve Lacy/Joelle LeAndre
> One More Time 3
> One More Time
> Leo Records
>
>
>
> Martin Kuchen
> Imperial Music
> 5
> Music From One of the Provinces in the Empire
> Confront
>
>
>
> Giuseppe Lelasi
> 1
> Gesine
> Hapna
>
>
>
> Werner Dalfeldecker/Martin Siewert
> Stendec
> Instruments
> List
>
>
>
> John Korsrud
> Swing Theory Mvt IV
> Odd Jobs, Assorted Climaxes:
> Spool
> *
>
>
> Rorenberg/Baker/Hatwich/Daisy
> Laugh Your Troubles Away
> New Folk, New Blues
> 482 Music
>
>
>
> Methuselah
> Princess
> Hula Themes
> www.feastyourears.com/methuselah.htm
> *
>
>
> Pau Torres
> Closed Schools
> Strand guitar & noises
> Red
>
>
>
> Eugene Martynec w/Tomasz Krakowiak
> Der Surkrutschnieder Marzurka
> Toronto Duets
> Artifact Music
> *
>
>
> Aki Takase/Alex Von Schlippenbach/Dj Illvibe
> Oklahoma
> Lok 03
> Leo Records
>
>
>
> Mou,Lips!
> Sounding Table in Vaticano
> Peanuts and Shells Geometria
> List
>
>
>
> Bonnie Kane
> Death By Boonda
> Voices in the Wilderness
> Pax Recordings
>
>
>
> Martin Tetreault/Otomo Yoshihide
> Genve No.6/Cave 12
> 2.Tok
> Ambiance Magnestique
> *
>
>
> Matt Turner
> Blue Smoke
> Dada Ear Ink
> Fever Pitch
>
>
>
> Wade Matthews
> Three Dogs in Four Minutes
> Aspirations and Inspirations
> Creative Sources Records
>
>
>
> Gianocarlo Schiaffini
> Aran
> The Missing Chainring
> Imprint Records
>
>
>
> Geordie Haley's Every Time Band
> Iceberg
> The Green Suite and Other Stories
> independent
> *
>
>
> Jerry Granelli
> Nolan
> Sandhills Reunion
> Songlines
> *
>
>
> Jerry Granelli
> River of Glass
> Sandhills Reunion
> Songlines
> *
>
>
> Janssen/Bennink
> Pethem
> Groet
> Data Records
>
> * denotes Canadian Content
>
>
> Your support is necessary in keeping this voice for the music current. 
> Please feel free to forward music to the address below. Thanks again 
> for your support. Keep Listening
>
>
> Thanks
> Mike
>
>
> Mike Hansen
> CKLN FM 88.1
> Whynot Jazz Program
> 79 Benson Ave.
> Toronto,On
> Canada
> M6G 2H7
> whynotjazz at hotmail.com
>



From derek at x-i.net  Thu Apr 28 09:23:58 2005
From: derek at x-i.net (derek holzer)
Date: Thu, 28 Apr 2005 15:23:58 +0200
Subject: [Microsound-announce] Call: VisibleSound/AudibleImage workshop @ BEK
Message-ID: <4270E3EE.7050704@x-i.net>

VisibleSound/AudibleImage is a workshop and performance series by Derek
Holzer and Sara Kolster which focuses on the interrelation of sound and
image.

The workshop component is a four day overview of Pure Data, GEM and PDP,
a collection of Free + Open Source Softwares available for Linux and Mac
OSX 10.3 which allow image, sound and data to be synthesized and
manipulated in the same environment. Participants will learn the basic
"grammar" and "vocabulary" of Pure Data, upon which objects for sound,
3D and video will be added. Emphasis will be placed on direct
connections between sound and image through three different methods:
influence of sound on image, influence of image on sound and the use of
common "control data" for both image and sound.

Time: 24. - 28. may 2005
Place: BEK, C. Sundtsgt. 55, 5004 Bergen, Norway
Free participation.
To apply send a short CV to bek at bek.no before 16. may.


Workshop Details:

*DAY ONE

1) Introduction: Why PD & Why Free + Open Source Software?

Our decision to use Pure Data has been motivated by several factors.
First and foremost is the need for a modular environment where audio and
video processing is possible without the intrusion of negative elements
such as a predetermined Graphical User Environment, cross-platform
issues and restrictive licenses. We will discuss these issues, and why
it is more important than ever that artists take Free + Open Source
Software seriously as tools for creative expression.

2) Installation Clinic

The first part of the workshop will be devoted to installing Pure Data,
GEM, PDP and several other externals on the participants' computers. Mac
OSX 10.3 and most Linux distributions can be accomodated. While PD and
GEM support Windows, PDP and several other externals do not, so Windows
users will be encouraged to use a live Linux CD such as Dynebolic during
the workshop. (If V2 provides any machines of their own to work on,
these will be set up on the previous day.)

3) Pure Data as a Language

Like learning any new language, PD starts with learning vocabulary and
grammer. In this case, we will learn the names of many common objects
and the syntax of how to use them, in a clear "Geek-to-English"
translation which makes the complex data-flow operations of PD
understandable to non-technicians and artists.

4) Pure Data for Sound Synthesis

PD has powerful signal-processing abilities, and we will explore these
by building a simple, monophonic synthesizer controllable from either a
MIDI device or from the keyboard of your computer. Different types of
sound sythesis, such as Additive, Subtractive, Amplitude Modulation,
Frequency Modulation and Wavetable Synthesis will be covered, along with
the use of filters and delays for a variety of effects.


*DAY TWO

1) Pure Data for Sample Manipulation

Because PD uses a range of very basic building-blocks to store and
playback sampled sound, a wide range of manipulations are possible.
Here, we will explore pitchshifting, time stretching, looping and basic
granular synthesis. Other uses of data stored in tables for control
purposes will also be touched on.

2) Pure Data for 3D: GEM

GEM is an external library used in PD for moving 3D graphics under the
OpenGL protocol. It is also an ideal environment for VJ mixing. We will
explore how to create and manipulate simple 3D objects, how to texture
them with images, how to playback and mix video clips in GEM and how to
use a live camera input.

3) Pure Data for Physical Modelling: PMPD

PMPD is an external library for PD which allows the creation of physical
models, consisting of units of mass and force, which can be used to
control both sound and image. We will look at different examples of
physical modelling using the sound-processing of PD as well as 3D
graphics from GEM to sonify and visualize our "virtual objects".

*DAY THREE

1) Pure Data for Audio Analysis

We continue our investigation of the audio side of Pure Data by looking
at different methods of analyzing sound signals for pitch and amplitude
information. The data we extract from the audio can be used to either
(re)synthesize new sounds or to control 3D or video graphics manipulations.

2) Pure Data for Video: PDP

PDP (Pure Data Packet) is another external library in PD which is used
primarily for video playback and effects filters. We will investigate
PDP for direct video synthesis, for the playback and mixing of
(audio)visual clips and for the processing of a live camera input. PDP
includes several tools for the analysis of video for movement, change
and color, which in turn can be used to control sound playback and other
events in PD.

*DAY FOUR

1) Pure Practical Examples

Now that the workshop participants have the background to understand
more complex PD patches, we will spend the morning looking at various
demos and performance patches to see how different artists and
programmers have developed their own environments for live audiovisual
synthesis.

2) Pure Data Practice

Workshop participants will put what they have learned into practice by
working in small groups, pairing sound artists together with video
artists to create simple audiovisual performance tools, with an emphasis
on the interrelation of sound and image.


*DAY FIVE

1) Workshop Presentation

Public presentation by instructors and workshop participants of tools
created during the week, covering the importance of Free + Open Source
Software, as well as the practical examples of its use.

Links:
http://www.audibleimage.nl
http://www.puredata.info
http://www.bek.no
http://flux.bek.no/int/www_docs/projektor/aktiv/visiaud



-- +---gif at bek.no +47329234+4790665018c.sundtsgt.55,5004bg. 
www.bek.no/gif ---+ http://mob.bek.no
-- 
derek holzer ::: http://www.umatic.nl
---Oblique Strategy # 83:
"How would someone else do it?"


From poodlenajanela at walla.com  Thu Apr 28 22:57:03 2005
From: poodlenajanela at walla.com (=?UTF-8?Q?=70=6F=6F=64=6C=65=20=6E=61=6A=61=6E=65=6C=61?=)
Date: Fri, 29 Apr 2005 05:57:03 +0300
Subject: [Microsound-announce] poodle.na janela Brazil
Message-ID: <1114743423.191000-59400077-22237@walla.com>

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From info at 12k.com  Fri Apr 29 15:24:29 2005
From: info at 12k.com (12k)
Date: Fri, 29 Apr 2005 15:24:29 -0400
Subject: [Microsound-announce] 12k's new mailing list
In-Reply-To: <20050429025140.1F7633713FB@collab.or8.net>
References: <20050429025140.1F7633713FB@collab.or8.net>
Message-ID: <p06200714be98395462be@[10.0.1.4]>

hi everyone, recently we updated our newsletter list and our now 
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